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Interview with Fiction Characters by Fiction Characters Part 43

10 Apr
Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers. Your job isn’t to find these ideas, but to recognize them when they show up.
— Stephen King, On Writing

In the last post, suspect Cory Swan suddenly appeared pointing a gun at the interviewing/séance session with Dana Bowman, Detective Sergeant Donald Fielding, Detective Larry Hutchinson, Robbie Stuart and the spirits of Roger Stuart and Susan Stuart. PC Oliver is still present but has remained silent, as if in a stupor, from seeing the spirits.

Hutchinson: Put that gun down, Swan before someone gets hurt.

Swan: Why? So you can arrest me? No. I have something to say and I’m going to say it.

Dana: You’re going to tell us all.

Swan: That’s right.

Dana: You’re going to tell Detective Hutchinson, Detective Sergeant Fielding, PC Oliver, Robbie Stuart, and me.

Swan: Of course. You’re all here, all five of you.

Dana (looking at Susan’s spirit. They nod at each other as if in cahoots): Very well. Speak.

Fielding, clearing his throat: Okay, please sit down over there and put that gun down.

Swan: No, no, no, no. I remain standing and keep the gun. You three cops though, take out your guns slowly and put them on the side table over there. Or I start shooting you one by one and Robbie Stuart is first.

The three police officers comply.

Swan: Good choice. Okay, I heard you discuss my story – so far, but not all of it. And I want immunity before I go any further.

Hutchinson: We can’t promise you that.

Swan: Then I don’t talk.

Fielding: We can probably reduce the blackmail charges to a plea bargain.

Swan: A good start, but I expect more.

Dana: And I expect my brother back safe and sound and alive.

Swan: All in due time, Ms Private Eye. Okay. What you guys were talking about is somewhat correct as far as it goes. Sure I blackmailed Roger Stuart and made a pretty penny until he had the audacity to croak. (He looks at Dana). That’s your brother’s fault for interviewing him and getting a lot more details from him.

Dana: And were you there hovering and hiding for that interview.

Swan moves closer to Dana and waves the gun a few inches from her face: Shut up. This is my story.
Dana, her voice shaking: Very well. Continue.

Swan: Thank you. Yes, I was around when your brother interviewed Roger but not hiding. Bast and I arrived together as he wanted me to take pictures of Roger. But that’s not all I did. I took photos of her, too.

Dana: Her?

Swan: Yeah, the second bogus Mrs. Roger Stuart. She walked in right near the end of the interview. She was furious, ranting and raging about Roger blabbing family secrets. She threatened him and Bast if the story got printed and me if the photos got printed. Then the bitch grabbed my camera and pulled out the film. Too bad we didn’t have digital then but I guess she would have just smashed the camera. Then she went after Roger. She picked up a lamp and charged towards him. Bast and I managed to grab the lamp and stop her. We were going to call the police but Roger said, “No, please don’t do that. I can calm her down.”

Roger’s spirit is nodding “yes” at this.

Swan: Bast and I left when she appeared to be sitting calmly at the table. But… we should have stayed because Roger Stuart died later that evening of a heart attack.

Hutchinson: Are you saying that the second Mrs. Stuart scared her husband into a heart attack?

Swan shrugs his shoulders.

Roger Stuart is nodding again: She attacked me again that evening. She knew I had a heart condition. She hated my first wife and my kids. I couldn’t take it and so I died.

Hutchinson: So, you wanted all this to be suppressed in Robbie Stuart’s memoir? And so that’s why you kidnapped Bast Overture?

Swan: No, you got that all wrong. I wanted the memoir to be published. But Mrs. Stuart No. 2 got wind of it and…

Dana: She’s in prison.

Fielding: Ms Bowman, you should know that doesn’t stop anyone.

Swan: You got that right Detective.

Fielding: So, where does Bast Overture fit into all this?

Dana: Yes, why did you kidnap my brother after he returned from his first disappearance?

Swan: I didn’t kidnap your brother. He suddenly appeared in my office demanding answers. He didn’t want to co-operate with me…
Dana: So you tied him up and kept him prisoner?

Swan: What choice did I have? He was going to have me arrested? And that didn’t fit in with my plan.

Dana: But he got away.

Swan: Yes, damn him.

Fielding: But that’s when you started threatening Doris Bowman and David Bowman?

Swan (smiling): Of course. Nothing like a little family pressure to get someone to come round.

Dana (standing up): You scum.

Swan: Sit down Ms Bowman or you’ll meet the same fate as your brother.

Dana: What’s that? What have you done to Bast?

Swan: Not telling right now. First, I need police co-operation – no charges against me and you put me in witness protection – or whatever you call it here in Canada.

Hutchinson: No, you’re wrong. First you tell us where Bast Overture is now because it is obvious you have him somewhere.

Swan: Not yet. I still need him.

Dana: What for?

Swan: Why he is going to come out of retirement and write another newspaper story about the Stuart saga, sort of a preliminary to Robbie’s memoir and also with some updates about what really happened during that other interview.

Susan’s spirit, looking at Dana: Time for Dad and me to step in.

Roger’s spirit, Robbie and Dana nod. Detective Sergeant Fielding and Detective Hutchinson both stand up. Swan raises the gun and fires into the air.

PC Joseph Oliver suddenly becomes alert to what is happening.

Cheers.

Sharon A. Crawford

Sharon A. Crawford’s prequel novel Beyond Blood, featuring the fraternal twins will be published fall 2014 by Blue Denim Press. Stay tuned.

Meantime, you can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on April 10, 2014 in Beyond the Tripping Point, Blue Denim Press, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

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Interview with Fiction Characters by Fiction Characters – Part 42

03 Apr
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

But first an announcement from Sharon A. Crawford.

My prequel novel, Beyond Blood, is being published By Blue Denim Press this fall (2014). That means readers will find out what really happened to David Bowman before he became psychologically mute. Dana Bowman, Bast Overture, Great Aunt Doris Bowman, Detective Sergeant Donald Fielding, PC Joseph Oliver will be “back” as well as a few other characters including the mysterious “Him.” Stay tuned. Meantime check out my other blog for the post about getting another book published http://onlychildwrites.wordpress.com/2014/04/01/only-childs-novel-to-be-published-fall-2014/
Now back to our current story (and I promise it will be resolved by Easter – this year).

In the previous posting, Detective Hutchinson, Detective Sergeant Fielding and Dana Bowman were interviewing a couple of spirits (Roger Stuart, Susan Stuart) and a live one (Robbie Stuart) to get information on where Bast is and why he was kidnapped. Susan Stuart has just announced that her brother Robbie has written a tell-all family memoir being published this year.

Fielding: This payback isn’t just against Bast, is it Susan?

Susan: That’s for you to figure out.

Hutchinson: Quit playing games.

Susan: Or you’ll what? Do I have to keep reminding you I’m already dead and so is Dad?

Dana: Again, let me talk to them. My guess is you are also after Cory Swan, but I have a question. How did he find out?

Robbie: I told him about the memoir – I needed permission for some of his photos from the newspaper story.

Dana: And I suppose you contacted my brother for a similar reason – permission to use his story?

Robbie: Well, I called him, but after I talked to Swan. Bast had disappeared before I had a chance to talk to him.

Susan: Like I told you Dana, I really was trying to protect your brother from Cory Swan so brought him over to our side. But he got away and came back. And I really don’t know where he is now.

Fielding: Do you Roger?

Roger: No.

Fielding: Robbie?

Robbie: No.

Voice from behind: But I do. And I’m not telling where until you do as I say.

Dana, Fielding and Hutchinson turn around. Cory Swan stands inside the dining-room door. He is holding a gun.

Cheers.
Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

And stay tuned for more goodies on Beyond Blood.

 
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Posted by on April 3, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Plot and Characters, Sharon A. Crawford, Uncategorized, Writing

 

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Interview with fiction characters by fiction characters – Part 41

27 Mar
Click on the book cover to go to amazon.com

Click on the book cover to go to amazon.com

If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
– Richard Bach
In last week’s post, Dana Bowman and PC Oliver are just getting ready to leave the Thurston Public Library boardroom to head down to Toronto to Roger Stuart’s place.
The scene shifts as PC Joseph Oliver and Dana Bowman meet Detective Sergeant Donald Fielding and Detective Larry Hutchinson at the Stuart residence in Toronto. Dana doesn’t listen to Fielding’s instructions to wait until the three police officers check out the place, but follows them right in. They find Robbie Stuart, his sister Susan’s spirit and a third spirit sitting around the dining room table, as if involved in a séance.
Hutchinson: Detective Larry Hutchinson, Toronto Police Services.
The three at the table ignore them.
Hutchinson: We received a call there was a commotion going on here.
The three at the table still ignore them.
Fielding: Detective Sergeant Fielding, Cooks Regional Police.
Still no acknowledgement from the table. All three seem to be in a trance.
Dana (whispering): Let me try. (She raises her voice.) Dana Bowman here. Bast Overture’s twin and business partner. Susan and Robbie, we’ve met before and I’m guessing you (she points to the third figure) are Roger Stuart, in spirit of course.
Susan’s Spirit: Very clever Ms Bowman. But don’t think you coming here will help you find your brother or change anything.
Fielding: We just want to ask you some questions.
Susan: Questions, questions. We’ve had too many questions hurled at us and we’ve had enough.
Roger’s Spirit: I haven’t. And I have something to say to all.
Fielding: Very well. In your own words.
Roger’s Spirit: Boo. Hah, hah. Well, isn’t that what ghosts do?
Fielding: Very funny.
Hutchinson: Don, let me try. Now a couple of you are in serious trouble and it is in your best interests to answer our questions.
Susan’s Spirit: And if we don’t you’ll what? Two of us are already dead and you can’t hurt us. Hah. Hah. Hah.
Hutchinson: Robbie Stuart isn’t dead.
Susan’s Spirit: You’re sure of that.
Dana: Oh for Christ’s sake. Let’s stop playing games and put our cards on the table. We are basically looking for my brother Bast and also for Cory Swan. You should be interested in both, especially Swan as he didn’t exactly treat you in your best interests.
Susan: That’s putting it mildly. Nice try, but I can’t see how we can help each other –I gather that’s what you are after.
Dana: Look, Susan and Roger, you probably want some peace and maybe by sorting all this out, you can get that.
Hutchinson, raising his arms: All right. That’s enough dodging around. Fielding and I have some questions and you are all going to answer them.
Susan and Roger: Hah. Hah
Robbie suddenly stands up and glares at his father and sister: Cut it out you two. Let’s get this done for once and for all. Detective Hutchinson and Fielding? Ask your questions. I’m willing to answer anyway.
Hutchinson: Okay, we’ll start with you. What do you know about your father’s and Cory Swan’s dealings?
Robbie: Swan was blackmailing Dad about marrying his secretary while still married to Mom.
Hutchinson: Yes, we know that. But what else?
Robbie, looking over at the two spirits as if for confirmation: Well it was later, when Dad and his secretary returned to Toronto, just before Dad died. He knew he had a heart condition and he wanted to see Susan and I again before he died.
Hutchinson nodding: Yes, go on.
Robbie: Dad found out that Mom had died from cancer and he blamed himself. He wanted to make it up to us. But his second wife was jealous and turned on him. Dad met up with Susan and I – it was when Susan was just starting to make it as an artist and she was getting interviewed by various newspapers. He didn’t tell his second wife this. Dad, well, he seemed afraid of her for some reason.
Dana: Not surprising, considering what she did later.
Fielding: Dana, let Mr. Stuart tell his story.
Robbie: Not much more to tell. Dad told us what happened, but while he did so, that photographer Cory Swan was snooping around outside taking preliminary photos or so he said. But he was inside the house and Susan and I didn’t let him in.
Susan: But you left the damn back door open, Robbie.
Hutchinson: And so Swan heard your dad’s story and something in it got his attention. (He turns to Roger’s spirit). You told Robbie and Susan about the blackmail.
Roger’s spirit: Yes, and that bastard Swan was going to tell the reporter – Bast Overture – and make sure the whole world knew, knew I was back and well the whole sordid story. I couldn’t have that happen, she…she would come after me and my kids if she knew I’d told.
Hutchinson: Who would come after you?
Roger: My second wife.
Hutchinson: And what didn’t you want your second wife to know?
Roger’s spirit: What she was really like.
Hutchinson: And what was that?
Roger: I can’t tell. I can’t
Fielding: So Cory added to the blackmail?
Roger’s spirit: Yes.
Dana: That’s not it, is it? Cory, did tell my brother, didn’t he?
Roger: No, not that I know of.
Susan: Dad… Oh very well; Robbie blabbed Dad’s story to Bast, so your brother knew Dad was alive and back in Toronto.
Dana: And did Bast interview your Dad?
Susan: Yes, and it killed him. Dad had his heart attack and died right after your precious twin brother interviewed him.
Dana: So this is payback? But why now.
Susan: Because my precious brother, Robbie is writing a tell-all memoir about our family and it’s being published this year.

Cheers.
Sharon A. Crawford
You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.
This Saturday, March 29, 2014,Sharon A. hosts and reads at another Crime Writers of Canada Murder and Mayhem at Du Cafe in east end Toronto, Ontario, Canada.. If you are in Toronto, drop in – the food is to die for and so are the stories read by crime writers Howard Shrier, Lynn Albrecht, Rob Brunet and Rosemary McCracken.
More info on this and Sharon A.’s other upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on March 27, 2014 in Beyond the Tripping Point, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford

 

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Interview with Fiction Characters by Fiction Characters – Part 40

20 Mar

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

I always have a basic plot outline, but I like to leave some things to be decided while I write.

–          J.K. Rowling

Susan Stuart’s spirit has finally manifested and Dana and PC Oliver learn that she is not to be trusted. There is also another spirit involved and the missing Bast has just phoned his fraternal twin, Dana. Dana and Oliver remain in the Thurston Public Library boardroom. All characters, except Cory Swan, are from Beyond the Tripping Point by Sharon A. Crawford (Blue Denim Press, 2012).

Dana (on her cell phone with Bast): Bast, where are you?

Bast: Can’t tell you right now. It’s not safe for you to know.

Dana: But Oliver and I could come and get you.

Bast: It’s better that you don’t know where I am right now.

Dana: Okay, but I’m worried.

Bast: I know you are, but it is also a safety measure for you and David.

Dana: David? Where does he fit into all this? He wasn’t even born when…

Bast: I know, but CS is very cunning and determined and will go after family members if he has to.

Dana: All this just to keep a blackmailing scheme quiet? Bast, the police know and have a document showing that Roger Stuart was illegally married to his secretary while still married to Susan and Robbie’s mom before he and the secretary disappeared.

Bast: I know. But it’s more than this.

Oliver interrupting: Dana, let me speak to Bast.

Dana (covering her cell with her hand). Just a minute Oliver.  (Dana holds her cell out a bit so Oliver can hear the conversation).Yes, Bast you were saying.

Bast: Is Oliver with you?

Dana: Yes.

Bast: Okay, I’ll talk to him in a minute but as I was saying, it’s more than just Roger Stuart’s bigamy.

Dana: I gather that. And Susan Stuart – or rather her spirit is not what she seems. Do you know what she’s up to?

Bast: Partly. That’s what I’m working on and to do so I must remain “undercover.” What I have found out is Susan’s spirit is conspiring with her Dad’s spirit to get revenge on Cory Swan for the blackmail scheme.

Dana: What are they doing?

Bast: That I don’t know. But they must be meeting somewhere but I don’t know where.

Dana: I can answer that. Susan said her Dad’s spirit is tied to their house. So it’s there. And Bast, Roger is living there I think. Is he in danger?

Bast: He might be. That might be the other part of the puzzle. But I don’t know what if anything he had to do with all this. He always seemed to disappear himself.

Dana: Right…

Oliver, interrupting: Bast, Cooks Regional and Toronto Police Services have  some info on where Roger has been living when not in Toronto and you are correct Dana, Roger is living in the house now.

Dana: Can he see his sister’s and father’s spirits?

Bast: I don’t know. Oliver, do you know what Roger’s been up to when away?

Oliver:  Like I said, we have some idea but need more information.

Bast: Then I need to talk to him.

Dana: No, let me. You have to stay safe.

Bast: I also need to get some answers.

Oliver: So do the police. Bast, I need you to tell us where you are.

Bast: Can’t do that – it’s a safety issue.

Oliver: Bast, for your own good and your sister’s, you need to come in. We can give you protection.

Bast: No. It’s better I stay underground for now.

Dana: What did you actually write about Susan Stuart and her painting and where was it published?

Bast: In the Toronto Herald. There’s a print copy in the office where I keep all my published story clips.

A loud noise, like a siren comes over Dana’s cell phone.

Dana: What’s that?

Oliver: Bast, where are you?

Bast (his voice getting weaker). Gotta go. Talk to you lat…

Dana: Bast, are you there?

Silence on the other end.

Oliver pulls out his cell and starts punching in numbers: Fielding, you and Hutchinson better meet with us. Bast has called and…what? Okay…

Dana: Where? I’m coming too.

Oliver into his cell: Did you hear that? Dana’s coming too. She has info. I’ll bring her.

Dana: Where?

Oliver: The Stuart residence. Something’s going on there with Robbie Stuart.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. Crawford will be returning to Aurora where she lived for 23 years. If you are in the Toronto area (GTA) and in particular just northof Toronto in York Region, join Sharon and four other Crime Writers of Canada authors reading from and talking about their crime books in A Shot in the Dark at the Aurora Public Library, Monday, March 24, 2014 from 7 p.m. to 9 p.m.

More info on this and Sharon A.’s other upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on March 20, 2014 in Beyond the Tripping Point, Credible Fiction Characters, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Writing

 

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Interview with Fiction Character by Fiction Characters – Part 36

20 Feb

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

A story to me means a plot where there is some surprise. Because that is how life is – full of surprises.

–          Isaac Bashevis Singer

As Susan Stuart, the abstract painting’s artist is dead (murdered), Detective Sergeant Fielding and Detective Larry Hutchinson have hauled in her brother Robbie Stuart. Dana Bowman, as usual has wangled her way into this interview held in the boardroom of the Thurston Public Library. The three are sitting around the back of the boardroom table right in front of the abstract painting.

All characters  (excluding Mr. Swan) are from the short story collection Beyond The Tripping Point by Sharon A. Crawford (Blue Denim Press, Oct. 2012)

Stuart (looking down at the trio): What’s this? I thought I was coming to see Detective Hutchinson about some wrap-up stuff to my sister’s death.

Hutchinson (pointing to each): Come this way and sit down Mr. Stuart. This is Dana Bowman, one of the PIs who runs The Attic Investigative Agency. And this is Detective Sergeant Donald Fielding who is in charge of the kidnapping of Sebastian Overture, who is Dana’s business partner and also her fraternal twin.

Stuart: So what’s it to do with me?

Hutchinson: First, sit down here.

Stuart shrugs his shoulders, walks to the other end of the room and sits down.

Fielding: Well, first off, this painting behind me was done by your sister Susan…

Stuart: I know that. She did it a couple of years before her death.

Fielding: …and there is this photo. (He shows the photo of Susan, Bast, and Robbie).

Stuart: Yeah, that reporter. He interviewed Susan and I just before she had her art exhibit here. What of it? Oh, I get it. You think I have something to do with his kidnapping.

Fielding: Right now we just want to find out the circumstances surrounding this photo. What exactly did Mr. Overture interview you about?

Stuart: I told you – my sister’s upcoming art show and her artistic talents.

Dana: Oh come on, Mr. Stuart, my brother used to write crime stories, not art stories. So what was he there for?

Stuart: You’re not police. I don’t have to talk to you.

Fielding: Answer the question, Stuart.

Stuart: He asked me about my father.

Dana: You mean Roger Stuart who also disappeared …

Fielding: Dana. I’ll ask the questions.

Dana: Well, ask the right ones. It’s my brother who’s missing. Surely Mr. Stuart can relate to that with his father’s disappearance.

Stuart: Yeah right. My father disappeared many years ago when I was a teenager. He ran off with his secretary and left my mom, sister and myself. It eventually killed my mom.

Hutchinson: Your mother died of cancer.

Stuart (standing): Damn right. And she wouldn’t have gotten it if Dad had stayed with her. And Suzie would still be alive.

Hutchinson: All right. We’ve already covered all this when your sister was murdered. Just answer Detective Fielding’s questions…and Dana Bowman’s too. We just need to know what happened in that interview you and your sister had with Bast Overture.

Stuart: He just asked about Dad disappearing and how it affected us, particularly if that had anything to do with what Suzie drew?

Fielding: And did it?

Stuart: Well, yeah. She painted abstracts because she said she found life, her life, anything but concrete in what happened, so she chose abstracts to show her feelings.

Dana (pointing to the abstract behind her): So, what feelings did Susan show in this painting?

Stuart: I dunno.

Fielding: Come on, come on, you were there when Mr. Overture interviewed your sister. What did he ask you?

Stuart: Just to tell him about Dad’s disappearance.

Fielding: I see. And what did you say about that?

Stuart shrugs his shoulders.

Dana: What can you tell us about the photographer who took this picture?

Stuart: I dunno. He was a photographer – from the newspaper, I guess. He came in midway and took various photos.

Fielding: Anything unusual about him?

Stuart (shrugging his shoulder): I dunno. He’s a photographer. Oh wait a minute. He seemed very interested in Suzie’s painting – that one now up on the wall.

Fielding: In what way?

Stuart: Just what it meant to her – why she painted it?

Fielding: Okay, can you tell us that now?

Stuart: She said it represented a maze – something she felt she lived in because of Dad’s disappearance. Life to her was a maze where people always had to be on high alert for someone coming in and snatching their lives, destroying their lives. If you could figure how to get out of the maze you were home free.

Fielding: And did she say if she knew how to get home free.

Stuart: She said she was working on it.

Fielding: And was that photographer Cory Swan.

Stuart: Yes, that’s him.

Fielding: Was Mr. Swan present when your sister talked about that abstract and mazes.

Stuart: Yes, he was and he seemed very interested. He even stopped shooting photos to listen.

Dana: And yet the photo here doesn’t even show that abstract painting – doesn’t even show any of your sister’s paintings. And why would he take a photo with my brother, who was doing the story interview. Reporters don’t usually put themselves into the story.

Stuart: I don’t know. I’ve never seen that photo before. All I know is the photographer stopped taking photos when Suzie spoke and…wait a minute, he aimed his camera at us, and I guess that’s when he did take that shot.

Dana: Do you know if that photo was the one included in the newspaper story?

Stuart: I don’t think so. The photo was one of Suzie holding up one of her paintings. I still have a copy of the story.

Fielding: Where was it published?

Stuart: The Toronto Herald.

Fielding: Back to the photo. Do you remember which photo your sister was holding up?

Stuart: No, some abstract obviously?

Dana (pointing): Was it this abstract.

Stuart shrugs his shoulders.

The abstract painting starts to vibrate and a loud wailing is heard. It seems to be coming from the abstract painting.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. is teaching Getting Your Memoir off the Ground Workshop, Saturday, February 22, 2014 in Toronto, Ontario, Canada. Details at http://www.samcraw.com/Articles/SpeakersBureau.html

Also see more of See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on February 20, 2014 in Beyond the Tripping Point, Credible Fiction Characters, Fiction Characters, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

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Fiction Characters Interviewing Fiction Characters – Part 35

13 Feb

Amazon.com link to Sharon A.'s short story collection
Amazon.com link to Sharon A.’s short story collection

Storytelling is about two things; it’s about character and plot.

–         –  George Lucas

In this post Beyond the Tripping Point by Sharon A. Crawford (Blue Denim Press, 2012) scenario, Detective Sergeant Donald Fielding is back from Barrie where he interviewed Doris Bowman’s next door neighbour, Mr. Crankshaw. Cory Swan the photographer was not in his Barrie home. Detective Larry Hutchinson joined Fielding and Cooks Regional Police backup to check out the premises where Bast and Dana had originally looked for office space for The Attic Investigative Agency. Cory Swan, photographer no longer has offices there and the space is vacant. Dana was allowed to enter the building after police gave it the all clear. The three are now meeting at the actual Agency offices at 10 Maitland in Thurston to check out Bast’s published crime stories for any possible connection to his kidnapping. Dana, as usual, is trying to get “police business” information from the two detectives. Aunt Doris has been placed in a safe house with a constable posted outside.

Dana is booting up Bast’s desktop PC. while Fielding and Hutchinson search Bast’s print files of published stories.

Dana: Bast might have this password protected but I’ll see what I can find about his story notes. Meantime, Detective Fielding, I’d like to know what Aunt Doris’ neighbour had to say for himself.

Fielding, rifling through files: Ms Bowman that is police business.

Dana: Oh for Christ’s sake, you let me see that photographer’s former office and I helped you there. I identified the watch on the floor as belonging to Bast so we know he was there and… So now it’s your turn to give me something.

Fielding: We let you into the room. That’s what we gave you.

Dana: Might I remind you that it is my brother, my fraternal twin who is missing. This isn’t the first time somebody in my family was kidnapped. When David was kidnapped, you were shall we say a little moreforthcoming.

Fielding: David is a child.

Dana: So, my brother doesn’t count because he’s an adult?

Fielding: D…Dana that’s not what I’m saying.

Dana: Then why won’t you tell me?

Fielding: Very well. I will tell you this much. Mr. Joseph Crankshaw saw Cory Swan put something into your Aunt Doris’ mailbox within the time frame Doris received that envelop. He also said he doesn’t trust Cory Swan because he’s heard car doors slamming shut at all hours of the night and when he got up he would see a car that wasn’t Swan’s speed out of the driveway.

Dana: Did he actually see a person? And get a licence plate number?

Fielding: No and No. And that’s all I will say.

Dana, gritting her teeth: Fielding …

Hutchinson: I think I found something.

Fielding and Dana join him. Hutchinson holds up a photo of a young man in a hoodie and a young woman sitting at a table on either side of Bast. Bast’s tape recorder rests in front of him. Hutchinson flips the photograph. On the back is stamped Cory Swan Photographer.

Hutchinson: I know the two people with Bast. The fellow in the hoodie is Robbie Stuart. The woman is his sister, Susan Stuart. Susan was murdered and I investigated her homicide.

Dana: Susan Stuart? Isn’t that the name scrawled on that abstract painting in the library boardroom?

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. is teaching Getting Your Memoir off the Ground Workshop, Saturday, February 22, 2014 in Toronto, Ontario, Canada. Details at http://www.samcraw.com/Articles/SpeakersBureau.html

Also see more of See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on February 13, 2014 in Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Uncategorized, Writing

 

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Fiction Characters Interviewing Fiction Characters – Part 34

06 Feb

Click on the book cover to go to amazon.com

Click on the book cover to go to amazon.com

A picture is worth a thousand words

–          Attributed to various sources from Napoleon Bonaparte to Frederick R. Barnard

Detective Sergeant Donald Fielding has left the Thurston Library boardroom to drive to Barrie to interview Cory Swan the photographer who lives across the road from Aunt Doris and her next-door neighbour, Mr. Crankshaw. Detective Larry Hutchinson remains behind to continue questioning Aunt Doris about the envelope of photos left in her mailbox. Dana hovers nearby trying to get in a word. All but Swan, Crankshaw and Ron Bowman, are characters from Beyond the Tripping Point by Sharon A. Crawford.

 Hutchison: Now, Mrs. Bowman, I want you to look carefully at these three photos and tell me if you recognize anything in them.

Doris: Well, I recognize Dana’s twin, Bast.

Hutchinson: Of course, but anything in the background, does it look familiar?

Doris: Hmm. Give me those photos young man.

Hutchinson: It’s better if you don’t touch them. Fingerprints…

Dana: Oh, stuff it Hutchinson. Fielding already has our fingerprints for elimination. Aunt Doris is an old woman so her eyesight…

Doris: There’s nothing wrong with my eyesight, young lady. I don’t even wear glasses except to drive. And as for calling me an old woman, well, I never.

Dana: But you are and you said so yourself.

Doris: standing up and glaring at Dana: Now listen here… and what Ronald Bowman ever saw in you to marry you I’ll never understand.

Dana: Ron and I are divorced Aunt Doris and he has nothing to do with this.

Hutchinson, raising his hands: Ladies, please. And Mrs. Bowman, will you please sit down. Now I find that interesting about Ronald Bowman, your ex-husband, Ms Bowman. What makes you think he isn’t involved? Wasn’t he arrested for the kidnapping of your son?

Dana: Those charges were never actually laid.

Hutchinson: But he was charged with a B and E and vandalism?

Dana: Yes, but he got off with community service and one year’s probation.

Hutchinson: He still has a record. Do you know where he is?

 Dana: I don’t know. Ask her. (she looks at Doris). He’s her nephew.

Huchinson: Mrs. Bowman, do you know where you nephew is?

Doris: He moved to Orillia Ontario after he finished his probation and community service. He should never have been arrested. Dana, this is all your doing; this is….

Hutchinson: Ladies, we are getting nowhere fast with these photos.

Dana: Fine. Let me look at them. Maybe I can recognize something, besides my brother, of course.

Hutchinson slides the photos over to Dana and she looks from one to the other and to the third. She repeats that a couple of times, looks slyly at Hutchinson, then pushes two away with her fingertips. She keeps the one with Bast sitting in a room.

Dana: I might recognize this room but if it’s where I think it is, it’s not in Barrie, but right here in Thurston.

Doris: What?

Hutchinson, raising his hand at Doris and then looking at Dana: Go on, Ms Bowman.

Dana; Going back a few years when Bast and I were planning to start up our Attic Investigative Agency, we did some looking at places outside the house where we live. One of the places was upstairs over a convenience store on Main Street here in Thurston. The two rooms were bleak looking. The first room which could be used for reception had no windows and the back room, I guess for the office, didn’t have much light, just from a small round window up high. Well, this room Bast is sitting in has the same type of window up high. No, I’d say the same window because the window in the room Bast and I looked at had this big scratch mark embedded in the right top corner. And if you look closely, so does the window in this picture.

Hutchinson and Doris both lean over towards the picture.

Hutchinson: Son of a gun, so it does. Ms Bowman, do you happen to know who or what did move into this room?

Dana: Well, it was awhile ago. Let me think. Wait… I seem to remember Bast mentioning a photographer who the newspaper he used to write for sometimes hired on a freelance basis. I think Bast said the photographer sometimes did the photos for some of his stories.

Hutchinson: And your brother was a crime reporter before he started this private detective business.

Dana: I see where you’re going with this and I have to agree. It could be connected to a story Bast wrote.

Hutchinson: Does your brother keep copies of his published stories?

Dana: Yes, in our office and he has the stories on his computer too.

Hutchinson: Well, Ms. Bowman, I think we better get over to your place and check out these stories.

Doris: What about me? I don’t want to be left alone. Someone sent me anonymous photos and threatened me on the phone.

Hutchinson: Where are you staying now?

Doris: In a hotel, but I’ve been looking over my shoulder, locking my door and putting a heavy chair up against it.

Hutchinson: Well, I’m a Toronto detective; Thurston is out of my jurisdiction except when working with Fielding, but we’ll see what we can do. Let me give Fielding a call.

Hutchinson calls Fielding on his cell. Dana continues looking at the photo.

Dana: Oh for Christ’s sake. The photographer who moved into that room over the convenience store in Thurston? I remember seeing the sign outside that upstairs window blowing in the wind. Detective Hutchinson, I think we have our connection. The sign read C. Swan Photographer – weddings, funerals – which I thought odd – parties and celebrations. I never met the man but I bet Bast did.

A noise came from the other end of the room. All three looked to the far wall as the abstract painting fell to the floor.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. is teaching Getting Your Memoir off the Ground Workshop, Saturday, February 22, 2014 in Toronto, Ontario, Canada. Details at http://www.samcraw.com/Articles/SpeakersBureau.html

Also see more of See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on February 6, 2014 in Beyond the Tripping Point, Plot and Characters, Sharon A. Crawford, Short Story Collection, Uncategorized, Writing

 

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Fiction Characters Interviewing Fiction Characters – Part 33

30 Jan

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

If in doubt, have two guys come through the door with guns

                         RAYMOND CHANDLER

Detective Sergeant Donald Fielding, Detective Larry Hutchinson, Doris Bowman, and Dana Bowman (all from various stories in Beyond the Tripping Point by Sharon A. Crawford) sit and huddle around the end of the Thurston library boardroom table. They are staring at the photos and list that Aunt Doris dumped out of an envelope.

Fielding and Hutchinson are wearing latex gloves.

Dana: Where did these come from?

Doris: I told you I don’t know. They just arrived in the mail.

Fielding: Give me the envelope.

Doris hands it over. Fielding and Hutchinson scrutinize it. Dana tries to horn in and when she can’t see it she stands up and leans over Fielding’s shoulder.

Hutchinson:  The stamp isn’t cancelled and there is nothing to indicate it was put in the mail. Mrs. Bowman he turns to Aunt Doris), was this with the regular mail in your mailbox?

Doris: Yes, I think so. I remember the phone bill came the same day and some junk mail.

Fielding: What time does your mail arrive?

Doris: anytime between 10 a.m. and noon.

Fielding: Do you remember what time it arrived that day and what day was it?

Doris: Three days ago, same day I received that phone call on my land line. I brought in the mail just before noon, right after that phone call which came through about 11.40, 11.45 a.m.

Hutchinson: Did you hear anyone at your mailbox?

Doris: I suppose so; I don’t remember.

Dana: Think, Aunt Doris. This is important.

Hutchinson: Ms Bowman, the police are conducting this interview.

Dana: It’s my brother who is missing and unless my eyes are mistaken that is him in those photographs.

Fielding: Very well. Mrs. Bowman, please answer the question.

Doris: What was the question?

Dana: Aunt Doris, don’t be coy. Did you hear anyone at your mailbox that morning? And don’t ask what morning?

Doris: I know what morning it was. And…wait a minute. I was getting another cup of coffee  around 11. 30 or so and was just heading for the kitchen when I did hear something at the mailbox. And I remember thinking that’s funny because I had heard the mailman drop something in just after 10. And I know it was the mailman that time because I looked out the kitchen window and saw him walking down the driveway.

Fielding: And you didn’t check the mail then.

Doris: No. My neighbour was banging on my back door.

Fielding: You didn’t mention her before, Mrs. Bowman.

Doris: It slipped my mind. I am an old woman. And it wasn’t a she, but Mr. Crankshaw, come over to find out if I had seen his cat, Merde.

Dana: Merde? That’s French for…

Doris: I know what it means. But that’s his cat’s name and very appropriate. The little rascal is always in my flower garden leaving little deposits and spraying around.

Hutchison, smiling: It’s called marking their territory. My wife’s cat does the same, but fortunately in our backyard. Now how long did Mr. Crankshaw stay at your door?

Doris: Just a few minutes. Once I told him I hadn’t seen his cat and I better not or it would be sorry, and he started ranting at me about being a bad neighbour, I slammed the door in his face.

Hutchinson: And he left right then.

Doris: Of course. He knows better than to mess with me.

Hutchinson: Did you see him leave?

Doris: I heard his footsteps but when I looked out my kitchen window I saw him heading around the side so I guess he was going back to his place.

Hutchinson, turning to Fielding: Are you thinking what I’m thinking?

Fielding: Yes. Now Mrs. Bowman, how long has Mr. Crankshaw lived there, how old is he and…

Dana: Just a minute, Fielding. What about these photos of my brother?  Don’t they show that he is still alive?

Fielding: Ms Bowman, we have to cover all the angles.

Dana; I know that. But let’s look at what we have here and then you can deal with Mr. Crankshaw. Hey, you can even go up to Barrie and work with their police department to question him. Maybe he saw something.

Fielding, looks at Hutchinson, who nods. Very well Ms Bowman, let’s look at the photos.

Hutchinson: Try not to touch them, although we’ll have to eliminate your fingerprints.

Doris: Well, you have them already back when Dana’s house was broken into.

Dana: Can you move over Fielding, so I can sit in between the two of you and see the photos?

Doris: And what about me?

Dana: You’ve seen them already.

Doris: But I might have something valuable to say about them.

Hutchinson: Ladies, please. We can all look at them, just not touch.

Fielding picks up the first photo of the three.

Dana: That’s Bast all right. But what is he doing. He just seems to be sitting there staring at the camera.

Fielding: It would appear he is in a room, perhaps where he is being held.

Dana: Oh, so you now figure he has been kidnapped. But there has been no ransom note.

Fielding: No.

Dana: He doesn’t look well, like he’s sleep-deprived. Fielding, you have to do something. Can’t you trace these photos?

Fielding, turning over the photo: There is a photographer listed here – a C.W. Swan Photographer, Barrie, Ontario. No phone number though.

Dana hauls out a piece of paper and pen from her purse and starts scribbling: Good, that’s a start. We can check 411 and…

Hutchinson, waving his arms around: Just a minute, Ms. Bowman. This is police business.

Dana: It’s my brother who is missing. Do I have to keep reminding you of that?

Fielding and Hutchinson: Ms Bowman…

Doris: Quiet. I may have something. There’s a Cory Swan who lives across the street from me and I believe he is a photographer.

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. is teaching Getting Your Memoir off the Ground Workshop, Saturday, February 22, 2014 in Toronto, Ontario, Canada. Details at http://www.samcraw.com/Articles/SpeakersBureau.html

Also see more of See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on January 30, 2014 in Beyond the Tripping Point, Credible Fiction Characters, Interviewing fictional characters, Plot and Characters, Writing

 

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Fiction Character Interviewing Fiction Character – Part 32

23 Jan

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

A story to me means a plot where there is some surprise because that is how life is – full of surprises

–          Isaac Bashevis Singer

–         

Since Fielding’s startling news about Aunt Doris’ disappearance, Dana Bowman has kept her son David close to her where possible and arranged with Fielding to have a police car parked outside her house. David appears to be the only family member besides herself who is still around and Dana is worried. However, this morning she received a pay phone call from one of the missing family members, requesting a meeting in the library boardroom. Dana persuaded the constable in the car to come inside to keep watch on David as she didn’t trust what might happen to him if she brought him with her because of that abstract painting on the wall. So, Dana now sits in the boardroom waiting for someone from Beyond the Tripping Point (Blue Denim Press, Oct. 2023), Sharon A. Crawford’s mystery short story collection.

The door opens. Dana swings around from her seat at the table.

Dana: Good. You made it okay. Were you followed? And where have you been?

Aunt Doris sits down: One thing at a time, please. I’m an old woman. I don’t think I was followed. Look, you know I’m not a fan of your brother, but when things affect Ronald’s (Note: Dana’s ex-husband) son, I have to do something.

Dana: Like disappear for a few days? Where were you?

Doris, lowering her voice: I hid out in a hotel – I’m not saying where.

Dana: Why? And how does this all affect David?

Aunt Doris, scowling her face into its gargoyle look: Things haven’t been normal lately.

Dana sighs: Tell me about it. Now, David.

Aunt Doris waves a hand: Let me tell this. First there were all those calls supposedly from your brother on my cell. But when I picked up there was no one there.

Dana: Fielding did mention that and that your cell is missing.

Aunt Doris: Still is. But now they’ve gotten into my land line? And that’s why I disappeared – so they wouldn’t find me and to think.

Dana: And you didn’t think to call me or the police at least?

Doris: I thought they would get to David. They said not to call the police.

Dana: Who are they, Aunt Doris?

Aunt Doris shrugs: I don’t know. But this time they left a message about David.

Dana, leaning towards Doris: What message? What did they say?

Aunt Doris: That David is next. Don’t call the police or David will be sorry.

Dana, her heart starting to beat fast: And?

Aunt Doris: That’s it. Is David going to disappear too? I don’t want him to go through all that again. You’re his mother so you need to do something.

Dana: I need more information than that. Did you recognize the voice? Man or woman?

Aunt Doris: I don’t know. It was muffled.

Dana: Have you told Fielding?

Aunt Doris: I did decide to call from a pay phone just before I came here. He wasn’t there so I had to leave a detailed message for him in his voice mail. I kept his number that you gave me last year when David went missing…  But I am here now.

Dana: Hm. What aren’t you telling me Aunt Doris? You are being too co-operative with me and I don’t think it’s just concern for David.

Aunt Doris hems and haws.

Dana: Aunt Doris. As you pointed out, David’s security is at risk. Now spit it out.

Aunt Doris: Well, I never. You don’t need to be rude. Very well.

Aunt Doris opens her purse and hauls out an envelope which appears to be stuffed to its limits.

Dana: What’s this?

Aunt Doris: I’m coming to it. This came in the mail the same day as they called about David.

Aunt Doris dumps out the envelope. The contents appear to be some photos and a typed sheet of what looks like some list. Dana leans over to get a better look.

Dana: What is all this?

The door bursts open. Detective Sergeant Donald Fielding and Detective Larry Hutchinson rush in.

Fielding: We’d like to know too. Hand it over.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html  

 
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Posted by on January 23, 2014 in Beyond the Tripping Point, Credible Fiction Characters, Interviewing fictional characters, Plot and Characters, Writing

 

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Fiction Character Interviewing Fiction Character – Part 31 – Fielding

16 Jan

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

Dana Bowman had planned to interview Lilly Clarke of  “Unfinished Business” from Sharon A. Crawford’s short story collection Beyond the Tripping Point (Blue Denim Press, Oct. 2012), but Lilly hasn’t returned Dana’s calls. Meantime, Dana has been into Cooks Regional Police Headquarters to look at all the surveillance tapes of someone using Bast’s debit card at ATMs and a short selected video of that is now out in the media. The only thing definite about the person caught on the tapes is that it is not her brother Bast. Now Dana has received an urgent call from Detective Sergeant Fielding and he is meeting her today in the Thurston Public Library boardroom.

Fielding enters the room, nods at Dana, sits down, opens his briefcase and hauls out a laptop which he turns on.

Dana: And good morning to you, too. What have we here?

Fielding: I’m asking the questions today. But have a look here.

Fielding swings the laptop around towards Dana. She leans in to take a look.

Dana: What are all these numbers?

Fielding: Phone numbers – all to and from your brother’s cell phone. I need you to take a look and see if any are familiar to you, particularly that one (He points), which is repeated 12 times from Bast’s cell and eight times to Bast’s cell.

Dana: No, the number doesn’t sound familiar. Let me check my cell’s list of saved numbers…Nope. Is it a burner number?

Fielding: Probably.

Dana: Oh come on, Fielding.

Fielding: Very well, yes a burner phone. Our IT is working on it. Now please check through the remaining numbers.

Dana: Fine. Oh, this one looks familiar. Just a sec and I’ll check my phone list. Aunt Doris? Her cell phone. What was Bast doing calling her and I see she called him back – six times. Fielding, what is going on? You’re not insinuating Aunt Doris had something to do with Bast’s disappearance? She and Bast aren’t best buds but Aunt Doris is old school and committing crime is not her style.

Fielding: Understood. We have contacted her and…

Dana: And you didn’t think to let me know?

Fielding: At first she had nothing to say – she hadn’t heard from Bast. We called her on her land line by the way. Then she called back and said she couldn’t find her cell phone. That was timed with when the calls to and from her cell number started.

Dana: Again, I repeat…you didn’t think to tell me?

Fielding: I’m telling you now.

Dana: Yeah, but those calls started two weeks ago. When did you actually talk to her?

Fielding: A number of times. Right after Bast disappeared and then one of my detectives called her back about once a week to check in.

Dana: And you used her land line for all these calls.

Fielding: No, we used both, but only the land line two weeks ago because her cell had no room in her voice mail.

Dana: I’m still not getting why you didn’t tell me this before. Fielding? Fielding, there is something else you are not telling me.

Fielding: D…D…Dana, your Aunt Doris has also disappeared.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html  

 
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Posted by on January 16, 2014 in Beyond the Tripping Point, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

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