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Category Archives: Sharon A. Crawford

Crime Beat Confidential TV Show back

 

PI Dana Bowman on Crime Beat Confidential

My Crime Beat Confidential TV show on thatchannel.com got a late start this year. We usually get things rolling by April. However, this year because of dealing with all the ramifications, difficulties, including lockdowns from COVIE-19, the show was postponed.

However, PI Dana Bowman, the main character in my Beyond mystery series along with me are back, with our first guest, author David Albertyn, whose first mystery-thriller Undercard is getting a lot of fanfare since its publication late in 2019. And that is with all the COVID-19 thou shall nots. His book, published by The House of Anansi in Canada is now available in the US (as well as France, etc. via the usual online sources such as Amazon. And available in print and e-copy. More info on David’s website.

David also has something else going, which is of interest to other published authors and readers. A way for the two to connect. He and another author Ann Y.K. Choi, started The Authors Book Club online earlier this year. This is a way for Canadian readers and authors to connect. Of course, now, mainly online. Check it out here.

Taping this episode was not the usual with  Dana and I going into the thatchannel studio in downtown Toronto, thanks to COVID-19. The show was taped remotely from my home and from David’s home. Dana was fascinated by it all, especially as she got to sit at my laptop in my office. She couldn’t do her usual rant and then guest intro at the beginning because not being in the studio, I wasn’t in the office with the show’s producer. So she could say her piece and not have me hear it, she locked me in the bathroom. In my own home. Sheesh!. But I got out. And I went after her.

Once that little episode was over, I got down to the business of interviewing David. And he had some interesting things to say. See the show here.

Cheers.

Sharon A, Crawford

Author of the Beyond mystery series.

The two Beyond novels so far

More info on my Amazon profile at the link below.

https://tinyurl.com/yc7xvcjf

 

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Writing your way out of COVID-19 anxieties

COVID-19 Reaction

The world has turned into a horrible stressful place because of COVID-19. But we writers have a creative outlet to help us cope. I’m not referring to writing about COVID-19 or how we are dealing with all the crap and changes associated with it. Yes, my last two posts have done just that.

But I have found another way that as a writer I  can use to cope much better.

Just write.

 

In a previous post I referred to writing both a memoir and the next novel in my Beyond mystery series in the same timeline, i.e., one day rewrite some of my memoir, the next day, write some of my  Beyond mystery novel. That did help, but it was too scatty, too fragmented.

So, I had to choose to write one at a time.

My publisher had given me a deadline for later this month to get the rewrite of my memoir to him. The mystery novel is not due until at least sometime next year (depending on COVID-19 interference with when book launches and the like can be held). So, I put the novel on hold, even though my interfering main character, PI Dana Bowman, is giving me hell and some choice words about that. I’ve restarted my Crime Beat Confidential TV shows, which Dana appears on (see here to watch a previous show), so that should shut her up, except in the TV shows).

PI Dana Bowman on Crime Beat Confidential

I also put one other thing on hold until the memoir rewrite is finished and the TV show is taped – finish editing that long novel that requires a heavy edit for a client. Client isn’t too happy, but is accepting it, as I have come up with a way to shorten my time getting his editing work done in future.

 

One thing COVID-19 is teaching me is “one thing at a time and if others don’t like it, they can lump it.”

And as I began focusing on rewriting my memoir, I found a bonus – something I knew before COVID-19, but had forgotten about thanks to skipping from one project to another.

When rewriting my memoir, I am transported to a different period in my life – in the mid to late 1950s, the 1960s and early 1970s – the grey ages as I call them. I think it is because it is the past that it gets me out of these horrid COVID-19 times for a few hours at a time. Even though life was not easy for me back then, it is done; it is the past, and I guess it comes under nostalgia.

Writing fiction – short stories, novels, novellas – can also transport you out of COVID-19 times – unless that is what your fiction is about. I don’t really recommend that, but if that is where your creativity and ideas lie, I’m not going to say “don’t do it”. It would be fiction based on fact, so go for it.

My Beyond mysteries are set in the late 1990s and early 2000s. The setting is loosely based on where I was living in the late 1990s until I moved back to Toronto. But I have been back to Aurora, Ontario (where I lived from 1975 to late 1998) and also to nearby Newmarket many times since then, but of course today shows the changes in those now small cities, which were large towns when I moved out.

You could say these novels are nostalgic too, although they are fiction, not my story. But again, I’m out of COVID-19 times, temporarily, thanks to writing Beyond Truth, and I am doing something creative. It doesn’t matter what terrible things happen in my novels – they are fiction and each has an ending.

So, escape into creativity for a few hours each day. It will raise your spirits, is good for the mind and body, too. And you have accomplished something and created something as well.

So…

Just write.

Cheers.

Sharon A. Crawford, author of the Beyond mysteries. All available in e-copies at Amazon. Link for Beyond Faith here.

 

 

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Getting around the COVID-19 writing block for writers meetings

Logo designed by Lee Parpart

COVID-19 days and nights continue and so do a lot of changes. For those of you (writers and others) who think that we writers just write in isolation anyway and can continue to do so, think again.

Writing isn’t just about writing. You have to market your little written darlings to get published, and if a book, promote it.

Before all that you might want (and need) some feedback on your writing-in-the-works. And if you have been attending in-person writing groups, you just can’t do that anymore – or at least for nowthanks to COVID-19. And for me, to add insult to injury (pardon the cliché, but a cliché is well, normal in these definitely non-normal times), the writing group I founded and still run, East End Writers’ Group, is supposed to be celebrating its 20th anniversary this year. We had lots scheduled and being prepared for this year.

A Writers Circle reading in person before

Then, thanks COVID-19, things were cancelled. Public venues were closed, including the libraries and we were meeting at the S. Walter Stewart library branch in Toronto since July 2014. Before that we were meeting for a few months in a used book store until it closed; before that in a café which closed too; before that for 17 years in my tiny bungalow. The latter is not an option now, especially with COVID-19 and doing the self-isolation bit until who knows when. Also, even without COVID-19, I don’t want meetings in my house anymore. Too much work.

My favourite meeting place – closed for now

So enter online.

Like many writing groups (and other groups, including my gardening club), we have zoomed into Zoom. I probably don’t need to tell anybody what this is, although how it works, is something else. Both my son, Martin (the IT guy) and a retired IT guy, Nick, who belongs to East End Writers’ Group suggested Zoom and although I haven’t too many clues about how it works (I’m improving with their help), I’m enthused about using Zoom and grateful they came up with the suggestion, and grateful that Nick is doing all the technical stuff to get the meetings going and creating the invitations for members. I am sending out the invitations, so not sitting on my laurels (cliché). So, I like to say, Nick hosts the session and I moderate it. In our two hours or so we have time for four members to each read a poem or two or a short prose excerpt and then after each author reads, it is my turn to lead a discussion and everybody else (and me, too) to give constructive feedback. At the end of our last Zoom meeting (we are meeting every two weeks) the diehards who stayed behind after all the feedback was finished, got into a discussion of how COVID-19 is affecting our writing. The consensus was it is causing us to be distracted and not get as much writing done as we would usually do.

As for the East End Writers’ 20th anniversary celebrations, that too has gone online. Earlier in May, novelist Shane Joseph, who is one of the EEWG’s original members and I were guests on Liquid Lunch on thatchannel the online TV station where I tape my Crime Beat Confidential Show. Liquid Lunch’s host, Hugh Reilly, interviewed Shane and I (remotely – he was in the studio and Shane and I were in our respective homes and coincidentally in our respective offices. Maybe some underlying wish that it will inspire our writing?) to tape the show. The episode is on You Tube now and also you can get to it via thatchannel. Shane and I talk about the early days of East End Writers’ Group. But pay attention to the last part and what we talk about. You can probably guess. Note: as we are isolated, we are not wearing masks, but Hugh is wearing his trademark toque.

 

Link to show is here. Scroll down and across.

And the link to my East End Writers’ Group is here.

So, I guess the message for writers is: don’t let COVID-19 get you down. Find a writers’ critique group online and KEEP WRITING. If you go to my Facebook author page, I post daily writing quotations on weekdays, from other writers, some well-known, some not, to inspire you and get you thinking and writing. Here is that link.

Stay safe, stay healthy and write and read.

Cheers.

Sharon A. Crawford

 

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Juggling multiple writing projects in COVID-19 times

Sometimes I think my mind is fried. Or imitating (badly) the Energizer bunny. A lot of that is dealing with all the changes and problems that arise from COVID-19 and how it has changed all our lives whether we get sick or not.

I sit down at my computer to rewrite a short piece to submit to an anthology. Or I go back into rewriting my memoir and think  – my writing/rewriting here is crap. Not as good as earlier in the memoir. Or go back to writing the latest Beyond mystery novel – Beyond Truth. Or write a blog post (I have two blogs). I am also doing the final edit of a client’s long novel – which is interesting and suspenseful but requires a heavy edit. Then something related to COVID-19 interferes.

Interference could be something as basic as going grocery shopping. Yes, I hate lining up outside stores, and dealing with a lot of the crap from store employees that is really the fault of their manager’s bad organization and training. I have dropped those few stores off my shopping list and go elsewhere. No, the big thing about grocery shopping interfering with my writing is when I have to grocery shop. Being a senior with a disability, I am encouraged to shop in off-peak hours. So, no more evening or weekend grocery shopping (which I was doing, so I could write and edit during the day on weekdays, best times for that), except for the local Shoppers Drug Mart, a five-minute walk from me where I go just after 9 a.m. every other Saturday. I am not an early morning person, thanks to health issues, but I can do 9.15 a.m. close to home. Not so grocery stores. But I have found that during lunch time or just after lunch time the grocery stores (and the buses to get there and back) are not busy, partly thanks to social distancing, partly due to off-peak times. But because of dietary restrictions and grocery items’ cost, I have to go to a couple of grocery stores (besides the Shoppers which carries some groceries). So, despite my plan to grocery shop every two weeks, I find that time-line is stretched into two or three days – one shop a day. Doing all three in one day is too tiring (i tried that the first time and after I got home, collapsed on the couch). And then I run out of some fresh veggies and fruit like lettuce and bananas in-between the two weeks.

Now getting into gardening season, there are all the garden supplies to chase down – from seed catalogue orders put in that are slow to arrive to stores carrying gardening supplies cum hardware stuff now on the “unessential business ” list for in-store shopping and they are using alternative ways. Plus I don’t drive so can’t do curb-side pickup (per se)… I think you get the picture. Dealing with business emails is enough extra, now there are emails and news stories related to COVID–19 to keep up with. What’s a writer to do? Tear his or her hair out. Maybe, hairdressing services are not on the essential business list – but dry cleaners are. Go figure.

I do a daily “to’do” list the evening before. But sticking to it??? I need to do some heavy changes mixed in with some softer actions. Heck, I’m a writer. I am creative. So besides following the “to do” list, I am going to try the following and I’m keeping itbasic. the three D’s – Dilute, Delay, Dump. And the three R’s – Review, Re-arrange, and Relax.

How are you as a writer coping with all the COVID-19 confusion, worry, anxiety and fear? Please comment. And speaking of relax – time for my daily walk in the neighbourhood and looking for signs of spring and crossing the street or walking on the street if someone is coming the other way. That’s rude, I think,

As for some of my writing – the anthology submissions, they are ready to go (finally) and will go out as soon as I hear back from the editor about if they can be all submitted as one email attachment or… I know…dealing with all this COVID-19 business has fried my brain. But not enough to fry my creativity.

Cheers.

Sharon A. Crawford, author of the Beyond mysteries. All available in e-copies at Amazon. Link for Beyond Faith here.

 

 

 

 

 

 

 

 

 

 

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Avoid the tourist approach describing story settings

So, you are sticking with you Point of View writing your short story or novel. The story is from one person’s point of view or perhaps two or three. You have each chapter, and scenes from chapters in only one character’s point of view – no POV change until you are in another chapter or scene. Then you hit some geography.

Maybe it is a particular town or city you character is in or maybe even the inside of a house. Suddenly it is reading as if a another “person” has shown up – somebody called the narrator. But you aren’t using the narrator as a separate person. Your main character or characters are doing all the narration.

Let’s look at a hypothetical example. Your main character is a young woman, aged 30, named Caroline. She is returning to her home town after many years away and is driving into the town. Let’s call it Whistletown. And the author is starting the chapter like this.

Whistletown has a population of 22,500. The entrance to the town is on Highway 55, which winds its way into the downtown. Main St. has a grocery store, drugstore, cleaners, bookstore, Lulu’s Diner, a couple of gas stations and the obligatory MacDonalds.

Whoa! What’s happening here? Where is Caroline? Has the area’s tourist bureau suddenly taken over?

There is a fix for this and you can keep in your description of the town. The key is to put your character in it.

Has the population increased since Caroline was there last? Why did she leave? When was she there last and why is she suddenly returning? How does she feel about that as she comes into Whistletown? And how does she drive in? Is she hesitant about returning home? Or does she just speed into the town? What has changed on Main Street and what is the same?

Here’s a possibility for the rewrite of the chapter beginning.

As she drew nearer to Whistletown, Caroline slowed down. Not because of the traffic; there wasn’t much here on Highway 55, just an SUV far enough ahead of her that she couldn’t see its license plate. The other way, nothing. Wait a minute. A big Wal-Mart delivery truck was speeding out of town. Don’t tell me Wal-Mart had come to Whistletown? Things must be expanding. A honk sounded behind her and she realized she had almost come to a stop. She sped up, but apparently not enough for the car tailgating her as it passed her and continued on at race driver pace.

Sheesh.

Now she was passing the sign reading “Welcome to Whistletown, Ontario’s home of the Blue Danube Orchestra. Population 22,500.” That was a big jump. It had been only 6,000 when she had hurried out of town, hell-bent in getting away from Josh, after he had broken their engagement to marry Janie, her younger sister. Now Janie was dead and she suddenly regretted their 10-year silence. At least Mom had kept in touch occasionally, by letter and email and the odd brief phone call. She wondered if Mom had forwarded her emails to Janie.

She was now at Main Street and slowed down a bit, forcing herself to look at her surroundings. Lulu’s Diner where she and Josh had spent hours just hanging out, drinking sodas, was still there. And darn if it didn’t look the same. Murphy’s Hardware Store, Samuel’s Grocery Store, Hamlin’s Pharmacy were still there, the hardware store looking a little shabby. But Hamlin’s was now part of the PharmaSave chain and where was the cleaners and…what was that up ahead?Was that a MacDonald’s. Well, that was obligatory these days, she supposed.

She continued driving through Main Street until she had passed the downtown core. Suddenly she had to know if there was a Wal-Mart in town. There was – in an open mall up ahead. As she passed it she noticed a Canadian Tire, a No Frills Grocery Store, a Shoppers Drug Mart, a cleaners, although not the one she remembered from Main Street, and at the far end a huge Wal-Mart. 

As she turned onto Robinson Street for her mother’s home, she wondered what else had changed. She had the impression that her mother’s phone calls and emails hadn’t told her all.

 

That’s one example. We get the outline of the town, its changes, how the main character sees it all and how it affects her and how she feels about returning home after 10 years away.

How do you work “geography” into your fiction so it doesn’t read like a travel piece?

Cheers.

Sharon A. Crawford

Author of the Beyond mystery series. And yes, my main characters are right there for “geography” including Lilly, the main character in “Unfinished Business” (short story in Beyond the Tripping Point) who is returning with her daughter to her old neighbourhood in Toronto where something terrible happened when she was a child.

 

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Get creative promoting your book

Sharon reads from Beyond the Tripping Point

Author readings have been standard for authors to promote their books, but they can be boring. The operative word here is “can” which means you can turn your author reading into something different, something individual. Below are a few twists (and turns) I’ve tried.

1. Have the main character in your book dominate your reading. My main character in my Beyond mystery books is PI Dana  Bowman and I’ve made her into a real person (well, almost, although she thinks she is real). I have created an antagonism between Dana and me. Part of this antagonism is who wrote Beyond Faith – Dana or me? So I delve into that when I read.

2. Dana has a tendency to crash my readings. She hides at the back of the room or just outside the door of the room or in the case of a bookstore, behind a bookshelf. I warn my reading audience about her, including holding up an enlarged coloured photo of her,  and at the end, pretend to see her poking her nosey nose (well, she is a Private Investigator) at the back of the room, so I abruptly end my reading and go chase her.

Dana Bowman from the Beyond mystery series.

3. Read with another author – literally. You read from each other’s fiction and take the part of the main characters in the excerpts read. I’ve done this with literary author (nothing like mixing up the fiction genres), Michael Dyet and his short story collection  Hunting Muskie. We pick a theme and pick passages from there. With his short stories the passage has two characters. With Beyond Faith, sometimes more. And to make it interesting, Michael sometimes takes Dana’s part so I can read her seven-year old son, David’s part. And it works.

Michael and Sharon – Muskie and Murder presentation. Shane Joseph photo.

4. Use humour. Do skits with another author using two or more characters in your novels and expand what is going on in one novel into a comedy skit. Michael wrote a skit for us where Dana became the PI (instead of the cop  in one of Michael’s short stories in the collection. And when the two met, it did not go well to the point of being ludicrous. In another skit with prolific literary author Shane Joseph, I wrote a skit where Dana seeks out one of his book’s characters (George in the novel In the Shadow of the Conquistador) to find a possible relative of Sharon’s – Shane had one of his character’s last names the same last name as Sharon’s maiden name – without knowing this when he wrote the book). The skit turned into a free-for-all, especially when the Blue Denim Publisher arrived on the scene to scold the feuding characters. Shane played two roles, but the skit worked.

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5. I’ve had Dana appear instead of me to promote Beyond Faith. Below she is with a bunch of other mystery authors from Crime Writers of Canada at an annual Ontario Library Association annual convention in downtown Toronto.

 

6. And you can take your author PR beyond readings to appear on panels, which I have done many times. I also host an online interview show Crime Beat Confidential on thatchannel.com where I interview people involved in some way with crime and mystery. Dana starts the show off, doing her usual Dana – dissing me and claiming she wrote Beyond Faith. But she also mentions the show’s guest and when it was a real life private investigator, she interviewed her for part of the show. Usually I do all the interviewing.

A link to the PI guest episode of Crime Beat Confidential is here.

And all this is a lead in to my Author Reading as part of a round of 11 Toronto Sisters in Crime reading each briefly reading a short excerpt from their published fiction. I will be focusing on a theme in my short passage and that’s all I’ll say. Except to add the details for these readings. So, if you are in the Toronto, Ontario, Canada area Thursday, January 16, 2020, here are the details.

Date and Time: Thursday, January 16, 2020, 7 p.m. to 9 p.m.

Location: Northern District Library, 40 Orchard View Blvd., Room 200, Toronto, Ontario, Canada.

Maybe I’ll see you there.

If not, maybe you can get some ideas from what I do to enhance author readings for your own author readings. Happy readng.

Cheers.

Sharon A. Crawford

Author of the Beyond mystery series.

 

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Using bad life events in your writing

Pi Dana Bowman holds Beyond novels

When I was a journalist, often something happening in my life triggered a story idea. Not necessarily something personal in my life; it could have been something in my neighbourhood or  someone I knew or had just met. A big one was when I went through a few years of suffering from debilitating migraines. That one generated several stories published in several newspapers. The stories weren’t about me, but about migraines, headaches, and dealing with pain, including a story on the migraine sufferer who started The Migraine Foundation.

Fast forward to several years later when I am writing the Beyond mystery series. I made one of my re-occurring main characters, Detective Sergeant Donald Fielding a migraine sufferer, who was the main character in a short story “The Headache Murders ” (Wordscape 5 Anthology, 1999 MTB Press), and also a main regular character in the first novel in the Beyond Series – Beyond Blood. It is the novel where my main character PI Dana Bowman meets Fielding when there is a weird Break and Enter at her house. Then her son is kidnapped and a murder is committed. You guessed it – Fielding comes down with a migraine and Dana, being Dana, tries to help Fielding in her in-your-face way. Here I use some of the tricks of the migraine suffering “trade”.

For me it was at a party at my house when I got a migraine. The stress of the party, coupled with dealing with a boarder co-organizing the party (and getting on my nerves). One of my friends sat me down in the kitchen, asked for a brown paper bag and told me to hold it over my nose and mouth and blow into it. as I recall, it didn’t completely get rid of the migraine.

But I thought it would work in Beyond Blood for Fielding and Dana to connect as they had started off getting on each other’s nerves (and continued and still continue to do so). I decided to put it in a bedroom scene – no, not what you are thinking. Dana and her fraternal twin PI Bast Overture are bunking overnight  in spare bedrooms at their next door neighbours’ house, because the twins’ house is a crime scene and they have to get out for now. The next morning Fielding bangs on Dana’s bedroom door to question her further and brings her a change of clothes that Constable Nivens (female cop) had gathered. Dana was still in her dress-up clothes from the reception opening for her and her brother’s Attic Investigative Agency the previous evening. Some of the conversation goes like this:

Thanks.” I grabbed the bag. “You look like hell. No sleep?””

“Just a migraine. I get them all the time. It’ll pass.”

“Migraine. Here come in and sit down on….” A quick look around the room showed an ironing board piled high with clothes standing beside a chest of drawers. A basket of clothing sat in the only chair.:..the bed.”

“No, it’s okay.”

“No, it isn’t. Migraines are awful. My mother used to get them, but thankfully I don’t. She used to blow in a a paper bag, to get rid of the pain, I mean. Maybe there’s one here.” I started rummaging in the dresser drawers.”

Ms. B…B…Bowman, it’s all right.”

“Here we are.” I shook a scarf from a Fashion Shoppe bag and shoved the bag at Fielding. He ignored it. “Put it over your face and blow.”

He stared at me, for once speechless, took a deep breath and sputtered.

“Take the damn bag and blow. And go and sit down. I don’t want to have to deal with a cop passing out in a bedroom.”

A little colour hit his face for a second. He staggered over to the bed, plunked down on the edge, leaned over and blew. (From Beyond Blood, copyright 2014,  Sharon A. Crawford, published 2014, Blue Denim Press)

You can see how this pans out – and based on personal experience as mentioned previously. And there is something else different about Fielding from your usual police officer characters.

He stutters. Also from my life, but not me – a classmate from grade school. Not to be disrespectful to my classmate, but it triggered another different character trait to use.

So, the take-away idea is: what can you take from your life to use in your short story or novel? Something a little different than falling down drunk or an argument – although those could be used with a twist.

One piece of advice for writers is to write about what you know. I prefer to use that as the bare basis and go from there. You may also find (particularly in non-fiction where you write fact, not fiction), you will become involved in a lot of research, including interviewing several sources. And in fiction, you may also need to go beyond your own experience as I had to in Beyond Faith when Dana is pushed down onto the cement and suffers a concussion.

And not I did not fall down on the cement or get someone to push me – although I have tripped over weeds and plants in my garden, and fallen down a few stairs – but those are for other stories.

Cheers.

Sharon A. Crawford

The former migraine sufferer – real life

 

 

 

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Behind the scenes at Crime Beat Confidential

Usually taping my TV show Crime Beat Confidential goes fairly straightforward. The latest taping had an unwanted and unexpected guest – Mr. Murphy – he of Murphy’s Law.

I should have expected something like this when even getting my guest interviewee didn’t go smoothly. My guest-to-be is a very busy writer, but very interesting. I had met her before so I’m not talking through the proverbial hat. She was out of town most of the summer and when she finally was back she had one day she could tape the show. So I booked the time for taping at That Channel, sent my guest an outline of the show. (This is not investigative journalism, but informative and entertaining and always focusing on something in the crime area.)

The day of taping was a sunny fall day – not really cold, and not rainy so no worries about water getting into my basement. So what could go wrong?

Almost everything. When I arrived early at the studio I found they had no Internet access (this is an Internet TV station) and they couldn’t tape the show on time. But someone was working to fix the technical problem. Everyone was friendly and there were lots of people in and out, so that when my guest arrived, she was having a lot of fun meeting everybody and seeing what all was going on at the station. Story idea popped into her head for the newspaper where she once worked as a staff writer. I’m used to all this going on (except the technical problem) so I take it all in stride. Meantime, I got ready for my main Beyond book character, PI Dana  Bowman to do her introduction. We were then  given an update when we would be able to start taping and finally got in the studio close to 5 p.m.

We took our places – my guest, Cathy Dunphy, former staff writer for the Toronto Star newspaper and now the president of a group of mystery writing women and two men called Mesdames of Mayhem, in the sidelines as Dana took her seat in the interview setting. Chris, the technician gave her the cue to start and so Dana went full throttle into her combination rant and intro about the guest. She finished and Chris said, “That was great, but it didn’t tape so we have to do it over.” So, we did, without mishap.

Here featuring PI Dana Bowman doing the intro

Cathy had to be somewhere else in another part of Toronto by 6.30 p.m. so I was filled with rushing to get back on the set and get going. Translation. I changed from Dana to me without doing something I usually do – look in the mirror to see if my hair was okay. And so, Cathy and I sat down in the set area; Chris tested the mics and then went behind the curtain to do his technical  magic. He gave us the signal to start and we were off to the races.

Sharon hosting an earlier episode of Crime Beat Confidential

The actual taping went well – no technical difficulties and we were able to leave in time for Cathy to make her 6.30 event only two minutes late and that is after she stopped at Valu-mart to pick up a sandwich for her “supper”. And then pick up her car to drive the rest of the way. I bought a few groceries and returned home by public transit.

A few days later Chris sent  me the video to peruse and come up with a title and blurb. So I started to watch. Dana was fine and so was Cathy. But my hair looked as if I had collided with a windmill – bangs all askew. And for some reason only on TV the colour doesn’t come through as it really is. I know that latter because not only does my mirror tell me so, photos taken of me also show it as so. Outside of a bad hair day, the show went very well, especially with two mystery reading addicts talking to each other. See for yourself in this photo not with Crime Beat Confidential

And see the Crime Beat Confidential Show with guest Cathy Dunphy here.

What do you think of the show?

Sharon A. Crawford and PI Dana Bowman signing off.

 

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New Beyond appearances for Sharon A. Crawford

I haven’t disappeared – being kept busy with current and upcoming appearances and writing. More on both in future posts which starting this week will be at least every two weeks.

For now, I have a couple of links for you to see the mystery mayhem I am currently creating and those in the works.

There is a Gigs and Blog Tours Page connected to this blog and I keep it update with what I’m up to in all things mystery and mystery writing. That includes PI Dana Bowman. The link to this page is here. Pay attention to the December 3 event with four other Crime Writers of Canada authors. We deal with Toronto the Good? or maybe that should be Toronto the Foul?

And Episode 6 of my TV show, Crime Beat Confidential was taped this week on thatchannel.com. It is currently being edited. This current show has both Pi Dana and I hosting, but I do the actual guest interview – if you can call it that when two mystery reading addicts who are also former journalists get together and talk about crime and crime books.  The Youtube link to the five previous episode is here.

Below, PI Dana Bowman does her Introduction at the show’s beginning.

 

Cheers.

Sharon

 

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Sharon and Dana at Word on the Street

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It’s PI Dana Bowman here and I’m so excited. The annual Word on the Street Book and Magazine Festival rolls into Toronto this coming weekend. And I’m going to be there at two booths. I am front stage and centre at the Toronto Sisters in Crime Booth and share space at the Crime Writers of Canada booth with authors Lorna Poplak  and what’s her name who says she wrote Beyond Faith and I didn’t. We’ll see about that. This will be my opportunity to set some things straight to everybody who comes by the SINC booth. I can show them parts of Beyond Faith and ask them.

Who wrote the book?

Oh, what’s her name is here. I better scoot.

 

Hey you, Dana Bowman. Get your nosey nose (and the rest of you) back inside Beyond Faith. Oh, hello from the real author of the Beyond mystery books, including Beyond Faith. If you look a the book cover below you will see it doesn’t say “Dana Bowman” as the author, but me, ” Sharon A. Crawford”. Do I try to stick my nose into Dana’s life?

Don’t answer that. Of course, I do, as an author.

The latest Beyond mystery. (2017).

Now, down to business.

Word on the Street (WOTS) appears every year about this time somewhere in downtown Toronto, Canada. For the past few years it has been at Toronto’s Harbourfront Centre by Lake Ontario. And that can give a real meaning to “jump in the lake”..WOTS covers pretty much the gamut of books and magazines; hence its title.And it doesn’t matter if you are publisher, author or reader (or some or all of those); it doesn’t matter if you read only print books or e-books; it doesn’t matter if you write prose or poetry or plays, there is something (or several somethings) for all. Yes, even a kids section. Children’s literature is big business these days, especially Young Adult books. So are romance and mysteries. Whatever you like to read is there. And a word of warning. The festival may be free to get into, but all those books and magazines. You’ll need to bring money and some canvas bags..

Take a gander over to the Toronto Word on the Street 2019 website and browse. You’ll be doing more than just browsing. With all that is going on ast WOTS, you will need to plan your visit down to the last second. But, this time there are events on the Saturday as well.

Dana got one thing right. Two appearances – but for me. She”ll be there inside the books and if I catch her trying to take my place, I’ll…I’ll

Well, maybe I’ll let her out if she sells some books.

Anyway, Dana Bowman (from wherever) and I look forward to meeting you and talking to you at WOTS on Sunday, September 22, 2019. The three Beyond mystery novels   – Beyond the Tripping Point, Beyond Blood and Beyond Faith will also be available to browse and purchase.

Here’ my (er, our) appearance info.

Sisters in Crime Toronto Chapter

Booth #WB5

11 a.m. to 12 noon

 

Crime Writers of Canada

Booth #WB4

Times and Date.

3.30 p.m. to 5 p.m., Sunday, September 22, 2019

Location:

Harbourfront Centre, 235 Queens Quay West, Toronto, Ontario

Please note the whole festival for the Sunday runs from 10 a.m. to 5 p.m.

And let’s hope the weather and public transport co-operate. We don’t want any rain to fall on our “parade”, especially if we are waiting for a bus to get there.

Cheers.

Sharon A. Crawford

Author of the Beyond mysteries.

And PI Dana Bowman, the books’ main character.

 

 

 

 

 

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