The latest Beyond book in the series
If you are writing a novel, a short story or anything else and you want some outside feedback, consider consulting a Writer in Residence. Writers in Residence are all over – with writing groups, libraries and art clubs to name a few. Sometimes you have to be a club or organization member to talk to a writer in residence. However, usually with a library-based Writer in Residence you don’t.
I have been a writer in residence – not for a library (not yet anyway) but for the Canadian Authors Association, Toronto branch – twice – 2001 to 2003 and 2009 to 2014. So I can see this from both sides of the writing fence.
From the WiR side of the fence I have done one-on-one consultations with writers – in person, by email and on the phone. I have edited and/or evaluated a few pages of their manuscripts and had lively conversations about their marketing their stories or novel, for example. For the in-person consultations, we have met in my home office and in libraries. Yes, libraries, but not connected to library WiR. This was the CAA Toronto chapter appointment – the earlier one.Before the regular meeting in the library auditorium, I would be available for half an hour or so for anyone who wanted to talk to me about their writing or have me take a look at something they had written. If it was a per-arranged appointment, often we met in the Food Court as this library is in a mall. And at the beginning of the CAA branch meeting, I would say a few words (up to five minutes) on some aspects of writing – writing tips. I found the whole experience very satisfying as I could help other writers and I also learned a lot from them. It’s a two-way street..
Writers-in-Residence sometimes are paid – it depends on the organization. CAA Toronto paid me, although each residency had a different payment setup.
Toronto Public Library writers in residence are paid quite well and so they should be with all they have to do. This includes spending some time in a room set aside for them a the library branch – usually one of the largest branches. They can do some of their own work, but they also use the room to consult with writers – usually for half an hour. Writers can get in to see the WiR by submitting a 20-page manuscript to the library branch at the beginning of the residency and then the library gives them an appointment time and day. This does not cost the writer anything.
Currently the Toronto Reference Library is looking for a Writer in Residence for spring 2018. This means that the twice yearly (spring and fall) WiR sessions are full for 2017. Obviously with it being December and the Christmas season, the fall 2016 WiR session is over. But here is a list of criteria for the library’s WiR
Canadian citizen, permanent resident of Canada
Minimum of two books in print, published by a professional publishing house, at least one of which is a memoir
Active in the writing profession; active online presence
Experience in teaching creative writing
Understanding of the needs of aspiring writers
Experience developing and delivering programs, workshops, readings
Working on or planning to work on a new project intended for
That’s just it in a nutshell. And yes, I have consulted with Writers in Residence before – both with the Toronto Library and with the Toronto Heliconian Club Literature Section – of which I am a member. I have had line by line edits and comments in person, the writer pre-reading the manuscript pages and commenting on it when we met. These occasions turned into lively discussions and I learned a lot. Not only possible changes in my manuscript but encouragement to continue writing for publication. Only once did I consult with a library WiR who didn’t resonate with my manuscript. Despite the criteria for WiR listed above, this author did not have memoir-writing experience and I had submitted 20 pages from my memoir-in-the works. So, he just didn’t get it. However, he is an accomplished and published literary fiction author so I am sure he helped many writers writing in that genre. That was a few years ago anyway.
So, wherever you live I urge you to find a writer in residence and make an appointment with them for whatever your writing concerns are – writing or marketing.
And the usual, click on the Beyond Blood graphic at the top to go to my author profile and books and where to purchase. Christmas is only 17 days away. Gulp! I have my Christmas decorations up (finally) but still have a bit more Christmas presents to buy. And for a huge lot of one of them (fudge) online shopping just won’t do. The best fudge in town is homemade fudge with no additives or preservatives which to buy I have to go to the Christmas Market at the Distillery in Toronto. Maple Fudge is the name of the company with the fudge booth there. They have a store in Niagara on the Lake and I have been there when out that way visiting cousins during the summer. But now it’s the Distillery Christmas markets where I have to also deal with the crowds. And go on weekdays or pay the $6. entrance fee on weekends from 5 p.m. Friday. Something about paying to get in to do Christmas shopping is just not right. But they do it because the weekends were getting overcrowded.
But I must have my fudge and it isn’t ALL for me. Some is, though. Fudge is fuel for writing energy. Or that’s my excuse anyway.
Sharon A. Crawford