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Beyond Faith rewrite done, now what?

Dana Bowman preparing for her next appearance later in June

Last week I finally completed the last rewrite of Beyond Faith for the publisher. I say “final” as there will still be one more when it is partway through production to check it over for minor things – such as the odd spelling or punctuation mistakes. No big changes are supposed to occur as at this stage, changes will now cost the publisher money.

So, what’s next? Promoting Beyond Faith. of course. The publisher has already started that and so have I. I will be a guest reader at the book launch of literary fiction author Shane Joseph at the Toronto book launch of his new short story collection Crossing Limbo, Saturday, July 8.  3 p.m. to 5 p.m. at Supermarket Restaurant and Bar in Toronto. I will read a short excerpt from Beyond Faith – using the manuscript 8 1/2 by 11 1/2 sheets and maybe pump up the font size for my bad eyes – well the left eye. (If I don’t continue to use the various prescription eye drops I go blind in the left eye. All these health issues – beyond eyes – are interfering with my life – writing and otherwise. One of the others is dental and the editor at my publisher’s joked that the next Beyond book should be title Beyond Teeth).

So with all this medical crap going on with me, I decided to do some transference in Beyond Faith. Without going into details, I will just say that one of the main twin PIs, Dana Bowman, has her own medical issue crop up that she has to deal with and that influences how she operates to sort out all the criminal issues going on and who is responsible.

And that is the way I liked to do it – i.e., I write complicated plots with plenty going on and lots of twists. And I might do some hinting at that in future blog posts. For now, I’ll just say that Dana’s medical problem has nothing to do with eyes or teeth. And leave it at that.

Meantime, Dana and her comedy skit partner, the aforementioned Shane Joseph and several of his books’ charactes are preparing for another performance where fact is mixed with fiction. More on that in another post. For now here is a link to Shane’s blog post about Crossing Limbo.

As for Dana Bowman, she is staying between the book covers – for now.

Cheers.

Sharon A. Crawford

 

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Beyond Faith new novel

The second beyond book.

The contract for Beyond Faith, my third Beyond mystery book is signed and yesterday I completed the second last rewrite for the publisher. There will be one more kick at the … no, not cat – no cats in Beyond Faith – there is a dog,but I do not kick dogs, or cats either. I will get one more chance at any rewrite after the editor at the publisher has another look at it.

He and I have worked together to get Beyond Faith ready for publication this fall and once the last rewrite is done, I will pull our the book promo ideas now running round in my brain (and some no doubt taking a nap), and what I have read in emails and social media and get them going.

But the rewriting has been intense. Shane, my editor has pointed out things that are unclear, silly and inconsistent, and like all editors (myself too when I wear my editor hat), things that can just be deleted. I found a few of all those on my own. From there I was able to rewrite a better story, make my characters more interesting and realistic and hint at what’s to maybe come in future Beyond mysteries.

It is an experience for me to be the one whose novel is being edited instead of the other way around. I do say that I work from both sides of the fence – writing and editing. This full fence position (positions?) gives a wider perspective of the writing and rewriting process.

I like going deep deep into the story with its rewriting. Sometimes I get so carried away I forget to get up and eat lunch at a reasonable time. And I find myself acting out scenes – although many times it is to get the logistics of what is happening. Without going into a lot of details to spoil it, Beyond Faith has a whole lot of pushing going on (and I don’t mean the drug-dealing kind). Trying to see how someone would fall when pushed (as opposed to tripping and falling) isn’t as easy as you think.

What do you do? Get a friend to push you or persuade them to let you push them so you can see it from behind? It is important to get these details right, but at what cost? No, I didn’t get friends involved, but I did some research online and I moved around inside and outside to get a better idea.

This going inside your novel’s story and characters and seeing where it takes you and then having it make sense and flow, but be interesting and different is what I like doing. It is like going into another world, although it is debatable who controls it – you or your characters.

But if I didn’t do it, the novel would be superficial.

And while I’m doing it, God or somebody else help anyone who phones or comes to my door; If jerked suddenly out of this intense creative state, there is no telling what I will do. Although I seem to be more mouthy (as in “what do you want?”) instead of pushy.

What about you? .

Cheers.

Sharon A. Crawford

 

 

 

 

 

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Listen to your publisher

I am lucky that the editor at my publisher’s goes through my submitted manuscript and makes suggestions. Then we book a phone consult to hash through all these suggestions and comments.

It really gets me thinking beyond whatever box I was writing in.

I had that experience earlier this week. This was the “final” submission, i.e., the one that would make or break whether my new Beyond novel would be accepted for publication.He was quick to praise that it was a much better story and worth being published, but it came with the suggested changes. And some of them pointed out what wasn’t working and left the how-to-do-so up to me.

So we had, as the current dialogue goes, “a conversation about it”. We were both polite but explored what could be done. He said he had read the novel as a reader and not a publisher and that’s where his suggestions came from.

Besides stretching the creativity limit, it also served as pointing-out what just might not work. He didn’t say it, but he was playing devil’s advocate.

Not all publishers do this with their authors – whether new. Often it is “my way or the highway if you want it to be published.” That often stifles the author’s creativity. It is okay for authors to talk about why they wrote what, but go from there. Get past the ego that everything in your manuscript, down to the last comma, is sealed in gold and it has to be published exactly that way. We have probably all read published trade books where the publisher gave the author (often a well-known author) free rein. I won’t mention any names, but some of those books could have been shortened by 200 pages or so.

Getting published, at least by a trade publisher, is a two-way street. Remember, your publisher wants to sell your book, so making that more viable is a good idea. And it can also increase not only your royalties but the book’s presence in a very crowded market.

I have to the end of April to make the changes. So, after our phone conversation, I spent the rest of the afternoon and into dinner time going through the whole novel again and making short comments to his comments based on our conversation. Because being human, I would not remember it all if I didn’t do that.

I’ll keep you posted on Beyond Faith.

Meantime, you can familiarize yourself with the Beyond mystery series by clicking on the Beyond Blood icon a the top.

Cheers.

Sharon A. Crawford

 

 

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Writing fiction from reality

beyond-the-tripping-point-cover Amazon link-72dpi4Sometimes writing fiction from reality can make a stronger story. And I am not referring to the “reality” of so-called reality TV shows. I’m talking about your personal experiences.

There is a catch, though. You are writing fiction so you need to change charactes’ names. You might also want to change places and timelines. One of the most important points is that because this is fiction, you can change what happens – in fact you can use what happened in your life as the seed for your story and go from there.

One of the short stories, Porcelain Doll, in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012) is taken from a regular occurrence in my childhood – but a pleasant one. So I did a “what if?”

My late father worked for many years as a timekeeper for one of the railway companies. Mom and I had free travel passes on that railway line and the competing railway. That was how we travelled to visit Mom’s relatives and to other places each summer.

So, I took that travel and the approximate time and created a “What if?”

What if the dad was a bully?( My Dad wasn’t.) and the mom was a doormat scared of him? (My Mom wasn’t.) What if the dad also bullied the daughter? (My dad didn’t – he used to call me his princess.)

So, I extracted a few facts from real life – a family of three who annually visited a grandfather on a farm, the mom knitting, the dad obsessed with the train service, and what the train ride was like at that time (early to mid-1960s), and the daughter’s obsession with reading Agatha Christie mysteries and dolls. Here the resemblance gets more than murky.

What never happened on a train in real life (at least not on any trips I took), occurred here – from playing poker for money, a prize doll (hence the story’s title), murder, disappearances, the aforementioned bullying – and the aftermaths. Story is told going back and forth between the present (1989) and the past to move the plot along to a startling conclusion.

With this use of my past I could get the feeling of being there on a train ride in the late 50s and early 60s including some little known facts such as the trains actually had a separate coach for smokers and you couldn’t smoke in any other coach, a somewhat novel idea in the days before smoking and non-smoking regulations across the board. My dad smoked back then. There was also the train route and where you would have to change trains – although I kept it to the same route I changed the location where the grandfather lived. So, I had feelings and remembrances of these train rides.

What I didn’t have was how the little girl in Porcelain Doll would react and act to what happened. That was pure fiction and that is where I had to get inside Sarah’s head. And…

No, I’m not telling you anymore. This is an example to give you an idea how you can do it. If you are stuck for a story idea. I think Porcelain Doll is a stronger story because of my past experience. Certainly others who have read it have said so.

If you want to read Porcelain Doll and the 12 other stories in Beyond the Tripping Point, you can click on the book icon at the top to get more information about the book.

What personal experiences have you had that could be turned into fiction – with a lot of well, fiction in them?

Cheers.

Sharon A. Crawford

 

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Same old same old to twisted plots

beyond-the-tripping-point-cover Amazon link-72dpi4If I saw one more TV mystery where the cops found the dead body in the trunk, I was going to do more than scream. And I did. I wrote “The Body in the Trunk” (from my short story collection Beyond the Tripping Point, Blue Denim Press, 2012). Instead of a body being found in the trunk the story deals with getting a body into a trunk and the why behind it. I also, as I often do with these stories, wrote it as a satire, in the noir black vein.

At one point I was also getting bored with reading mystery novels where the main character, a private investigator seemed to be continually broke. So, in “The Couch” I created a young (mid-20s)  private investigator who has too many clients. The story, also a satire noir black, deals with how the PI tries to downsize the clients – first using standard legit means, and when that doesn’t work, turning to crime. The payback is unexpected. “The Couch” was first published in an anthology, before being published in Beyond the Tripping Point.

So if you hit writer’s block on creating a new plot – take a twist on an old one, but one that is overused to the point of boredom.

And let your creativity loose.

You never know what will surface. It is just criminal. (Sorry, couldn’t resist that).

Cheers.

Sharon

And as usual, click on the book icon at the top to find out more about my Beyond books.

 

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Snafus getting in the way of your writing?

The latest Beyond book in the series

The latest Beyond book in the series

The actual “final” rewrite of my latest Beyond mystery is coming along and I am enjoying doing it because I get more creative insights, can fix inconsistencies, check the research and am really tightening up the wordage.

However, I’ve hit a few outside snags that are interfering with my writing time. And they make me angry. So, I’m doing something about them.

One biggie comes under the heading “My health ate my life.” So far since 2017 arrived I’ve been and am faced with two separate unexpected molar extractions. The dental surgery for the second is the day before my publisher’s deadline. As he has given me two extensions already and for health reasons, I do not want to push my luck – it would also not be fair to the publisher.

To get the manuscript and its synopsis (the latter rewritten this week with the word count part left open so far) done in time, I’ve arbitrarily given me an earlier deadline before the publisher’s and before the dental surgery.

It has also forced me to do something I had started to do this  year. Get rid of a lot of the stuff I do that isn’t really important and put some of the others in “pending”.

So far I’ve cancelled me going to a meeting tonight, limited what I get involved in within my community. Important are my East End Writers’ Group and keeping track of a nearby Light Rail Transit line being built as that will affect me in many ways. I am also a member of a local garden club and go to some of their meetings but no volunteering there this year. A couple of other community things I’m interested in I signed petitions and will let the persons organizing them do all the work – just keep me informed. At this point I am also careful of how many social and pseud-social events I go to.

And I finally found someone to shovel my snow when we get bigger snowfalls.

The big take-away point here for writers – whatever you are writing or rewriting – is you can’t do everything, especially what others think you should be doing. Figure out what is important and don’t be afraid to say “no” and/or put some of that on hold. Prioritize. Make the word “no” a big word in your vocabulary even if you have to post it all around your house and on your devices – maybe create an electronic file with a big “NO” and click on it sporadically. You can figure something out.

What I have kept in is family. Last Saturday I was to take out my son and his girlfriend for his birthday dinner (which is actually tomorrow but he will be out of town in the US for a tour with his band – Beams). Martin was sick last weekend. I wanted to see him and at least get his birthday present to him before tomorrow – the present, although not connected to music, is something useful for travelling. So, we arranged for me to make a “flying visit” to his and his girlfriend’s place in another part of Toronto last evening – if you can call buses and subway “flying.” He was feeling better. Dinner will be rescheduled when he returns home.

I know this isn’t exactly about writing, but perhaps if those getting distracted from their writing from whatever, can see one person’s way to deal with the problem, maybe it will help.

How do you deal with writing distractions?

Comments please in the comment section.

Cheers.

Sharon

And as usual, click on the book icon at the top to find out more about my Beyond books.

 

 

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Don’t Write the Same Old Same Old

The latest Beyond book in the series

The latest Beyond book in the series

When writing fiction, particularly mystery, thriller and suspense, don’t develop plots and characters that have been used before. Do readers really want another jaded police detective who is an alcoholic? How about yet another body found in a trunk?

Readers want to be surprised, entertained, and have something different. Those who like to try to figure out who done it and why like a challenge. If it is too easy, that won’t work.

Twists and turns in suspense, mystery and thriller novels work very well – provided they are different. And if you are writing a series, you need to write the unexpected even more so your readers don’t get too comfortable with your series characters. You want them to relate to the characters and develop a bond, but you have to shake them up with each book’s plot and characters.

Remember your characters need to be like real people – they can’t be stagnate. Throw them lots of curve balls and see how they act and react.

Some authors that are masters at this are Julia Spencer Fleming, Peter Robinson and Harlan Coben. The latter writes standalone mystery-suspense, while the former two write series mysteries. Spencer Fleming, for example throws a big curve with each book. Just as something seems to be sorted out between her two main characters – Rev. Clare Fergusson and Russ Van Alstyne –  right at the end of the novel, something happens that seems to come out of the blue.

But it is not really out of the blue – if you go back throughout the novel you will see events and what the characters are doing that make the unexpected logical. Some examples (without stating which novel) are when the priest and the cop finally get their relationship solidified, the priest who was previously in the armed forces and is now on reserve, is put on active duty outside the US. Right at the end of the book. Great hook to get the reader to read the next one in the series.

The reader knew Clare’s background here,so that wasn’t grabbed from the air. It was the timing.

And that’s what is important. Timing. In my Beyond novels, I build up the suspense with (among other things) a growing relationship between the main character PI Dana Bowman and Detective Sergeant Donald Fielding. Both are relationship shy – that isn’t too different. But how it evolves (or does it?) is different because of other things going on in the novel. The ending has a big twist.

This is the novel I’m still putting the finishing touches on for the publisher. So, I’m not going into more details. The previous and most recent one, Beyond Blood has a bit of a cliff hanger at the end – the premise here being, when a crime victim has been rescued, it may not all be rosy and comforting for them. In fact, it isn’t in real life.  I took that idea and left the reader wondering about a character’s dealing with after effects. The short story collection Beyond the Tripping Point has four stories featuring Dana Bowman and most of the rest of the Beyond gang. These stories take place the year after. And the current Beyond book is later that same year and the character is still suffering some after effects.

Unexpected events change people – how they live their lives afterwards.And that varies with each person. So, too, should your fiction.

Don’t be lazy and write the same old same old. Surprise your readers – but make it logical. That may sound like an oxymoron, but be creative.

And read what is already written to see what works, what surprises and what doesn’t. Read books by Julia Spencer Fleming, Peter Robinson and Harlan Coban, and yes my Beyond books too.

You can get more information about the Beyond books by clicking on the Beyond Blood icon at the top.

Cheers.

Sharon

 

 

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