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Sharon A. Crawford hosts Crime Beat Confidential TV show

Now that I have finally taped the first segment of my TV show Crime Beat Confidential on the Internet channel thatchannel.com I have a few thoughts on doing a TV show.

First some basic info about the show.

Crime Beat Confidential is the new bi-monthly crime interview show hosted by former journalist and now mystery author Sharon A. Crawford https://samcraw.com/. The first segment opens with a short introduction by Private Investigator Dana Bowman, the main character in Sharon’s Beyond mystery series and then segues to Sharon and her guest, James G. Wigmore, a respected forensicric toxicologist. Sharon and James chat about alcohol, DUIs and cannabis. James covers not only the legal aspects, but some of the caveats with the current cannabis because as James says, “Not your grandad’s weed.”

Guest James Wigmore, forensic toxicologist and author of Wigmore on Cannabis

View the show here.

The next segment will be in mid-August. Guests will be in various areas of crime – although not murderers, but not all authors either – police officers and private investigators, crime writing and reading organizations. And authors will have something interesting and unique in their books to talk about.

So, how did all this happen?

I have been interviewed by Hugh Reilly on three segments of his Liquid Lunch show (and no, he does not serve us booze) – one segment for each of my Beyond books. Shane at my publisher’s (Blue Denim Press) got me in for the first book Beyond the Tripping Point the end of October 2012 the day after hurricane remnents hit Toronto. Still raining a bit the day of taping and I missed the bullet for overnight power outages which hit houses on my street from next door.

I’m a former journalist for 35 years or so and also as it turns out I have a new interest and apparently some talent for it – acting – comedy mainly. Those of you who follow this blog know that I sometimes dress up as my main character PI Dana Bowman for author presentations. Well with Dana introducing the show segment and then me taking over doing the interview, we had to tape the first part separately to give me time to change back into me

But to back-up – the producer at thatchannel.com asked me to do a show and Crime Beat Confidential was what I came up with including a sample schedule of shows and she loved it. I had to become a member of thatchannel.com to do the show, but that’s okay as it gives me other benefits including being listed as one of their show presenters. See here and also have a member profile.

We were supposed to tape the first segment in June but one of the two guests cancelled at the last minute as she couldn’t get tine off work. They are tentatively scheduled for the August taping and I have a guest booked for the fall taping.

I don’t think I took it too seriously at first.- especially after announcing it at a Sisters In Crime meeting and then had to postpone the taping. Guess I was going on the modus operatndi of “when I see it I will believe it.” or “when it gets taped…

There were a few ups and downs like the links for my first guest and me not being included in the show. But I think that’s been fixed for future shows.

And getting from the idea stage to actually taping took longer than I expected, but “life” gets in the way.

I found the experience of taping that first show very interesting and thought it went well. My guest has experience appearing on TV before, in court, and lecturing. As mentioned, I am a former journalist (print and online) but have also had some experience with TV – cable TV – doing a few interviews and getting interviewed, but mostly working behind the camera, including operating one of the cameras. My cohort in this was in front of the camera – she has a British accent and that goes over well in an interviewer. We were both freelance writers and we collaborated in choosing guests and met with the guests before to get to know them.

So, I am really enjoying doing this TV show – and. yes it is a way to promote my Beyond mystery books, but I get to. interview all these interesting people and learn something. And PI Dana Bowman gets out from between the book covers and well, rant a little as she does the brief introduction.

Again view the show here.

What do you think?

Anyone else using TV to promote their book? How did it go?

Dana Bowman does the into

 

Cheers.

Sharon

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Muskie and Murder engages audience

Michael and Sharon – Muskie and Murder presentation June 27. Shane Joseph photo.

Muskie and Murder with Michael Robert Dyet (Muskie) and me, Sharon A. Crawford (Murder) made its debut presentation last evening at S. Walter Stewart Library. It was my East End Writers’ Group’s second event for 2018. Although I was disappointed in the small number of people who attended (probably to inaccurate weather forecasts for torrential rain) those of us there were really engaged in the presentation. I’m not talking just Michael and I and our guest speaker, Shane Joseph (editor at Blue Denim Press – our publisher), but the whole audience of writers and readers.

There was a continual conversation going on among all of us and I think we learned a lot. I know I did.

Using four different set-ups, we were all looking at what Michael so aptly titled The War between Literary Fiction and Mystery Fiction. We discussed questions dealing with plot and characters in both and not only discovered there is both in both types of fiction, but we found out we all read more than one or the other. Margaret Atwood (she of Alias Grace and The Handmaidens Tale) and Stephen King (Pet Cemetery,The Shining, The Outsider) entered the conversation – at least their names and writings did. So did memoirs – another “M” area of writing. Perhaps we should add Memoir to future presentations?

Then Shane asked Michael and I questions on plot and characters and then he asked us how often do we write and do we write regularly.

Not as often or regularly as we would like. The other stuff of life (Michael’s day job, my teaching writing and editing, the garden, and house problems ), all took up necessary time. But there are a lot of other things in our lives that can be pruned or purged and some of what is still there can be manouvered somewhat.

Michael and I read parts from our books based on a theme (not telling what – we want to use it at more presentations).

And then it was skit time. Michael played Norah Watson from “Slipstream”, the novella in Hunting Muskie and I played PI Dana Bowman (although Dana might argue about the latter as she thinks she wrote Beyond Faith and is a separate person. Hmm.) Norah had reluctantly hired Dana to find a missing family member, but Norah and Dana are like oil and water.

You can imagine how that went. If not you’ll have to catch a Muskie and Murder presentation in the fall.

PI Dana Bowman and Norah Watson. Shane Joseph photo.

Meantime, this whole presentation, particularly what the writers and readers in the audience said, has inspired me to get back on my creative writing track. Not just writing book promo blurbs and the like, but my own M and M – Mystery and Memoir. I remembered that I used to always write at least two afternoons a week – Friday was sacrosanct for my creative writing, with Wednesday afternoon another one.

Earlier this year I started the fourth Beyond mystery book, started another rewrite of a black noir mystery short story, and returned to my memoir writing – both the book and some shorter pieces for possible magazine publication.

And anyone who dares interfere with my writing time, let’s just say it could mean “murder”.

Well, between the book covers.

Do you write regularly?

How do you do it?

Cheers.

Sharon A. Crawford

The Mystery half of Muskie and Murder.

Michael and Sharon with Muskie and Murder. Shane Joseph photo.

 
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Posted by on June 28, 2018 in Uncategorized

 

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Beyond Faith on the PR road again

The latest Beyond mystery.

 

Beyond Faith continues in person appearances – the next one is with my writing colleague, Michael Robert Dyet. Our books were published by the same publisher (Blue Denim Press) and launched the same date last fall by Blue Denim Press. So Michael and I are doing some joint (and not the weed kind either) presentations, readings and the like. Besides the book launch we have both done readings at the same library last fall. But this upcoming presentation, next Wednesday, June 27, is the first of this kind and more are in the works. And Michael writes literary fiction and is known as The Metaphor Man. I write murder mysteries and am sometimes mistaken for my main Beyond book character, Dana Bowman.

I came up with the general idea, then narrowed it down to the below blurb. But Michael organized and wrote what we are going to do – it is very interactive with the audience. We don’t want to put people to sleep. We’ve been practicing and still are practicing and fine-tuning as we go. This is the show’s inaugural and are we nervous? You tell me. Nervous energy is good as long as the memory doesn’t pull a blank.

Anyway, here’s the blurb for it to give you an idea what it’s about.

East End Writers’ Group Presents Muskie and Murder

Is there murder in literary fiction and character depth in mystery fiction? Join Michael Robert Dyet, author of the literary short story collection “Hunting Muskie: Rites of Passage” and Sharon A. Crawford, author of the mystery novel “Beyond Faith”, for a lively discussion, rapid-fire questions, readings, audience participation and a skit involving story characters. Free. All welcome. Rumour has it that there will be a special guest.

Date and Time: Wednesday, June 27, 2018, 7 p.m. to 9 p.m.

Location:

S. Walter Stewart Library (auditorium)

170 Memorial Park Ave. (Coxwell/Mortimer Ave. area)

Toronto

And there will be book characters present including her… (and she is NOT the special guest although she may think she is.)

Dana Bowman PI from Beyond Faith and Beyond Blood

 

If you are in the Greater Toronto Area,  hope to see yhere. If not, you can always read our books. They are available in the usual places, Amazon, Indigo-Chapters and the like including some bookstores – chain and independent – for those who like to visit bricks and mortars stores.

Cheers.

Sharon A. Crawford

 

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The rocky road of book promo

Sharon at CWC Arthur Ellis short list Marilyn Kay photo

The aftermath of getting Beyond Faith published has been nothing close to easy, especially in the book promo department. Don’t get me wrong. I love doing book promo and I realize it all takes time and some of it will get put temporarily in Pending. But …

Well, let’s say that all did not go well for me…and apparently some other authors had the same problem – at the CWC Arthur Ellis Awards. Even CWC itself ran into a few snags – but Elizabeth Duncan who organized it with the Indigo Bookstore venue, fixed them very well. For example, the main guest who was to announce the authors shortlisted for the Arthur Ellis awards was ill and couldn’t make it. Elizabeth had some of the mini-presenters – one per category – go up to the podium, open the envelope(s) and read out the shortlisters. It was such a great choice and maybe could be done in future years.

The venue was good, a little oasis set up for the event surrounded by shelves and shelves of books. What more could an author want? Well, maybe spring weather outside.

Everybody’s presentation went very well and was interesting – much more interesting than eight authors reading excerpts from their books, one right after the other. We had to talk about our books in whatever way we wished. I chose not to do a Dana Bowman skit, but the nosy Private Investigator had apparently jumped out of Beyond Faith a a busy subway transfer station enroute to the bookstore and was lost in the rush-hour crowd. But Dana is not stupid and I knew she would show up. After thanking CWC for arranging the event, I went into my presentation – holding up a photo of Dana Bowman and asking “Have you seen this woman? She is….” After the escaping-the-book business I segued into a bit about what the book  is about from the viewpoint of what Dana and her twin PI investigating brother Bast Overture have to contend with. As I neared the finish, I thought I saw Dana darting between the bookshelves, said so, thanked the audience, grabbed Beyond Faith and Dana’s photo, chasing towards the books. A few seconds later when I showed up at the back of the audience, Elizabeth from the front asked, “Did you find her?”

“Yes,” I answered. “She’s back in the book.”

So, what was wrong with this picture? Both Beyond Blood and Beyond Faith, hadn’t arrived at the bookstore and it’s all the distributor’s – Ingram Sparks – fault. First because of all the nonsense with BF not able o be ordered in the Indigo chain stores, yet available for online orders  – which had to be fixed twice and also as the bookstore manager told  me “sometimes it takes six weeks for books to arrive from Ingram.” But the manager had contacted me beforehand about BF’s not arriving yet and we arranged I would bring in three copies for show and sell that evening, and any left could also be left in the store afterwards to go through usual ln-store selling procedure. When the shipment from the distributor arrived, I could come in to get three copies back from that.

But what happened to Beyond Blood? There were no issues with ordering it in – at least as far as availability was concerned. It has to be Ingram’s tardiness, although another store in the chain had already ordered in copies of Beyond Blood for another event with me and those copies arrived in two weeks time.

And I found out some other authors had the same problem – their books didn’t arrive on time either. No idea if their publisher uses the same distributor.

I know this has happened before to authors, but it is frustrating to an author, especially as I didn’t know about Beyond Blood.

Still, it was a great event.

And there is another CWC one Monday, April 23 in the Richmond Green Library in Richmond Hill, Ontario. Five of us crime novelists are on a “crime” panel there. Here are the highlights.

Crime Writers at RG Panel

If you’re are in the Greater Toronto Area, why not drop in? It’s free and an interesting time is guaranteed.

And our books will be there – we five are bringing copies from our own stashes.

Cheers.

Sharon A. Crawford

all

 

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Sharon A. Crawford’s Beyond Faith appearances

I have a sequence of events where I am appearing with two of my Beyond mystery series in the next few weeks. One on my own and others with other criminal (I mean “crime”) writers. Fortunately, the snafu with Indigo and its chain of bookstores having problems ordering in Beyond Faith for the actual stores, seems to have been fixed by the distributor, Ingram Sparks. Let’s hope it stays fixed. The store  managers and I were perplexed and frustrated by the problem.

Here is the  first event.

We will not be reading from our books. Instead we will be doing mini-presentations about our latest books. In my case, will my nosey main character PI Dana Bowman show up? I am trying to contain her between the book covers of Beyond Faith. But who knows what that wily PI will come up with?

And what are the other authors going to do?

Maureen Jennings (Murdock Mysteries) will be announcing the short list for each category for this year’s Arthur Ellis Awards. We (and others present) will be listening with the proverbial bated breaths.

So, if you are in the area in the GTA or actually in Toronto, please drop by for an interesting evening. And it’s all free.

Meantime, you can click on the Beyond Faith book cover at the top for more info about it.

Cheers.

Sharon A. Crawford

 

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Dark and stormy nights and other novel settings

It was a dark and stormy night. All right, cliche setting. But perhaps it’s overuse and familiarity has a reason. Settings are important when writing fiction. You don’t live in a vacuum, do you? Neither do your characters and their stories. Even if your character has disappeared to a remote island, there is still a setting. Think ocean, sand, trees, wild animals, an anonymous presence, etc. Even if your character is in prison, there is still a setting – albeit one limited in space.

Settings influence your plot and your characters’ behaviour. Don’t believe me. What about the late Rex Stout’s Nero Wolfe mysteries? Wolfe, a  middle-aged PI, lives in a brownstone apartment in New York City. He seldom leaves his apartment and prefers to spend his time alone in his big orchid room, commiserating with his large collections of orchids. Yes, the plants, in a room of their own.. Not your typical use for a spare apartment room. Wolfe is a loner and an eccentric. When he wants to see clients or suspects, he orders his employee, side-kick Archie to get them in. Any legwork outside the brownstone is Archie’s responsibility. And that is where the reader sees and experiences the setting – a New York City a few decades ago.

So you can see how setting is part of the characters and plot. Sometimes setting can even be a character. Think The Perfect Storm, although here I am treferring to the movie. In fact if you want to see setting, watch the movies and TV shows and see the variety of settings presented. There are hospital series such as The Good Doctor and Chicago Med. So you feel like you are there in the hospital. Or a fire with some of the firefighters stuck inside it in Chicago Fire. You can tell what I like to watch. Even the overdone car chase scene has setting. If you can get your eyes off the cars for a few minutes and just see their surroundings. A car chase on Hawaii Five-O is much different than one through the slushy, snow-covered streets in wintry Chicago PD. And the setting for the car chase influences just how the chase might go.

Back to books. In my mystery novel Beyond Faith, late the last night in November 1999, PI Dana Bowman is walking from a reception party to a midnight meeting with a blackmailer at St. John’s Church. Basically, she is walking from the industrial area of a mid-sized town to its downtown. On the way, I blend in the warm for  November night with a car that seems to be following Dana. I’m not going to tell you what happens with that; instead I’m going to quote some of what happens when Dana gets to the church.

No one else was about, which might make it easy to spot the blackmailer as he or she arrived—if he or she showed up. Even the area of St. John’s was barren of people, but about half a dozen cars were parked in the parking lot. Overflow from the Beaver and Cricket, no doubt. Not the church, which appeared dark, and after climbing the stairs, I found that the door was locked. Odd. But then the time was pushing closer to midnight and St. John’s probably was the church that had been robbed earlier this year.

I walked down to the cement seat surrounding the fountain, and began pacing to and from the seat. My digital showed as five minutes before midnight. More pacing and time checking did nothing except move time forward to 11.58. The blackmailer was pushing it close. A breeze brushed my face and I wished to be wearing the usual wardrobe of jeans, sweats and warm jacket. I also wished the blackmailer would hurry up and get here. Just as I started to put on my fake fur coat something snapped nearby. A tree branch? I jumped and dropped the coat on the ground. Get a grip, Dana. Clutching my bag, I moved away from the fountain seat and looked at the other side of the fountain. (from Beyond Faith, Copyright 2017, Sharon A. Crawford, published by Blue Denim Press, 2017)

And no, I’m not going to tell you what comes next. You have to get the book for that. (Hint. Click on the book at the top of this post.)

But from the Nero Wolfe scene descriptions and from the above from Beyond Faith, something else is going on. We don’t just get a bland description of the setting. The characters are actually doing something in it and the plot moves forward.

Plot, characters, setting – all part of a novel and they are intertwined, connected.

Cheers.

Sharon A. Crawford

 

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Point of View or Points of View in Fiction?

The latest Beyond mystery novel

I  have covered Point of View before but it is so important and is one of the writing techniques that authors mess up a lot – even published authors. The two biggies usually occur when the author is telling his or her novel from the third person omniscient. Both mistakes can be aggravating to the reader. The first misstep is when two characters are talking. Character A says something and the author adds how this character feels or what he is thinking when he talks. Then Character B replies and the author also adds how this character feels or what he thinks when he talks.

In the writing and publishing business we call this “jumping heads.” Or as I sometimes call it – “head lice”. This one doesn’t usually confuse the reader about the plot, but it can get annoying. The rule of thumb here is one character’s point of view per scene or per chapter or per a series of continuous chapters. If you are changing POV after a scene, you can leave a few lines and/or add asterisks between the scenes. If it helps, you can put the POV character’s name at the top of each scene or chapter – whether you leave it in or not in the rewrite. I do this (and the date and time) in Beyond Blood. The date and time are there because the novel takes place over eight frantic days in August 1998. The reason for each POV character’s first name (or a reference to the character.I do have a character called “HIim”) is for keeping track of which point of view character is narrated.

When their is an overabundance of POV characters, especially when it goes into minor characters, it can confuse the reader to the point where they feel like they need a road map to keep track of all the characters.Then they may lose interest in the story and ditch the book. Do we really need to get inside minor characters’ heads? Do we really need to know what they ate for breakfast? If something they do or did is important to the plot, it could be presented from one of the POV characters. For example, if a PI or police officer is a POV character, they might discover this about minor character – from looking at police reports or news stories. Maybe when the PI or cop interviews the minor character, something comes up. Maybe they see the minor character does something that appears out of character from what they know about the character. There is one exception, though. Sometimes crime novels start with a short Prologue told from the victim’s point of view as he or she murdered – at the end of the Prologue. Obviously, this character can’t come back or can she? if her story is told in flashback in chronological order in alternating chapters – it could work very well. And is the murdered character a minor character or major character? If he or she wasn’t killed, where would the murder mystery be?

I use four points of view in Beyond Blood and in Beyond Faith. Three of them are the same – the protagonist PI Dana Bowman, her twin brother and business partner, PI Bast Overture, and Dana’s son, David. The fourth POV character is a different one in each of the novels, mainly because that character doesn’t appear in both BB and BF. So far, this fourth character is on the shady side and is used (with reservation, i.e., not revealing all and building up the story from their POV to work it in with the rest of the plot as narrated by Dana, Bast and David.) The three POV characters who are in both Beyond novels are identified at the beginning of each chapter  and each first chapter of a string of chapters or even a scene where he or she narrates.  As a twist, Dana is told from first personal point of view and the other three from third person POV. This is done because Dana is the main character, the one who I want the reader to identify with most.

Bill Pronzini who writes the Nameless detective series does something similar. Nameless is from first person POV but no name (well, he is nameless) at the top of the chapters. But for chapters from the POV of his two PI associates, he puts the name of the POV PI at the beginning of the chapter or first of a string of chapters. When Pronzini teams with his wife, author Marcia Muller to co-author a book – especially with Nameless and Muller’s main character PI Sharon McCone  it gets interesting. For Sharon the chapter is headed “McCone” and for Nameless it is headed “Wolf.” Check out their novel Double.

The best way to understand Point of View is to read published fiction in the area you write in. Even read the ones that mess up point of view because when you spot it you will see what not to do.

And write, and rewrite, and rewrite…

Cheers.

Sharon A. Crawford

The second Beyond book in the series

 

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