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Tag Archives: Beyond the Tripping Point

Sharon and Dana at Word on the Street

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It’s PI Dana Bowman here and I’m so excited. The annual Word on the Street Book and Magazine Festival rolls into Toronto this coming weekend. And I’m going to be there at two booths. I am front stage and centre at the Toronto Sisters in Crime Booth and share space at the Crime Writers of Canada booth with authors Lorna Poplak  and what’s her name who says she wrote Beyond Faith and I didn’t. We’ll see about that. This will be my opportunity to set some things straight to everybody who comes by the SINC booth. I can show them parts of Beyond Faith and ask them.

Who wrote the book?

Oh, what’s her name is here. I better scoot.

 

Hey you, Dana Bowman. Get your nosey nose (and the rest of you) back inside Beyond Faith. Oh, hello from the real author of the Beyond mystery books, including Beyond Faith. If you look a the book cover below you will see it doesn’t say “Dana Bowman” as the author, but me, ” Sharon A. Crawford”. Do I try to stick my nose into Dana’s life?

Don’t answer that. Of course, I do, as an author.

The latest Beyond mystery. (2017).

Now, down to business.

Word on the Street (WOTS) appears every year about this time somewhere in downtown Toronto, Canada. For the past few years it has been at Toronto’s Harbourfront Centre by Lake Ontario. And that can give a real meaning to “jump in the lake”..WOTS covers pretty much the gamut of books and magazines; hence its title.And it doesn’t matter if you are publisher, author or reader (or some or all of those); it doesn’t matter if you read only print books or e-books; it doesn’t matter if you write prose or poetry or plays, there is something (or several somethings) for all. Yes, even a kids section. Children’s literature is big business these days, especially Young Adult books. So are romance and mysteries. Whatever you like to read is there. And a word of warning. The festival may be free to get into, but all those books and magazines. You’ll need to bring money and some canvas bags..

Take a gander over to the Toronto Word on the Street 2019 website and browse. You’ll be doing more than just browsing. With all that is going on ast WOTS, you will need to plan your visit down to the last second. But, this time there are events on the Saturday as well.

Dana got one thing right. Two appearances – but for me. She”ll be there inside the books and if I catch her trying to take my place, I’ll…I’ll

Well, maybe I’ll let her out if she sells some books.

Anyway, Dana Bowman (from wherever) and I look forward to meeting you and talking to you at WOTS on Sunday, September 22, 2019. The three Beyond mystery novels   – Beyond the Tripping Point, Beyond Blood and Beyond Faith will also be available to browse and purchase.

Here’ my (er, our) appearance info.

Sisters in Crime Toronto Chapter

Booth #WB5

11 a.m. to 12 noon

 

Crime Writers of Canada

Booth #WB4

Times and Date.

3.30 p.m. to 5 p.m., Sunday, September 22, 2019

Location:

Harbourfront Centre, 235 Queens Quay West, Toronto, Ontario

Please note the whole festival for the Sunday runs from 10 a.m. to 5 p.m.

And let’s hope the weather and public transport co-operate. We don’t want any rain to fall on our “parade”, especially if we are waiting for a bus to get there.

Cheers.

Sharon A. Crawford

Author of the Beyond mysteries.

And PI Dana Bowman, the books’ main character.

 

 

 

 

 

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Revisions in Life and in Writing

Beyond Book No. 1 – the short story collection

“Half my life is an act of revision” – John Irving.

Most of us writers are familiar with doing many revisions of their short story, their poem, their novel – whatever they are writing. But did it ever occur to you that our lives are full of constant revisions and we often have to “rewrite” parts of our lives? And that sometimes these life revisions affect our “revisions” in writing.

If this sounds absurd, let me give you a few examples from my life.

From when I was a teenager (back in the grey ages, of course) I wanted to write and get published. I accomplished the first, but the second was not so easy, Around the age of 20 I was writing short stories and when I finally got up the nerve to send them out (in those days by snail mail), I got what I thought was a devastating rejection from a journal in Alberta. “This is not a short story; this is an incident”. I was so upset that I stopped writing short stories and switched to non-fiction – newspaper and magazine articles. But first I took various courses i  magazine and newspaper writing at a local community college.

Then my husband (at the time) and I moved just north of Toronto to Aurora, Ontario. This was the mid-1970s and Aurora, unlike today, was a very small town. But that local college from Toronto had a campus in a smaller town just outside Aurora, so I took another course in freelance magazine and newspaper writing. This class was a turning point – all of the students got published.

My publishing started with me cold-calling a local newspaper in Bradford to pitch a story idea. The idea was actually my husband’s and he had to stand by the phone and give me moral support to call the editor. I was a real chicken then. But I did it. Then I go brave and added, “I also sent you a humorous personal essay.”

tBoth stories were published and I ended up freelancing for that newspaper for a few years, then moved geographically (getting published. i was still in Aurora). I wrote a weekly column on Aurora’s community groups and their activities – first with a newspaper in Newmarket for a year and a half, and then with one in Aurora. There is a story behind those gigs, but that is for another posting. My next regular writing  freelance gig was for the  Toronto Star – at the suggestion of one of the editors at the local paper. So I was freelancing for that newspaper as well as a few small magazines – writing profiles of quirky people (my favourite), theatre reviews, some business stories, stories of local organizations and their members.

And then I moved back to Toronto in fall 1998, and expanded my writing to higher profile magazines, wrote freelance for another Toronto newspaper The Globe and Mail and began to focus more on writing health-related articles – something I had become interested in when I started getting migraines.

But this was all non-fiction. Oh, yeah, I wrote a few poems and some were even published – in local newspapers and in a few literary magazines.

But what about fiction? I began writing what would become much later my first novel  in the Beyond mystery series. Actually I started that in Aurora not long before I moved.

And at some point in there I began writing short stories, one story in particular, Porcelain Doll. The idea for that came from my background way back. I was a railway brat – my dad worked as a timekeeper for the CNR and he, Mom and I got free train rides. So I started thinking like a writer. What would happen if? The father in the story is very different from my real father except for working for the railway and the three of us travelling to Grandpa’s farm in the summer.

Porcelain Doll went through many revisions and some of the writing critiques (from various writing groups, including the one I started – the East End Writers’ Group) tore it apart. But I kept on writing it and a few other short stories. Some of these other short stories were published in anthologies.

A new small book publishing company, Blue Denim Press, started up. One of the publishers in this husband and wife enterprise, used to come to my EEWG  group when he still lived in Toronto. so we were familiar with some of each other’s work from there. and after pitching a short story collection idea (originally with two of us authors), the publishers were interested in my stories. But I didn’t have enough stories to make a collection; still I signed a contract, and began writing frantically and furiously. Short stories travelled by email back and forth many many times with many many revisions. It seemed as more than half my life was then in constant revision

But Porcelain Doll finally made the cut and was one of the 13 stories published in Beyond the Tripping Point (Blue Denim Press, 2012). From there I (slowly, lots of revisions), I wrote and Blue Denim Press published my (so far) two Beyond mystery series novels – Beyond Faith (2014) and Beyond Blood (2017).

Now I’m writing two books and wondering if I have finally gone mad, crazy, off my rocker (well, I am a senior). One is a memoir, getting my most attention as it is the next one for publication next year, and the third Beyond novel, which has a beginning and I am also doing research with it and a constantly changing the plot outline – much of the changes going through my head.

So you can see where your life going through constant revisions can affect what you write (or don’t write) and when. All from the wisdom in a short story rejection – “this is not a short story; this is an incident”.

I use that one in the short story workshops I teach – but that’s another “story”.

And that’s my cue to get out of Dodge – for now.

Question: What revisions or changes in your life have affected your writing? And how have they done so?

Cheers.

Sharon A. Crawford

 

With Crime Writers Canada at Richmond Green library

 

 

 

 

 

 

 

 

 

 

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Don’t forget your research

Beyond book No. 3

You may be writing fiction, but you still need to do some research. Sure, you can make up your story, your characters – and you better be doing the latter – but some things such as a place, a date, a real life event will pop up that you need to check out, even if you are writing science fiction. And if you are writing anything – sci-fi or other – and there are police in it, you will need to do research. Ditto for any other career involved even if you have worked in it.

Then there are stories set in countries other than the one you live in – or oven another part of the country you live in. Peter Robinson, who writes the Inspector (now Superintendent, I believe) Banks mystery series sets his novels in Yorkshire, England. Peter has been living in Canada for many, many years, but he makes regular trips back to Yorkshire.

And if you are writing historical novels – romance or mystery, or any novel set in the past, you need to do some research. My Beyond Blood and Beyond Faith are set in 1998 and 1999 respectively. Computers, the Internet, etc. were quite a bit different then. If you set your story in the late 1990s you can’t have people running around with smart phones. Yes, there was email and Internet then, but on computers.. My twin PIs, Dana Bowman and Bast Overture do have cell phones, but the type that flipped open and closed and no email or text on them, although text was just coming in across the pond in Europe. But not in Toronto, Ontario and north of Toronto.

Even though I didn’t have a cell phone then, a real estate agent/friend of mine did. So I could go back to what I remember about that phone, which I did use a few times. Not enough though, so I did a lot of research on cell phones from the past, what they looked like, their size (fortunately in the late 1990s they weren’t still the big clunkers from four or five years earlier). I was able to do enough research for that on the Internet. But not all research on the Internet is sufficient. Sometimes you have to get off your laptop, off the Internet and off your butt, off your smart phone, and get out there and do other research.

There is the obvious one with police and I’ll go into that in another post. Today, I want to talk about one of my in-your-face type of research – not exactly interviewing someone – which I did a lot of when I was a journalist (and some was via phone and email). No, something else I used to do for research for a story was to get out their and “absorb the scene”.

One of my stories in Beyond the Tripping Point is set in present day Toronto. There is an alley in the story, so I re-visited the alley behind a street of row houses where relatives used to live many years before present day. I walked up the street in front of the houses to see what they looked like today and then I went around the corner and into the alley behind and started walking there. I visualized the scene in the story (Missing in Action) and decided this alley fit the story. So when I wrote that scene this was the alley I was thinking about. Yet I didn’t pinpoint where it was in Toronto in the story.

In the story “Unfinished Business” I have the main character revisiting her childhood home area in Toronto with her 12-year old daughter because the daughter insisted. Something really bad happened to the mother when she was around the daughter’s age and she had only been back once just for a ride-through with a friend and she ducked down in the car so she wouldn’t see the place. When she came with her daughter, I envisioned where I grew up and had her drive in past buildings and on roads there up to the house (but I changed the street names). However, the whole street was in my mind as I wrote it as were most of the changes outside the house like for my house – except the rickety old garage at the back  of the driveway. It had been replaced  just before I moved back to Toronto in 1998, but I left it in my story, because it was crucial to the story. The people in the story and the bad thing that happened to my character didn’t happen in my life. (I had other things that happened instead). And for the record, I have a son, not a daughter. And also for the record, I took many walks along that street and even talked to the current owners before I wrote my story. Unlike my story’s main character, I don’t drive.

And how the latter happened is the “fault” of a couple of cousins visiting from Michigan, well, one of them. Here’s how that went.

My cousins, G and K and I were driving downtown from my place to meet my son for dinner. As we drove past the street where I grew up, big mouth me mentioned this. G turned onto my street, stopped outside the house (big mouth  me again telling him which one). A man in his mid-fifties was hauling a golf set from the trunk of his car. G rolled down the window and shouted out “My cousin used to live here.” So the three of us had to get out and we got into a conversation with the man and his wife. Turns out they (particularly her) are interested in the house’s history and the street’s history too. And the garage came into the conversation. The wife asked me if the original garage was so far back and I said “no.” Some more comparisons of outside were made and I learned some of the history of the property from after I moved. And I saw more inside when a few months later (I had their permission to call to make an appointment for this) I visited the couple inside the house.

Unfinished Business did not take place inside the house, but it did have scenes on the street, in the driveway and the old rickety garage.

So research is not all boring and you can get some physical exercise doing it. Just remember to go beyond the Internet.

Cheers.

Sharon A Crawford

Author of the Beyond mystery series.

Short story collection (2012)

 

 

 

 

 

 

 

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Using Humour in Fiction

Mysteries, thrillers and horror fiction can be very grim. Some authors (including me) add a little humour to lighten the load a little. But there are a few things to consider if you want to use humour in your fiction. (Note: I’m using the Canadian spelling of  “humour” because I am Canadian).

First, a big  no-no:

Don’t have your character or characters crack a lot of jokes. This isn’t stand-up comedy or a comedy TV series. There could be one exception to this – if a trait of one of your characters is to tell jokes – bad or otherwise and it fits in with the plot and this character’s interaction with other characters. But use it sparingly or not at all. It is not the best technique.

Some techniques that can work:

Your main character is a klutz. Picture a klutzy private investigator or cop or? This can bring up several scenarios that can lighten your story. It can also provide some problems for your character in their investigation. For example, your PI is snooping outside a house where nobody is home at the moment. Or maybe he or she gets into the house to look around. Instead of the family dog barking at them or charging at them, why not have the kluzy PI trip over a sleeping cat and fall down a few stairs – or how about a whole menagerie of animals – maybe he or she collides with a snake that has gotten loose from its cage? And the PI is terrified of snakes.

Or give your PI or cop, what we call a character tag and use that to create some humour as the character does what he or shee normally do. In my Beyond books, Detective Sergeant Donald Fielding stutters – not with work-related things, but with personal things that make him nervous – such as his attraction to PI Dana Bowman. He also suffers from migraines. In one scene in Beyond Blood, Fielding knocks on the door of the bedroom Dana had to sleep in overnight – not at her place as a murder and kidnapping took place there and her home is a crime scene,so Dana and her fraternal twin PI  Bast Overture are staying at a neighbour’s next door. Here’s a short excerpt from Beyond Blood with the encounter the next morning between Dana and Fielding.

Beyond Book No. 2

The pounding came from the bedroom door.

“M … M … Ms. Bowman,” Fielding said from outside the door.

Couldn’t the man give me a little privacy? I pushed the covers off and realized I was in a strange bed and still wore my party dress. Red for blood. Red. Cut it out, Dana.

“What the hell do you want, Fielding?”

“Are you d … d … decent?”

“What?” I scratched my head and yawned.

“Ms. Bowman. I need to talk to you.”

“So talk.”

“I h … h … have a ch … ch … change of clothes for you.”

“What?” I leaped out of bed, ran to the door and pulled it open.

Fielding leaned against the wall. His face resembled whitewash and red rivers flowed through his eyes. He held a plastic bag, which he slid over my way.

“Your ch … ch … change of clothes. C … Constable Nivens collected them.”

“Thanks.” I grabbed the bag. “You look like hell. No sleep?”

“Just a migraine. I get them all the time. It’ll pass.”

“Migraine. Here, come in and sit down on …” A quick glanced around the room showed an ironing board piled high with clothes standing beside a chest of drawers. A basket of clothing sat in the room’s only chair. “… on the bed.”

“No, it’s okay.”

“No, it isn’t. Migraines are awful. My mother used to get them, but thankfully I don’t. She used to blow in a paper bag, to get rid of the pain, I mean. Maybe there’s one here.” I started rummaging in the dresser drawers.

“Ms. B … B … Bowman. It’s all right.”

“Here we are.” I shook a scarf from a Fashion Shoppe bag and shoved the bag at Fielding. He ignored it. “Put it over your face and blow.”

He stared at me, for once speechless, took a deep breath and sputtered.

“Take the damn bag and blow. And go and sit down. I don’t want to have to deal with a cop passing out in a bedroom.”

A little colour hit his face for a second. He staggered over to the bed, plunked down on the edge, leaned over and blew. I moved towards the doorway, stopped and swung around.

“Look, Fielding, I’m sorry. Guess we’re all a little edgy.” I sat on the bed beside him and touched his forehead. He flinched and pulled away. “Sorry. Do you want a glass of water?”

“W … w … wait. It’s the kid. I m … m … mean your son. I have a daughter.”

“I know. You told me earlier.”

“Well, I want you to know, Ms. Bowman.”

“Dana.”

“D … Dana, that I’ll do my best to get your son back safe and sound.”

“I know that, Fielding.”

“Don.”

“What?”

“M … my name is Don.”

“Okay, Don. Anyway, you have two private detectives in the house to help you out.”

“Now, listen here, Ms. Bowman. You let the police handle this. Your job is to answer your cell phone if it rings, so we know what the kidnappers want. Nothing else.” He pointed his forefinger under my nose. (Copyright Sharon A. Crawford, From Beyond Blood, Blue Denim Press, 2014).

As you can see,  there is enough for the reader to visualize – especially a burly cop blowing into a brown bag.  hey are in close quarters and both characters are uncomfortable. But it is only a moment before the two characters return to “business”. But what else does the encounter tell you about the characters and the story?

In my short story collection Beyond the Tripping Point, some of my stories are noir and satire, one in particular – The Body in the Trunk, which has an unusual take on two friends trying to move a body to… well, that would be giving it away. You have to read it to get it.

And that’s my last suggestion. Read published novels  containing humour in the genre you are writing in. Three authors who do it so well are:

Melodie Campbell with her Goddaughter  series. The Toronto Sun calls her “Canada’s Queen of Comedy”.

Steve Shrott (who also teaches humour writing) with his stand-alone mysteries. One features a dentist who is a part-time PI and another features an actor whose main roles have been dead bodies.

Janet Evanovitch and her  mysteries. Her bail bonds character, Stephanie Plum, is forever getting into scrapes, especially with the two fellows who like her.

See how these authors work their humour to fit their characters and their plots.

Happy reading, especially over the Christmas season.

Have a good holiday.

Cheers.

Sharon A. Crawford

 

 

 

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On the road again with my Beyond mystery books

Beyond book No. 3

I’m taking my Beyond books on one last in-person promo for this year and then taking a break until into the New Year. Will still be doing social media. It’s just that I don’t like going out and about much in winter weather. And there is a high risk of having to cancel ane event or going to it because of a blizzard, sub-zero temperatures or some other awful winter stuff. I am not a fan of winter – in fact if it would disappear permanently into a black hole I would be the first to cheer.

And I need the time to continue writing my new Beyond mystery novel, which despite all the house issues, sagas and other problems being shoved at me, I am actually back to working on that novel.

So, I’ll put some brief details of the last of the 2018 Beyond events. But first I want to mention some of the unique ways I get these promos.

I have to be thankful that many come to me from outside and I am grateful for them.

There is my Crime Beat Confidential Show that I host bi-monthly on thatchannel.com. The station’s show producer approached me – probably because i had made some appearances as a guest on their Liquid Lunch Show. I get a lot of fun, learning and meeting interesting people who guest on my show. My book character PI Dana Bowman appears at the beginning of each show. And in the one just taped this week, she does the second half of the show interviewing the guest – a private investigator. The show is not taped live and some editing is done, so when it’s up I’ll post the link. Meantime you can watch the other two on thatchannel. com under “Shows” or Google “Crime Beat Confidential and Youtube” and see it posted by the station on Youtube.

As a member of Crime Writers of Canada, Sisters in Crime, and the Toronto Heliconian Club, I get a chance to take part in their author readings, book signings at bookstores, libraries, conventions, writers festivals, artistic shows and sales. They send out emails on this looking for us author members to participate and we  have to get back. Now, for some there is a limit of how many participants, but I have been lucky to get in on those – even some out of town. And there it is other members participating in the same event who give me a lift there – sometimes we have a car load of authors heading ouit of town and it is so much fun.

Those are just some examples. My point, beside being grateful, is authors – whether self-published or published by a trade publisher, can benefit by joining an organization that has some literature and/or writer component to help promote their books. And it’s not all  one-sided as by participating you sometimes get the chance to organize the event. And you meet interesting authors and readers. And sell some books. Don’t be all social media and no in-person promo. Sometimes readers like to see the real person and not just see what thay look like, but how they act, how theiy interact,,how they come across in their knowledge about writing, and in my case, just dressing up like my main character and letting her take over.

Beyond Book No. 2

And on that note, I’ll just list the last two events for 2018 and hope those in the Greater Toronto area in Ontario, Canada can make one of these events.

GIFTS FROM THE MUSES-

Saturday, Nov. 24, 11 am to 4 pm.

Toronto Heliconian Club

35 Hazelton Avenue, Toronto, Ontario, Canada

All my Beyond books – Beyond the Tripping Point, Beyond Blood and Beyond Faith will be on display and for sale at the annual Club show and sale “Gifts from the Muses”  which will take place on Saturday, Nov. 24. There will also be a wall of paintings and photographs, all selling for $100 or less. In addition, members from all sections will sell hand-made products such as unframed art works, cards, books, CDs, jewelry, jams, baked goods, etc. Along with the sale, members of the Music Section will entertain with short musical interludes each hour. This is one of the best multi-disciplinary events in the Club and is so much fun to attend! It is a great opportunity to purchase outstanding gifts for family and friends!
More info on The Toronto Heliconian Club, including a map for their location here

Also at The Heliconian Club

An Evening of Readings of Literature Section Members
·
Wednesday, December 5, 2018 at 6:30 PM – 9 PM

Sharon A. Crawford will read excerpts from her Beyond Mystery series novels: Beyond Blood and the latest, Beyond Faith. She is joined by two other Heliconian Club Literature group authors: Ann Elizabeth Carson and Isabel Berchem for this Evening of Readings. Hosted by Christine Arthurs. Refreshments and a cash bar.

Cost: Free for Heliconian Club members and $10. for all others.

Beyond Book No. 1 – the short story collection

Cheers.

Sharon A. Crawford

 

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Book Promo by Serendipity

The latest Beyond mystery.

I have learned that just having a Marketing Plan to promote my Beyond mystery books (and following it, even) is not always the most lucrative way to do it. The late great John Lennon was right when he said “Life is what happens to you when you are busy making other plans.” And so it has been happening with me lately.

In late July I was in the thatchannel.com  studio,  or rather the main character, PI Dana Bowman, in my Beyond mystery books was being interviewed on the weekly Liquid Lunch show. Three people interviewed Dana – the show’s host, Hugh Reilly and two authors – Jen Frankel (genre fiction) and Dave Boyle (literary fiction). Both Jen and Dave passed along to me a couple of places to do author presentations. And Dave even took it one step further – getting it in motion. This one is that joint presentation literary author Michael Robert Dyet (author of the short story collection Hunting Muskie) and I do – The War Between Mystery Fiction and Literary Fiction. After much to-ing and fro-ing on my part with Dave and the librarian, Michael and I are now scheduled to do our presentation at the Annette Street Library branch in the west end of Toronto, 6.30 p.m., Tuesday, October 23. And we can bring book copies to sell. If you want to see some photos from this presentation we did the end of June at the S. Walter Stewart library branch, visit my website here.

Jen suggested an east end Toronto advertising company that has author readings and emailed me the info afterwards. I still have to follow-up on that one.

Perhaps the most serendipitous one is with my neighbour, Bob. Bob is a retiree who with his wife, Norma Jean, now collects wine and pop bottles and donates the money he gets for them to local kids’ sports leagues for their uniforms and equipment. So he gets my few empty wine bottles when he comes by with his buggy. We also chat then. A month or so ago he told me about another neighbour who would be doing a cable TV show interviewing local people doing interesting unusual things and he was going to be a guest. So, I piped in about being a published mystery author and he jumped in and asked questions about that. Turns out he and his wife are big mystery fiction readers and have a huge collection of books. He asked me about mine and where they could get copies.

So, since then he has bought a copy of all three of the Beyond books from me – this month. The local TV show hasn’t started yet, but who knows…

And Monday some of my cousins came to visit Toronto for the day. We are all avid gardeners so went to the Toronto Botanical Gardens and then came back to my place to see my garden. Then we went to dinner at a local restaurant. It was there that I mentioned Beyond Faith – as they hadn’t been able to come to the Book launch for it last fall. Two of them who are big mystery readers wanted to buy a copy, so it was back to my place for them to do so before they headed for home.

That’s five Beyond books sold this month that was not part of my marketing plan.

Sometimes it is good to give serendipity a chance.

Hey, we writers have story ideas come to us from wherever. Why not let book sales come to us some of the time?

The only thing we have to do is mention our books unless like with the Liquid Lunch show the info is already part of what is going on.

And if you want to find out about the upcoming (so far) Beyond gigs go here and scroll down  and a workshop I’m teaching called “Memoir as Creative Nonfiction” – which has nothing do with mystery writing, go here.

I’m not the “M and M” lady for nothing (and I don’t mean those scrumptious chocolate and peanut butter candies, but Mystery and Memoir – that’s what I write)

And here’s the link to that Liquid Lunch segment where Dana Bowman appeared. thatchannel.com does have it on its website, but this You Tube link is quicker.

Cheers.

Sharon

 

PI Dana Bowman guests on Liquid Lunch

 

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Putting your writing out there – whatever way

sharon at CWC Arthur Ellis short list Marilyn Kay photo

We. all have to start somewhere to get our writing out there – first for publishing and then to promote the published work. Both can involve some reading in public. But getting out of our comfort zone of behind our laptop, Ipad, etc. isn’t easy at first. Our “audience” might not like our work. They might say rude things about it – like “don’t give up your day job soon.” They might not get what we are writing. Or maybe deep inside there is a fear of …not failure, but success.

Oh sure, I can say that easily, you think. I, who do live skits and TV shows featuring Dana Bowman, my author readings – alone or with other authors, which come across more as acting then reading. I who teach writing workshops and courses. I, who approach venues to do some of the aforementioned. And let’s not forget my 35 years as a freelance journalist which required much story pitching.

Dana Bowman does the into

It’s that last phrase that is important. Not the 35 years, but the years of experience. Maybe being a senior has something to do with it, too. Where you know your life length is ticking away so you (or I do) tend to take some chances you wouldn’t maybe do otherwise. I also am known as a big mouth – not just having a loud voice. I say what I mean and sometimes I’m blunt. Taking after my late mother? Maybe, but as I said, age can make a difference.

But it was not always this way and I’m not referring to age. Let me give some examples.

When I was 20 I began submitting short stories to magazines. One editor, of a now defunct magazine wrote a note back about one story “This isn’t a short story; this is an incident.”

I was so incensed, so upset that I gave up writing short stories for years.

But I didn’t give up writing. I just switched – to journalism, which I had been interested in anyway. I took many journalism courses at what is now Ryerson University in Toronto and at Seneca Community College. After the Seneca course in 1976, where every student in the course got published somewhere on their own merits and with good suggestions from the instructor), I started pitching stories to local newspapers

Not without trepidation. My first story pitch was about a local noisy ratepayers group.My then husband had to stand by me at the phone while I called and talked to the editor. When the editor said to “send the story” I got a little brave and mentioned that I had sent him a humorous personal essay and he said he would check it.

Both were published as were many more. And after those two, for journalism stories I just pitched the idea first. Personal essays, like fiction, you usually write first and pitch after. I also moved along to other local newspapers – at the request of their editors. So I wrote a weekly community news column for first one newspaper and then another.

But that didn’t go smoothly all the time. For the first one, the editor forgot to tell the current community news columnist that she was fired. She found out when I called her in her capacity as spokesperson for a community group for info. Oops.

At this newspaper I really messed up. Six months after I started writing my column , the editor of another newspaper asked me if I wanted to switch and write a similar column for them. Although the pay was higher, I declined out of loyalty to the first paper, because of the short time writing the column.

The following year the first newspaper gave me a raise of the princely sum of $5.00 a week. So when the “new” (as in a year and a half) columnist for newspaper no. 2 told me she was moving out of the area and so leaving the newspaper (yes, we “rivals” knew each other – covering the same events. Hey, a reporter from the first newspaper and a reporter from the second newspaper got married – they met covering town council meetings. Both became my friends and they are still married, although they each went on to different jobs and are now retired).

So I ate crow and phoned the editor at the second newspaper and said I had heard E. was leaving and I was now interested in writing the community news column for his newspaper. He gave me an appointment to go in to see him. By then my husband and I were separated – we had a preschooler son ,so there I was pushing his stroller into my interview with the editor.

I got the column and wrote it for six years until the publisher canned the column. I had also been writing community theatre reviews and feature articles. After the column went, I did some freelancing for several other local papers and then move don to the Toronto newspaper and magazine market – and other area magazines. Not all smooth sailing, which is one of my points. Like everything else in life, you get some bumps in the road. Each bump you handle adds to your experience and your confidence, although if you are like me, you still sometimes worry about it.

As for my reading, skits and TV appearances with my books, that’s from experience, too.Teaching the writing workshops helped develop confidence in front of other people.This for someone who in high school nervously took part in a class debate. Reading – I just practice before hand. Ditto the skits. And I have a little secret. I am terrible at memorizing scripts when I am acting with another person. Even on my own, I forget lines. So I improvise and make sure I have a script handy.

And the short story writing? I went back to it about 12 years ago – had some stories published in anthologies and my first Beyond mystery book, Beyond the Tripping Point (Blue Denim Press, 2012) was a collection of 13 stories.

Also to get a little practice in getting your writing out there and in reading,and some feedback, join a writing critique group. I blog about that here.

Cheers.

Sharon A,. Crawford

 

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