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Just Write

How I feel some days lately

Tuesday I decided I had had enough of trying to get all the client and other not-my-writing work done. I was behind in it all and not keeping to schedule anyway. So I played hooky that afternoon

And sat in front of the desktop PC, just daring it to blue screen on me. (It didn’t then) and dived into rewriting my memoir. It had stewed in its file for a few years. It was time to return to it. I did have a deadline of sorts – submit the first 10 pages to the Writer in Residence at the Toronto Reference Library – in January. That’s when the submission time frame opens.

It was on my schedule to get back to the memoir during the two weeks I’m taking off from client work (and all the other madness – book PR, etc.) Instead,  there I sat Tuesday afternoon reading some of my memoir’s beginning, did some rewriting, did some deciding what needs changing or deleting, did some deleting. It was wonderful to be able to just write, even though it was rewriting. It was my creative stuff.

I am back to the other stuff in my business – client work, book promo, trying to get writing teaching gigs ,etc.. But I have discovered what the big time stealer is and yes, some is related to clients or wannabee clients.

E-mail. All the frigging email I get. I still want my email programs and accounts to work, but I don’t want to spend so much time on it answering everybody’s queries, doing this and that for everybody (“everybody” is a generic term here). So, I’ve started giving my notice – during those two weeks, December 19 to January 2, I’m going off the work grid. I’ll answer family and friends email, do my blogs, and Facebook and Goodreads.

But work stuff – emails related to that arriving while I’m taking my break – they will sit in the pending folder until after January 2. And after that it will depend on who is emailing – the clients whose work I’m getting back to –  any querries for book promo and teaching writing – those will get priority.

But for those two weeks, I will do what I haven’t been doing too much of – read, see family and friends.

And Write!

A writer has to get her priorities straight.

And for those who might be wondering – yes there will be a fourth Beyond book – ideas and plots and characters are running round in my mind. So, some of that will have to get on the computer soon.

Maybe I will wish that my main Beyond character PI Dana Bowman was actually doing some of the writing.

How do you deal with all the other stuff in your life getting in the way of your writing?

Comments, please.

Cheers.

Sharon A. Crawford

The real me

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When in doubt kill the character off?

 

Dana Bowman from the Beyond mystery series. Still alive.

In last week’s fall finale of The Blacklist, Tom, one of the major characters was killed off in a very brutal way. Those following the British series Inspector Banks were jolted in one episode where a major character DI Annie Cabbot was killed. Blue Bloods killed (off screen/between seasons) a minor, but important to the series character, Linda, Detective Danny Reagan’s wife.

Near the end of last season, NCIS Los Angeles killed off Michelle, the wife of NCIS Agent Sam. Michelle’s roll wasn’t even as a regular, but as a recurring guest. But in a twist, the actor who played Grainger – Miguel Ferrier – a regular –  died in real life. Instead of following suit, the writers and producers had Grainger quit NCIS and go off to some faraway place.

 

 

Perhaps the weirdest one is the actor who played the original Morse on the old Inspector Morse series. Yes, the producers had Morse die of a heart attack when they were killing the series. But not long after the segment aired, John Thaw, the actor who played Morse died  also, but from throat cancer.

Lately, TV series seem to be in a killing mood. Want to delete a character from the series. Kill him. Actors playing the characters want more money than the new contract will offer. Kill off their characters.

So what does this have to do with fiction characters in novels? Maybe something as some of those series originated from books.

To me, killing off a character just to get them out of the TV series, out of the novel series, or even just out of a novel is a poor way to do it.  If you are going to kill a character there must be a reason within the story itself, something with the character and his other relationship with another character or characters.  Even in murder mysteries, characters are bumped off for some reason – maybe they were going to reveal something bad about the murderer, maybe they stood in the way for the murderer to inherit money, maybe revenge and yes even the so-called random killing spree where the killer kills for no apparent reason. there is always some reason even if just in the killer’s mind.

If a character in your novel dies from natural causes,  it has to be worked into the plot. Let’s look at a scenario from Beyond Faith, my latest Beyond mystery. There are two brothers – Gerrard Olsen and Larry Olsen. Near the beginning one of them gets killed. Without giving any spoilers, I had to think which brother and why and of course, who killed the brother and what led up to the killer doing so. That doesn’t come out right at the beginning, but PI Dana Bowman and her fraternal twin brother PI Bast Overture, and Det. Sgt. Fielding are trying to find out. Like most of my mystery novels and short stories, it is not straightforward. It all rises from the characters – who they are – what they have gone through and are going through in life and would they cross that line to kill? That latter is very important for an author to consider. Some characters are such bad assess in what they do that killing is believable. Other bad ass characters commit a lot of crime and/or are mean and ill-treat the people in their lives, but draw the line at killing them. Then there is the so-called good character who is pushed beyond his limits to the point where they kill.

Iit really all boils down to the character and the plot – and the two go hand in hand and drive each other. If you want one of your novel’s major characters to exit the novel, killing them may not be the only answer. That often comes across as lazy writing. Tthat can happen in mystery novels too, although when you get to the end and the good guy confronts the bad guy (or gal – guys don’t have the monopoly on being bad asses), the author has to “get rid” of the bad guy, but shooting her dead is not always the best way. The author has to consider who the good guy/gal is and how she would deal with it. Would she arrest the bad one? Or shoot him? Torture him? Push him into the lake and let him either swim or drown? Having said that, sometimes the good guy (or gal) isn’t the trigger-happy person, but is forced into a situation where it is ether the bad guy’s life or his. Then he might have to shoot – but not always to kill. Be creative. Many authors are. They have killers disappear during one novel only to return in a later novel. Chances are with this type of scenario, the novel’s protagonist probably has had some kind of a relationship with the baddie – so he will have to deal with the before and after. Unless you are a sociopath, you will be scarred  by the death of someone close to you. You will have to grieve.

Back to Inspector Banks and the killing of Annie. That does not happen in the books by Peter Robinson the British series is based on. And to me that is a disrespect for the original author. True, TV series don’t follow the novels they come from and often go off the novel’s track, often for a good reason. They can’t get all the novel contents in a movie or limited TV program. And series have to expand beyond the novel’s plot.

Killing a character on TV or in a novel shouldn’t be done just to eliminate him. There has to be a reason – beyond the character just being bad or leaving the TV series. Haven’t these producers heard of just getting another actor to play the part? It was done years ago with the comedy series Bewitched when the actor playing the husband died. And it was done recently with the British series Jack Taylor. A different actress now plays the part of Kate. Both work.

What are your thoughts and ideas on killing off characters in books and TV. Do you kill of any of your fiction characters? Why or why not?

Comments, please.

Cheers.

Sharon.

Sharon’s latest Beyond mystery links to Amazon

 

 

 

 

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Keeping the suspense in your novel’s plot

As an editor I have read and edited a variety  of fiction manuscripts. The creativity of many of the  writers and the wide range of story lines is very interesting. But one thing (among others) I sometimes find is the lack of sufficient suspense. The story drags; the story, well, it flat lines. Here are a few tips on creating suspense in your novels.

1. Leave your reader hanging – at the end of the chapter is a good place because it not only raises the reader’s interest, it gets him or her reading the next chapter. Here is an example from my mystery novel Beyond Faith.

“From what Sister Olsen had told me about her brothers, I had some idea what might be bothering Eli. Too bad neither Eli Foster nor I had all the facts.”

2. Ask a question. You know the old saying “questions are the signs of intelligence.” Questions also make the reader want to continue to get some answers. These are questions in the narrative, the character’s inner thoughts, not in dialogue. Obviously in dialogue, another character will usually answer the question although they might lie.

Again from Beyond Faith, “Who were they? And why did one seem familiar?” (all Beyond Faith excerpts, copyright 2017, Sharon A. Crawford, published by Blue Denim Press.)

3. Don’t tell all at once. Keep some information from the reader. I do a lot of this in Beyond Faith. The idea is you build up your plot with tidbits even if the character knows more than she is letting on. This is just the opposite from the example in point one above.

4. Use foreshadowing.This is often in conjunction with another technique. Again, see the example in point one above. Another example of foreshadowing is when the character is heading for an encounter they don’t relish. Perhaps with someone they don’t like and know is a nasty person. Build up the tension by getting inside the character’s head. How does the character feel? Scared? Are they sweating? Do they try to avoid meeting this character or delay the meeting by driving the long way to the meeting place. If it is in a restaurant, do they drink a lot, drop the cutlery, knock over a glass of water?

5. Or as a twist, the person is overly confident about meeting someone – a piece of cake, the character thinks. Then, wham, when they get to the meeting place, something happens – a car runs her down; someone takes a shot at her. She finds the person there all right at the meeting place – lying dead on the ground. You can tell I write mystery novels.

6. One suspense-building technique that I use is to have two main characters both heading for the same place at the same time – maybe one knows the other is there; maybe not. But one or both of them know that there is danger at the other end. Each one is racing to get there and perhaps save the other. You flip back and forth between the characters in separate scenes or short chapters. Show the reader what each character is thinking and what is happening to them. And don’t make it easy. In Beyond Faith I have PI Dana Bowman following Eli Foster in their respective cars; then I flip over to her fraternal twin, Pi Bast Overture who is not following anyone, but he has found out vital information about another character and figures out what this character is going to do so he is off to stop it. And no, I don’t tell all to the reader. And I’m not telling you any more here.

There are many more ways to create suspense. The twisted plot is one. And you can get ideas by reading published novels, the ones that do build suspense. Yes some crappy novels get published and I am not referring to self-published here.

And keep writing and rewriting, rewriting, rewriting.

And join a writing critique group for feedback.

And when you have rewritten a lot, hire an editor.

Then you can do some more rewriting.

I just started reading Hunting Muskie, a collection of literary short stories by Michael Robert Dyet (Blue Denim Press, fall 2017 – yes, same publisher as me). The first story “Slipstream”, has many plot threads popping up – all connected to a theme. And it keeps you reading. It also breaks the idea that some people have (mea culpa sometimes here) – that all literary stories don’t contain suspense.This one sure does have suspense.

Happy reading and happy writing.

Cheers.

Sharon A. Crawford

 

 

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When Your Fiction Characters take over

Dana Bowman from the Beyond mystery series

Fiction characters taking over writing your novel or short story is usually seen as a good sign that your characters are developing.

But where do you draw the line?

For the past couple of years I have been dressing  up as my main Beyond mystery novel character, Dana Bowman, and do short comedy skits at libraries, cafes, etc. In the past few months, when rewriting Beyond Faith for my publisher, Dana has been taking over. It is like I am channeling her.

This isn’t the first time that was picked up. A few months after the previous Beyond novel – Beyond Blood – was published, I was interviewed on the Liquid Lunch on thatchannel. com. Sandra, one of the interviewers said it was like i was channeling my characters. Hmm. Around about the time I started doing skits featuring Dana.

But now Dana is claiming to have written Beyond Faith? What? We have internal discussions about that. Right now I’m letting her think she co-authored Beyond Faith with me. Really, it is my name on the book cover, although she gets mentioned on the back cover – in the book synopsis.

Internal discussions may be the key word to some sort of sanity. Or if out loud in the privacy of your writing space, your office, your home. You don’t want to be like the pour soul on the subway last evening.

He was a young fellow in a hoodie carrying a backpack. Which could be a red flag. He was running back and forth to the different subway cars – something not allowed on the old subway cars with actual doors between cars. As he entered the cars he would look at someone and carry on a conversation about something that made no sense. Then he would dance around a bit, grab the bar overhead and start swinging. After a few minutes of this, he went into another subway car.

I suspect he was high on something. But what if he was in character? What if he is an author and he was letting his character speak? What if?

Probably not. But it could serve as a guideline of how far not to go with your character acting out. Public transit and public streets no. But if you are a scheduled author presenting at a library or conference, yes, be your character.

And in the privacy of your writing area, yes – if it helps you develop your character, develop  your plot.

There is a fine line between madness and sanity and I’m not sure where authors can safely cross the line.

As for Dana Bowman, I’ll still channel her; I’ll still carry on conversations with her. I will sometimes listen to her.

But I wish she would listen to me sometimes.

The bane of creating characters.

If  you want to see how Dana is invading my life, see the comparisons between the two of us posted on my website here.

And please comment to answer this question. Are your fiction characters taking over writing your plot? How do you feel about that? Is it a help or hindrance to your writing?

Cheers.

Sharon A. Crawford

Here’s the cover of the latest  Beyond mystery novel. Click on the cover to see one of the places the book is available. And as you can see Dana Bowman’s name is not on the cover.

 

 

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Beyond Faith – some thoughts on holding the book

As you can see from the picture I finally have a print copy of Beyond Faith in my hands. Actually several copies which the editor at my publisher’s Blue Denim Press just brought here  – some copies for Bouchercon and some for other author events where the publisher or a bookseller isn’t present. It was getting tiring, especially to my bad eyes, to deal with e-copies only. And again as you can see, it shows on my face. That tired look isn’t just from not enough sleep, it is partly because I’ve been getting out invitations to my book launch – again online. My face may be in permanent squint mode.

But to finally hold a copy does fill me with joy and a sense of accomplishment  (despite the clutter behind me in my office). It was a long road of  many revisions, two switches in book launch dates, but it is worth it. One friend said I was really proving myself as an artist. And (this is me, talking), I do get a lot of fun out of it as I can commit murder –  all between the books covers, of course. Another friend I used to work with many many years ago – we connected through Linked In –  is coming to the book launch – we haven’t seen each other in years and years and…

I guess what I’m trying to say to anyone who is writing a book – fiction or non-fiction, a short story, poetry, a play, whatever. The going may be very uphill, not only with the writing, but with getting it published or presented. Don’t give up. Think of yourself holding that book (a real print book – e-books won’t do it) or performing in a play, or… you supply the outcome.

Keep the long-range goal and wish in mind.

And keep on writing.

I plan to follow my own advice – once the book launch is over .

Here is the book cover up close without my sorry face in the way.

Cheers.

Sharon A. Crawford.

 

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The Beyond gang head for Word on the Street Sunday

Dana Bowman PI from Beyond Faith and Beyond Blood

Dana Bowman PI from Beyond Faith and Beyond Blood

It’s official – Sharon A. Crawford and Dana Bowman will be at Word on the Street – the big annual book an magazine at Toronto’s Harbourfront Centre. Still up in the air is if Dana will be kept inside the covers of Beyond Blood or if Sharon will let her out. Sharon is set to appear at the Crime Writers of Canada booth from 2 p.m. to 3 p.m. in the company of four other crime authors. All will have copies of their books to sell, but also to talk about Crime Writers of Canada.

Dana will need a briefing if she is to do some of this. And Dana likes to follow her own ideas. She is a private investigator after all. But Sharon is a former journalist and she also like to stick her nose into things.

The other appearance is one author and one other volunteer for Sisters in Crime Toronto’s booth from 4 p.m. to 5 p.m. – perhaps more to Dana’s liking to appear here.

That will have to be sorted out on Sunday. For now, let’s talk a bit about Word on the Street, CWC and SinC Toronto.

Sharon here….

I’ve been going to Word on the Street almost since it started in 1990. The first few years the location was Queen Street West from Spadina to Bathurst St. – not a particularly long stretch. But it sure seemed like it if you wanted to go to a specific booth at one end and another one at the other end, particularly if you were on a time-line to get to a workshop or reading or signing in a particular tent. The booths lined up in the street on both sides, plus the crowds moving through, made it difficult. And the availability of washrooms was limited to coffee shops and restaurants with long lineups – unless you wanted to use the portable toilets.

Fast forward to September 2007 and WOTS was now being held at Queens Park – no not in the legislature building or other Ontario Government buildings, but in an actual park, a circular park with booths positioned all along the east and west walkways and at the front and bottom. You could cut across the park to get to bootha on the other side – or walk along the circular walkway. Some tents were in the actual park. The setting was very relaxed and yes, there were portable toilets but also washrooms in nearby Victoria College on the University of Toronto campus. The college also held their annual book sale the same day, so it was a big day for books – the print kind.

At the 2007 WOTS I did my first appearance in a tent talking about freelance writing – interviewing techniques and the like. I was also running a course (in my house no less) a couple of weeks after and this WOTS talk was a great opportunity to get participants for that. It was also a lot of fun as I called people up from the audience to be the interviewee while I played interviewer for role playing. And my son and his then girlfriend, dropped in to watch the proceedings.

In future WOTS at Queens Park, I appeared at the Crime Writers Canada booths to promote and sell the Beyond books. One year the CWC booth was facing the sidewalk instead of the street, so it attracted less people. The location had some personal history with me. The CWC booth faced the Ontario government building where i had my first job at age 18 and 19 when I was a secretary (in another life, of course).

This Sunday, September 24, WOTS is in its third year in its third location- Harboufront Centre on Queens Quay West on Toronto’s waterfront. I have mixed feelings about it. On the plus side you are on the waterfront and the events are outside and some indoors. Some areas seem a bit crowded and the first year I was there, the SinC booth was at the end side of a long group of tables of various organizations. To get to the SinC spot you had to go in at the other end. At that end one of the poetry societies held were readings. The poet stood on the table and performed his or her poetry.

We’ll see how it goes this year and what Dana does and says if she doesn’t stay between the book covers.

Beyond Faith won’t be there – it’s still at the printers. But the flyers for the book launch will be and so will copies of Beyond Blood and Beyond the Tripping Point.

Maybe I’ll see you there. Look for one or both of us – Dana’s photo is at the top and mine is below here.

Cheers.

Sharon A. Crawford

and

Dana Bowman

 

Sharon A. Crawford author of the Beyond books

 

 

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Beyond Faith has a Book Launch date

Sharon A. Crawford and Dana Bowman have an announcement to make:

Drum roll…

Book Launch for Beyond Faith is set up and here are the details so far.

Muskie and Murder

Book Launch for Beyond Faith by Sharon A. Crawford

and

Hunting Muskie by Michael Dyet

Presented by Blue Denim Press

Sunday, October 22, 2017

Location: Supermarket Restaurant & Bar,  268 Augusta (in Kensington Market), Toronto, Ontario.

More details as they come and more in a future post on Michael Dyet, the other author whose book is being launched the same day. For  now I’ll just say Michael writes literary fiction and I write crime fiction and that is an interesting mix. Meantime, check out Michael’s website.

Michael is known as The Metaphor Guy.

Sharon A. Crawford mugshot

Cheers.

Sharon A. Crawford

 

 

 

 

 

 

 

 

 

Hey, and Dana Bowman here too.

Dana Bowman PI from Beyond Faith

 

 

 

 

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