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Category Archives: Beyond mystery series

Sharon A. Crawford’s Beyond Faith appearances

I have a sequence of events where I am appearing with two of my Beyond mystery series in the next few weeks. One on my own and others with other criminal (I mean “crime”) writers. Fortunately, the snafu with Indigo and its chain of bookstores having problems ordering in Beyond Faith for the actual stores, seems to have been fixed by the distributor, Ingram Sparks. Let’s hope it stays fixed. The store  managers and I were perplexed and frustrated by the problem.

Here is the  first event.

We will not be reading from our books. Instead we will be doing mini-presentations about our latest books. In my case, will my nosey main character PI Dana Bowman show up? I am trying to contain her between the book covers of Beyond Faith. But who knows what that wily PI will come up with?

And what are the other authors going to do?

Maureen Jennings (Murdock Mysteries) will be announcing the short list for each category for this year’s Arthur Ellis Awards. We (and others present) will be listening with the proverbial bated breaths.

So, if you are in the area in the GTA or actually in Toronto, please drop by for an interesting evening. And it’s all free.

Meantime, you can click on the Beyond Faith book cover at the top for more info about it.

Cheers.

Sharon A. Crawford

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Point of View or Points of View in Fiction?

The latest Beyond mystery novel

I  have covered Point of View before but it is so important and is one of the writing techniques that authors mess up a lot – even published authors. The two biggies usually occur when the author is telling his or her novel from the third person omniscient. Both mistakes can be aggravating to the reader. The first misstep is when two characters are talking. Character A says something and the author adds how this character feels or what he is thinking when he talks. Then Character B replies and the author also adds how this character feels or what he thinks when he talks.

In the writing and publishing business we call this “jumping heads.” Or as I sometimes call it – “head lice”. This one doesn’t usually confuse the reader about the plot, but it can get annoying. The rule of thumb here is one character’s point of view per scene or per chapter or per a series of continuous chapters. If you are changing POV after a scene, you can leave a few lines and/or add asterisks between the scenes. If it helps, you can put the POV character’s name at the top of each scene or chapter – whether you leave it in or not in the rewrite. I do this (and the date and time) in Beyond Blood. The date and time are there because the novel takes place over eight frantic days in August 1998. The reason for each POV character’s first name (or a reference to the character.I do have a character called “HIim”) is for keeping track of which point of view character is narrated.

When their is an overabundance of POV characters, especially when it goes into minor characters, it can confuse the reader to the point where they feel like they need a road map to keep track of all the characters.Then they may lose interest in the story and ditch the book. Do we really need to get inside minor characters’ heads? Do we really need to know what they ate for breakfast? If something they do or did is important to the plot, it could be presented from one of the POV characters. For example, if a PI or police officer is a POV character, they might discover this about minor character – from looking at police reports or news stories. Maybe when the PI or cop interviews the minor character, something comes up. Maybe they see the minor character does something that appears out of character from what they know about the character. There is one exception, though. Sometimes crime novels start with a short Prologue told from the victim’s point of view as he or she murdered – at the end of the Prologue. Obviously, this character can’t come back or can she? if her story is told in flashback in chronological order in alternating chapters – it could work very well. And is the murdered character a minor character or major character? If he or she wasn’t killed, where would the murder mystery be?

I use four points of view in Beyond Blood and in Beyond Faith. Three of them are the same – the protagonist PI Dana Bowman, her twin brother and business partner, PI Bast Overture, and Dana’s son, David. The fourth POV character is a different one in each of the novels, mainly because that character doesn’t appear in both BB and BF. So far, this fourth character is on the shady side and is used (with reservation, i.e., not revealing all and building up the story from their POV to work it in with the rest of the plot as narrated by Dana, Bast and David.) The three POV characters who are in both Beyond novels are identified at the beginning of each chapter  and each first chapter of a string of chapters or even a scene where he or she narrates.  As a twist, Dana is told from first personal point of view and the other three from third person POV. This is done because Dana is the main character, the one who I want the reader to identify with most.

Bill Pronzini who writes the Nameless detective series does something similar. Nameless is from first person POV but no name (well, he is nameless) at the top of the chapters. But for chapters from the POV of his two PI associates, he puts the name of the POV PI at the beginning of the chapter or first of a string of chapters. When Pronzini teams with his wife, author Marcia Muller to co-author a book – especially with Nameless and Muller’s main character PI Sharon McCone  it gets interesting. For Sharon the chapter is headed “McCone” and for Nameless it is headed “Wolf.” Check out their novel Double.

The best way to understand Point of View is to read published fiction in the area you write in. Even read the ones that mess up point of view because when you spot it you will see what not to do.

And write, and rewrite, and rewrite…

Cheers.

Sharon A. Crawford

The second Beyond book in the series

 

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Catching story ideas on the fly

 

I’m a writer as rarely as possible, when forced by an idea too lovely to let die unwritten.

– Richard Bach

Our story ideas may not be as esoteric as Richard Bach’s – he wrote Jonathan Livingston Seagull.  Where can we get story ideas and when we get them, what do we do with them?

Story ideas often pop into our heads when we are busy doing something else or more likely when our mind hits a lull. Or we are reading an article in the daily newspaper or the classifieds (online or in print) and our right brain, the creative side, suddenly wakes up. A conversation overheard on a bus, especially those cell-phone monologues, conversations overheard in restaurants can suggest several story ideas, often of the criminal intent. Brochures on community groups, art shows, and even the supermarket flyers can inspire. Take the old (former) Dominion supermarket slogan, “We’re fresh obsessed,” and try to look at a story angle that is fresh. Taking a shower or bath is also guaranteed to fill you with more than water. The Internet is full of potential story ideas. Don’t underestimate the power of dreams. Drugs and alcohol are not recommended as you will see from the following example.

Late one night a photographer friend once thought he had a brilliant idea. He scribbled it down on a piece of paper before he crashed for the night. When he woke the next morning, he looked at the paper. On it he had written, “I am very drunk.”

Another moral from this story is look at photographs. A picture is worth a thousand words, but before the words come the ideas.

What do you do when an idea hits? Grab it before it disappears into the nether area of your mind. Write it down. Keep a notebook (electronic or paper) handy. If you think faster than you type or scrawl, use a recorder for dictating your ideas. If the source is the Internet, bookmark it under the heading “Story ideas.”

Then let the idea rest for at least a few days. The idea will simmer in your subconscious and when you sit down at your computer, the act of starting to write will draw out these ideas. On rare occasions, a simmering story suddenly bubbles and you are compelled to write it right now. Do so – if you don’t you might not only lose the momentum, but the idea as well. Nothing, except maybe a blank screen, is worse than an idea gone stale because it was left in storage beyond its best date.

Follow the advice of Martin Woods, who said,

“Write great ideas down as soon…”

Cheers.

Sharon A. Crawford

Author of the Beyond mystery novels – whose ideas came from all of the above.

And if you click on the Beyond Faith cover icon at the top, it will take you to the one of the online places the novel is available – as well as more details about the novel itself.

 

 

 

 

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Creating Credible Fiction Characters

Dana Bowman from the Beyond mystery series

Creating characters that resonate with your readers, characters that are three dimensional – in other words credible characters – is not always easy. But it can lead you down interesting and unexpected pathways and forge a bond between author and character. Sometimes that bond means the character thinks he or she is writing the story.

That’s what happened with the main character in my Beyond mystery series – PI Dana Bowman. Maybe it’s because as part of my book promo she comes to life when I dress up as her for presentations in libraries,cafes and the like.

I have to keep reminding Dana that is is my  name, not hers, on the book cover as the author.

And we really are not alike, so not the same person – as I keep telling Dana.

Here’s a  character comparison of us on my website

So how do you create credible characters? Do they suddenly appear in your head? Sometimes. Sometimes you get your plot first

Characters can come from real life, your imagination or by osmosis. Here are a few pointers

  1. If you create a character from real life, make sure you use the real person as only a kicking-off point – perhaps how they look, perhaps one distinctive characteristic and create from there.

  2. Don’t steal other authors’ characters – evenly loosely disguised as your so-called character.

  3. Personal experience and knowledge can help in creating and developing characters. but remember you are creating fictional characters for fiction, not writing a memoir.

  4. An oxymoron – fictional characters must come across as real characters, real people, so readers can connect to them.

  5. Once created, characters don’t remain static – they evolve; they change, even in just one short story, and more so in novels, especially series novels.

I have lots more info on this and will be teaching a workshop on Creating Compelling Characters this Sunday, November 5, from 2 p,m. to 4 p.m. with the Toronto Writers Circle at the Toronto Reference area. It is free and open to the writing public. Here is the library info about the group and location. If you live in the general area you might like to join us.

And here is my latest Beyond mystery book. Click on it for more info

Cheers.

Sharon A. Crawford

 

 

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After the book launch of Beyond Faith

The book launch for Beyond Faith was held by Blue Denim Press on Sunday and while not attracting large crowds, we had people there. And we all enjoyed ourselves. My main book character PI Dana  Bowman and a few more of the quirky characters  – Bast Overture – Dana’s fraternal brother and PI partner, Detective Sergeant Donald Fielding – head of Major Crimes, David, Dana’s son, and a couple of new characters for the novel – Eli Foster and the nameless one all appeared from my reading. And I only read a couple of short excerpts within 15 minutes. But I read as l like to say – putting myself into the characters’ heads and shoes.

 

Photo courtesy Martin Crawford

At least I was awake then (Don’t let that photo here mislead you. I am listening to my friend and apparently trying to sign my book which she bought and looking at something not in the photo.) Unlike now, when I feel like I’m one of the walking dead and Halloween isn’t quite here as I write this. But it was worth it at the book launch.

So what have I learned from this book launch?

Good side – people invited will come – most let you know they are coming but some just show up. And they buy books – some even bought a copy of the previous novel Beyond Blood.

Bad side – those who RVSP’d they were coming, and didn’t bother to let me know that they couldn’t make it after all. Let’s put it this way – I know who you are and my take on you has gone down a notch.

Good side – those who RVSP’s they were coming, then couldn’t at the last minute and let me know. I can understand and accept that. Stuff happens at the last minute. And I won’t bite off your head because you did tell me.

Good side – Meeting and reconnecting with friends including a fellow I worked with in both our first jobs as teenagers (well late teens) for the Ontario Government. I first contacted him via Linked In. So don’t be too quick to complain about Linked In. Thanks to Linked In, I have reconnected with a former editor, a cousin who is now living in Asia. And I have found editing work via Linked In.

Bad Side – More people would have been nice. Beyond Blood and Beyond the Tripping Point brought in more people. But from what I’ve seen with other book launches I’ve gone to this year, evening launches seem to attract the largest number of people.

Good Side – some of those people who couldn’t make the launch because of previous commitments want to buy a copy of Beyond Faith – one already has.

And so the book promotion will continue.

But first I need to catch up on some sleep.

And then start kicking things I “have” to do; things others want me to do – out the window.

But I’ll open the window first.

Cheers.

Sharon A. Crawford

Here’s the book. Click on it for a link to one place the book is available.

 

 

 

 

 

 

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Beyond Faith has a Book Launch date

Sharon A. Crawford and Dana Bowman have an announcement to make:

Drum roll…

Book Launch for Beyond Faith is set up and here are the details so far.

Muskie and Murder

Book Launch for Beyond Faith by Sharon A. Crawford

and

Hunting Muskie by Michael Dyet

Presented by Blue Denim Press

Sunday, October 22, 2017

Location: Supermarket Restaurant & Bar,  268 Augusta (in Kensington Market), Toronto, Ontario.

More details as they come and more in a future post on Michael Dyet, the other author whose book is being launched the same day. For  now I’ll just say Michael writes literary fiction and I write crime fiction and that is an interesting mix. Meantime, check out Michael’s website.

Michael is known as The Metaphor Guy.

Sharon A. Crawford mugshot

Cheers.

Sharon A. Crawford

 

 

 

 

 

 

 

 

 

Hey, and Dana Bowman here too.

Dana Bowman PI from Beyond Faith

 

 

 

 

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Beyond Mystery Serial Part 6 and words from Dana and Sharon

The arrival of Beyond Faith, the third book in the Beyond mystery series is getting closer.

Dana Bowman here. And Sharon A. Crawford, the real author, always here.We have an update. Beyond Faith’s appearance is coming closer.

Dana: Sharon has negotiated for Beyond Faith and Beyond Blood to get into the Dealers’ Room for Bouchercon 2017. New business cards are in the works.

Sharon: And sorry, Dana, you aren’t on them – like my editor would say – no space.

Dana: That’s okay…at least for now for this serial story which could be called Beyond Reason features me . Part 6 follows.

Dana: Fielding, what do you mean some of the characters here don’t exist. David certainly does and so does Ms. Dugan.

Fielding: Look on the floor and tell me what you see.

Dana (looking down): The floor.

Fielding: But what is there on the floor?

Dana: Nothing. Hey, who stole the hooded guy? Oh wait. Sharon made him disappear.

Fielding: Sharon? I  don’t see any Sharon. . .

Dana: Sharon A. Crawford, the author of the Beyond books.

Voice of Sharon: Ah, hah. You are finally admitting it.

Dana: Yes. No. What the hell?

Dana, turning around and looking at Ms. Dugan and David sitting on the office couch: Well, you two are still  here. So you must have seen Sharon make it disappear and then disappear herself?

David: Mommy, Mommy what do you mean? Sharon. She just disappeared. Maybe she took the dead guy?

Ms. Dugan: What dead guy? There is just us here.

Dana, looking around: Where’s Bast? He was just here too.

Ms. Dugan: Never saw him. Just you, David and me, and of course, Sharon.

Dana, scratching her head: What the heck. And I suppose you didn’t see Detective Sergeant Donald Fielding either?

Ms. Dugan: Who?

Dana: The detective who was investigating your brother.

Ms. Dugan: I don’t have a brother.

Dana: Yes, you do.  He was banging on the door here and he was caught coming out of a hardware store carrying a screwdriver which he is alleged to have used in some break and enters. And he was living with you for now.

Ms. Dugan: I live alone.

Dana: Well, if all this is true, then tell me what the hell you are doing here and what have you done with my brother? I… oh my head hurts.

Dana falls to the floor.

TO BE CONTINUED…. MEANTIME:

Check out my website to see what Dana and I  have really been up to. And yes, Beyond Faith is a reality .

Sharon A. Crawford

and

Dana Bowman

Sharon A. Crawford mugshot

 

 

 

 

 

 

 

 

 

 

Dana Bowman mugshot

 

 

 

 

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