Category Archives: Channelling Fiction Characters
No matter what genre of fiction your write – mystery, romance, science fiction or if you writer literary fiction – your characters are very important to your story and to your readers. Readers want to get to know your characters so they can connect to them – whether they like or dislike them. If you just skim the surface of your characters they become too superficial and your readers just won’t care about them. They may even stop reading your short story or novel before getting to the end. This does not bode well for the fiction writer.
How can you make your readers connect to and care about your characters?
One way is getting inside their head. The best way I know how to do this is by using another fiction-writing technique – Point of View.
Point of View is often misused, especially if you use more than one POV in your novel. And using more then one POV is not wrong. You just have to remember the cardinal rule. One character’s POV per scene or per chapter. So stay only in that character’s head during that scene or chapter. Otherwise you are doing what we call in the business – “jumping heads”. Perhaps if you think of lice doing that it will give you some incentive not to jump heads.
How can POV help you see and develop your characters?
Basically,if you are inside that character’s head, you have to think like him or her – not like you would think for yourself. For example, how does he react when things go wrong ? What makes him scared and what does he do because of it? Is he shy? Is he a bully? Is he being bullied? Reactions include actions, dialogue, inner thoughts and how others react to him? And these will depend on the character. For example if the character is a child, the reactions will be different than an adult. But adults also react differently to situations and that is based on their background, their characteristics – physical (are they short and fat and subject to a lot of derogatory comments about that? Do they cringe, hide inside themselves, stand up for themselves or bully the attacker – maybe punch him in the nose?)
All depends on your character and yes, doing a detailed character outline of your character helps. Just remember like real-life people, characters change and evolve – often because of what goes on in their life. So your character outline is fluid.
How do your characters react to being insulted? Frightened? To trauma?
Let’s look at one of my main characters in Beyond Faith – seven-year-old David Bowman. He was kidnapped in the previous book, Beyond Blood, and is suffering from Post traumatic stress disorder because of it. This affects how he speaks, what he does,what he thinks and what others, especially close family, think of him.
The best way is to use the writing axiom of “show not tell.” So here are a couple of short excerpts from Beyond Faith (published Blue Denim Press, fall 2017). Please note all copyright of all excerpts, is with me, Sharon A. Crawford, the author.
First, his mother’s inner thoughts about him. The first chapter is from her – PI Dana Bowman’s POV. She is walking up Main Street dreading returning home. Two short excerpts here:
THE WIND WHIPPED my back and the cold rain pelted my face. Hunching further inside my jacket, I pulled the hood tighter. Despite chattering teeth and an oversized purse sliding down my sleeve, I continued plodding forward.
Late November in Thurston Ontario could weave a wicked wind, leaving you out of sorts and gasping for life, a feeling I had experienced a lot lately. Couldn’t seem to put my finger on it. Bast said it was because we would turn 40 the end of next month and to get over it. But that wasn’t it. Just when I seemed to find the proverbial hole, something always kept me from crawling in. But what was really stopping me?………
I should be happy. Not only did my son David survive his kidnapping last year, but this July he finally started talking again after months of silence. First he wouldn’t shut up, then he took to following Bast around again like he did when still mute. Since summer disappeared into autumn, when not at school, David was spending more time alone in his room—drawing. I didn’t like what erupted from his crayons—devils, fires with heads sticking out the top, hands wielding axes or guns. Where did he get all these ideas? Had he not healed from the kidnapping? Maybe the aftermath was like grief—going back and forth and all over the place in uneven stages……
What’s happening here? How does this clue the reader in on David’s character? And on his mother’s too? What do these short excerpts tell you about mother and son?
Let’s hear from David now in another scene. A little bit of info first. Partway through Beyond Faith, Dana is attacked from behind, falls to the cement and suffers a concussion. This is part of the scene a few hours later in the hospital from David’s POV.
“Uncle Bast, can we go see Mommy so the detective can find out who hurt her?”…..
Bast turned to the doctor. “Very well, if you don’t have any objection, Doctor? I would like to see my sister, too.”
Dr. Richards scratched his cheek. “She is sleeping now. She should get more rest, no excitement.”….The doctor shrugged his shoulders. “Fine. But just family. And just for a few minutes.”
He led them back to Mommy’s room. The cop sitting outside seemed to be asleep on the job. David went to him and shook him. “Wake up. You’re supposed to be watching Mommy’s room to keep the bad guys out.”
Constable Biggs looked up, but before he could say anything, Uncle Bast was leading David into the room, behind the doctor. The doctor said something to the nurse about giving them a few quiet minutes alone with the patient. The nurse stood up and she and the doctor left the room.
Bast sat down in the chair on one side of the bed. David moved his chair closer to Mommy on the other side. He sat down and took her hand. And started to talk about school, Ms. Dugan, and Buddy. He was there and he wasn’t going to leave her. If he did, he knew she would die……
What does this excerpt tell you about David? What techniques were used to show the reader David’s character? And as this is a child character, are his thoughts and language appropriate for a seven-year-old boy?
If you wish to find out more about the Beyond characters, Beyond Blood and Beyond Faith are available at amazon.com, amazon,ca, and other online places as well as some bricks and mortars stores.
But I am also suggesting you read a variety of novels (or short stories if that is your writing area) to see how a variety of other authors handle POV and character. Two caveats: unfortunately a small portion of published fiction messes up the POV – blame the editor here. And don’t copy what another author does – reading is for your learning and inspiration. In the end it’s your story and your characters.
Sharon A, Crawford
It has been awhile since I have had time to actually work on my fourth Beyond mystery book.Earlier this year I got a good start and then as they say “life happens.” A lot of that life this year for me is a lot of problems coming my way – the annoying part being that 90% are caused by other people and/or organizations.
Heck, I can create enough chaos without any input from others, But they provide lots of fodder for future short stories and maybe even for my new mystery novel.
But not all the distractions were bad. I an still a writing instructor and editor so there was work there. And I also write memoir and that’s where the bulk of my creative writing has been taking place. The results are a short memoir piece about dealing with my father’s death from cancer when I was 16 which is to be published in an online university journal, to just about finishing the final rewrite of the full book-length memoir – at least until any interested publisher gets at it and edits it..But I like rewriting.
And of course, book promo for Beyond Faith – and that continues. Some via social media, some in person and some with my new TV show Crime Beat Confidential on thatchannel.com, Episode three coming up soon. But you can catch the first two either at thatchannel.com under “Shows” or by Googling “Crime Beat Confidential and Youtube” as thatchannel.com uploads all their shows on Youtube.
But this week I spent an afternoon back at Beyond Truth. Did some more plot and character development.I had forgotten how a writer can be so absorbed in creating a novel, a short story, etc. that the rest of the world can go to hell and you just don’t care. My world was the world of Beyond Truth and its characters and plot. And I still like the beginning Prologue I wrote earlier this year. It was good to see I can still develop twisted plots – now I have to write them. I always do so with the premise that none of it is sealed in granite. If it doesn’t work out I can come up with something else. Or my main book character Private Investigator Dana Bowman can. And that woman sometimes gives me grief. She thinks she wrote Beyond Faith so I think for Beyond Truth she and I will have to collaborate or there will be no peace.
But I’m getting the byline on the book.
To do all this, I have to write more often. To do this I have to get rid of some distractions and prioritize others. For one thing I’m back to setting a timer for when I do daily email (and finally finished in the time allotted today). And I am pickier about what I reply to and when. I am deleting more. I am saying “no” to more requests for stealing my time and not just those coming in via email.. Now that winter is here, I hope to spend more time indoors as I’m not a winter sport or any winter activity fan, although I do walk in winter. I will also attend less events when the weather is terrible.
As for those problems that won’t go away. I try to pick one to deal with each day.
So, as of next week, I plan to spend more than just one half day a week working on Beyond Truth and will more than pencil it in to my calendar.. I have to. My police consultant stopped me at a mutual author’s book launch last month and asked me why I haven’t emailed him with more research questions. He may get inundated shortly.
How do you find time to write your novel, short stories or whatever you write?
Comments, please. I can learn from others’ experiences.
Sharon A. Crawford
Author of the Beyond mystery series. Most recent book, (Click on the book)
I have a sequence of events where I am appearing with two of my Beyond mystery series in the next few weeks. One on my own and others with other criminal (I mean “crime”) writers. Fortunately, the snafu with Indigo and its chain of bookstores having problems ordering in Beyond Faith for the actual stores, seems to have been fixed by the distributor, Ingram Sparks. Let’s hope it stays fixed. The store managers and I were perplexed and frustrated by the problem.
Here is the first event.
We will not be reading from our books. Instead we will be doing mini-presentations about our latest books. In my case, will my nosey main character PI Dana Bowman show up? I am trying to contain her between the book covers of Beyond Faith. But who knows what that wily PI will come up with?
And what are the other authors going to do?
Maureen Jennings (Murdock Mysteries) will be announcing the short list for each category for this year’s Arthur Ellis Awards. We (and others present) will be listening with the proverbial bated breaths.
So, if you are in the area in the GTA or actually in Toronto, please drop by for an interesting evening. And it’s all free.
Meantime, you can click on the Beyond Faith book cover at the top for more info about it.
Sharon A. Crawford
Fiction characters taking over writing your novel or short story is usually seen as a good sign that your characters are developing.
But where do you draw the line?
For the past couple of years I have been dressing up as my main Beyond mystery novel character, Dana Bowman, and do short comedy skits at libraries, cafes, etc. In the past few months, when rewriting Beyond Faith for my publisher, Dana has been taking over. It is like I am channeling her.
This isn’t the first time that was picked up. A few months after the previous Beyond novel – Beyond Blood – was published, I was interviewed on the Liquid Lunch on thatchannel. com. Sandra, one of the interviewers said it was like i was channeling my characters. Hmm. Around about the time I started doing skits featuring Dana.
But now Dana is claiming to have written Beyond Faith? What? We have internal discussions about that. Right now I’m letting her think she co-authored Beyond Faith with me. Really, it is my name on the book cover, although she gets mentioned on the back cover – in the book synopsis.
Internal discussions may be the key word to some sort of sanity. Or if out loud in the privacy of your writing space, your office, your home. You don’t want to be like the pour soul on the subway last evening.
He was a young fellow in a hoodie carrying a backpack. Which could be a red flag. He was running back and forth to the different subway cars – something not allowed on the old subway cars with actual doors between cars. As he entered the cars he would look at someone and carry on a conversation about something that made no sense. Then he would dance around a bit, grab the bar overhead and start swinging. After a few minutes of this, he went into another subway car.
I suspect he was high on something. But what if he was in character? What if he is an author and he was letting his character speak? What if?
Probably not. But it could serve as a guideline of how far not to go with your character acting out. Public transit and public streets no. But if you are a scheduled author presenting at a library or conference, yes, be your character.
And in the privacy of your writing area, yes – if it helps you develop your character, develop your plot.
There is a fine line between madness and sanity and I’m not sure where authors can safely cross the line.
As for Dana Bowman, I’ll still channel her; I’ll still carry on conversations with her. I will sometimes listen to her.
But I wish she would listen to me sometimes.
The bane of creating characters.
If you want to see how Dana is invading my life, see the comparisons between the two of us posted on my website here.
And please comment to answer this question. Are your fiction characters taking over writing your plot? How do you feel about that? Is it a help or hindrance to your writing?
Sharon A. Crawford
Here’s the cover of the latest Beyond mystery novel. Click on the cover to see one of the places the book is available. And as you can see Dana Bowman’s name is not on the cover.