Does fate play a role in your life and in the literature you read and perhaps write? That is a loaded question for me as my memoir The Enemies Within Us is full of fate taking control and I never twigged into it until much later.
Because my memoir is written from the point of view of me as a child sitting on the shoulder of me the senior, I have a good opportunity to look back and tell my story as it happened and include what I know now.
Too bad I didn’t know some of this as a child when fate was trying to tell me something. This recent presentation I did with two other Blue Denim Press authors- Liz Torlee and Shane Joseph, both fiction authors – explores this business of Fate’s role using readings, discussion and some q and a. Our publisher recorded it and it is now on Yourube for viewing. I’m not going to go into any more as you need to watch the video to get the full picture. You can check out more info about the three of us authors presenting on the Blue Denim Press website.
Does Fate play a role in your life and what your read and/or write?
It’s all about this nun. The nun from my school days, the nun who bullied me in grade two and in grade eight treated me like her personal slave. That’s what my When Fact and Fiction Collide presentation at the East End Writers’ Group 20th. anniversary celebration on Zoom May 26 was all about. I combined short readings from both my mystery novel Beyond Faith and my latest book, The Enemies Within Us – a Memoir, with some short explanation and some acting in an attempt to figure out why this nun appeared in fact and fiction. The memoir featured the real Sister McCoy, with a pseudonym and in the mystery novel, my main character, PI Dana Bowman has a run-in with a nun also in grade two and the same thing happened to her. Of course, the nun here was fictitious, I think. Let’s just say things got a little dicey and scary at the end of my presentation.
Other EEWG members did readings, an author interview and songwriting, The last part was a panel on publishing
And non-techie me didn’t put the video together. Shane Joseph (who also did the techie stuff for the presentation), edited the video, put it on his Google Drive; then my son Martin, the family techie guy (he works in the software development area), moved the videos to my Youtube account and voila, there they are.
The presentation is divided into two videos and here are a few basic details and the links.
East End Writers’ 20th Anniversary Part 1 – The Artists
Sharon A Crawford, Kit Laver, Jake Hogeterp, Ellen Michelson, Tom Laver, Tom Taylor, Nick Nanos and Brian Moore read, discuss, and perform their work. Link here.
East End Writers’ 20th Anniversary Part 2 – The Publishing Panel
Authors W.L. Hawkin and Nate Hendley, and publisher Shane Joseph in conversation on the current state of publishing. Moderated by Tom Taylor. Link here
Beyond Faith and The Enemies Within Us – a Memoir are available on Amazon.
Writing a memoir involves a lot more than just telling your story. You have to be truthful and information-correctas this is not fiction. And in today’s political correctness world (and a few other things going on ), it involves so much more. I should have at least some idea of this as it took me 18 years to finish The Enemies Within Us – a Memoir. Hey, I was also writing other stuff then, too ,as for part of those 18 years I worked as a freelance journalist, editor and writing workshop instructor. Still do the latter two, but I also have written and published some personal essays and three books (so far) in my Beyond mystery series – the latter published by Blue Denim Press. And am working on the fourth Beyond mystery.
One thing memoir writing involves is research. And not just your family and friends if they are included in your memoir but historical and social history of the time you were writing in. You have to be accurate and you don’t want to mix up dates and information. Also family members may give you some background history, but it helps to do some checking elsewhere. For example, they may remember a family thing happening at such and such a time because it ties in with some event in the news. People’s memories can get foggy, so it is best to verify their time and date. They may be right about the family event date, but not the news event date.
One piece of research I did for The Enemies Within Us – a Memoir relates to a homicide of a 12-year-old girl in Toronto that affected myself and my best friend The Bully when we were 10, so much so that when we saw uniformed police snooping around on the street by our grade school the day after the story appeared in the newspaper, we asked them questions. To get the timeline on that I had to research online just when this murder took place. In my mind I knew my age but to narrow it down to month and even year, and more details of the homicide, required more research.
Another big research area I had to check out was CN railway history in Canada as my late father worked for CNR (as it was then called) as a timekeeper.
The problem with a lot of research is you can suffer from what I call “researchitis”. As a former journalist, that “disease” hit me hard.
That and a few other pertinent areas of memoir writing will be covered in a memoir writing how to that is being presented by my publisher Blue Denim Press and features two of their published memoir authors, Linda Hutzell-Manning and Sharon A. Crawford (me) spilling the beans about some of the behind-the-scenes of writing a memoir. Our memoirs cover completely different personal stories (as memoirs do), so the circumstances and research cover different, as well as some similar, areas (we do overlap for a couple of years so some news events are the same). One situation that comes up is do you use real names in a memoir? To find out, you will need to attend this free memoir writing presentation. Information is below:
You can get to the event here if you are on Facebook. If you can’t make it, it will be recorded and posted in YouTube a few days later. Stay tuned for updates on the YouTube postings.
Sharon A. Crawford
Author of The Enemies Within Us – a Memoir and the Beyond mystery series. More information in Sharon’s website and books are available at Amazon.
Rosemary McCracken turned the tables on me, interviewing me about my memoir for her blog. Now it’s my turn. Seriously, Rosemary has created a likeable and believable mystery protagonist – a financial advisor – who keeps running into crime, and not just financial misdeeds, but murder. Today Rosemary is my guest and I wouldn’t be surprised if Pat Tierney was nearby.
Sharon: Welcome Rosemary. Let’s go back a bit. You started your writing career as a journalist and you still do some freelance writing in that area. What made you start writing crime fiction?
Rosemary: Well, Sharon, I always wanted to write fiction, but I knew that very few writers are able to earn a living from their fiction. So, I did a bachelor’s and a master’s degree in English literature and became a journalist because I could earn a living writing, albeit not writing fiction. About 20 years ago, I started writing mainstream fiction on the weekends. At some point, I was exploring plot and plot structure, and I decided to take a closer look at crime fiction, which is known for its strong plots. And I fell in love with crime fiction. It can offer wonderful insights into society and human behaviour, and, in the best works in the genre, has a tight cause-and-effect structure.
Sharon: How did the Pat Tierney mystery series evolve? Is Pat based on a real person or is she a composite?
Rosemary: I was a financial journalist when I started to write my first mystery novel. I decided on a woman in her mid-40s as my protagonist. At first, I considered making her a journalist, but I’d lived that role for many years, and I hit upon the idea of making her a financial planner instead. At the time, I was interviewing financial planners and money managers for my articles. I attended their conferences, and I knew the issues they were grappling with. The Bernie Madoff investment scandal had just broken. Madoff, a New York money manager, had defrauded his clients of $64.8 billion in a massive Ponzi scheme. And in Canada, we had financial scamsters of our own such as Patrick Kinlin, the Bay Street financial advisor who stole millions from his elderly clients. Kinlin died in Kingston Penitentiary in 2001 where he was running a pension cheque scam using a prison computer.
Pat is appalled by people like Madoff and Kinlin who ruined countless lives without remorse. She wants much tougher penalties for financial fraudsters. The anger and outrage she feels is how I would react if I was in her shoes. But Pat is clearly not me. I’m not a financial planner. I’m not responsible for clients’ financial wellbeing. I don’t have sleepless nights when stock markets are down.
Sharon:I am impressed with the plots you have come up with. Do you get these ideas from real life or does real life spark ideas?
Rosemary: All the crimes I write about are real crimes that have been committed at some point. And I’ve written articles about all the financial crimes in the Pat Tierney books. Because Pat is a financial professional, it is essential to have financial wrongdoing (which often leads to other crimes including murder because greed is a powerful motive for all sorts of bad behaviour) in her stories. And she has to use her knowledge of the financial world to recognize and solve these crimes.
So, I generally decide on the financial crime that will figure into my story, and how Pat becomes aware of it. One of her clients may have fallen victim to it, or it could be someone else she encounters. Because the books are murder mysteries, the major crime will always be a murder, the most heinous act humans can commit. But the financial crime will be tied to the murder or the murderer’s world in some way.
Sharon: In your Pat Tierney novels, you give brief explanations of what financial advisors do. This background information blends well with the characters and plots. Why do you use this approach?
Rosemary: I write to entertain readers, not to instruct them. My target readers are mystery readers over the age of 25 and all the way up to 125, who enjoy good stories. Some of these readers may know a little or a lot about personal finance from the work they do or from managing their own investments. Others know next to nothing about the financial world, and I need to show them—rather than tell them—the basics of what Pat does for her clients through her interactions with them. But readers don’t need to know the details of how Pat goes about managing and investing clients’ money; that is backstory and I keep it way back, out of sight for the most part. However, they need to understand the importance of the trust clients place in her and the accountability she has to them.
Sharon: Please give a brief summary, with no spoilers, of each Pat Tierney mystery, including the timeframe and setting of each?
Rosemary: The four Pat Tierney novels, all of them contemporary stories, take place over one year in Pat’s life. Safe Harbor, the first, opens on Dec. 30 when a distraught woman bursts into Pat’s Toronto office and tells her that Pat’s late husband was the father of her seven-year-old son. Pat is stunned by the revelation, and even more shocked when the women bolts from the office, leaving young Tommy behind. When the woman is found murdered in her Toronto home, the police tell Pat that the boy may be the killer’s next target. Searching for the truth, Pat uncovers a deadly scheme involving illegal immigrants and money laundering.
Black Water opens in March when Pat’s daughter Tracy tells her that her sweetheart, Jamie Collins, has gone missing. Pat heads up north to cottage country where Jamie grew up. An elderly man has recently died in a suspicious fire, and the missing Jamie is the prime suspect. Pat takes charge of a new branch that her investment firm has opened in the area. Her search for Jamie Collins takes her through a maze of financial fraud, drugs and murder.
Raven Lake opens in late June. Pat is still in cottage country, and plans to spend the summer in a rented cottage by a sylvan lake. But her dream vacation turns into a nightmare when the body of an elderly woman is discovered in a storage locker. Bruce Stohl, the woman’s son and Pat’s friend, is pegged by police as their prime suspect, and Pat rallies to find his mother’s killer. Meanwhile, a con artist has targeted cottages in the area, and vacationers are arriving only to learn that they are victims of a rental scam. When disgruntled renters show up at the door of her rented summer home, Pat fears for her family’s safety.
Uncharted Waters takes Pat back to Toronto in September. She has left the big investment firm, and plans to open her own financial planning practice in the city. She has found a small practice that looks like a good fit for her. Its purchase means taking out a large loan, and she has no idea whether the clients she acquires will stay with her. It’s risky, but she’s willing to proceed. But the one thing she hasn’t factored in is murder. Dean Monaghan, the business’s vendor, is found stabbed to death in his office shortly after the sale document is signed. To protect her business’s reputation, Pat searches for Dean’s killer, and the reason why he was killed. When Dean’s sun, Lukas, tries to put her out of business, Pat finds herself living her worst nightmare. She has ventured into uncharted waters that are teeming with sharks.
Sharon: Pat has to overcome a personal hurdle in each novel, which ties in with the main plot. What was your purpose in doing this?
Rosemary: This is what is called creating a character arc for the protagonist: giving her an internal goal and well as an external goal to work toward. Pat’s external goal is finding the murderer and the reason for the first murder in each story, and this is what drives the plot forward. Her internal goal involves overcoming a weakness, or getting around an obstacle that threatens her on a personal level such as Lukas’s attempt to put her out of business by spreading a terrible lie. An internal goal adds dimension to a character; without one, a protagonist may come across as flat. And working toward an internal goal adds more conflict to the story.
Sharon: Do you create a detailed outline of your plot before you start writing? If so, how closely do you keep to it, or does Pat take over at any point?
Rosemary: A major assignment in Novel Writing 2: How to Develop Your Novel, the course I teach at George Brown College, is creating a detailed plot outline for students’ novels-in-progress. The purpose of this exercise is to familiarize students with a novel’s major plot points—the Inciting Incident, the Point of No Return, the Midpoint, It Looks Like All is Lost, the Climax and the Resolution—as well as subplots. These classic plot points form the structure of most successful novels and movies. They can be compared to the poles holding up a tent. Without them, the story would sag.
I don’t create a detailed outline before I start writing. Rather, I list my plot points on a chart on my wall, and fill them in as I go. And I keep checking the list to see if I’m on track.
And I refuse to let Pat take the story in new directions. If I find her trying to do this, I give some serious thought to why she’s doing it. Getting her back on track usually means rewriting earlier parts of the book.
Sharon: Jack Batten, who reviews crime fiction in the Toronto Saturday Star, has called Pat “a hugely attractive sleuth figure.” He has also reviewed the Pat Tierney novels. How did this come about?
Rosemary: I sent Safe Harbor to Jack at the Star when it first came out, and he was gracious enough to read and then review it. And he did the same with the following three books. I’ve been very fortunate, as his review column now only runs once a month.
Sharon: You also write short stories, some of which have featured Pat Tierney. Can you elaborate on them?
Rosemary: Many of my short stories were written in response to publishers’ calls for anthologies they were compiling. They announced a theme, a word count ceiling, and other rules for submissions. I work well to guidelines of this kind—it must be my journalism background—which narrows my focus and gives me direction. For example, three of the Mesdames of Mayhem’s four anthologies had specific themes: stories in 13 O’clock involved time in some way; 13 Claws was a collection of crime stories involving animals; and In the Key of 13 featured stories about songs or music.
Sharon: Which do you prefer to write and why – short stories or novels?
Rosemary: I like to write both in tandem. A Pat Tierney mystery novel takes me at least three years to complete, so it’s good to have a story or two to work on as diversions.
Sharon: You belong to a number of professional organizations for mystery writers. Which ones are they and how have they helped you with your writing and publishing?
Rosemary: I’m a member of Sisters in Crime Toronto, Sisters in Crime International, Crime Writers of Canada, the Short Mystery Fiction Society and the Mesdames of Mayhem. They offer opportunities for promoting members’ works, educational opportunities and the fellowship of other writers. In non-pandemic times, Sisters in Crime Toronto https://www.facebook.com/groups/SinCToronto/ holds monthly meetings featuring speakers on a variety of crime fiction topics. These meetings, and pre-meeting gatherings at a local restaurant, are attended by members who are both writers and readers, providing great opportunities to network with other writers and potential readers. During the current pandemic, monthly meetings are held online. The mothership organization U.S.-based Sisters in Crime International https://www.sistersincrime.org/ hosts webinars on a variety of crime fiction and literary topics, often hosted by famous American writers; it also sends out monthly e-newsletters with timely articles on the publishing world.
Crime Writers of Canada’s local chapter organizes readings and panel discussions at libraries and other venues—great opportunities to meet readers. Check out more about the CWC at https://www.crimewriterscanada.com/.
The U.S.-based Short Mystery Fiction Society, the organization that confers the Derringer Awards, posts members’ publishing news on its blog at https://shortmystery.blogspot.com/, and members exchange information about markets for short stories and guest blogging on its Listserv.
And the Mesdames of Mayhem, a collective of Canadian crime writers, post members’ publishing news on its blog at https://mesdamesofmayhem.com/, and organizes reading and discussion opportunities at libraries and book clubs.
Sharon: Some authors decide early on that they will limit their series to a certain number of novels. Will there be more Pat Tierney mysteries in your series? If so, have you decided just how many?
Rosemary :I’m gathering ideas for a fifth Pat Tierney mystery, but I can only think about this work right now, and not too far into the future. I’m sure that Pat will let me know at some point that the well is dry—and her stories are over. But it hasn’t happened yet.
Sharon: And that’s good news for your readers. Thank you, Rosemary for stopping by my author blog and sharing information about your novel and short fiction writing story. We get to know both Pat and you, her creator.
Rosemary McCracken is the author of the Pat Tierney Mystery Series. Safe Harbor, the first novel in the series, was a finalist for Britain’s Debut Dagger Award. It was published by Imajin Books in 2012, followed by Black Water in 2013, Raven Lake in 2016, and Uncharted Waters in 2020. “The Sweetheart Scamster,” a Pat Tierney short story in the anthology Thirteen, was a finalist for a Derringer Award in 2014. Jack Batten, the Toronto Star’s crime fiction reviewer, calls Pat “a hugely attractive sleuth figure.” Born and raised in Montreal, Rosemary now lives in Toronto. She teaches novel writing at George Brown College.
Mystery fiction author Rosemary McCracken and I are taking mutual marketing of our new books in another direction. Interviewing each other about our latest books and posting the interviews on each other’s blogs. So her interview with me is on her Moving Target blog and my interview with her will be on this blog here. Right now I am in the process of interviewing her.
And if you are thinking what the heck does a mystery have to do with a memoir? Besides both genres beginning with an “M”? Well, I do brand myself as The M and M Creator of Mystery and Memoir. And my memoir The Enemies Within Us – a Memoir does have some mystery in it – an old unsolved murder case in the Toronto Police files, which my friend, The Bully and I, became fixated on. The murder victim was a girl, age 12. The Bully and I were 10. And I delve into some of the other occurrences in my childhood that would end up pointing me into a writing career – both nonfiction (journalism) and writing murder mysteries.
Some of the stories in Beyond the Tripping Point got their idea from things that happened in my childhood and later – fictionalized with events that never happened, and characters way off from the people in my life. Plus many characters not based on anyone in my life – at least that I recall. For example, the father in “Porcelain Doll” is very loosely based on my own father, except the fictitious dad was mean and criminal. My dad wasn’t that. The fictitious dad didn’t die of cancer. My dad did. Much of The Enemies Within Us – a Memoir deals with my relationship with my beloved Daddy and what cancer did to that.
But that was my first Beyond book and it won’t be my last. However, right now I am getting the word out about The Enemies Within Us – a Memoir. So, I will send you over to Moving Target and Rosemary McCracken’s interview with me and my memoir here. And while there check out more of Rosemary’s blog posts.
Stay tuned for an upcoming post on my blog about Rosemary McCracken and her latest Pat Tierney mystery Uncharted Waters.
This COVID-19 pandemic keeps continuing and we writers need to find different ways to promote our books. And help each other in the process. As you know from previous posts over the past few years, I host the online TV series Crime Beat Confidential on thatchannel.com. The latest was done just before the end of 2020 and featured another series mystery writer – Rosemary McCracken. who writes the Pat Tierney mystery series.
Rosemary and I belong to a couple of the same mystery-writing organizations – Crime Writers of Canada and Sisters in Crime. In the days when we could still do so, we often were panelists together (and with other authors) with those organizations’ presentations. Here we read and/or talked about our books, including doing some q and a.
I also run the East End Writers’ Group – for writing critiques – now virtual. When we met at S. Walter Stewart Library in Toronto, Canada, Rosemary was one of my guests for one of our special presentations. So books were physically there for readers to buy. Now the book-selling process is online in various capacities. I know, I know, some of us, like me, have done some book sales from our verandas. But all sales instigated either from Facebook, email, book launch, or elsewhere on line.
So now we writers pair together to promote our books. Below is the link to Rosemary’s Crime Beat Confidential interview, done remotely. It is about 45 minutes long. Warning: my pesky in-your-face Beyond character, PI Dana Bowman, loudly starts the show – as she usually does. But despite her brashness, she is turning into a good marketer for my memoir. Hear and see what she has to say at the beginning and then she talks a bit about Rosemary. But I am the one interviewing Rosemary while Dana gets banished out of camera view on the living room couch.
My Crime Beat Confidential TV show on thatchannel.com got a late start this year. We usually get things rolling by April. However, this year because of dealing with all the ramifications, difficulties, including lockdowns from COVIE-19, the show was postponed.
However, PI Dana Bowman, the main character in my Beyond mystery series along with me are back, with our first guest, author David Albertyn, whose first mystery-thriller Undercard is getting a lot of fanfare since its publication late in 2019. And that is with all the COVID-19 thou shall nots. His book, published by The House of Anansi in Canada is now available in the US (as well as France, etc. via the usual online sources such as Amazon. And available in print and e-copy. More info on David’s website.
David also has something else going, which is of interest to other published authors and readers. A way for the two to connect. He and another author Ann Y.K. Choi, started The Authors Book Club online earlier this year. This is a way for Canadian readers and authors to connect. Of course, now, mainly online. Check it out here.
Taping this episode was not the usual with Dana and I going into the thatchannel studio in downtown Toronto, thanks to COVID-19. The show was taped remotely from my home and from David’s home. Dana was fascinated by it all, especially as she got to sit at my laptop in my office. She couldn’t do her usual rant and then guest intro at the beginning because not being in the studio, I wasn’t in the office with the show’s producer. So she could say her piece and not have me hear it, she locked me in the bathroom. In my own home. Sheesh!. But I got out. And I went after her.
Once that little episode was over, I got down to the business of interviewing David. And he had some interesting things to say. See the show here.
You would think as an author I could focus on just the preparation for my reading this evening as part of the Urban Folk Art Salon at the Mount Pleasant Library. But I’m dealing with too many snafus and bad happenings – yesterday’s, ongoing ones, and possibly a somewhat repeat this evening of the one last evening.
Last evening my East End Writers’ Group had its usual almost monthly writing critique at the S. Walter Stewart Library. But we had a severe thunderstorm – actually the heavy rain was the severe part with flash flooding including in the library basement where we meet – we had to go to higher ground and I let everyone out early because I was worried about some water getting in my basement. Yes, some did although with all the towels etc. I had down it was more damp in places in the laundry room. I’ll be going into all this flooding business in my post on my other more personal blog Only Child Writes next Tuesday. For now suffice to say, I got soaked going to the library (despite wearing rain gear) and my running shoes got soaked inside despite spraying them earlier in the day with water repellant.The shoes are outside in the sun now in the hopes that they dry in a few hours. Because…
We may get another round of these thunderstorms with heavy rainfall later this afternoon going into the evening. The Weather Network calls it a risk of a thunderstorm. Just what I need when I have to head out to yet another library for this Urban Folk Art Salon. This time I gave house keys to a neighbour who also has had (now fixed in his case) basement flooding so he should know what to do. Now I just have to get out and there staying dry and get back home again. And enjoy myself the whole evening.
There is more to this why my basement still floods story, but that will also be in the Only Child Writes post next Tuesday.
The other situation I’m still dealing with is trying to get the rest of the payment for a writing course I taught last month. The cheque for two sessions arrived on Tuesday – late. It seems to be too many layers of departments involved and it doesn’t help that my signed contract got lost by the middle-department – that’s the cheque I’m still waiting for.
Such are the woes of the writer. Now I better do one more round of practicing for tonight.
Meantime you can check out the details of this evening’s Urban Folk Art Salon on my author blog post last Thursday or for a shorter version on my Gigs and Blog Tours page here.
And as usual if you click on the Beyond Book cover at the top, it will take you to my Amazon author page.
Wish me luck later today and this evening. And if you are in the area in Toronto this evening, drop in. At least the program room is upstairs on the second floor, so hopefully all will go well.
Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?
– Kurt Vonnegut
You might not want to be arrested and charged by police but there are many options if you have a dose of writer’s block. Last evening, in a round circle discussion, members of my East End Writers’ Group came up with some novel ideas for well writer’s block when writing a novel – or writing anything.
Here are our words of wisdom, in no particular order:
Take a writing course, especially one taught by Brian Henry – you will get inspired and Brian gets you to actually write in his workshops, even during lunch.
Put the blocked novel, short story aside and write something different. Maybe your brain is bored with the same old story and needs something new, at least temporarily. But do come back to the original.
Have a roster of several writing projects on the go – to some extent; don’t over tax yourself – so you can move from one to the other when stuck.
Start reading. You would be surprised how reading another novel, short story, newspaper article written by someone else can inspire you to write. Don’t analyze the story’s style, just go with the flow of writing and let your subconscious absorb the writer’s style. You don’t want to copy it, but it will jar your inner creativity.
Freefall write – write anything that comes to mind and keep writing for at least 20 minutes. You can also use a word, a sentence from a book, a sound, something visual to get you going. Or if you are angry, worried, or fearful about something, write about that. Go where the fear takes you.
Do something completely different – preferably something physical – walk the dog or just go for a walk on your own, do some gardening (season permitting). Getting your body moving can help wake up your brain – often with a possible solution to your block.
One group member writes in different languages, so when blocked he switched languages. He also juggles several writing projects at a time.
And don’t forget to join a writing critique group. Even if you don’t always bring something to read for feedback, just listening to someone read their writing excerpt and listening to and taking part in the discussion, can be inspiring.
Let’s banish writer’s block where it belongs – buried in the snow.
Here are a couple of books to help you do just that with writer’s block.
The bad guys and history guys weren’t there in person. But five of us from Crime Writers of Canada – Rosemary McCracken, Steve Burrows, Sylvia Warsh, Nate Hendley and I told tales of crossing paths with the above and more in our research to write that perfect mystery novel or true crime story.
Rosemary moderated the panel which gave me a breather from that function so I would just have to show up and answer questions. But apparently I had trouble finding the Fairview library branch, or rather the exit from Fairview Mall, where I had to run a few errands first (like glasses cleaner, very important to be able to see through your glasses to read from your books). And I’ve been at this library before and had no trouble then going from the mall across the parking lot to the library. This time I couldn’t find the right exit or even the right level of the mall. Finally I asked at the Guest Service booth.
We had a good audience turnout. Rosemary got us panelists talking and the stories that came out. Sylvia’s Dr. Rebecca Temple mysteries are set in 1979 Toronto, but Find Me Again also goes back in time to Catherine the Great. She did most of her research on the Internet. You can’t exactly interview Catherine the Great. Nate, who writes about true crime (Crystal Death), has met the criminal element – bikers and the like. Rosemary, whose protagonist Pat Tierney is a financial advisor (Safe Harbor), writes about finances as a journalist, so has information and connections there. Steve writes the Birder mysteries (A Siege of Bitterns), so birding features in his novels (Steve is a birder), but he had to do some police research. My Beyond books (Beyond Blood) are set in the late 1990s (so far, the third one I’m working on goes into the twenty-first century). As mentioned in last week’s blog post (https://sharonacrawfordauthor.com/2015/07/23/researching-mid-stream-for-your-novel/), I have a police consultant and have to keep any police procedure in that time period. I also have to be careful with technical devices. No social media. Internet connection was via dial-up until late fall 1999, cellphones were just that and they folded closed and had antennae. But there was email and that figures in my Beyond books. In this third one I write, I may have to talk to a psychic, so that should be interesting.
We also read excerpts from our books and answered questions on marketing your book.
Authors and audience connected so well, we had to be reminder by the librarian that it was time to leave.
In August I take a break from actual gigs. So will be spending more time researching and writing that third Beyond book. With a bit of final arrangements for fall presentations and readings. It promises to be a busy fall. Check out the Gigs and Blog Tours page on this blog and also my website http://www.samcraw.com/ for updates as I get them in there.