Does fate play a role in your life and in the literature you read and perhaps write? That is a loaded question for me as my memoir The Enemies Within Us is full of fate taking control and I never twigged into it until much later.
Because my memoir is written from the point of view of me as a child sitting on the shoulder of me the senior, I have a good opportunity to look back and tell my story as it happened and include what I know now.
Too bad I didn’t know some of this as a child when fate was trying to tell me something. This recent presentation I did with two other Blue Denim Press authors- Liz Torlee and Shane Joseph, both fiction authors – explores this business of Fate’s role using readings, discussion and some q and a. Our publisher recorded it and it is now on Yourube for viewing. I’m not going to go into any more as you need to watch the video to get the full picture. You can check out more info about the three of us authors presenting on the Blue Denim Press website.
Does Fate play a role in your life and what your read and/or write?
With the pandemic dragging on way too long with so many variants, a book author has to find variations to in-person presentations and book signings to promote his or her book. Being a library lover and patron for many, many years, I am focusing on a few ways for library patrons and other book lovers to find my book, learn about it and borrow it from the library. And yes, I do get royalties for that from the Public Lending Right Program in Canada, as long as the library branches carry copies of my book. So, out there in library land are my three Beyond mystery books and my newest book The Enemies Within Us – a Memoir. It is the memoir I am going to spill the beans on what I am doing beyond getting the book into the libraries.
It helps that my East End Writers’ Group was meeting at the S. Walter Stewart library branch (as one of its programs), that is until the pandemic closed the libraries during lock downs, but even when lock downs were lifted and the libraries opened, in-person programs didn’t return. According to the librarian who I liaison with for EEWG, that won’t happen for some time. EEWG now meets twice a month on Zoom. But more importantly for this post, EEWG celebrated its 20th anniversary in 2020. I know, pandemic cancelled any in-library celebrations, but besides taping two appearances with a couple of EEWG members on the online TV show The Liquid Lunch, EEWG went virtual for a big 20th anniversary celebration in 2021. Hey, you got to do things differently.
Three of us organized this celebration – two other members, Kit a speculative fiction writer, and Shane, who is also my publisher at Blue Denim Press, and also a published fiction author and me. I lined up members – new and longtime – to showcase their creative talents, Kit hosted it, and Shane put together the publishing panel as well as being on it, and designing the invitation and setting up the Facebook login for people to attend. Shane and I also sent out virtual invitations and some of mine went to librarians and a retired librarian from the Toronto Public Library system.
And I made my presentation relevant to both one of my Beyond books – the latest Beyond Faith – and my memoir The Enemies Within Us. I used a connection between them – that nun from my past who bullied me in grade school. The nun in Beyond Faith is based on her. So I did a combination of reading and a skit for my presentation. Shane edited the Facebook video, divided it into two videos and both are now online and have been for the few months since the big celebration of May 26.
But I also recently did something else. I emailed my liaison librarian to see if she could get the links to the two EEWG anniversary celebrations on the Toronto Public Library website – as we had been meeting in one of the TPL branches. That didn’t happen exactly, but she was able to get another TPL branch, the Danforth/Coxwell branch to post it to their Facebook page the end of July. So thanks to Luke at the Danforth/Coxwell branch and Jennifer at S. Walter Branch for making this all happen. To see the Facebook posting Log in to Facebook, go here and scroll down. Or log into Facebook and do a search for Danforth/Coxwell library branch.
That’s not all I’m doing with the library – or trying to do. Toronto Public Library welcomes program proposals from authors – at this point for virtual and/for in-person whenever COVID will permit the latter. The big proposal form you fill out online lets you decide which you want – virtual or in-person or both. I chose both. My presentation, without completely giving it away, uses my little girl self and my senior self to present parts of my memoir, especially what it was like growing up with an elderly father who has cancer and being bullied. No bites yet, but I’m still working on the actual presentation.
The take-away here?
Find a writing-related event (yours or something else) you can anchor on to connect with the library and come up with an unusual presentation for your book that can be virtual. And remember libraries have branches for when they finally can open to in-person presentations, and there are libraries right across your country, which can be good for you and the libraries during a pandemic.
We book authors have to be creative to promote our books in pandemic times.
But don’t forget to get your book into the library. Find out how from your library and do it. Mine is in three Toronto public library branches and holds are on for it with some copies in transit from … you guessed it…the copy at S. Walter Stewart branch. The link to The Enemies Within Us in the libraries is here.
Good luck with promoting your book through the libraries.
Writing a memoir involves a lot more than just telling your story. You have to be truthful and information-correctas this is not fiction. And in today’s political correctness world (and a few other things going on ), it involves so much more. I should have at least some idea of this as it took me 18 years to finish The Enemies Within Us – a Memoir. Hey, I was also writing other stuff then, too ,as for part of those 18 years I worked as a freelance journalist, editor and writing workshop instructor. Still do the latter two, but I also have written and published some personal essays and three books (so far) in my Beyond mystery series – the latter published by Blue Denim Press. And am working on the fourth Beyond mystery.
One thing memoir writing involves is research. And not just your family and friends if they are included in your memoir but historical and social history of the time you were writing in. You have to be accurate and you don’t want to mix up dates and information. Also family members may give you some background history, but it helps to do some checking elsewhere. For example, they may remember a family thing happening at such and such a time because it ties in with some event in the news. People’s memories can get foggy, so it is best to verify their time and date. They may be right about the family event date, but not the news event date.
One piece of research I did for The Enemies Within Us – a Memoir relates to a homicide of a 12-year-old girl in Toronto that affected myself and my best friend The Bully when we were 10, so much so that when we saw uniformed police snooping around on the street by our grade school the day after the story appeared in the newspaper, we asked them questions. To get the timeline on that I had to research online just when this murder took place. In my mind I knew my age but to narrow it down to month and even year, and more details of the homicide, required more research.
Another big research area I had to check out was CN railway history in Canada as my late father worked for CNR (as it was then called) as a timekeeper.
The problem with a lot of research is you can suffer from what I call “researchitis”. As a former journalist, that “disease” hit me hard.
That and a few other pertinent areas of memoir writing will be covered in a memoir writing how to that is being presented by my publisher Blue Denim Press and features two of their published memoir authors, Linda Hutzell-Manning and Sharon A. Crawford (me) spilling the beans about some of the behind-the-scenes of writing a memoir. Our memoirs cover completely different personal stories (as memoirs do), so the circumstances and research cover different, as well as some similar, areas (we do overlap for a couple of years so some news events are the same). One situation that comes up is do you use real names in a memoir? To find out, you will need to attend this free memoir writing presentation. Information is below:
You can get to the event here if you are on Facebook. If you can’t make it, it will be recorded and posted in YouTube a few days later. Stay tuned for updates on the YouTube postings.
Sharon A. Crawford
Author of The Enemies Within Us – a Memoir and the Beyond mystery series. More information in Sharon’s website and books are available at Amazon.
I’m sitting before my laptop, trying to stare at my moving face image before me. At the same time I am rattling pages in front of my nose and stumbling through a short reading from my memoir The Enemies Within Us.
Thank somebody-or-other this is just a “dress” rehearsal. I used to be a good reader and could usually read right from my books. Only when I knew I would be in a place with dim lighting would I print out copies of my reading material beforehand. All that was before I went blind in one eye a couple of years ago. Now I sometimes seem to put my nose right up to what I’m reading. Not that the nose can see.
My other eye is still normal, if you can call some nearsightedness normal. But better than being blind. So, I shake, rattle and nearly roll the printed out pages which are still not big enough.
They were printed out from the final pdf copy which my publisher sent me for book reviews, etc. But having only a reading pdf program I can’t enlarge it. My publisher has also noticed this rattling and stumbling and includes it in his summary of watching the recorded version of our dress rehearsal. But I am not angry at him and I am not angry at myself. If anything, I am angry at the cause of my blindness.
But one must carry on – something I believe in. I email my publisher for the final edited Word copy of my manuscript, which he promptly sends me. That can be enlarged. Once that is done I have to figure out how to place the pages so they don’t rattle and I can view them and read like the pro I am supposed to be. Even if I have to masking tape it to my laptop and onto my desk – not too far because I don’t want my mug looking off into the distance or off to the side. At least we have one more rehearsal.
Meantime my publisher has posted the Invitation details for my book launch on the Blue Denim Press Facebook page and shared it with his FB friends, which includes me, so I get the notification to my author FB page and somehow (don’t ask how; he’s the technical expert, not me) moved it to my Events. From there I share it with all my Facebook friends and family I haven’t emailed an invitation. Yup, still doing email notifications. Both are bringing yeses to attend or interested in attending. Still lots more I haven’t heard from…yet. Then I remember when we did in- person book launches for my Beyond mystery series, when we lived in safe times (What were those? Anybody remember?), some people didn’t bother to RSVP. They just showed up. So hope this happens this time. I’ve also sent out invitations through Classmates.com and am posting the event on my social media and it is already bulletined on my website. And one invited guest started a thread in her Linked In group asking for comments from authors who have done virtual book launches and what it involves. Of course, I started the thread, including thanking her.
And for those interested, here is the invitation to my virtual book launch.
Virtual Launch of The Enemies Within Us – a Memoir by Sharon A. Crawford
The URL to get to my virtual launch at that time and date is the Blue Denim Press Facebook page link above. If you click on the Join Event Link above it will redirect you to that Facebook page. If you are not on Facebook, you won’t be able to get in. However, the launch will be videotaped and posted on Youtube. When it is on Youtube I will post the link on my website as well as on my social media, including here.
Sharon A. Crawford’s memoir is a powerful, sometimes humorous, account of a young girl’s lessons learned from difficult teachers – bullying, betrayal, and cancer. Set in 1950s/1960s Toronto
When I was a journalist, often something happening in my life triggered a story idea. Not necessarily something personal in my life; it could have been something in my neighbourhood or someone I knew or had just met. A big one was when I went through a few years of suffering from debilitating migraines. That one generated several stories published in several newspapers. The stories weren’t about me, but about migraines, headaches, and dealing with pain, including a story on the migraine sufferer who started The Migraine Foundation.
Fast forward to several years later when I am writing the Beyond mystery series. I made one of my re-occurring main characters, Detective Sergeant Donald Fielding a migraine sufferer, who was the main character in a short story “The Headache Murders ” (Wordscape 5 Anthology, 1999 MTB Press), and also a main regular character in the first novel in the Beyond Series – Beyond Blood. It is the novel where my main character PI Dana Bowman meets Fielding when there is a weird Break and Enter at her house. Then her son is kidnapped and a murder is committed. You guessed it – Fielding comes down with a migraine and Dana, being Dana, tries to help Fielding in her in-your-face way. Here I use some of the tricks of the migraine suffering “trade”.
For me it was at a party at my house when I got a migraine. The stress of the party, coupled with dealing with a boarder co-organizing the party (and getting on my nerves). One of my friends sat me down in the kitchen, asked for a brown paper bag and told me to hold it over my nose and mouth and blow into it. as I recall, it didn’t completely get rid of the migraine.
But I thought it would work in Beyond Blood for Fielding and Dana to connect as they had started off getting on each other’s nerves (and continued and still continue to do so). I decided to put it in a bedroom scene – no, not what you are thinking. Dana and her fraternal twin PI Bast Overture are bunking overnight in spare bedrooms at their next door neighbours’ house, because the twins’ house is a crime scene and they have to get out for now. The next morning Fielding bangs on Dana’s bedroom door to question her further and brings her a change of clothes that Constable Nivens (female cop) had gathered. Dana was still in her dress-up clothes from the reception opening for her and her brother’s Attic Investigative Agency the previous evening. Some of the conversation goes like this:
“Thanks.” I grabbed the bag. “You look like hell. No sleep?””
“Just a migraine. I get them all the time. It’ll pass.”
“Migraine. Here come in and sit down on….” A quick look around the room showed an ironing board piled high with clothes standing beside a chest of drawers. A basket of clothing sat in the only chair.:..the bed.”
“No, it’s okay.”
“No, it isn’t. Migraines are awful. My mother used to get them, but thankfully I don’t. She used to blow in a a paper bag, to get rid of the pain, I mean. Maybe there’s one here.” I started rummaging in the dresser drawers.”
Ms. B…B…Bowman, it’s all right.”
“Here we are.” I shook a scarf from a Fashion Shoppe bag and shoved the bag at Fielding. He ignored it. “Put it over your face and blow.”
He stared at me, for once speechless, took a deep breath and sputtered.
“Take the damn bag and blow. And go and sit down. I don’t want to have to deal with a cop passing out in a bedroom.”
A little colour hit his face for a second. He staggered over to the bed, plunked down on the edge, leaned over and blew. (From Beyond Blood, copyright 2014, Sharon A. Crawford, published 2014, Blue Denim Press)
You can see how this pans out – and based on personal experience as mentioned previously. And there is something else different about Fielding from your usual police officer characters.
He stutters. Also from my life, but not me – a classmate from grade school. Not to be disrespectful to my classmate, but it triggered another different character trait to use.
So, the take-away idea is: what can you take from your life to use in your short story or novel? Something a little different than falling down drunk or an argument – although those could be used with a twist.
One piece of advice for writers is to write about what you know. I prefer to use that as the bare basis and go from there. You may also find (particularly in non-fiction where you write fact, not fiction), you will become involved in a lot of research, including interviewing several sources. And in fiction, you may also need to go beyond your own experience as I had to in Beyond Faith when Dana is pushed down onto the cement and suffers a concussion.
And not I did not fall down on the cement or get someone to push me – although I have tripped over weeds and plants in my garden, and fallen down a few stairs – but those are for other stories.
“Half my life is an act of revision” – John Irving.
Most of us writers are familiar with doing many revisions of their short story, their poem, their novel – whatever they are writing. But did it ever occur to you that our lives are full of constant revisions and we often have to “rewrite” parts of our lives? And that sometimes these life revisions affect our “revisions” in writing.
If this sounds absurd, let me give you a few examples from my life.
From when I was a teenager (back in the grey ages, of course) I wanted to write and get published. I accomplished the first, but the second was not so easy, Around the age of 20 I was writing short stories and when I finally got up the nerve to send them out (in those days by snail mail), I got what I thought was a devastating rejection from a journal in Alberta. “This is not a short story; this is an incident”. I was so upset that I stopped writing short stories and switched to non-fiction – newspaper and magazine articles. But first I took various courses i magazine and newspaper writing at a local community college.
Then my husband (at the time) and I moved just north of Toronto to Aurora, Ontario. This was the mid-1970s and Aurora, unlike today, was a very small town. But that local college from Toronto had a campus in a smaller town just outside Aurora, so I took another course in freelance magazine and newspaper writing. This class was a turning point – all of the students got published.
My publishing started with me cold-calling a local newspaper in Bradford to pitch a story idea. The idea was actually my husband’s and he had to stand by the phone and give me moral support to call the editor. I was a real chicken then. But I did it. Then I go brave and added, “I also sent you a humorous personal essay.”
tBoth stories were published and I ended up freelancing for that newspaper for a few years, then moved geographically (getting published. i was still in Aurora). I wrote a weekly column on Aurora’s community groups and their activities – first with a newspaper in Newmarket for a year and a half, and then with one in Aurora. There is a story behind those gigs, but that is for another posting. My next regular writing freelance gig was for the Toronto Star – at the suggestion of one of the editors at the local paper. So I was freelancing for that newspaper as well as a few small magazines – writing profiles of quirky people (my favourite), theatre reviews, some business stories, stories of local organizations and their members.
And then I moved back to Toronto in fall 1998, and expanded my writing to higher profile magazines, wrote freelance for another Toronto newspaper The Globe and Mail and began to focus more on writing health-related articles – something I had become interested in when I started getting migraines.
But this was all non-fiction. Oh, yeah, I wrote a few poems and some were even published – in local newspapers and in a few literary magazines.
But what about fiction? I began writing what would become much later my first novel in the Beyond mystery series. Actually I started that in Aurora not long before I moved.
And at some point in there I began writing short stories, one story in particular, Porcelain Doll. The idea for that came from my background way back. I was a railway brat – my dad worked as a timekeeper for the CNR and he, Mom and I got free train rides. So I started thinking like a writer. What would happen if? The father in the story is very different from my real father except for working for the railway and the three of us travelling to Grandpa’s farm in the summer.
Porcelain Doll went through many revisions and some of the writing critiques (from various writing groups, including the one I started – the East End Writers’ Group) tore it apart. But I kept on writing it and a few other short stories. Some of these other short stories were published in anthologies.
A new small book publishing company, Blue Denim Press, started up. One of the publishers in this husband and wife enterprise, used to come to my EEWG group when he still lived in Toronto. so we were familiar with some of each other’s work from there. and after pitching a short story collection idea (originally with two of us authors), the publishers were interested in my stories. But I didn’t have enough stories to make a collection; still I signed a contract, and began writing frantically and furiously. Short stories travelled by email back and forth many many times with many many revisions. It seemed as more than half my life was then in constant revision
But Porcelain Doll finally made the cut and was one of the 13 stories published in Beyond the Tripping Point (Blue Denim Press, 2012). From there I (slowly, lots of revisions), I wrote and Blue Denim Press published my (so far) two Beyond mystery series novels – Beyond Faith (2014) and Beyond Blood (2017).
Now I’m writing two books and wondering if I have finally gone mad, crazy, off my rocker (well, I am a senior). One is a memoir, getting my most attention as it is the next one for publication next year, and the third Beyond novel, which has a beginning and I am also doing research with it and a constantly changing the plot outline – much of the changes going through my head.
So you can see where your life going through constant revisions can affect what you write (or don’t write) and when. All from the wisdom in a short story rejection – “this is not a short story; this is an incident”.
I use that one in the short story workshops I teach – but that’s another “story”.
And that’s my cue to get out of Dodge – for now.
Question: What revisions or changes in your life have affected your writing? And how have they done so?
Sharon A. Crawford
With Crime Writers Canada at Richmond Green library
Previously I blogged about using videos to get the word out about your book(s). Now, I’m going to talk about old school – well, only in the sense that it is an in-person presentation. But it is not only a reading or readings. A writer-friend once told me that authors reading more than five minutes can start to bore the audience. I suppose that does hinge on what and how the author is reading.
And this is not a lesson on how to read book excerpts in public. Maybe in another post…
My publisher, Blue Denim Press, has come up with a unique presentation setup that guarantees not to bore the audience. Here’s the blurb for it and below a bit more info.
Small Presses: Guerrilla Book Marketing in the Digital Age
Join the East End Writers’ Group for an evening with the Blue Denim Press Gang. Readings from Shane Joseph’s latest novel, Milltown, and Barb Nobel’s debut short story collection, Edgy People, with a duet by Sharon A. Crawford (Beyond Faith) and Michael Dyet (Hunting Muskie) featuring characters from their books. After a mix, mingle and snack break, join these authors and their publisher in a panel discussion on how the Small Press is filling the void in publishing today.. Hosted by Gail Murray.
I start the whole she-bang off with a short (promise) welcome to all including a brief (really) history of the East End Writers’ Group, then turn it all over to our real host, Gail Murray a poet and travel writer and longtime member of East End Writers’ Group. Gail will introduce each presenter, one by one.
Barb Nobel is up front to read a short funny excerpt from her short story collection Edgy People.
Michael Dyet and I are up next – we get a bit more serious except for one of my reading excerpts which is a bitchy fight between two women in Beyond Faith. Michael and I will be doing something we do in our War Between Genre Fiction and Literary Fiction presentation – taking on the roles of each other’s characters in our excerpts from our books – :”Slipstream,” from Michael’s short story collection Hunting Muskie and my mystery novel Beyond Faith. As with the “War” presentation, Michael gets to read a variety of characters. But we have a switcheroo in here. And there is a dog in my presentation – but he has no speaking parts, but he is there as he is important to our reading’; theme – relationships in families and all the things that they entail.
And no, Michael and I won’t be dressing up as any of our characters. But there are rumours circulating that a character from one of the books by one of us authors will make a surprise appearance.
The fourth author in the presentation, Shane Joseph will be reading from his latest novel (launched this spring) Milltown.
Then we are going to break for what has become a tradition of East End Writers’ Group gatherings – the networking snack break or mix and mingle and eat and perhaps buy some books. (the latter is not at all of our meetings). Hey, writers, readers and most everyone else likes to eat.
After the break, we four authors return to the stage and the table for a panel discussion that will hit on and expand the title of this presentation. Gail Murray will moderate and keep us in line if we get too chatty. There wil also be q and a as we want some audience participation.
And afterwards – some more chatting with anyone from the audience who hangs around. Books still available for sale then, too.
And clean up and clear out.
And a thank you to the S, Walter Stewart library branch for hosting our East End Writers’ Group meetings and presentations.
Below are the location, time and date details and the covers of the books for the remaining two authors.
I love promoting my Beyond books – in person (alone or with other authors) or on social media. Sure, it is a lot of work but it can get very creative. However, one thing, actually many things have come up, under one category to slow or stop the process – snafus from outside sources, particularly connected to computers and other digital stuff.
Here’s what I’ve been dealing with to promote Beyond Faith. Warning: some of it might sound a bit odd and at least unexpected and unwelcome.
My Beyond books are available online in both paperback and e-copy in many outlets world-wide. But to get them in bookstores the bookstore has to order them in at either my request or someone who walks into a bricks and mortars bookstore and wants a copy. If I have already persuaded the bookstore to order in a copy, then the customer can buy it. Otherwise it can be ordered in.
That’s the way it is supposed to work and has with Beyond the Tripping Point and Beyond Blood. My publisher’s distributor sends electronically all the info to all these bookstore.
Not for the Indigo Chapters Coles chain. And this was not the chain’s fault. Imagine my surprise when I went into a Coles bookstore and the manager was so enthusiastic to order in Beyond Faith and Beyond Blood and have me do a book signing, but when she went to order them in (while I was there) no problem with BB, but she couldn’t do so with BF. She advised me to contact my publisher and when it was fixed she would order them in and set up a book signing.
I emailed my publisher right away and he got on it right away, even ccing me with his email to the distributor. A customer service guy from the latter emailed me and said it was being forwarded to their tech dept. to fix. Yes, it was a computer glitch from the distributor. Since then, my publisher let me know it has been fixed so I emailed the bookstore manager and just hope this message hasn’t screwed up her still wanting to order in my books and have me do a book signing.
And the bookseller company isn’t completely guilt-free as there is another problem – the book cover for Beyond Faith shows fine on their website for ordering in for the e-copy but for the print copy (which presumably can now be ordered in) shows no book cover – just a standard book graphic with the message that the book cover graphic isn’t available. I contacted the bookstore online customer service and got an email that I had to contact the new author section and gave me an email. Somebody from there emailed me and said they could fix it if i emailed them a jpeg of the book cover – and proceeded to give me the size and dimensions and dpi required and the file name to use. i had to find the larger book cover graphic on my computer . Even with my organized file system it wasn’t that easy to find and then I had to rename file and find it again. And yes I used my computer’s Search function.
It doesn’t help that I have limited sight in my left eye. Which explains any typos I may have not caught and corrected after reading the preview of my posts.
But I sent the book cover graphic and got a reply that the jpeg is okay but it will take a few days for them to get fixed.
At least all the replies to me from the bookseller customer service, etc. came quickly
Like I said I like doing book promo – the legwork – in person and the finger work online including social media. But trying to remedy others mistakes? Especially technical ones?
As an editor I have read and edited a variety of fiction manuscripts. The creativity of many of the writers and the wide range of story lines is very interesting. But one thing (among others) I sometimes find is the lack of sufficient suspense. The story drags; the story, well, it flat lines. Here are a few tips on creating suspense in your novels.
1. Leave your reader hanging – at the end of the chapter is a good place because it not only raises the reader’s interest, it gets him or her reading the next chapter. Here is an example from my mystery novel Beyond Faith.
“From what Sister Olsen had told me about her brothers, I had some idea what might be bothering Eli. Too bad neither Eli Foster nor I had all the facts.”
2. Ask a question. You know the old saying “questions are the signs of intelligence.” Questions also make the reader want to continue to get some answers. These are questions in the narrative, the character’s inner thoughts, not in dialogue. Obviously in dialogue, another character will usually answer the question although they might lie.
Again from Beyond Faith, “Who were they? And why did one seem familiar?” (all Beyond Faith excerpts, copyright 2017, Sharon A. Crawford, published by Blue Denim Press.)
3. Don’t tell all at once. Keep some information from the reader. I do a lot of this in Beyond Faith. The idea is you build up your plot with tidbits even if the character knows more than she is letting on. This is just the opposite from the example in point one above.
4. Use foreshadowing.This is often in conjunction with another technique. Again, see the example in point one above. Another example of foreshadowing is when the character is heading for an encounter they don’t relish. Perhaps with someone they don’t like and know is a nasty person. Build up the tension by getting inside the character’s head. How does the character feel? Scared? Are they sweating? Do they try to avoid meeting this character or delay the meeting by driving the long way to the meeting place. If it is in a restaurant, do they drink a lot, drop the cutlery, knock over a glass of water?
5. Or as a twist, the person is overly confident about meeting someone – a piece of cake, the character thinks. Then, wham, when they get to the meeting place, something happens – a car runs her down; someone takes a shot at her. She finds the person there all right at the meeting place – lying dead on the ground. You can tell I write mystery novels.
6. One suspense-building technique that I use is to have two main characters both heading for the same place at the same time – maybe one knows the other is there; maybe not. But one or both of them know that there is danger at the other end. Each one is racing to get there and perhaps save the other. You flip back and forth between the characters in separate scenes or short chapters. Show the reader what each character is thinking and what is happening to them. And don’t make it easy. In Beyond Faith I have PI Dana Bowman following Eli Foster in their respective cars; then I flip over to her fraternal twin, Pi Bast Overture who is not following anyone, but he has found out vital information about another character and figures out what this character is going to do so he is off to stop it. And no, I don’t tell all to the reader. And I’m not telling you any more here.
There are many more ways to create suspense. The twisted plot is one. And you can get ideas by reading published novels, the ones that do build suspense. Yes some crappy novels get published and I am not referring to self-published here.
And keep writing and rewriting, rewriting, rewriting.
And join a writing critique group for feedback.
And when you have rewritten a lot, hire an editor.
Then you can do some more rewriting.
I just started reading Hunting Muskie, a collection of literary short stories by Michael Robert Dyet (Blue Denim Press, fall 2017 – yes, same publisher as me). The first story “Slipstream”, has many plot threads popping up – all connected to a theme. And it keeps you reading. It also breaks the idea that some people have (mea culpa sometimes here) – that all literary stories don’t contain suspense.This one sure does have suspense.
The book launch for Beyond Faith was held by Blue Denim Press on Sunday and while not attracting large crowds, we had people there. And we all enjoyed ourselves. My main book character PI Dana Bowman and a few more of the quirky characters – Bast Overture – Dana’s fraternal brother and PI partner, Detective Sergeant Donald Fielding – head of Major Crimes, David, Dana’s son, and a couple of new characters for the novel – Eli Foster and the nameless one all appeared from my reading. And I only read a couple of short excerpts within 15 minutes. But I read as l like to say – putting myself into the characters’ heads and shoes.
Photo courtesy Martin Crawford
At least I was awake then (Don’t let that photo here mislead you. I am listening to my friend and apparently trying to sign my book which she bought and looking at something not in the photo.) Unlike now, when I feel like I’m one of the walking dead and Halloween isn’t quite here as I write this. But it was worth it at the book launch.
So what have I learned from this book launch?
Good side – people invited will come – most let you know they are coming but some just show up. And they buy books – some even bought a copy of the previous novel Beyond Blood.
Bad side – those who RVSP’d they were coming, and didn’t bother to let me know that they couldn’t make it after all. Let’s put it this way – I know who you are and my take on you has gone down a notch.
Good side – those who RVSP’s they were coming, then couldn’t at the last minute and let me know. I can understand and accept that. Stuff happens at the last minute. And I won’t bite off your head because you did tell me.
Good side – Meeting and reconnecting with friends including a fellow I worked with in both our first jobs as teenagers (well late teens) for the Ontario Government. I first contacted him via Linked In. So don’t be too quick to complain about Linked In. Thanks to Linked In, I have reconnected with a former editor, a cousin who is now living in Asia. And I have found editing work via Linked In.
Bad Side – More people would have been nice. Beyond Blood and Beyond the Tripping Point brought in more people. But from what I’ve seen with other book launches I’ve gone to this year, evening launches seem to attract the largest number of people.
Good Side – some of those people who couldn’t make the launch because of previous commitments want to buy a copy of Beyond Faith – one already has.
And so the book promotion will continue.
But first I need to catch up on some sleep.
And then start kicking things I “have” to do; things others want me to do – out the window.
But I’ll open the window first.
Sharon A. Crawford
Here’s the book. Click on it for a link to one place the book is available.