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Interview of Fictional Character by Fictional Character: Part 10

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

What is character but the determination of incident? What is incident but the illustration of character?

— Henry James

For this interview, Bast tackles Clara’s father William Everett Clarke in “For the Love of Wills.” “For the Love of Wills” is one of 13 stories in my mystery collection Beyond the Tripping Point (Blue Denim Press, 2012).Clara’s father has dumped her mother for a much younger secretary nicknamed behind his back as “The Bimbo.” Hopefully his wife, Heidi Anastasia Clarke will stay out of the picture today,  but she is a loose cannon so you never know.

Bast (seated at a table): Please sit down Mr. Clarke. I don’t bite.

Clarke: You are a reporter.

Bast: Not any more, I’m now a private investigator and with my sister, Dana, I run the Attic Investigative Agency. But right now I’m more concerned with you and your situation.

Clarke (looking around the room): What do you mean my “situation?” Hey, you don’t have any hidden cameras or bugs anywhere here.

Bast: Nope, just my trusty digital recorder.

Clarke (jumping back): Shut that thing off.

Bast: Why, you got something to hide?  Okay, sorry. I just use the recorder for accuracy. Now, let’s get down to some basics. And please sit down. Now, Mr. Clarke, you were married for how many years?

Clarke (now seated across the table from Bast): Forty.

Bast: Tell me something about your wife, Heidi.

Clarke: What do you mean?

Bast: Where did you meet? Your children, that sort of thing.

Clarke (sighing audibly): Heidi was a secretary where I worked as a clerk. We went out on a few dates and seemed to hit it off. We were married a year and a half later. William Jr. came along four years later and then Clara was born a few years after that. William is a lawyer and Clara, well she is Clara. She likes climbing up walls, did you know that?

Bast: Yes, and it seems that she got your wife involved in that in the beginning of “For the Love of Wills.”

Clarke: More likely the other way round. (Clarke chuckles).

Bast: In what way?

Clarke: Heidi is well, what they call her own person with a mind of her own. She’s spontaneous and doesn’t take any nonsense from anyone.

Bast: Is that why she and Clara snuck into the matrimonial home via the walls because you threw her out for your secretary? Do I see a pattern here with secretaries?

Clarke (jumping up and leaning over the table). Now see here young man. I still love Heidi but well, when you’ve been married as long as Heidi and I, you get too familiar with each other and you want something different.

Bast: I can see that, but you did more than have an affair. You moved your secretary in with you and Heidi had to leave.

Clarke: Yes, I suppose so, but I was having second thoughts when the m…”

Bast: Sh. We don’t want to give anything away to the readers.

Clarke (now sitting down): Right.

Bast: Did you trust your wife?

Heidi storming into the room: What kind of question is that? Of course he trusted me. My poor William.

Bast: Heidi, you had your turn last week. And William did throw you out of your home?

Clarke: Now wait a minute…

Heidi: But it was only temporary. I was…

Bast: Stop. Heidi, you have to leave. My interview is with your husband.

Heidi: But…

Clarke: No, this interview is over. Come Heidi, we have things to talk about.

The two leave the room. Bast stares after them and then at his tape recorder, muttering, “I’ll get at the truth next week when I talk to William Jr.”

You can read more about the Clarke family in my mystery short story collection Beyond the Tripping Point, (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://www.chapters.indigo.ca/books/search/?keywords=Beyond%20the%20Tripping%20Point or go to any bricks and mortar store and order in a print copy.

Cheers.

Sharon A. Crawford

 

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Interview of Fictional Character by Fictional Character – Part 9

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

Be obscure clearly.

          E.B. White

Anastasia Heidi Clarke (mother) in “For the Love of Wills” is calmed down somewhat from her tirade last week with her daughter Clara. Today, Bast Overture, crime reporter turned PI interviews this eccentric family member. “For the Love of Wills” is one of 13 stories in my mystery collection Beyond the Tripping Point (Blue Denim Press, 2012).

Bast: Anastasia Heidi – those are interesting names. How did you come by them?

AH (Mother): Well, young man, my parents named me. My father read Russian novels and my mother read Heidi that Swiss Alps novel. So I’m doubly famous. (She smirks).

Bast: Okay. In “For the Love of Wills” you seem determined to see your ex-husband’s will…

AH: He is NOT my ex-husband. We are still married. He just didn’t want me to live with him anymore. And there was no way I was giving him a divorce and get half the house with that Bimbo living there. So they could live in sin. What was the question?.

Bast: Why did you want to see your husband’s will?

AH: To make sure I was still in it and he wasn’t leaving everything to that Bimbo, of course.

Bast: But as things turned out that didn’t matter.

AH: Sh. Sh. Do you want to spoil it for the readers? I don’t think Sharon A. would be too pleased if you gave it all away.

Bast: Point taken. Then, without giving the plot away, and because we did mention this last week, why did you and Clara do a climbing act to get into the house?

AH: I wanted to sneak in without William seeing or hearing us.

Bast: But it didn’t work out quite that way, did it?

AH: What did I say about not giving away the plot?

Bast (making hand-pushing motions). Very well. Let’s go to the police when they arrived. You seemed concerned about what they were up to. Why is that?

AH: Well I had to make sure they didn’t arrest the wrong person and they seemed too controlling. It was my house they were invading.

Bast: But that’s their job – when there has been a crime, the police investigate to find out persons of interest and suspects so they have to ask questions.

AH: But they herded us into separate rooms. I couldn’t make sure that my family was okay if I couldn’t get at them.

Bast: I see. Was there anybody in particular in your family you were concerned with? Clara?

AH: Clara can take care of herself.

Bast: Your son, William Jr.

AH: He’s a lawyer. ‘Nuff said.

There is some noise outside the door and it opens. William Clarke Sr. walks in.

William: She means me…

AH: Whatever gave you that idea, William? After leaving me for that twenty-something secretary.

William: Yes, but you did say “my poor Will” to one of the cops and I don’t think you meant our son.

AH: So what?

William: Well…

Bast (trying to get control of the interview): Okay, folks. William, your turn will be next week. Now Anastasia, I have one more question…

Anastasia: And I’m done. Good day.

Anastasia Heidi Clark leaves the room, followed by her husband. Bast shrugs his shoulders and mutters “Talk to you next week.”

You can read more about the Clarke family in my mystery short story collection Beyond the Tripping Point, (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://www.chapters.indigo.ca/books/search/?keywords=Beyond%20the%20Tripping%20Point or go to any bricks and mortar store and order in a print copy.

Cheers.

Sharon A. Crawford

 

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Interview of Fictional Character by Fiction Character – Part 8

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

The things that you know more about than you want to know are very useful.

          Robert Stone

Bast Overture stays in 2013 and will have his hands full with the next few interviews as he will be talking to members of the wacky Clarke family who appear in “For the Love of Wills” in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). When a body turns up in their Rosedale home (ritzy area of Toronto, Canada) each member tries not to get arrested for the crime. Bast will start with the main character, Clara Clarke.

Bast: Clara, it’s not every day that a body is found in the family home. How did you react when you and your mother found the body in the attic den?

Clara: Sounds like an old Agathie Christie mystery when you put it that way.

Bast: But it’s not. It’s present day.

Clara: Right. Well, I did wonder if Dad was involved somehow. I mean he did find the body.

Bast: But didn’t you feel a little bit glad? The main reason your mother was kicked out of the family home was now dead?

Clara: I don’t think so because like I said, I was worried about Dad.

Bast: What about your mother? She had the most to gain from the murder?

Clara: No way. Mother was with me.

Bast: When the body was found, but before?

Clara: You forget that Dad changed the locks so Mother’s house key didn’t work.

Bast: Aw, come on, she could have knocked on the door earlier and your dad could have let her in.

Clara: No way. Mother didn’t want to even confront Dad.

Bast: Very well. Now you and your mother made a rather unconventional entrance. Was this your idea?

Clara. No. Mother’s. Even though I did rock climbing at the gym, Mother, whose only previous climbing experience was stairs, suggested we climb the walls of the house to the balcony and then sneak in.

Bast:  In this story by Sharon A. Crawford, your mother and you discuss why the two of you have to get into the house.

We’ve got to see his will.” [Mother said]

“His will? What the hell for?”[Clara said]

“I need to see that he’s still leaving me everything and hasn’t changed it to the Bimbo.”

“Wouldn’t it be simpler to just ask William, Jr.? He is the family lawyer?”

She’d smirked and muttered something about keeping her ideas close to her mind. (Excerpted from Beyond the Tripping Point, copyright 2012 Sharon A. Crawford)

So, Clara, why didn’t you persuade your mother to talk to William Jr.?

Clara: Well, because she is Mother. Once she makes her mind up about something, nobody can change it.

(Heidi Anastasia Clarke – Mother –  stomps into the room): And I had my reasons. It had to be done this way and only this way.

Bast: Mrs. Clarke, please, this is Clara’s interview. Your turn will be next week.

Heidi (waggling a finger at Bast): Now, listen here young man, it was my husband who cheated on me, who kicked me out of our home after 40 years of marriage. I think I…”

Clara: Mother, shut up.

Heidi: Now, listen, Clara…

The two continue arguing. Bast throws up his hands in disgust, covers his ears with his hands and walks out of the room.

You can read more about the Clarke family in my mystery short story collection Beyond the Tripping Point, (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://www.chapters.indigo.ca/books/search/?keywords=Beyond%20the%20Tripping%20Point or go to any bricks and mortar store and order in a print copy.

The video link to my thatchannel.com interview and reading from Beyond the Tripping Point on You Tube can now be accessed via the new page “Video” at the top of this blog.

Cheers.

Sharon A. Crawford

 

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Interview of Fictional Character by Fictional Character – Part 7

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

Sometimes your destiny is wrapped up in a veil of fear to check if you really have the courage to face it.

— Marcus Hades

Bast Overture, crime reporter turned PI, stays in present time (2013) and interviews Jessica Myers, the terrified passenger in the car with the brakes that don’t work. Jessica is Millie’s best friend when the story “No Breaks” starts out. But do the two remain friends after their ride, harrowing in more ways than one? And “breaks” is spelled correctly as it refers to something else beyond car brakes. You’ll have to read Beyond the Tripping Point to find out.

Bast: (referring to the near crash – see last week’s post). That was close. Everyone okay?

Millie scowls and nods. Jessica curles into the corner by the window and gives a slight nod.

Bast:  Okay, Jessica, in the story, “No Breaks,” you were the passenger in a car with no brakes. How did you feel about that?

Jessica: Scared. (Her voice is low and soft).

Bast: How did you react?

Jessica: Tried to find a bay – that’s what Millie said we needed. So I tried to go online but there was no wireless connection. I kept trying, I really did. (Jessica holds up her BlackBerry). See – connection now but not then.

Bast: You don’t drive?

Jessica: No. I left that up to Millie.

Bast: Hm. But what about now after your harrowing experience?

Jessica: What about it? The brakes failed. Millie used her parking brake…

Bast: Millie does something else, something unexpected?

Jessica: What do you mean? She drove until she found a bay and then she drove in to the bay.

Bast: Yes, but something happens in the bay.

Jessica shrugs. So?

Bast: Would that be the result of a conversation you and she had at a pit stop for something to eat?

Jessica: That’s between Millie and me.

Bast: And what about that deep dark secret Millie keeps referring to – a deep dark secret you have.

Jessica: That’s between Millie and me. I’m not saying anymore. I want my lawyer. I want… (She begins to cry).

Millie hits the accelerator and the car jerks forward into high speed. Jessica tries to shrink even further into the passenger seat corner. Bast starts talking into his tape recorder.

Bast: I’m in the car with Millie Browne and Jessica Myers and it looks like we are having a repeat of their adventure in “No Breaks.”

You can read more about Millie, Jessica, and Eddie in my mystery short story collection Beyond the Tripping Point, (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://www.chapters.indigo.ca/books/search/?keywords=Beyond%20the%20Tripping%20Point or go to any bricks and mortar store and order in a print copy.

The video link to my thatchannel.com interview and reading from Beyond the Tripping Point on You Tube can now be accessed via the new page “Video” at the top of this blog.

Cheers.

Sharon A. Crawford

 

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Interview of Fictional Character by Fictional Character – Part 6

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

Lots of people want to ride with you in the limo, but what you want is someone who will take the bus with you when the limo breaks down.

          Oprah Winfrey

In this week’s interview, Bast Overture, crime reporter turned PI, interviews Millie Browne, the driver of a car in peril in the short story “No Breaks,” from Beyond the Tripping Point. This requires Bast to time travel from 1999 to present time.

Bast: Millie, I understand you have a problem with your car.

Millie: You could say that. The brakes don’t work.

Bast: Not a good thing for travelling up Highway 11 into cottage country. Did this brake failure happen suddenly or were they acting up before you left?

Millie: Suddenly when Jessica and I were driving up the highway. You don’t think I’m stupid enough to head on a road trip with faulty brakes. Hey, I even got my mechanic, Eddie, to check out the car yesterday and he found everything working fine.

Bast: You sure of that. In light of what happens…

Millie: What are you saying? My mechanic missed something. Hey do you know something I don’t know?

A snort comes from the front passenger seat. Millie, glaring at Jessica: Hold on, your turn will come soon.

Bast (from the car’s back seat): It just seems a little strange that the brakes would suddenly start to fail. Did you have to brake anywhere before you noticed them not working?

Millie: Well, no.

Bast: So, what are you going to do about it? You obviously are continuing to drive to your destination.

Millie: We have to get to Jessica’s grandmother’s cottage.

Bast: Important business up there?

Millie (scowling, face turning red): None of your business.

Bast: Very well. I’ll repeat my question: What are you going to do about the brake situation?

Millie: I’m looking for a garage with a bay to fix the brakes.

Throat clearing from the passenger seat.

Millie: Okay, okay. We are looking for a garage with a bay. And I’m using the parking brake if I have to brake. Can we stop talking about the damn brakes?

Bast: Very well. Now in “No Breaks” you mention something about a deep dark secret. What…

Millie: Not mine.

Screeching from the passenger seat. The car swerves throwing Bast’s head forward against the back of the driver’s seat. The screaming from the front reaches a high pitch level as Millie pulls the parking brake.

You can read more about Millie, Jessica, and Eddie in my mystery short story collection Beyond the Tripping Point, (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://www.chapters.indigo.ca/books/search/?keywords=Beyond%20the%20Tripping%20Point or go to any bricks and mortar store and order in a print copy.

The video link to my thatchannel.com interview and reading from Beyond the Tripping Point on You Tube can now be accessed via the new page “Video” at the top of this blog.

Cheers.

Sharon A. Crawford

 

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Interview of Fictional Character by Fictional Character – Part 5

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

“Live passionately, even if it kills you, because something is going to kill you anyway.”

– Webb Chiles

Starting with this week’s post, Bast Overture, crime reporter turned PI will be interviewing characters from the other stories in Beyond the Tripping Point. Some of them will require him to do a variation of time travel. This week’s interview is with Elsa Richards, the main character in “16 Dorsey St.” Elsa and Bast are in the same time frame (late 1990s).

Bast: You are a fashion designer who works from home?

Elsa:  Yes, I prefer that because my boss, Monsieur Louie is always breathing down my neck at his place. I’m a very creative person and I need solitude to create my best. It’s like I’m in another world with all senses, all areas of my mind focused on the current dress or skirt.

Bast: But your new home, an apartment in a former old Rosedale home doesn’t turn out to be so solitary. Could you elaborate?

Elsa: The other tenants were mad and scary old people. It makes me shudder to think about them.

Bast: I understand. But could you tell us something about them?

Elsa: (Takes a deep breath). Okay. Did you ever watch those old Frankenstein movies starring Boris Karloff? (Bast nods). Well, Harold Marchant has a face just like him. But believe me, he doesn’t move around stiffly like Frankenstein. And the old biddy, Winnifred Hoyle – her eyes just bulge out so far you’d think they would pop out. She says she’s a retired school teacher.

Bast: Probably scared her students into studying?

Elsa: (chuckles slightly). Probably. Don’t know when she was a teacher, maybe in the 1940s because that’s how she dresses, complete with padded suit jackets and nylons with seams. Who wears stockings with seams anymore?

Bast: Didn’t you think for a time that there was a third person living in the old house?

Elsa: Well, I suppose so.

Bast: Tell me about that.

Elsa: I’d go out to run errands and such and when I returned I’d find some of my things like my lipstick and hairbrush moved from where I put them. I’m very particular where I put my stuff. Then there was that wig. I couldn’t figure out where that came from until my sister, Sylvia, reminded me of a Halloween party costume I word a few years ago.

Bast: That brings up my next question. You tell your story through emails to your sister. Why is that?

Elsa: Because, Sylvia doesn’t live in Toronto. I know; there is the phone. But I’m like you a computer techie and then there is the privacy issue. Our mother keeps popping unannounced into Sylvia’s place and stays for a bit. So Sylvia and I don’t want her to know about all out conversations.

Bast: Your mother comes up with a cryptic revelation later on in “16 Dorsey St.” What do you think of that?

Elsa: I’d rather not say. I go through a harrowing experience…

Bast: That’s right. Life threatening, even.

Elsa: Sh. We don’t want to tell the readers all.

Bast: Right. Well, thank you Elsa for your time and I hope you, your sister and your mother can sort out all these, er, matters.

You can read more about Elsa, her sister and the scary oldsters in my mystery short story collection Beyond the Tripping Point, (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including books reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://www.chapters.indigo.ca/books/search/?keywords=Beyond%20the%20Tripping%20Point or go to any bricks and mortar store and order in a print copy.

The video link to my thatchannel.com interview and reading from Beyond the Tripping Point on You Tube can now be accessed via the new page “Video” at the top of this blog.

Cheers.

Sharon A. Crawford

 

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Interview of Fictional Characters by Fictional Character – Part 4

Be obscure clearly. – E.B. White

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

 Bast interviews his fraternal twin, Dana Bowman. The twins were close when growing up but in their twenties drifted apart partly because Bast didn’t like Ron Bowman, Dana’s husband at the time. They reconnected a few years before the four linked stories in Beyond the Tripping Point, after Dana’s divorce when Bast helped Dana buy out her ex for the “family” home and moved in to help his sister raise David and meet expenses. Their backgrounds, personalities and looks are different (Fraternal twins don’t necessarily look alike) so all is not always smooth sailing.

Bast: Dana, you have a somewhat unusual approach when we are doing an investigation. Care to elaborate?

Dana: Well, little brother, (From her 4’11” height she looks up at Bast, standing tall at 6’ 3”) I suppose you mean my sketches?

Bast: Yes, in particular your caricatures of the people we interview.

Dana: I’ve always liked to sketch, particularly people and I like to get at what I see as the heart of the person, what makes them tick. And everybody has something they don’t tell the world. So, I look into their face, their body language and see what they aren’t saying. Often that helps with our investigation.

Bast: Yes, but sometimes it startles the person, like Anne Belcher in “Road Raging.”

Dana: Yes, but Anne was pretty upset already when she banged on our door. I guess if someone close to you, like your husband, had been seriously injured in a car collision, you’d be upset…unless it was all an act…and that’s what I am trying to find out when I sketch a person.

Bast: And was Anne all an act?

Dana: Now, Bast, I’m not telling. That would spoil it for our readers.

Bast: Okay. Let’s go to “Digging Up the Dirt” where you were actually doing caricatures of seniors and other guests at Mavis Crandock’s 100th anniversary celebration. Did any of them help solve the double murder here?

Dana: Thanks for not giving it all away. I think probably subconsciously although we did solve this one using other means.

Bast: I presume you mean Great Aunt Doris. She…

Dana: Don’t mention that woman and I’m surprised you do considering what she thinks of you…

Bast: And of you. The two of  you really got into it in “Saving Grace” with her criticising your parenting…

Dana: Don’t you start. You know we were having difficult times because of David being psychologically mute. Aunt Doris didn’t have to live with us day-by-day, thank God (Dana makes a mock sign of the cross).

Bast: Fair enough. But she did help you a lot in “Saving Grace?”

Dana: I suppose so. Without her intervention things might have been quite different for all of us.

Bast: Back to “Digging up the Dirt” which was a few months after “Saving Grace” – Aunt Doris did help you…

Dana: Inserted herself in the investigation was more like it. Bast you should have seen her get-up when we went out to interview people. I wish I had sketched that one although I suppose I could from memory. (She sits down, picks up her sketch pad and charcoal and starts sketching).

Bast: You are also not that fond of computers; how do you get around that?

Dana: Well, at first I wouldn’t touch the damn machines, but then I started a bit with the email.

Bast: Ah, the email will do it every time. (Note to readers: The Dana-Bast stories take place in the late 1990s before Facebook and Twitter and high speed Internet connection was just coming into use in late 1999 in Canada).

Dana (shaking her charcoal at Bast).Yeah, but I’m not glued to it like you are little brother.

Bast: Will you stop calling me that. Just because you are a few minutes older than me. (Clears his throat). Okay, Dana will you tell us what you actually use the computer for?

Dana: Okay, given that you taught me what I know. Besides email, I use that Word program occasionally to type up reports although I prefer to leave that to you. And I do some research on the Internet. But I still prefer my sketches and face-to-face contact. I mean if something goes wrong with the computer when I’m using it, well, I’m out of here. And speaking of that, I have to go pick up David from school. Here… (She stands up, walks over to Bast and hands him her sketch).

Bast: Hm. You’ve captured a good likeness of me, but two things. Why do I have a smirk on my face and why did you draw me with a beard? I shaved that off a few months ago. (He touches his chin).

Dana: Because little brother, that beard gives you some authority and dignity. And if you repeat that to anyone I’ll deny it.

Bast: Fair enough.

You can read more about David, Dana, Bast, Great Aunt Doris, Detective Sergeant Donald Fielding and the others in the four linked stories which are part of my mystery short story collection Beyond the Tripping Point, (Blue Denim Press, 2012. Click on the book at the top and it takes you to my profile – including books reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://www.chapters.indigo.ca/books/search/?keywords=Beyond%20the%20Tripping%20Point or go to any bricks and mortar store and order in a print copy.

The video link to my thatchannel.com interview and reading from Beyond the Tripping Point on You Tube can now be accessed via the new page “Video” at the top of this blog.

Cheers.

Sharon A. Crawford

 

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Interview with Fiction Characters By Fictional Character – Part 3

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

Writing is a struggle against silence.

          Carlos Fuentes

Bast takes on perhaps the most difficult interview so far – with his seven-year-old nephew David Bowman. David has become psychologically mute because of a traumatic experience in the pre-quel novel Beyond Blood. David appears in the four linked stories in Beyond the Tripping Point – “Gone Missing,” “Saving Grace,” “Digging Up the Dirt” and “Road Raging.”

Bast: David, let’s play private eye. Let’s pretend I’m the private investigator and I’m interviewing you. I know…

Dana (who has sneaked into the room and interrupts): You are a PI little brother and David knows this.

Bast: Sis, I’m trying to conduct an interview here. Your turn will come next week.

Dana: Okay then. Let’s see what David thinks about this.

Bast: Fine. David, do you want your mother present during this interview.

David shakes his head “no.”

Bast (smiling): Dana, your son has spoken.

Dana: Okay. (shrugs her shoulders and leaves the room).

Bast: Now David, is it okay if we play PI and I ask you questions.

David nods “yes.”

Bast: Good. Now I know you won’t speak, so I’ll keep most questions to “yes” and “no” answers, but here’s a pen and notepad for you to write your answers on.”

David pushes the pen and pad away and shakes his head “no” vigorously. He picks up his box of crayons, dumps the crayons out on the table, and grabs his sketch pad.

Bast (shrugs): Okay. In “Saving Grace” you kept pushing your mother to find the missing Grace. Was that because of what happened to you last year?

David picks up a red crayon and starts drawing a girl’s face. Then he picks up a black crayon and draws a boy’s face. He colours in the hair yellow. Underneath the girl’s face he prints “G” and underneath the boy’s face he draws  “?” He hands the picture to Bast.

Bast (pointing to the boy’s face in the picture). “Is this you David?”

David snatches the picture from Bast, then picks up a black crayon and starts scribbling on the paper. He hands it back to Bast.

Bast (looking at the picture). I see you have crossed out the “?” and put in a “D.” Okay, how did you know where to find Grace?

David picks up an orange crayon and starts drawing on another sheet of paper. When finished, he hands it to Bast.

Bast (looking at this picture). This looks like a doll.

David nods “yes.”

Bast: Would this be Grace’s Raggedy Anne doll?

David nods “yes” and starts wriggling in his seat.

Bast: So, the doll helped you?

David nods “yes” and then shakes his head “no.”

Bast: Which is it David – yes or no?

David grabs a purple crayon and starts scribbling on another piece of paper. When finished he throws the paper at Bast.

Bast: Hm. I don’t understand David. All these purple lines and circles. What do they represent? I mean.

David points to his head and moves his mouth as if trying to make a sound.

Bast: Okay, David. Let’s move on. Now in “Gone Missing,” at one point you are riding with your mother in her car and you drive to the dock at Snow Lake. You made a dramatic change here from complete silence. You…

David jumps up and starts moving around the room as if disoriented, then moves up to Bast and starts stomping his foot.

Dana (now back in the room). “That’s enough Bast. I don’t think David wants to play your game anymore, do you David?

David just continues his foot stomping. Dana goes over to him, crouches down to his level and puts her arm around him. David wiggles and tries to push her away, but eventually the feet and hands go still and he puts his head on Dana’s chest. Loud sobs are coming from him. Bast walks over to them and gets down on his knees.

Bast: Sorry David.

David looks up from Dana and over to Bast. And winks.

You can read more about David, Dana, Bast, Great Aunt Doris, Detective Sergeant Donald Fielding and the others in the four linked stories which are part of my mystery short story collection Beyond the Tripping Point, (Blue Denim Press, 2012. Click on the book at the top and it takes you to my profile – including books reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://www.chapters.indigo.ca/books/search/?keywords=Beyond%20the%20Tripping%20Point

 or go to any bricks and mortar store and order in a print copy.

Next week: Bast interviews his fraternal twin Dana Bowman.

Cheers.

Sharon A. Crawford

 

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Interview with Fiction Characters by Fictional Character: Part 2

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

The things that you know more about than you want to know are very useful.

            — Robert Stone


In this post, Bast Overture, crime reporter turned private investigator interviews Detective Sergeant Donald Fielding. Fielding appears in three of the four linked shorts stories in Beyond the Tripping Point (“Gone Missing,” “Digging up the Dirt,” and “Road Raging”). Note: Bast has encountered Fielding in his crime reporting days and the two are not best friends – forever or for any time.

Bast:  Now Detective Sergeant, you have been the lead investigator in several of the crimes that The Attic Investigative Agency has been involved in and…

Fielding (in his clipped British accent): Meddling might be more accurate…

Bast: Very well then but don’t you think that both you and our agency each came up with information that helped solve the cases and that  by cooperating and pooling our resources…

Fielding: The police do not cooperate with private investigators.

Bast: Yes, but didn’t you pass some information along to my sister, Dana, about some of the principals involved in “Road Raging.”

Fielding: That information was already in the press and I “passed it along” as you call it to your sister because when it was in the newspapers she was. shall we say, busy with trying to find her kidnapped son so she may have missed it (From the pre-quel novel, currently in rewrite stage).

Bast: And isn’t that another instance of you helping us?

Fielding: I said the police don’t cooperate with…

Bast: I know you said that but sometimes you do and don’t you think it helps solve the case?

Fielding: Listen here, Sebastian Overture. You and I go back to your crime reporting days, so I know your tricks to get information. What are you insinuating here? That the police act unprofessionally?

Bast: Of course not. (Bast clears his throat). I’m merely asking if the mutual info exchange helped. Hold on a minute before you say anything. If you remember in “Gone Missing,” Dana gave you some valuable information about the missing Rosemary – something we gleaned from our interview with her twin brother Robin – a blue text book. And that led to another person…

Fielding: (raising his hand). We were already talking to that person of interest.

Bast: Very well. Now, you are saying that the police don’t usually cooperate with private detectives. But what about when one of the PIs is shall we say more than a PI to you?

Fielding: (face going red). What are you insinuating Overture?

Bast: Come on Fielding. It’s no secret that you are attracted to my sister. So, I’m asking you – do your feelings for Dana have anything to do with the sharing of information.

Fielding (clipped British accent more pronounced): You’re making things up. That would be unprofessional.

Bast: But isn’t it true that you are attracted to my sister?

Fielding: That is none of your business. You leave D…D…Dana out of this.

Bast: Very well, then…

Fielding’s cell phone rings. He opens it.

Fielding: “Yes, Fielding here… Uh huh. Fine. What’s the address? Fine. I’ll be right there.” (He closes the cell). “Sorry, Overture. Duty calls.” (He stands up to leave)

Bast: Very well. Thanks for your time. I’ll catch you later for the rest…”

“Fielding: “No. This interview is finished.”

You can read more about Great Aunt Doris, Bast, Dana, David, Detective Sergeant Fielding and the others in the four linked stories which are part of my mystery short story collection Beyond the Tripping Point, Blue Denim Press, 2012. Click on the book at the top and it takes you to my profile – including books reviews – at www.amazon.com

Next week: Bast interviews his nephew David, which proves challenging as David is psychologically mute.

Cheers.

Sharon A. Crawford

 

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