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Interview with Fiction Characters by Fiction Characters – Part 40

20 Mar

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

I always have a basic plot outline, but I like to leave some things to be decided while I write.

–          J.K. Rowling

Susan Stuart’s spirit has finally manifested and Dana and PC Oliver learn that she is not to be trusted. There is also another spirit involved and the missing Bast has just phoned his fraternal twin, Dana. Dana and Oliver remain in the Thurston Public Library boardroom. All characters, except Cory Swan, are from Beyond the Tripping Point by Sharon A. Crawford (Blue Denim Press, 2012).

Dana (on her cell phone with Bast): Bast, where are you?

Bast: Can’t tell you right now. It’s not safe for you to know.

Dana: But Oliver and I could come and get you.

Bast: It’s better that you don’t know where I am right now.

Dana: Okay, but I’m worried.

Bast: I know you are, but it is also a safety measure for you and David.

Dana: David? Where does he fit into all this? He wasn’t even born when…

Bast: I know, but CS is very cunning and determined and will go after family members if he has to.

Dana: All this just to keep a blackmailing scheme quiet? Bast, the police know and have a document showing that Roger Stuart was illegally married to his secretary while still married to Susan and Robbie’s mom before he and the secretary disappeared.

Bast: I know. But it’s more than this.

Oliver interrupting: Dana, let me speak to Bast.

Dana (covering her cell with her hand). Just a minute Oliver.  (Dana holds her cell out a bit so Oliver can hear the conversation).Yes, Bast you were saying.

Bast: Is Oliver with you?

Dana: Yes.

Bast: Okay, I’ll talk to him in a minute but as I was saying, it’s more than just Roger Stuart’s bigamy.

Dana: I gather that. And Susan Stuart – or rather her spirit is not what she seems. Do you know what she’s up to?

Bast: Partly. That’s what I’m working on and to do so I must remain “undercover.” What I have found out is Susan’s spirit is conspiring with her Dad’s spirit to get revenge on Cory Swan for the blackmail scheme.

Dana: What are they doing?

Bast: That I don’t know. But they must be meeting somewhere but I don’t know where.

Dana: I can answer that. Susan said her Dad’s spirit is tied to their house. So it’s there. And Bast, Roger is living there I think. Is he in danger?

Bast: He might be. That might be the other part of the puzzle. But I don’t know what if anything he had to do with all this. He always seemed to disappear himself.

Dana: Right…

Oliver, interrupting: Bast, Cooks Regional and Toronto Police Services have  some info on where Roger has been living when not in Toronto and you are correct Dana, Roger is living in the house now.

Dana: Can he see his sister’s and father’s spirits?

Bast: I don’t know. Oliver, do you know what Roger’s been up to when away?

Oliver:  Like I said, we have some idea but need more information.

Bast: Then I need to talk to him.

Dana: No, let me. You have to stay safe.

Bast: I also need to get some answers.

Oliver: So do the police. Bast, I need you to tell us where you are.

Bast: Can’t do that – it’s a safety issue.

Oliver: Bast, for your own good and your sister’s, you need to come in. We can give you protection.

Bast: No. It’s better I stay underground for now.

Dana: What did you actually write about Susan Stuart and her painting and where was it published?

Bast: In the Toronto Herald. There’s a print copy in the office where I keep all my published story clips.

A loud noise, like a siren comes over Dana’s cell phone.

Dana: What’s that?

Oliver: Bast, where are you?

Bast (his voice getting weaker). Gotta go. Talk to you lat…

Dana: Bast, are you there?

Silence on the other end.

Oliver pulls out his cell and starts punching in numbers: Fielding, you and Hutchinson better meet with us. Bast has called and…what? Okay…

Dana: Where? I’m coming too.

Oliver into his cell: Did you hear that? Dana’s coming too. She has info. I’ll bring her.

Dana: Where?

Oliver: The Stuart residence. Something’s going on there with Robbie Stuart.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. Crawford will be returning to Aurora where she lived for 23 years. If you are in the Toronto area (GTA) and in particular just northof Toronto in York Region, join Sharon and four other Crime Writers of Canada authors reading from and talking about their crime books in A Shot in the Dark at the Aurora Public Library, Monday, March 24, 2014 from 7 p.m. to 9 p.m.

More info on this and Sharon A.’s other upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on March 20, 2014 in Beyond the Tripping Point, Credible Fiction Characters, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Writing

 

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Interview with Fiction Characters by Fiction Characters – Part 39

13 Mar

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

An artist is his own fault.

            – John O’Hara

The lights went out and the painting started vibrating in the Thurston Library board room just as PC Joseph Oliver was showing some information to Dana Bowman. Now, one minute later, the lights go back on and the painting is still. But there is a different character sitting at the board room table. All characters except Cory Swan are from short stories in Beyond the Tripping Point  by Sharon A. Crawford (Blue Denim Press, 2012)

Dana, looking around and almost jumping up at the woman sitting in the chair beside her. Susan Stuart? No, it can’t be. You’re dead. I mean…

Susan’s ghost: True, but I did mention that I do get around in spirit. Sometimes I can manifest myself to a few people.

Dana: And that’s why the lights went out – while you were er, manifesting?

PC Oliver: It’s gone.

Dana, turning to Oliver on her left: What’s gone? The paper you were showing me?

Oliver: Yes. I had it right in front of me.

Dana, glaring at Susan’s ghost: You took it. What did you do with it?

Susan: No, I didn’t.

Dana: Well, no one else was here.

Susan: Are you sure. The lights went out.

Dana: But that was you.

Susan: No. I don’t need lights turning out to manifest myself. Just people to believe I am real.

Oliver: Then who took the paper? Who was in here? I didn’t see anyone. Dana, did you?

Dana: No, but it was dark.

Susan: I might be able to answer that. I’m not the only spirit involved.

Dana: Right. So now we have multitudes of spirits running around and interfering.

Susan: No, just one other besides me.

Oliver: Who?

Susan: Can’t you guess? Who is also dead?

Dana: Roger Stuart?

Susan: Bingo.

Oliver: Okay, I’ll bite. What interest would Roger Stuart have in all this?

Susan: If you will remember, when Dad was still alive, just before he disappeared, he was involved in a sort of blackmail scheme with Cory Swan.

Dana: And I suppose you know what that all involves?

Oliver (interrupting): I think I do. The paper I was just going to show you was a document. It was a marriage certificate between Roger Stuart and his secretary.

Dana: But he was still married to Susan and Robbie’s mother.

Oliver: Yes, but the marriage certificate was issued in Mexico.

Dana: But it wouldn’t be valid in Canada? I mean with Roger still married to your mother. (Dana nods at Susan).

Oliver: No, not valid in Canada or the US for that matter.

Dana: How did they get it in Mexico?

Susan: By not giving any info about prior marriages.

Oliver: You could get away with that there.

Dana: So, Roger Stuart was a bigamist and he didn’t want his second marriage known.

Oliver: Or the fact that he had two so-called marriages with no divorce for the first one.

Susan: Exactly, to both. And Cory Swan wheedled this out of Dad and I believe threatened to tell all if Dad didn’t pay him. Which he did, for awhile, until he decided to disappear with the wicked secretary of the well, south.

Dana: And you know this how?

Susan: I just do.

Dana: You’ve connected with your father’s spirit.

Susan: Oh, all right. I’ve been talking to Dad.

Oliver: If this is so, then it has to be his spirit that took the document.

Susan: Actually not. Dad can’t get around like me. He’s stuck in our old house. I have to go to him.

Dana and Oliver: Then it was you. You lied.

Susan: Yup. A girl has to protect herself.

Susan then disappears.

Dana: What was that all about? She’s obviously got her own hidden agenda? Now we don’t have that document.

Oliver: Yes we do. There’s an electronic copy on the police computer and a photocopy at police headquarters. But I better call Fielding to let him know that Susan is not to be trusted.

Dana’s cell phone rings. She picks it up.

Dana: Yes.

Voice on the phone: Dana, it’s Bast. I’m okay. But we need to talk. You and a few others are in danger.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Also see more of See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on March 13, 2014 in Beyond the Tripping Point, Blue Denim Press, Credible Fiction Characters, Interviewing fictional characters, Plot anc Character Development, Sharon A. Crawford

 

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Interview with Fiction Characters by Fiction Characters – Part 38

06 Mar

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

I never plot out my novels in terms of the tone of the book .Hopefull,y once a story is begun it reveals itself.

–          Alice Hoffman

In last week’s post, the woman in the abstract painting was finally revealed as the spirit of the artist, Susan Stuart. Susan says she didn’t kidnap Bast Overture but pulled him into her realm to protect him from Cory Swan the photographer. Bast, however, managed to return to earth and was then kidnapped by Swan. Now he is missing again and Detective Sergeant Fielding and Detective Larry Hutchinson (along with Susan’s spirit) are off to Thurston to find Bast. Dana stays behind with a police constable awaiting Susan’s return with news. Except for Cory Swan, all characters are from stories in Beyond the Tripping Point by Sharon A. Crawford (Blue Denim Press, 2012)

Dana, staring at Constable Joseph Oliver: How did you, head of Records Bureau, wangle coming here? I was expecting a newbie.

Oliver: I convinced Fielding I would be the best choice as I am shall we say close to you and Bast professionally.

Dana: You mean you are our police source.

Oliver chuckles: Glad you can keep your sense of humour.

Dana nods: Yes, well in that vein I would like some more information about my brother’s kidnapping and in particular, why Cory Swan is so upset about that photo of Bast, Susan and Robbie Stuart.

Oliver: You know as much as I do.

Dana: Come on, Oliver.

Oliver shrugs his shoulders: Very well. Swan has a checkered background.

Dana: In what way?

Oliver: He was well connected to the Stuart family.

Dana: What do you mean? Beyond photographing Robbie and Susan for Bast’s story.

Oliver: No, before then…with their father.

Dana: Roger Stuart? The one who disappeared with his secretary years ago?

Oliver: Yes. I shouldn’t be telling you this. But Swan took some photos of Roger and his secretary…

Dana: Yes, but Roger is dead and the secretary is…

Oliver: I know. But for some reason Roger was taken with Swan – it wasn’t only his photography that connected him to people. He was also able to get people to talk about themselves and listen as if it was the most important thing in the world. We think that Swan found out about Roger Stuart ’s impending disappearance with his secretary and Roger paid him some money before he vanished.

Dana: You mean blackmail money?

Oliver shrugs his shoulders. Perhaps.

Dana: All right, say it was blackmail. How does my brother fit in with this? Roger Stuart disappeared before Bast became a crime reporter.

Oliver: We think that Bast uncovered this part of the story and confronted Swan with it – probably outside the interview with Robbie and Susan.

Dana: So, did he include it in his story? Where is that story anyway? Fielding, Hutchinson and I only found the photograph. We don’t know where it was published so can’t check the newspaper morgues.

Oliver shrugs his shoulders.

Dana: Oh, I get it. You did find the story. Come on Oliver, give it up. What did the story say?

Oliver: There was no mention of the connection between Roger Stuart and Cory Swan in the story.

Dana: So, what got Swan riled? Bast isn’t a reporter anymore.

Oliver: This. (Oliver hauls out a piece of paper from his folder.)

Dana leans over to look. The abstract painting starts vibrating and there is loud pounding on the door. The lights go out.

Cheers.

Sharon A. Crawford

 
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Posted by on March 6, 2014 in Beyond the Tripping Point, Blue Denim Press, Credible Fiction Characters, Interviewing fictional characters, Plot anc Character Development, Sharon A. Crawford, Writing

 

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Interview with Fiction Character by Fiction Characters – Part 36

20 Feb

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

A story to me means a plot where there is some surprise. Because that is how life is – full of surprises.

–          Isaac Bashevis Singer

As Susan Stuart, the abstract painting’s artist is dead (murdered), Detective Sergeant Fielding and Detective Larry Hutchinson have hauled in her brother Robbie Stuart. Dana Bowman, as usual has wangled her way into this interview held in the boardroom of the Thurston Public Library. The three are sitting around the back of the boardroom table right in front of the abstract painting.

All characters  (excluding Mr. Swan) are from the short story collection Beyond The Tripping Point by Sharon A. Crawford (Blue Denim Press, Oct. 2012)

Stuart (looking down at the trio): What’s this? I thought I was coming to see Detective Hutchinson about some wrap-up stuff to my sister’s death.

Hutchinson (pointing to each): Come this way and sit down Mr. Stuart. This is Dana Bowman, one of the PIs who runs The Attic Investigative Agency. And this is Detective Sergeant Donald Fielding who is in charge of the kidnapping of Sebastian Overture, who is Dana’s business partner and also her fraternal twin.

Stuart: So what’s it to do with me?

Hutchinson: First, sit down here.

Stuart shrugs his shoulders, walks to the other end of the room and sits down.

Fielding: Well, first off, this painting behind me was done by your sister Susan…

Stuart: I know that. She did it a couple of years before her death.

Fielding: …and there is this photo. (He shows the photo of Susan, Bast, and Robbie).

Stuart: Yeah, that reporter. He interviewed Susan and I just before she had her art exhibit here. What of it? Oh, I get it. You think I have something to do with his kidnapping.

Fielding: Right now we just want to find out the circumstances surrounding this photo. What exactly did Mr. Overture interview you about?

Stuart: I told you – my sister’s upcoming art show and her artistic talents.

Dana: Oh come on, Mr. Stuart, my brother used to write crime stories, not art stories. So what was he there for?

Stuart: You’re not police. I don’t have to talk to you.

Fielding: Answer the question, Stuart.

Stuart: He asked me about my father.

Dana: You mean Roger Stuart who also disappeared …

Fielding: Dana. I’ll ask the questions.

Dana: Well, ask the right ones. It’s my brother who’s missing. Surely Mr. Stuart can relate to that with his father’s disappearance.

Stuart: Yeah right. My father disappeared many years ago when I was a teenager. He ran off with his secretary and left my mom, sister and myself. It eventually killed my mom.

Hutchinson: Your mother died of cancer.

Stuart (standing): Damn right. And she wouldn’t have gotten it if Dad had stayed with her. And Suzie would still be alive.

Hutchinson: All right. We’ve already covered all this when your sister was murdered. Just answer Detective Fielding’s questions…and Dana Bowman’s too. We just need to know what happened in that interview you and your sister had with Bast Overture.

Stuart: He just asked about Dad disappearing and how it affected us, particularly if that had anything to do with what Suzie drew?

Fielding: And did it?

Stuart: Well, yeah. She painted abstracts because she said she found life, her life, anything but concrete in what happened, so she chose abstracts to show her feelings.

Dana (pointing to the abstract behind her): So, what feelings did Susan show in this painting?

Stuart: I dunno.

Fielding: Come on, come on, you were there when Mr. Overture interviewed your sister. What did he ask you?

Stuart: Just to tell him about Dad’s disappearance.

Fielding: I see. And what did you say about that?

Stuart shrugs his shoulders.

Dana: What can you tell us about the photographer who took this picture?

Stuart: I dunno. He was a photographer – from the newspaper, I guess. He came in midway and took various photos.

Fielding: Anything unusual about him?

Stuart (shrugging his shoulder): I dunno. He’s a photographer. Oh wait a minute. He seemed very interested in Suzie’s painting – that one now up on the wall.

Fielding: In what way?

Stuart: Just what it meant to her – why she painted it?

Fielding: Okay, can you tell us that now?

Stuart: She said it represented a maze – something she felt she lived in because of Dad’s disappearance. Life to her was a maze where people always had to be on high alert for someone coming in and snatching their lives, destroying their lives. If you could figure how to get out of the maze you were home free.

Fielding: And did she say if she knew how to get home free.

Stuart: She said she was working on it.

Fielding: And was that photographer Cory Swan.

Stuart: Yes, that’s him.

Fielding: Was Mr. Swan present when your sister talked about that abstract and mazes.

Stuart: Yes, he was and he seemed very interested. He even stopped shooting photos to listen.

Dana: And yet the photo here doesn’t even show that abstract painting – doesn’t even show any of your sister’s paintings. And why would he take a photo with my brother, who was doing the story interview. Reporters don’t usually put themselves into the story.

Stuart: I don’t know. I’ve never seen that photo before. All I know is the photographer stopped taking photos when Suzie spoke and…wait a minute, he aimed his camera at us, and I guess that’s when he did take that shot.

Dana: Do you know if that photo was the one included in the newspaper story?

Stuart: I don’t think so. The photo was one of Suzie holding up one of her paintings. I still have a copy of the story.

Fielding: Where was it published?

Stuart: The Toronto Herald.

Fielding: Back to the photo. Do you remember which photo your sister was holding up?

Stuart: No, some abstract obviously?

Dana (pointing): Was it this abstract.

Stuart shrugs his shoulders.

The abstract painting starts to vibrate and a loud wailing is heard. It seems to be coming from the abstract painting.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. is teaching Getting Your Memoir off the Ground Workshop, Saturday, February 22, 2014 in Toronto, Ontario, Canada. Details at http://www.samcraw.com/Articles/SpeakersBureau.html

Also see more of See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on February 20, 2014 in Beyond the Tripping Point, Credible Fiction Characters, Fiction Characters, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

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Fiction Characters Interviewing Fiction Characters – Part 35

13 Feb

Amazon.com link to Sharon A.'s short story collection
Amazon.com link to Sharon A.’s short story collection

Storytelling is about two things; it’s about character and plot.

–         –  George Lucas

In this post Beyond the Tripping Point by Sharon A. Crawford (Blue Denim Press, 2012) scenario, Detective Sergeant Donald Fielding is back from Barrie where he interviewed Doris Bowman’s next door neighbour, Mr. Crankshaw. Cory Swan the photographer was not in his Barrie home. Detective Larry Hutchinson joined Fielding and Cooks Regional Police backup to check out the premises where Bast and Dana had originally looked for office space for The Attic Investigative Agency. Cory Swan, photographer no longer has offices there and the space is vacant. Dana was allowed to enter the building after police gave it the all clear. The three are now meeting at the actual Agency offices at 10 Maitland in Thurston to check out Bast’s published crime stories for any possible connection to his kidnapping. Dana, as usual, is trying to get “police business” information from the two detectives. Aunt Doris has been placed in a safe house with a constable posted outside.

Dana is booting up Bast’s desktop PC. while Fielding and Hutchinson search Bast’s print files of published stories.

Dana: Bast might have this password protected but I’ll see what I can find about his story notes. Meantime, Detective Fielding, I’d like to know what Aunt Doris’ neighbour had to say for himself.

Fielding, rifling through files: Ms Bowman that is police business.

Dana: Oh for Christ’s sake, you let me see that photographer’s former office and I helped you there. I identified the watch on the floor as belonging to Bast so we know he was there and… So now it’s your turn to give me something.

Fielding: We let you into the room. That’s what we gave you.

Dana: Might I remind you that it is my brother, my fraternal twin who is missing. This isn’t the first time somebody in my family was kidnapped. When David was kidnapped, you were shall we say a little moreforthcoming.

Fielding: David is a child.

Dana: So, my brother doesn’t count because he’s an adult?

Fielding: D…Dana that’s not what I’m saying.

Dana: Then why won’t you tell me?

Fielding: Very well. I will tell you this much. Mr. Joseph Crankshaw saw Cory Swan put something into your Aunt Doris’ mailbox within the time frame Doris received that envelop. He also said he doesn’t trust Cory Swan because he’s heard car doors slamming shut at all hours of the night and when he got up he would see a car that wasn’t Swan’s speed out of the driveway.

Dana: Did he actually see a person? And get a licence plate number?

Fielding: No and No. And that’s all I will say.

Dana, gritting her teeth: Fielding …

Hutchinson: I think I found something.

Fielding and Dana join him. Hutchinson holds up a photo of a young man in a hoodie and a young woman sitting at a table on either side of Bast. Bast’s tape recorder rests in front of him. Hutchinson flips the photograph. On the back is stamped Cory Swan Photographer.

Hutchinson: I know the two people with Bast. The fellow in the hoodie is Robbie Stuart. The woman is his sister, Susan Stuart. Susan was murdered and I investigated her homicide.

Dana: Susan Stuart? Isn’t that the name scrawled on that abstract painting in the library boardroom?

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. is teaching Getting Your Memoir off the Ground Workshop, Saturday, February 22, 2014 in Toronto, Ontario, Canada. Details at http://www.samcraw.com/Articles/SpeakersBureau.html

Also see more of See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on February 13, 2014 in Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Uncategorized, Writing

 

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Fiction Characters Interviewing Fiction Characters – Part 34

06 Feb

Click on the book cover to go to amazon.com

Click on the book cover to go to amazon.com

A picture is worth a thousand words

–          Attributed to various sources from Napoleon Bonaparte to Frederick R. Barnard

Detective Sergeant Donald Fielding has left the Thurston Library boardroom to drive to Barrie to interview Cory Swan the photographer who lives across the road from Aunt Doris and her next-door neighbour, Mr. Crankshaw. Detective Larry Hutchinson remains behind to continue questioning Aunt Doris about the envelope of photos left in her mailbox. Dana hovers nearby trying to get in a word. All but Swan, Crankshaw and Ron Bowman, are characters from Beyond the Tripping Point by Sharon A. Crawford.

 Hutchison: Now, Mrs. Bowman, I want you to look carefully at these three photos and tell me if you recognize anything in them.

Doris: Well, I recognize Dana’s twin, Bast.

Hutchinson: Of course, but anything in the background, does it look familiar?

Doris: Hmm. Give me those photos young man.

Hutchinson: It’s better if you don’t touch them. Fingerprints…

Dana: Oh, stuff it Hutchinson. Fielding already has our fingerprints for elimination. Aunt Doris is an old woman so her eyesight…

Doris: There’s nothing wrong with my eyesight, young lady. I don’t even wear glasses except to drive. And as for calling me an old woman, well, I never.

Dana: But you are and you said so yourself.

Doris: standing up and glaring at Dana: Now listen here… and what Ronald Bowman ever saw in you to marry you I’ll never understand.

Dana: Ron and I are divorced Aunt Doris and he has nothing to do with this.

Hutchinson, raising his hands: Ladies, please. And Mrs. Bowman, will you please sit down. Now I find that interesting about Ronald Bowman, your ex-husband, Ms Bowman. What makes you think he isn’t involved? Wasn’t he arrested for the kidnapping of your son?

Dana: Those charges were never actually laid.

Hutchinson: But he was charged with a B and E and vandalism?

Dana: Yes, but he got off with community service and one year’s probation.

Hutchinson: He still has a record. Do you know where he is?

 Dana: I don’t know. Ask her. (she looks at Doris). He’s her nephew.

Huchinson: Mrs. Bowman, do you know where you nephew is?

Doris: He moved to Orillia Ontario after he finished his probation and community service. He should never have been arrested. Dana, this is all your doing; this is….

Hutchinson: Ladies, we are getting nowhere fast with these photos.

Dana: Fine. Let me look at them. Maybe I can recognize something, besides my brother, of course.

Hutchinson slides the photos over to Dana and she looks from one to the other and to the third. She repeats that a couple of times, looks slyly at Hutchinson, then pushes two away with her fingertips. She keeps the one with Bast sitting in a room.

Dana: I might recognize this room but if it’s where I think it is, it’s not in Barrie, but right here in Thurston.

Doris: What?

Hutchinson, raising his hand at Doris and then looking at Dana: Go on, Ms Bowman.

Dana; Going back a few years when Bast and I were planning to start up our Attic Investigative Agency, we did some looking at places outside the house where we live. One of the places was upstairs over a convenience store on Main Street here in Thurston. The two rooms were bleak looking. The first room which could be used for reception had no windows and the back room, I guess for the office, didn’t have much light, just from a small round window up high. Well, this room Bast is sitting in has the same type of window up high. No, I’d say the same window because the window in the room Bast and I looked at had this big scratch mark embedded in the right top corner. And if you look closely, so does the window in this picture.

Hutchinson and Doris both lean over towards the picture.

Hutchinson: Son of a gun, so it does. Ms Bowman, do you happen to know who or what did move into this room?

Dana: Well, it was awhile ago. Let me think. Wait… I seem to remember Bast mentioning a photographer who the newspaper he used to write for sometimes hired on a freelance basis. I think Bast said the photographer sometimes did the photos for some of his stories.

Hutchinson: And your brother was a crime reporter before he started this private detective business.

Dana: I see where you’re going with this and I have to agree. It could be connected to a story Bast wrote.

Hutchinson: Does your brother keep copies of his published stories?

Dana: Yes, in our office and he has the stories on his computer too.

Hutchinson: Well, Ms. Bowman, I think we better get over to your place and check out these stories.

Doris: What about me? I don’t want to be left alone. Someone sent me anonymous photos and threatened me on the phone.

Hutchinson: Where are you staying now?

Doris: In a hotel, but I’ve been looking over my shoulder, locking my door and putting a heavy chair up against it.

Hutchinson: Well, I’m a Toronto detective; Thurston is out of my jurisdiction except when working with Fielding, but we’ll see what we can do. Let me give Fielding a call.

Hutchinson calls Fielding on his cell. Dana continues looking at the photo.

Dana: Oh for Christ’s sake. The photographer who moved into that room over the convenience store in Thurston? I remember seeing the sign outside that upstairs window blowing in the wind. Detective Hutchinson, I think we have our connection. The sign read C. Swan Photographer – weddings, funerals – which I thought odd – parties and celebrations. I never met the man but I bet Bast did.

A noise came from the other end of the room. All three looked to the far wall as the abstract painting fell to the floor.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. is teaching Getting Your Memoir off the Ground Workshop, Saturday, February 22, 2014 in Toronto, Ontario, Canada. Details at http://www.samcraw.com/Articles/SpeakersBureau.html

Also see more of See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on February 6, 2014 in Beyond the Tripping Point, Plot and Characters, Sharon A. Crawford, Short Story Collection, Uncategorized, Writing

 

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Fiction Characters Interviewing Fiction Characters – Part 33

30 Jan

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

If in doubt, have two guys come through the door with guns

                         RAYMOND CHANDLER

Detective Sergeant Donald Fielding, Detective Larry Hutchinson, Doris Bowman, and Dana Bowman (all from various stories in Beyond the Tripping Point by Sharon A. Crawford) sit and huddle around the end of the Thurston library boardroom table. They are staring at the photos and list that Aunt Doris dumped out of an envelope.

Fielding and Hutchinson are wearing latex gloves.

Dana: Where did these come from?

Doris: I told you I don’t know. They just arrived in the mail.

Fielding: Give me the envelope.

Doris hands it over. Fielding and Hutchinson scrutinize it. Dana tries to horn in and when she can’t see it she stands up and leans over Fielding’s shoulder.

Hutchinson:  The stamp isn’t cancelled and there is nothing to indicate it was put in the mail. Mrs. Bowman he turns to Aunt Doris), was this with the regular mail in your mailbox?

Doris: Yes, I think so. I remember the phone bill came the same day and some junk mail.

Fielding: What time does your mail arrive?

Doris: anytime between 10 a.m. and noon.

Fielding: Do you remember what time it arrived that day and what day was it?

Doris: Three days ago, same day I received that phone call on my land line. I brought in the mail just before noon, right after that phone call which came through about 11.40, 11.45 a.m.

Hutchinson: Did you hear anyone at your mailbox?

Doris: I suppose so; I don’t remember.

Dana: Think, Aunt Doris. This is important.

Hutchinson: Ms Bowman, the police are conducting this interview.

Dana: It’s my brother who is missing and unless my eyes are mistaken that is him in those photographs.

Fielding: Very well. Mrs. Bowman, please answer the question.

Doris: What was the question?

Dana: Aunt Doris, don’t be coy. Did you hear anyone at your mailbox that morning? And don’t ask what morning?

Doris: I know what morning it was. And…wait a minute. I was getting another cup of coffee  around 11. 30 or so and was just heading for the kitchen when I did hear something at the mailbox. And I remember thinking that’s funny because I had heard the mailman drop something in just after 10. And I know it was the mailman that time because I looked out the kitchen window and saw him walking down the driveway.

Fielding: And you didn’t check the mail then.

Doris: No. My neighbour was banging on my back door.

Fielding: You didn’t mention her before, Mrs. Bowman.

Doris: It slipped my mind. I am an old woman. And it wasn’t a she, but Mr. Crankshaw, come over to find out if I had seen his cat, Merde.

Dana: Merde? That’s French for…

Doris: I know what it means. But that’s his cat’s name and very appropriate. The little rascal is always in my flower garden leaving little deposits and spraying around.

Hutchison, smiling: It’s called marking their territory. My wife’s cat does the same, but fortunately in our backyard. Now how long did Mr. Crankshaw stay at your door?

Doris: Just a few minutes. Once I told him I hadn’t seen his cat and I better not or it would be sorry, and he started ranting at me about being a bad neighbour, I slammed the door in his face.

Hutchinson: And he left right then.

Doris: Of course. He knows better than to mess with me.

Hutchinson: Did you see him leave?

Doris: I heard his footsteps but when I looked out my kitchen window I saw him heading around the side so I guess he was going back to his place.

Hutchinson, turning to Fielding: Are you thinking what I’m thinking?

Fielding: Yes. Now Mrs. Bowman, how long has Mr. Crankshaw lived there, how old is he and…

Dana: Just a minute, Fielding. What about these photos of my brother?  Don’t they show that he is still alive?

Fielding: Ms Bowman, we have to cover all the angles.

Dana; I know that. But let’s look at what we have here and then you can deal with Mr. Crankshaw. Hey, you can even go up to Barrie and work with their police department to question him. Maybe he saw something.

Fielding, looks at Hutchinson, who nods. Very well Ms Bowman, let’s look at the photos.

Hutchinson: Try not to touch them, although we’ll have to eliminate your fingerprints.

Doris: Well, you have them already back when Dana’s house was broken into.

Dana: Can you move over Fielding, so I can sit in between the two of you and see the photos?

Doris: And what about me?

Dana: You’ve seen them already.

Doris: But I might have something valuable to say about them.

Hutchinson: Ladies, please. We can all look at them, just not touch.

Fielding picks up the first photo of the three.

Dana: That’s Bast all right. But what is he doing. He just seems to be sitting there staring at the camera.

Fielding: It would appear he is in a room, perhaps where he is being held.

Dana: Oh, so you now figure he has been kidnapped. But there has been no ransom note.

Fielding: No.

Dana: He doesn’t look well, like he’s sleep-deprived. Fielding, you have to do something. Can’t you trace these photos?

Fielding, turning over the photo: There is a photographer listed here – a C.W. Swan Photographer, Barrie, Ontario. No phone number though.

Dana hauls out a piece of paper and pen from her purse and starts scribbling: Good, that’s a start. We can check 411 and…

Hutchinson, waving his arms around: Just a minute, Ms. Bowman. This is police business.

Dana: It’s my brother who is missing. Do I have to keep reminding you of that?

Fielding and Hutchinson: Ms Bowman…

Doris: Quiet. I may have something. There’s a Cory Swan who lives across the street from me and I believe he is a photographer.

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

Sharon A. is teaching Getting Your Memoir off the Ground Workshop, Saturday, February 22, 2014 in Toronto, Ontario, Canada. Details at http://www.samcraw.com/Articles/SpeakersBureau.html

Also see more of See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
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Posted by on January 30, 2014 in Beyond the Tripping Point, Credible Fiction Characters, Interviewing fictional characters, Plot and Characters, Writing

 

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Fiction Character Interviewing Fiction Character – Part 31 – Fielding

16 Jan

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

Dana Bowman had planned to interview Lilly Clarke of  “Unfinished Business” from Sharon A. Crawford’s short story collection Beyond the Tripping Point (Blue Denim Press, Oct. 2012), but Lilly hasn’t returned Dana’s calls. Meantime, Dana has been into Cooks Regional Police Headquarters to look at all the surveillance tapes of someone using Bast’s debit card at ATMs and a short selected video of that is now out in the media. The only thing definite about the person caught on the tapes is that it is not her brother Bast. Now Dana has received an urgent call from Detective Sergeant Fielding and he is meeting her today in the Thurston Public Library boardroom.

Fielding enters the room, nods at Dana, sits down, opens his briefcase and hauls out a laptop which he turns on.

Dana: And good morning to you, too. What have we here?

Fielding: I’m asking the questions today. But have a look here.

Fielding swings the laptop around towards Dana. She leans in to take a look.

Dana: What are all these numbers?

Fielding: Phone numbers – all to and from your brother’s cell phone. I need you to take a look and see if any are familiar to you, particularly that one (He points), which is repeated 12 times from Bast’s cell and eight times to Bast’s cell.

Dana: No, the number doesn’t sound familiar. Let me check my cell’s list of saved numbers…Nope. Is it a burner number?

Fielding: Probably.

Dana: Oh come on, Fielding.

Fielding: Very well, yes a burner phone. Our IT is working on it. Now please check through the remaining numbers.

Dana: Fine. Oh, this one looks familiar. Just a sec and I’ll check my phone list. Aunt Doris? Her cell phone. What was Bast doing calling her and I see she called him back – six times. Fielding, what is going on? You’re not insinuating Aunt Doris had something to do with Bast’s disappearance? She and Bast aren’t best buds but Aunt Doris is old school and committing crime is not her style.

Fielding: Understood. We have contacted her and…

Dana: And you didn’t think to let me know?

Fielding: At first she had nothing to say – she hadn’t heard from Bast. We called her on her land line by the way. Then she called back and said she couldn’t find her cell phone. That was timed with when the calls to and from her cell number started.

Dana: Again, I repeat…you didn’t think to tell me?

Fielding: I’m telling you now.

Dana: Yeah, but those calls started two weeks ago. When did you actually talk to her?

Fielding: A number of times. Right after Bast disappeared and then one of my detectives called her back about once a week to check in.

Dana: And you used her land line for all these calls.

Fielding: No, we used both, but only the land line two weeks ago because her cell had no room in her voice mail.

Dana: I’m still not getting why you didn’t tell me this before. Fielding? Fielding, there is something else you are not telling me.

Fielding: D…D…Dana, your Aunt Doris has also disappeared.

Cheers.

Sharon A. Crawford

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html  

 
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Posted by on January 16, 2014 in Beyond the Tripping Point, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

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Fiction Character Interviewing Fiction Character – Part 30 – Oliver

09 Jan

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

The real voyage of discovery consists not in seeking new landscapes but in having new eyes            – Marcel Proust

Dana Bowman, one-half of the Attic Investigative Agency’s PIs has been getting nowhere fast trying to find her business partner and fraternal twin Bast Overture who disappeared on Halloween. In particular the police have been giving her the run around. Today she talks to PC Joseph Oliver, the head of Cooks Regional Police Records Bureau. Oliver has helped her in the past with information, particularly in the short stories “Gone Missing” and “Saving Grace” from Beyond the Tripping Point by Sharon A. Crawford (Blue Denim Press, October 2012).

P.C. Joseph Oliver sits kitty-corner from Dana Bowman at the head of the table in Thurston Public Library’s boardroom.

Oliver: First, Dana, I want to again say I’m sorry about your brother disappearing. If there’s anything I can do to help…

Dana: Yes, thanks. And there is something you can do. I’m not getting much info from Fielding and Detective Larry Hutchinson who was the lead homicide detective in Susan Stuart’s murder (“Missing in Action” Beyond the Tripping Point), is now avoiding my calls.

Oliver: I understand how frustrating it must be.

Dana: Okay, if you understand, don’t you agree that as Bast’s twin sister and his partner I should be given updates on the investigation.

Oliver: Agreed, but you know the police can’t tell all in their investigation.

Dana: Oh, come on, Oliver. Considering our history and particularly your history with Bast when he was a crime reporter, I thought you at least would help.

Oliver: All right. I can reveal a bit but you didn’t hear it from me.

Dana: My lips are sealed.

Oliver: We have been tracing your brother’s financial records, including credit card use, and cell phone use. As you know, his cell phone disappeared with him.

Dana:  And?

Oliver: Well, someone has been using his credit card since Halloween with the last entry so far yesterday as well as ATM hits on his personal banking account. His cell phone, however, has not been used, at least we can find no record of that and our IT experts have been on it since Day 1.

Dana: I see. And what and where from are credit card entries showing?

Oliver: Well…

Dana: Come on Oliver. I have a right to know.

Oliver: Very well, without going into a lot of detail – they seem to be from Toronto and Barrie.

Dana: Where in Toronto and Barrie?

Oliver: Hmm. Well without going into specifics, mainly department stores, sports stores, computer stores and a few fast food places.

Dana: Oliver, Oliver, you need to be more specific.

Oliver: Very well, The Bay – both in Toronto and Barrie, McDonald’s and Timmy’s –again in both cities, IT Etc. in Toronto, and Sports Unlimited in Barrie.

Dana: What is this person buying?

Oliver: Sorry, that I can’t tell you. The fast food places should be obvious and I can tell you that at the IT store one item was a burner cell phone.

Dana: Damn. So, you can’t trace the calls.

Oliver: No.

Dana: What about a laptop or iPad? Bast’s laptop and iPad weren’t stolen. In fact his iPad was left in the boardroom.

Oliver: Can’t say right now.

Dana glares at Oliver: Well, PC Joseph Oliver, what can you say? Can you tell if it is a man or a woman who is using Bast’s credit card?

Oliver: Er…not at this point.

Dana: What about those ATM hits? Surely their surveillance would show something.

Oliver taps his fingers on the table, nods his head, and seems to come to a decision: All right, Dana, I can tell you this much as we would be contacting you about it shortly anyway. All the ATMs are from banks, not the same branch or even the same bank. But the person wears a hoodie and sunglasses and is bending down in most of the photos so we don’t get a clear photo of the face. But there are photos of the person walking away so we can see the build…

Dana: Man or woman?

Oliver: Can’t tell. But we were planning on letting you view the photos to see if perhaps you had any idea – from the build or even what is seen of the face – who it could be.

Dana: And you were going to do this when?

Oliver: IT is still trying to get more info with the photo, so then.

Dana: Can you give me a date and time?

Oliver: A couple of days. Fielding will get back to you.

Dana: Thanks. One more question. Is Fielding doing anything about that abstract painting on the far wall. You do know the info about it?

Oliver: Yes, I do. And Fielding is looking into it. And that’s all I can say about that for now.

Dana: Fine. Just make sure he or you get back to me on it.

Oliver nods: And I’ll call you in a day or so to get you to come in to look at the surveillance tapes.

Dana: Fine.

Oliver gets up, nods at Dana: Take care, Dana. We’ll find your brother.

After Oliver leaves, Dana holds her head in her hands.

Dana: Why didn’t they get back to me with the ATM surveillance tapes sooner? And Oliver didn’t give me any timeline for that. Guess I’ll have to speak to Lilly Clark (from “Unfinished Business” in Beyond the Tripping Point) as she lived in both Barrie and Toronto. I’ll have to check Bast’s interview notes with her first. At least they didn’t disappear.

You can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

See Sharon A.’s Upcoming Gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html  

 
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Posted by on January 9, 2014 in Beyond the Tripping Point, Credible Fiction Characters, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Writing

 

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Fiction Character Interviewing Fiction Character – Part 29 – Fielding

02 Jan

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.

–          Richard Bach

After all the nonsense with the abstract photo on the wall, especially “seeing” Bast’s head appear there – or did it – Dana decides to speak to the artist who painted the picture. However, it may not happen as the artist is now dead – murdered in one of the short stories in Beyond the Tripping Point by Sharon A. Crawford (Blue Denim Press, 2012). She tries to get another interview with Detective Larry Hutchinson, the last person Bast interviewed before he disappeared on Halloween. Hutchinson is still playing hard to get, but Dana can get Detective Sergeant Donald Fielding to return. He’s the detective in charge of finding Bast. Dana decides to play on Fielding’s feelings for her to get some information.

Fielding has arrived at the library boardroom and is sitting opposite Dana, who is at the head of the table.

Dana: Thank you Fielding, I mean Don, for coming back.

Fielding nods: You’re welcome but I can’t go into police business.

Dana, smiles and puts her hand on Fielding’s arm: Don, Don, you don’t know what I’m going to ask. I want you to take a look at that painting on the far wall and tell me what you see.

Fielding: Painting? It’s an abstract, not very interesting from what I can tell from here. What of it?

Dana: Do you know who the artist is who painted that photo?

Fielding shrugs.

Dana: Okay, Don, humour me. Let’s go up to the painting and take a look at it.

Fielding shrugs again but gets up as Dana does the same. The two walk to the end of the room and stand in front of the painting.

Dana: Look at the artist’s signature.

Fielding: S.B. Stuart. So?

Dana: Do you know who S.B. Stuart is?

Don: The artist who painted the picture. What of it?

Dana: Don, Don. Don’t you realize that S.B. stands for Susan Barbara Stuart?

Fielding jerks forward: Susan Stuart. The woman murdered in “Missing in Action?”

Dana: One and the same. I googled her. She had the start of a promising career as an artist when she was killed.

Fielding: Hmm, interesting. But she wasn’t killed for her artistic endeavours.

Dana: True, but some strange things have been happening with that painting. At first I didn’t believe any of them, until I sat here with David on Boxing Day. At one point the lights went out and I swear I saw Bast’s face in that painting… and

Fielding: You were probably just imagining things what with the power outage.

Dana: I would have thought so, too, but it was David who noticed it first and pointed my hand to it. He’s also been drawing pictures of Bast a lot lately.

Fielding: He’s probably just missing his uncle. Tell me, when the lights went back on did you still see what you er, claim you saw in the dark?

Dana: No, and I don’t think David did. With him not speaking it’s kinda hard to tell although his body language said he didn’t. He kept staring at the painting and frowning – even went up to it and looked closely. When he started banging on the painting I went up to it to calm him down.

Fielding: Interesting.

Dana: Interesting? Is that all you can say about it? I thought this might be of some help in your investigation.

Fielding: I’m investigating Bast’s disappearance, not Susan Stuart’s murder. Detective Hutchinson solved that one and the suspect is in jail awaiting trial. And certainly not any mumbo-jumbo about an abstract painting suddenly showing faces.

Dana: Don, Don, not just any face – my brother’s and David saw it too.

Fielding shrugs.

Dana: Okay, will you at least consider this and look into it?

Fielding: And call in a so-called psychic?

Dana: Come on Fielding. I know police forces sometimes call on psychics to help them find missing persons so I’m taking a leap here and presuming Cooks Regional does this too.

Fielding: Well, your leap is for nothing.

Dana: I understand. You don’t want to admit it. But please consider this painting, the artist who painted it, and that my brother, just before he disappeared was alone in this room with only the painting. Detective Hutchinson did confirm that he left him alone and Sara, my librarian friend saw Hutchinson leave but not Bast.

Fielding: Yes, but she wasn’t keeping constant watch on the exit down the stairwell from this floor.

Dana: Ah, so you did talk to Sara. What else did she say?

Fielding: Sorry, I can’t say. Police business.

Dana: Police business my ass. Bast is my brother, my fraternal twin. Don’t you think I have the right to know how your investigation to find him is going?

Fielding shrugs: I might be able to tell you some. Right now I have a meeting to be at. Look, D…Dana, I’m not trying to be evasive. I understand you and your brother are close. I…I’m somewhat conflicted here. Let me think about it and I’ll call you.

Fielding places a hand on Dana’s hand, stands up, appears about to say something more, but doesn’t. He leaves the room.

Dana: That went well. Damn the man. I’ll have to talk to Oliver.

You can read more about the characters and their stories in Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to my profile – including book reviews – at www.amazon.com. The book is available there in print and Kindle. For Kobo e-book  go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.

 
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Posted by on January 2, 2014 in Beyond the Tripping Point, Credible Fiction Characters, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Writing

 

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