RSS

Tag Archives: book promo

Keeping track of everything in your story

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

If you start to revise before you’ve reached the end, you’re likely to begin dawdling with the revisions and putting off the difficult task of writing.

–          Pearl S. Buck

Currently I’m rewriting the prequel novel to four linked short stories in Beyond the Tripping Point. I’m expanding and complicating the plot and telling the story from four points of view. The original novel had only one POV – the first person singular – Dana. Yes it is the fraternal twins again and my own head has been going back and forth from the points of view of Dana, her twin Bast, her son David, and a suspect who isn’t named. I am following the rules of one character’s POV per scene or chapter.

However, all this to-ing and fro-ing makes it more difficult to keep track of timelines, who is doing what and the biggie – consistency in story line, in character’s actions, etc. To lower the muddle factor, I started a new file called “Follow-up List.” Every time something occurs that requires checking/changing for consistency, timeline – even research, it goes on the list. Right now timeline, consistency and keeping all the police constables sorted out are the big factors.

Why am I doing this? Besides the obvious, if you constantly stop writing to do research or sort out characters and timeline, you lose your creative flow. Mind you, I am going back for a few things if they are interfering with moving the plot along from where I am working. But the research can wait – some of it is just re-checking facts I’m not sure I got right. Or some detail such as a name change, can be fixed by using the Find and Replace Word features – preferably at the end of your writing session.

Another action I take (and I’ve mentioned it in an earlier post) is refusing to stall over a word that doesn’t seem quite right or is repetitious. Stopping to look it up in the Thesaurus, even if online, also breaks the creative flow. For example, as I wrote this blog post, I spelled Thesaurus incorrectly but did not correct it immediately. Here Word underlined it in red so I could go back and change it. For repetitious words or words not quite right, you just need to put (word) or (repetition) in brackets after the offending word and return to it later in your rewrite or in my case, another rewrite to fine-tune the rewrite I’m doing now. One final suggestion – format your manuscript before you start writing. Or if your situation is similar to mine – a rewrite of a novel originally written 10 or 11 years ago, where the formatting was different, you can leave it until you are finished. Stopping to fix paragraph formatting stops the creative flow.

And how is my massive rewrite going? Nearly finished the first big rewrite. If all goes well I’m hoping to have it done by the end of the day tomorrow. Afterwards, I want to let it sit for a few days and then go through my follow-up list and well, follow it.

Meantime, I’m doing plenty of PR for my short story collection Beyond the Tripping Point. Tonight I’m doing a sort of performance reading of a short story excerpt as part of the Periodical Writers Association of Canada’s Talent Night. Sometime between 8 p.m. and 11 p.m. I’ll be onstage at the Free Times Cafe in downtown Toronto. If you are in the Toronto area perhaps you can drop in. Check out http://www.freetimescafe.com/ for more information, including location, or go to my website http://www.samcraw.com under Beyond the Tripping Point where I’m posting upcoming readings, etc. as I get them. All my links are either on this book page or at the top of my website home page you will find the usual social media icons.

And if you click on the book icon at the top of this post, when you get to amazon.com, please read my bio and click on the Like Icon. Thanks.

Keep the creative flow going.

Cheers.

Sharon A. Crawford

 

Tags: , , , , , , , , ,

Blog tours for your writing and your book

 book cover Beyond the Tripping Point

Click on book cover to get to amazon.com link to my book

Without promotion something terrible happens…nothing.

–          P.T. Barnum
I’ve been busy writing guest spot blog posts or doing blog tours as they are called. This is a great way to promote your published book. However, it also can work to promote your writing and to do a writing feedback exchange. Blog tours can expand your blog’s readership and create new connections. And we writers working in isolation need to connect.

Connecting with other writers not only gets you out of this aloneness but it can be of mutual benefit to you and your connections. You can read what others are writing and discover different writing styles, learn more in different areas (we writers are supposed to be curious), possibly get some writing feedback going back and forth and perhaps some guest blog posting.

A writer friend, Shane Joseph, has come up with a unique way to promote his published writing on WatPad  http://www.wattpad.com/. And  he will also be a featured writer on WatPad  December 14. Direct link to Shane’s work is http://www.wattpad.com/8704102-lest-they-be-forgotten-foreword

My two guest blog posts coming up this month do help promote my short story collection Beyond the Tripping Point, but they also provide details on how and why I write. One post, set up in Q and A style, covers how my writing career evolved and provides a way to share some of the joys and pitfalls of writing – I also like to read about other authors and how they are evolving. In another guest blog I go into my writing name identity crises. Any writer who uses or considers using pseudonyms can relate to this issue.

I suggest you read other writers’ blogs and comment. Connect.

Check out these links:

Shane Joseph on Watpad http://www.wattpad.com/8704102-lest-they-be-forgotten-foreword

My two upcoming blog tours:

The name post – What’s in a Name? Going live December 15, 2012 at http://typem4murder.blogspot.ca/

Q and A – Going live December 28, 2012 at http://sweatercursed.blogspot.ca/

Happy reading and connecting.

And for Canadians, Beyond the Tripping Point is now available in print and Kindle from amazon.ca – direct link http://www.amazon.ca/Beyond-Tripping-Point-Sharon-Crawford/dp/0986952893/ref=sr_1_1?s=books&ie=UTF8&qid=1355327652&sr=1-1

Cheers.

Sharon A. Crawford

 

Tags: , , , , , , , , , ,

Lessons learned from the actual book launch

Sharon A. Crawford reads at the book launch of Beyond the Tripping Point

Put it before them briefly so they will read it, clearly so they will appreciate it, picturesquely so they will remember it, and above all, accurately so they will be guided by its light.

~ Joseph Pulitzer

The book launch for my debut short story collection Beyond the Tripping Point has happened.and I’m still going around in overwhelm. First off it went well – we filled the backroom of The Rivoli and everyone had a good time. The Rivoli want my publisher and his authors and the entertainment (Sunny and Shane) back next year. So, my publisher is happy.

But I learned a few things from the experience and I’m passing them along for anyone out there organizing and experiencing their first book launch. Some of the points also are pertinent for doing public reading.

First I’d like to state that I was in a state of shock and operated on automatic pilot throughout the three hours. Not from nervousness, not from the time change overnight to eastern standard time, and not even my always time-strapped life. It was a phone call from a friend earlier that morning. And if you want to find out about that you will have to read my other blog’s post this week at http://www.onlychildwrites.wordpress.com

Now on to lessons learned.

When you are on stage at a club or pub, the lights may be too good – you can see what you are reading but you can’t see beyond the lights into the audience. You have a bright-light blockage. I like to connect to my audience when I read.

The next day (and thank you Shane for waiting until the next day) the editor at my publisher’s said I had read too long with the second and last reading. For one story, I had attempted to combine reading story excerpts with filling in a few storyline gaps. My editor said he saw a few people fidgeting. (I blame this one on being in shock/autopilot as I did the practice for this at home after the phone call). However, I am taking my editor’s advice for next readings. So time yourself to the second when you practice and when onstage reading, check your watch at the beginning and glance at it a few minutes later.

Mingle more with your guests. I did a lot of mingling, going around to tables chatting with my guests during the first part of the meet and greet and signing books. Then I sat down with my son and his girlfriend to talk to them. But I invited some friends to the table and also got up a few times to talk to others. I stayed put after that, except to go onstage to read. My police consultant came up to the table just before the music started so we didn’t have time to say much. I can’t carry on a conversation over performances on stage and don’t like to talk when authors are reading. After all the readings, friends and colleagues came up to say “hello” and for me to sign their copy of my book. But I wished I could have talked to them all more. I didn’t even see my cousins from out of town until afterwards – I joined them then. My son said that now I know how it is with him when one of his bands has a CD launch. I know that people do come in late and have to leave early and that can’t be helped. One of my friends later told me she would have liked a longer mingling session.

And connected to my other blog’s post – don’t try to arrange transportation, including car pools, for anyone coming to the launch. Just give them the location and directions there.

It also helps if you get enough sleep, which I hadn’t and still haven’t lately.

Besides the photo at the top, you can go to  http://www.flickr.com/photos/writershane/sets/72157631935084560/ In the audience photo, the fellow who looks like he is napping is my son. I’m not there because I’m on stage.

And if you click on my book photo below, it takes you to Amazon.

Next week back to more of the ins and outs of writing fiction with brief information about my upcoming readings, etc.

Cheers.

Sharon A. Crawford

Cover of Beyond the Tripping Point

 

Tags: , , , , , , , ,

Lessons learned from a Book Promo Frenzy

Sharon A. Crawford holding up copy of Beyond the Tripping Point

If the writing is honest it cannot be separated from the man who wrote it.

Tennessee Williams

With the windy and rainy remnants of Hurricane Sandy hitting Toronto, I wasn’t sure I would even make it to the TV taping. Didn’t get enough sleep the night before. But Sandy’s winds died down Tuesday morning and I showed up for the Internet TV interview about my short story collection Beyond the Tripping Point.

And if you are thinking, “I’m just writing my book so why would I be interested in doing interviews?”  Besides thinking ahead for the PR aspect (self-publishing or traditional publishing, you have to do PR), interviews (in front of a camera or not) can provide a good experience for you to focus on what your book is about, how you came to write it and who your characters are. I’ll cover just the highlights of my interview because once the interview is edited it should be online.

The studio is on the fourth floor of an old five-story building in downtown Toronto. The elevator didn’t look too promising so I took the stairs, went around a corner and opened the door to the studio. Everything is one room and the atmosphere is a combination of professional, friendly and helpful. I signed in, met the host and co-host, handed them a copy of my book and after their beginning preamble, I was introduced.

I wasn’t really nervous, probably because I do public speaking, readings, teach writing workshops and run a writing critique group. And I had prepared – just a brief list of what to expect from the channel’s previous podcasts, but mostly I had done practice runs in my head and verbally (Confession: I sometimes talk to myself). In the back of my mind was the editor at Blue Denim Press’s warning to try to stay on topic as the host sometimes wanders off topic.

In the 20 minutes we covered a lot of territory, including my background as a journalist, book editor and fiction writer, as well as some of the quirky characters in the story. I talked about the fraternal twin private investigators, Dana Bowman and Bast Overture in the four linked stories and the control freak protagonist in “No Breaks.” For the latter I delved into how that story came into existence – based on a true experience when a friend and I were driving up Highway 11 and her brakes failed. She was driving and knew enough to use her parking brake; we also went in and out of gas stations trying to find a bay so the brakes could be fixed. That’s where the true story ends. In “No Breaks” (the word has a double-meaning, hence the spelling), the story is told from the point-of-view (had to get POV in here somewhere) of the protagonist, Millie, who is not attractive, lost her job a few months previously, and has decided when they get up to the cottage owned by her friend, Jessica’s grandmother, she is going to jump in the lake. Things don’t go as planned and Millie, for once, goes over her tripping point and spontaneously commits a crime.

The co-host seemed to connect with my book’s characters. And the host had fun playing with some of the items I had brought along – items appearing in or used by some of the characters in Beyond the Tripping Point – an oversized magnifying glass (Great Aunt Doris in “Digging Up the Dirt”), a toy-size steam engine that sometimes starts “whoo-whoing” (“Porcelain Doll”),and a toy ambulance (“Missing in Action”). I even had a chance to read about a page and a half of one story, “The Body in the Trunk” and I could see to read from my book. In answer to a question about upcoming readings, etc. I plugged my book launch this Sunday, Nov. 4 from 2 p.m. to 5 p.m. (Eastern Standard time) at The Rivoli in downtown Toronto.

How the interview actually turned out will be seen once the edited version is up on the station’s website. It is live-streamed when being taped but the recorded version isn’t up yet, so I’m feeling a bit apprehensive. Did I curse the taping? My editor says it takes a few days for it to get edited and up.

So, back to an author with a book in-the-works being interviewed. You can do like I did years ago (back in the grey ages) in the writing courses I took. The instructor had us pair up and interview each other. For your practice interview, get someone (but not a close friend or family member – they know you too well) to interview you. If the person is in the interview biz, all the better – they can come up with pertinent questions about you and your book. You can do some prep beforehand like I did with the brief list and head/talk-to-myself practices. But the best bet is to know your book – plot and characters – and why you wrote/are writing it. You’ve been living with your book so it should be in your head. You may feel nervous but take a deep breath and go with the flow. You might even want to video record it (and perhaps put it on You Tube and connect it to your website or blog).

At any rate, the interview experience can bring you closer to your book’s characters and plot – and maybe even help you sort out any inconsistencies in plot and character. Consider it a learning experience for the real deal when you publish your book.

Meantime, check http://www.thatchannel.com later on for my interview on The Liquid Lunch. Hopefully it will be up there soon.

If you are in the Toronto area, come to my book launch at The Rivoli Nov. 4. More details at http://www.bluedenimpress.com  – click on “Toronto. Or go to http://www.amazon.com for copies of my book. O better still, click on the book cover image below.

Now please excuse me while I send out some book launch reminders and drop off a copy of Beyond the Tripping Point for review at a Toronto newspaper office.

Cheers.

Sharon A. Crawford

Sharon’s book Beyond the Tripping Point up close

 

Tags: , , , , , , , ,

Getting published the traditional trade book way

Book cover for Beyond the Tripping Point

Times are bad. Children no longer obey their parents, and everyone is writing a book.

— Cicero

I’m off to another public reading for my just released collection of mystery short stories Beyond the Tripping Point (Blue Denim Press, 2012). It’s all part of the book promo and it is and has been busy, what with trying to get book reviews, nailing TV and radio appearances, etc. My publisher shares this marketing, which really helps.

But before you get into this book PR, you have to land your publisher or literary agent. And that can seem daunting. There are so many unpublished authors with talent, many more than “publishing spaces.” E-books are creating more readers (and more publishing space), but some authors are going the self-publishing route and I say more power to them. But what about those who prefer the traditional route?

You can’t just dump your novel or short story collection on an agent or publisher. They don’t have time to read the whole story unless something about it grabs their attention. Your job is to get their attention – right away.

One way is through query letters, synopses, and sample chapters. Some agents and publishers want this whole package; most prefer the query letter only and then if that gets their attention, they will ask for more.

A good query letter has to hook the agent or publisher with the first sentence. Starting with the obvious “I’m looking for an agent to represent my novel” will put the agent to sleep. Grab the agent with a wowee sentence about your book. Here’s an example. “When Abigail Cooke reunites with her birth mother, she has no idea that her new family connection will lead to buried bodies, psychosis, and the Mob.”

There are variations to the “when setup,” which focus more on the characters, the time period – whatever is most pertinent to your novel AND will grab the agent’s or publisher’s attention.

In your second paragraph you get to expand – a little. In this mini-synopsis you give the highlights of your novel’s plot and main characters. Pick the attention getters. Don’t do it resume style – it has to flow – and watch for boring summaries starting with “Abigail Cooke is a tall, slim blonde who teaches kindergarten.” Yawn. What does that have to do with your beginning sentence? The agent or publisher wants to read on from paragraph one. It also is a good idea to give the title of your book. Better would be “In Can of Worms, Abigail Cooke, a young schoolteacher who was adopted at birth, has always found something missing in her life – her birth mother. After agonizing the pros and cons, she starts searching online and finds her birth mother, Sara Tusani. The two begin an email correspondence. Despite Abigail’s apprehension about Sara, which she puts down to “just nerves,” she agrees to meet Sara in her native Rome, Italy during her summer vacation. When she’s met at Leonardo da Vinci Airport by her mother’s chauffeur, but not her mother, she ignores her gut feeling of apprehension and relishes the luxury. When she arrives at Sara’s mansion on the outskirts of Rome and meets her mother’s brother-in-law, Luigi Tusani, a philandering alcoholic and her half-brother, Giuseppe Tusani, a computer nerd who hibernates in the attic, she has second thoughts. But her mother seems normal, gracious and friendly…at first. As the day turns to dark, loud bangs and a haunting caterwauling in the mansion wake up Abigail. The next morning’s questions give her only “you must be imagining things” answers. That night when the noises come, Abigail is ready. Grabbing a hairbrush for a weapon, she leaves her room, walks along the hall and goes downstairs into the kitchen, sees the basement door open, and takes the stairs down…”

You would add a sentence or two, supplying a bit more information. Depending on your storyline you can have a summary sentence that perhaps goes back to your first paragraph’s sentence, for example, “Abigail finally realizes she should have listened to her instincts and now must lose her new family or risk losing her life.”

Paragraph three covers your background – published writing (books, stories in journals or magazines, newsletters, especially if you’ve won any writing contests or awards). Not a published author? What about your education and expertise? Is it related to your novel? For example, for Can of Worms if the author is adopted and tried to find her birth mother, is or was a school teacher, and has travelled to Rome (in order of importance to the novel – all not necessary), you can use that to establish credentials for writing the novel.

Some agents or publishers want a little marketing information from you, so you could either put it in a second sentence in paragraph one or write a short fourth paragraph (better). Focus on how your novel is different from what’s out there. Be specific, including naming another novel. Also state who your readers would be (thirty-somethings, seniors, adoptees, etc.).

Your final paragraph is The Thank You and the Ask. Thank the agent or publisher for their time, ask if they would like a synopsis and sample chapters and you look forward to their reply.

Your query should be only one page but with most sent by email you can cheat – but just a little – no equivalent to one and a half to three pagers. Another suggestion: check submission guidelines on the agent’s or publisher’s website and follow them to the well, query letter.

For those of you in the Toronto, Ontario, Canada area, Brian Henry is running a workshop on Getting Published which includes writing a query letter and a literary agent as guest speaker. This workshop is sponsored by my East End Writers’ Group and will be held at The World’s Biggest Bookstore in downtown Toronto from 10 a.m. to 4 p.m. Saturday, October 13, 2012. Check for more details and how to register at http://quick-brown-fox-canada.blogspot.ca/2012/06/how-to-get-published-workshop-toronto.html

Next week we’ll go into another way of getting the attention of agents and publishers, including how I got my publisher for Beyond the Tripping Point.

Cheers.

Sharon A. Crawford

 

Tags: , , , , , , , , , ,