RSS

Tag Archives: Dana Bowman

Beyond Blood my mystery novel debuts amid promo frenzy

28 Aug
Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Publishing is a business. Writing may be art, but publishing, when all is said and done, comes down to dollars.

  • Nicholas Sparks

 

 

My first mystery novel Beyond Blood is making its debut in the e-copies on amazon.com and Kobo now – early. I am still frantically doing all the pre-book launch PR and wishing I had a clone or astral body to do some of the work.

Not that I mind – I love doing the PR but my two-week holiday earlier this month probably wasn’t a good idea time-wise. However, I did do some promo during my vacation– lining up possible reading gigs for Beyond Blood in southwestern Ontario and telling my cousins – “you’ll get an invite for the book launch once the details are finalized.”

Well, after all the other promo that comes before is done. And yes, I do have a marketing plan. Finding the time to do all that is on it for pre-book launch is the challenge. Too much else going on but I am trying to prioritize. Whatever can wait goes on hold on the back burner. That includes answering some email and even some client work. For the latter I am focusing on one editing client’s manuscript evaluation because the deadline is the end of next week.

But I am so happy that my fraternal twin characters – Dana Bowman and Bast Overture are back. Some of you may remember them from the four linked stories in Beyond the Tripping Point. Or from the series of Dana interviews on this blog a few months ago. Beyond Blood’s story is actually the prequel to the four linked stories.

Watch for Dana and Bast. They will be returning here in these blog posts soon.

Meantime, check out the book. The book at the top of this blog post links to amazon.com and for those of us with Kobo’s, here is that link for the e-pub version. http://store.kobobooks.com/en-CA/ebook/beyond-blood-1 And when I (finally) get my amazon profile and web page updated I’ll give you the links to them.

Print version of Beyond Blood is coming out soon.

Cheers.

 

Sharon A. Crawford

 
Leave a comment

Posted by on August 28, 2014 in Beyond Blood, Blue Denim Press, Fiction Characters, Sharon A. Crawford

 

Tags: , , , , , , , , , , , , , , , ,

Your life in fiction?

14 Aug
amazon.comlink to Sharon A. Crawford's mystery short story collection

amazon.comlink to Sharon A. Crawford’s mystery short story collection

If you have other things in your life—family, friends, good productive day work—these can interact with your writing and the sum will be all the richer.

  • David Brin

 

How much of your life do you put into your fiction? What do your favourite fiction authors do? It is supposed to be fiction after all.

But life creeps in – sometimes a barely-concealed fact turned into fiction – usually because the story is too painful to the author or she is afraid to put herself into a real-life story with all the people who did her wrong or are, well, scoundrels. Then there is the fear of retribution or the desire to tell her story but keep herself out of it. My personal opinion here is to write it as a memoir and use pseudonyms (and state you are doing so). That’s what I’m doing – but that’s another story.

So that leaves us with what can you put from your life into fiction and how can you do it?

Disclaimer here: this is my opinion from my experience. It is not the only way to go about it and some of you may think I cross some lines between fact and fiction.

Here are a few instances from my short story collection Beyond the Tripping Point and my soon-to-be-published first mystery novel Beyond Blood.

In “No Breaks” (BTTP) two female friends are driving to one woman’s family cottage and on the way the car’s main brakes fail. In my life I once did ride with a friend up to her mother’s cottage and on the way her brakes failed. Except for the way my friend managed to get us up to the cottage (she had a few driving tricks up her sleeve), the two friends, Millie and Jessie, in “No Breaks” are completely different from my friend and me. The storyline in “No Breaks” also gets somewhat sinister and crimes are committed (it is mystery fiction). And the title is not spelled incorrectly as the main character in the story feels life has treated her very badly and so she has had “no breaks” in life – and that includes the trip to the cottage. Even when she tries to give herself some breaks it doesn’t exactly work out as she planned. As many of us do, sometimes I feel as if I am getting a lot of bad breaks in life – but there are good things happening too. Millie doesn’t feel that way about her life.

So how did I go from some facts to fiction? I took this scenario in my life and pulled out relevant parts that I thought could be the root for a story. Then I used my imagination to develop my plot and characters.

In Beyond Blood I take so many things from life – not just mine – and fictionalize them into the mystery. One of the threads running through the story is something many mothers can relate to – the working mother and how she balances raising her child(ren) and doing her job. Dana Bowman, one of the fraternal twins is a private investigator and she is always concerned that she doesn’t give enough of her time to her son, David, yet she has to work and she chooses to work with her twin brother in something she is interested in. It doesn’t help that Great Aunt Doris disapproves of Dana working and chastises her constantly for it – another thing working mom’s have to deal with, although it might be a mother-in-law. So when something happens to David, Dana is really in conflict – should she be “working on the case” (Note: I don’t want to give away some of the plot) or just spend her time being mom. Also the twins are in their late 30’s, David is six years old, and Dana is divorced – more fodder to connect to today’s working moms who are having children into their 30s and even 40s. I don’t think Dana would resonate with readers as much if she was in her 20s. (And I have been told by several readers that they like Dana and Bast, too)

So how did I get from fact to fiction here? David did come from the fact that I have a son and am divorced (although he was much younger than his 36 years and my ex and I were separated, not divorced, when Beyond Blood was first conceived in my head and I started writing it.) Yes, it has been a long haul of on and off writing because I had to make my living as a single mother of one son. Not as a PI but as a freelance writer, book editor and writing instructor. The direction I take with all of those have changed and I do less editing and more teaching, but it is doing something I enjoy.

Which Dana was doing with her twin Bast when they opened their investigative agency on the attic floor of their house. Then thing started happening and…

But that would be a spoiler. You’ll have to read Beyond Blood when it comes out. Stay tuned here and my other social media – I will be posting as soon as I get more details about the book launch.

 

 

Sharon A. Crawford

 

You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html And keep checking http://samcraw.com/Articles/BeyondBlood.html for the latest news on the release of my first mystery novel Beyond Blood, also published by Blue Denim Press http://www.bluedenimpress.com More info on the Beyond Blood page as we get closer to the date. And remember that clicking on the book icon at the top gets you to my Amazon profile.

 

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

 
Leave a comment

Posted by on August 14, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Credible Fiction Characters, Plot and Characters, Sharon A. Crawford

 

Tags: , , , , , , , , , , , , , ,

Final touches on books make a difference

07 Aug
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

Half my life is an act of revision.

  • John Irving

 

Tuesday evening I commiserated with Klaus Jakelski, the other mystery novelist being published in October by Blue Denim Press. His book is a medical mystery – Dead Wrong – and mine is the prequel novel Beyond Blood. For the past couple of months it has been back and forth with the publisher’s editor to fix a few things in our novels. In my case a freelance editor I hired and the author doing the back page review got into the act.

Klaus and I gave a combined sigh of relief (on the phone) that this part is over and we can get down to the business of promoting our books – some of it we will do together.

Despite all the work, sometimes with a day’s turnaround, it is worth it. Speaking for Beyond Blood, the hired freelance editor fixed all my ellipses. One of my characters, Detective Sergeant Donald Fielding stutters. This editor hoped that by the next book in the series, Fielding’s stuttering is decreased. Not too much hope for that as he stutters most when in the presence of one of the fraternal twin PI’s – Dana Bowman because he has a thing for her. Is it mutual? Well, you’ll have to read the books. I’m still deciding how I will play that out in the next book – Beyond Faith – as I continue with that in my spare time.

The author writing the back page review found a couple of things that didn’t make sense – just a slight change in words and one word added to Dana’s activities with her son – to make it more believable for something she does near the end of the book, were a big help.

Meantime while to-ing and fro-ing with the publisher’s editor, we both found a few errors. To my horror I discovered I had spelled Bobby Darin’s name incorrectly and also his big hit Mack the Knife. These are the correct spellings. I also found a couple of errors in the acknowledgements – I had misspelled that editor’s (he of the ellipses issue) last name although it might have been a typo. And one of my previously published books, a novella co-authored with another writer, had the authors’ names mixed up – that was the publisher’s editor. I also found a period after one of the chapter numbers.

But mostly it was commas we fixated on, especially on the back page.

I also had to check the back page for wordage as he had to delete and reword a bit for space. Not a problem with me.

And the cover is awesome. See below at the end of this post for book covers for both Klaus’s Dead Wrong and my Beyond Blood. Right now everything for Klaus’s and my book is off to the printer. And yes, both books will be available in Kindle and e-pub on amazon.com, etc. The publisher already has the ISBN numbers for that and for print.

So, despite all the back and forth, I am glad it was all done that way. The more pairs of eyes the better – although when it gets down to those pesky commas, you won’t get two editors in a room (physically or online) who agree completely with comma usage. To paraphrase my publisher’s editor – it is all subjective.

The main thing is being accurate, consistent and no spelling errors or typos.

Toes crossed (can’t cross fingers and type) that all is now well with both Klaus’s and my books.

And we now are working on the PR.

One thing we are looking for is more book reviews. We have leads and also ways to get some book reviews but are open to suggestions. In particular, I’m looking for ways to get online book reviews that I can post on my social media accounts. I had a chat with another writer who is doing research on the author-reader connection and he said that after the book launch hoopla has worn off an author still needs book reviews and the six to 12-month period after publication dates is crucial.

Meantime I will continue with posting to some of the groups I belong to in Linked In. I’m pretty active on Linked In and want to do the same with my Goodreads account – which I have to update. But I find Goodreads a bit of a pain to manoeuvre around in. Others say the same. It is still a good place to connect with readers. So are libraries (and I do lots of that with readings and teaching workshops).

And posting here. Sometimes a progress report on the PR, sometimes more fiction-writing tips. And as we get closer to the book launch (October 19), I will be bringing back those characters from Beyond the Tripping Point who are also in Beyond Blood – to well, take over as they did before. So, just like the regular TV series (and even the same timeline) returning soon will be Dana Bowman and her fraternal twin Bast Overture, Detective Sergeant Donald Fielding, PC Joseph Oliver, Great Aunt Doris Bowman, Dana’s son David, as well as a few other characters from Beyond Blood.

Stay tuned.

Cheers.

Sharon A. Crawford

You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html And keep checking http://samcraw.com/Articles/BeyondBlood.html for the latest news on the release of my first mystery novel Beyond Blood, also published by Blue Denim Press http://www.bluedenimpress.com More info on the Beyond Blood page as we get closer to the date. And remember that clicking on the book icon at the top gets you to my Amazon profile.

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

 
Leave a comment

Posted by on August 7, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Proofreading final copy of book, Sharon A. Crawford, Writing

 

Tags: , , , , , , , , , ,

Juggling time to publicize first novel and write second novel

10 Jul
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

I’m writing a book. I’ve got the page numbers done.
– Steven Wright

I am doing the happy dance because my first novel Beyond Blood will be published fall 2014 by Blue Denim Press and continuing to write my second novel Beyond Faith.

How the heck do you balance the time for both? I am a newbie at this and as many of you know I have another book out, Beyond the Tripping Point, also published by Blue Denim Press. The juggle is doable, but before I give my tips, I want to refer you to a blog post by another author Amy Sue Nathan who had the same dilemma last year. She has more juggling experience here and each of her novels have completely different characters. So she had the difficult task of keeping her characters separate See http://bookpregnant.blogspot.ca/2013/07/publicizing-one-book-while-writing.html for her post about this dilemma.

My novels are series and so the main characters are the same. Ditto the four linked stories that are part of Beyond the Tripping Point. So that should make it easier to keep track of characters. Right?

Wrong. Especially the timing of the books being published vis-a-vis the timeline in the three books.

My main characters are fraternal twin private investigators Dana Bowman (divorced mother), and Bast Overture (single, gay), Detective Sergeant Donald Fielding (investigating police officer from Major Crimes), PC Joseph Oliver (Records Bureau head who is the twins police connection), Great Aunt Doris (the eccentric aunt of Dana’s ex-husband who lands on Dana unannounced) and David, Dana’s son.

The latter makes things more difficult as he is psychologically mute in Beyond the Tripping Point because of what happens in Beyond Blood. So the actual order of the stories is not the order of the books published. The timeline for the stories (short and novels) is:

Beyond Blood – eight days in August 1998

Beyond the Tripping Point (the four linked stories) from May 1999 to late October 1999

Beyond Faith (title at this point) – late November 1999 into January 2000.

So, while the characters are basically the same (with added ones for each story/novel) I have to watch their development based on that timeline. So, when writing Beyond Blood (actually rewriting as this was the novel in an earlier version that sat on the shelf and on the computer), I had to go back in time and be careful not to mix up the character and plot development order. With Beyond Faith, one thing I have to remember is that Bast shaved off his beard in one of the BTTP stories.

With all this in mind, how am I progressing with publicizing two books actually and writing the third?

First, as BTTP is almost two years old, I have now moved it into the “and other books published” category so any publicity for it will be tagged onto Beyond Blood. That leaves the two books.

I do what I have been doing for years with my writing, editing and teaching writing workshops – use a combination of go-with-the-flow-of-work (I may have just turned senior but I still have to earn a living) and use a Daytimer and to-do lists.

First, except for teaching day-long workshops and attending writing conferences, I don’t work weekends. (Of course I think of story ideas, plots and characters, but that’s internal work, not sitting at the computer and actually writing). Sundays I go over what needs to be done for writing, editing and workshop clients, for book writing and promotion for the next week. And I list them. I divide them up time and day-wise by marking “Mon. a.m.”, “Mon. aft.” etc. beside each. Then I transfer the items to a “to do” list in the appropriate date in my Daytimer. Except for client meets and workshop teaching dates, I don’t specify time of day.

The hope is that I will give each enough attention to move them along for the week. When I was still doing readings for BTTP that often occurred evenings. Ditto some writing workshops I teach. So, I factor that in.

And then the interruptions march in and try to take over, sometimes succeeding. Last week it was a potential new client who kept changing the time and day of our meet, sometimes making up the time. Luckily I phoned him first or I would have showed up at the right place but the wrong time. His last change-of-time was not showing up for last Friday’s appointment (by then I had moved it to my home office to save me some grief). He phoned an hour and a half after the meet time and wanted to come over to meet then. No way. I had other concerns and told him so.

I haven’t contacted him since but guess I will have to. Instead I contacted the client whose manuscript I was evaluating about my progress, finished the work and then emailed her again to set up our final meet. She knows the value of keeping appointments but she is a journalist. I also emailed another client I consult with on her writing and the other mystery author Blue Denim Press is publishing (we plan to do some joint PR – just to make life more complicated). And I managed a couple of sessions of working on Beyond Faith. I also write this weekly blog post (that ties in with book promo) and another more personal blog post Tuesdays that loosely ties in with my memoir I am finishing rewriting – but that’s another story.

Bottom line – you have to be organized, flexible and creative.

And give yourself permission to yell when something gets screwed up.
I also have a house and a garden. Today the guy from the window company is putting in three new windows. I am still after the arborist to cut down the dead silverlace and boxwood (damaged by our wicked winter) and deal with other personal stuff.
All fodder for future writing.

Cheers.

Sharon A. Crawford

You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html And keep checking http://samcraw.com/Articles/BeyondBlood.html for the latest news on the release of my first mystery novel Beyond Blood, also published by Blue Denim Press http://www.bluedenimpress.com More info on the Beyond Blood page as we get closer to the date.

 

 

 
Leave a comment

Posted by on July 10, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Juggline book promo and writing new novel, Plot and Characters, Sharon A. Crawford

 

Tags: , , , , , , , , , , , ,

Writing conferences help writers

12 Jun
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

This country’s crazy in terms of fame and what people think it means. They expect a writer to be something between a Hollywood starlet and the village idiot.

– Kent Haruf

Last weekend I attended the Bloody Words mystery writing conference at a hotel in downtown Toronto, Ontario, Canada. It was Bloody Words’ 13th conference since 1999, but it is also their last. Bloody you-know-what. As an author I’ve found Bloody Words to be very helpful, the other authors just as weird (we are crime writers, after all) as me. And friendly and helpful. Two years ago at Bloody Words, I received a lot of encouragement and help for my mystery short story collection Beyond the Tripping Point. And at that time it was accepted for publication by Blue Denim Press but I hadn’t yet signed the contract, although I had a copy and was reading through it. I was also rewriting some of the short stories for the publisher. From this conference, among other things, I found a book reviewer for an Ontario city newspaper, for Ellery Queen Mystery Magazine. and my police consultant, also a mystery novelist (police procedures from the constable’s viewpoint), Brent Pilkey. Brent helped me sort out some police procedure and crime scene difficulties in two of those not-yet-finished short stories.

Fast forward to this year’s conference. My first novel, Beyond Blood, the prequel mystery to four linked stories in Beyond the Tripping Point, is being published this fall by Blue Denim Press. This time the contract is signed and the manuscript final is with the publisher. I also moderated a panel on short stories, Are short stories the new black? which went over well – lots of positive feedback, not only from the panellists but from the audience – there was good rapport among us all during the panel discussion. And I kept us on time – my big bugaboo with running panels. But it helped that for once I didn’t have a panellist who talked too much at a time. Ditto the audience with questions and comments. Great way to share info.

But one of the big pros with this conference is another way to help a writer – in a closer way. One of my editing clients also has his first mystery novel (first published work even) being published by Blue Denim Press in the fall. The editor at Blue Denim Press is calling it Blue Murder and my client, who is also a writing colleague and friend for 18 years,  and I will be doing some publicity under the Blue Murder from Blue Denim Press “banner.” So, I introduced my colleague to many other published authors and we asked questions about PR in different areas of Canada. I introduced him to one of the Crime Writer of Canada executive and she made it her business to get him signed up for CWC – because doing readings with CWC authors at various outlets is good for exposure and we might even sell a few books. I also introduced him to the book critic at Ellery Queen Mystery Magazine who sat at the table next to us during the Saturday evening banquet. He was there with the Hammett (as in the late great mystery author Dashell Hammett – remember The Maltese Falcon?) awards also presented in conjunction with BW. He stated when he needs the books for reviews and in what format. So, he may do book reviews of our books. Also learned a few places to go in Montreal for readings, and I finally joined the Toronto branch of Sisters in Crime who are really good about promoting their author-members’ books and readings.

So all this networking and the panels (I did attend others) were also learning experiences. Among other things I learned that my short stories help other writers with the techniques in their short stories, how other authors create their characters, and had a lot of fun.

More information on Bloody Words is at http://2014.bloodywords.com/

Remember the two mystery novels coming out this October 2014 from Blue Denim Press:

Dead Wrong, a medical mystery set in Boston and Toronto by my friend and colleague Klaus Jakelski who is also a doctor in Sudbury, Ontario, Canada and Beyond Blood, a mystery with the two fraternal twin PIs Dana Bowman and Bast Overture by Sharon A. Crawford. More anon on these as we get closer to the publication date.

And as a follow-up to last week’s posts on writing contests I will be posting a link each week to another writing contest. Here is this week’s, which also has a writers’ and readers’ celebration in Cobourg, Ontario, Canada

Word Northumberland
Saturday, October 25, 10 a.m. to 4 p.m.
The writing contest is just below the celebration deets.
http://spiritofthehills.org/word-northumberland/

Meantime, you can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

Cheers.

Sharon A. Crawford

 
Leave a comment

Posted by on June 12, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Short Story Collection, Story beginnings

 

Tags: , , , , , , , , , , , , , , , ,

Short Story and Novel Writing with Series Characters – Part 3

15 May
Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

I have so many different projects, I hear voices in my head – the characters talking all at once – and I have to write to make them stop.
– Eli Roth
–
When transitioning series characters between novels and short stories, you need to keep the timeline and events straight. We touched on this issue two blog posts back. Remember that your mind will carry all the information to date about your characters, including their actions, including relationships. Your readers’ minds don’t.

Especially if your reader is not reading your short stories and novels in chronological order. As readers we (and I count myself in here) don’t always read series books in order. So, in the first novel in the series you read Alice is having a baby with Jack. Later you get to the first novel where Alice meets Jack. I’m doing this with the Deborah Crombie mystery series. I still haven’t read the book where the main character and her boss change their relationship from just business to personal but I’ve read books where they are living together and ironing out the kinks with a blended family, plus dealing with their respective outlaws, I mean in-laws, although sometimes they may act like the former.

Take this a step further with your series characters hopping in and out of short stories and novels. Which came first? And if you write a novel, then some short stories, then another novel, etc. with the same series characters, be careful. A character in a short story set in 2000 would not know what will happen in the following years, unless you want him or her to be psychic.

A character in a story set in an earlier time would not be as fully developed as in a later story. This can get a little confusing if you are back and forth in time with your story. Sometimes taking your character’s traits outline (remember that suggestion from last week’s post?) a little deeper by listing how they were then and later can help. Also listing the trigger (another character’s actions, something they experienced, etc.) that changed them after the first story, can help.

Again, you may not use all of this in your stories, but after writing out all the information, it is embedded in your mind – somewhere. The trick is to pull out the right characteristic for the right story.

This brings up another question. How much do you reveal about your main characters (and plot for that matter) in novels and short stories that has occurred in a previous novel or short story? You don’t want to give away character and plot from the previous. Yet you don’t want your reader kept wondering if your characters seem to appear out of the blue. Or family and friends and situations are mentioned briefly and in a way that leaves your readers scratching their heads and muttering, “Huh?”

With two of the linked stories in Beyond the Tripping Point (Blue Denim Press, 2012) I am right upfront about what happened to David, Dana’s son in the prequel novel Beyond Blood (to be published by Blue Denim Press in the fall of 2014). I have to be, because in those short stories David is psychologically mute. Otherwise the reader will wonder why and if he has always been like that. So I state it but blend it into the main plot of the short story. Here’s an example from the beginning of “Gone Missing.”
The police can’t find her, Ms Bowman,” Robin Morgrave says.
Rosemary Morgrave has gone missing and I’m putting on a brave smile for her twin brother. Robin sits on the other side of the desk in The Attic Agency’s third floor office. Only my twin brother, Bast, nodding, stops me from losing it. Ever since David, my seven-year-old son, was abducted last August, I’ve been living in Panicville. Sure, we got David back, but how much of him returned? He follows Bast around like an investigator-in-training. His brown eyes stare right through my soul. I wish he’d just say how he feels. But since his return, David hasn’t opened his mouth except to swallow liquids and food. He doesn’t even cry. (Excerpted from Beyond the Tripping Point, Blue Denim Press, 2012, copyright Sharon A. Crawford).

Next week we will talk more about plot consistency and how much to reveal without giving it all away.

Meantime, read any of the mystery series novels by Peter Robinson and see how he handles continuity and consistency in character and plot.
Also, you can read more about the characters and their stories in Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

Sharon A. Crawford’s prequel novel Beyond Blood, featuring the fraternal twins will be published fall 2014 by Blue Denim Press. Stay tuned.
Cheers.
Sharon A. Crawford

 

 
Leave a comment

Posted by on May 15, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Credible Fiction Characters, Plot and Characters, Series Characters novels and short stories

 

Tags: , , , , , , , , , , ,

Short Story and Novel Writing with Series Characters – Part 2

08 May
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

You learn by writing short stories. Keep writing short stories. The money’s in novels, but writing short stories keeps your writing lean and pointed.

– Larry Niven

 

After all my time-line tips last week I goofed. I put the wrong year for the four linked short stories in Beyond the Tripping Point. Ditto for the related series novel. It should be 1999 for the short stories and 1998 for the novel. At least I had it correct which came first. The years are now corrected on last week’s blog post.

Mea culpa, mea culpa.

This post will deal with length of short stories versus novels and start the discussion about series characters for both. The latter is complicated and we won’t cover everything today.

First length.

Short story length can be anywhere from the flash story of 50 words to longer stories of 8,000, even 10,000 words. Ellery Queen Mystery Magazine and Alfred Hitchcock Mystery Magazine stories tend to run in the upper word count limit. However, some authors take the short story up to 18,000 words. In this case, many are self-publishing – either e-copy or online or in print or all of those. To me, this is a variation of the traditional poetry chap book publications. This is all good. The only caveats I offer here are: if submitting to publications or short story contests, follow the submission guidelines; and watch you don’t make the stories too long or you will be writing a novella.
Novel lengths vary from 65,000 words to 120,000 words (think Elizabeth George for the longer novels). Most novels are somewhere in between and it depends on the publisher or the author if self-publishing. My publisher, Blue Denim Pressm tends to go for the lower page count. Personally I like any length as long as the story flows and doesn’t read as if it is padded with plot lines, character development and points of view that are way too much and detract from the story. Shorter novel requirements sure make the author learns how not to be overly wordy, as I’m finding out. But as a former journalist, I always wrote long and then rewrote to fit the editorial requirements. Writing too short here would create the dilemma of insufficient information and it is harder to add than to subtract – believe it or not.

Characters in novels versus short stories

This is a loaded one. Novels and short stories written in the literary vein are more about the characters than the plot. However, the trend today in commercial fiction (including genres such as mystery and romance, particularly in novels, is to develop characters more). While I like Agatha Christie mystery novels – they were what I grew up on, what got me interested in mysteries (along with the old Perry Mason TV series), her characters, although intriguing and original, were not fully developed. The exceptions are her two main series characters – Hercule Poirot and Miss Jane Marple.

So, how many characters do you put in a novel and in a short story? Obviously because of length, you wouldn’t cram many characters into a short story. War and Peace crunched down to a short story it is not. Take two or three main characters and a few minor characters and go from there, i.e., you will develop the three main characters fully but not the few minor ones. By “develop fully” I mean it wouldn’t hurt to do an extensive character sketch of your main characters before you start writing – with the caveat that they are not sealed in cement, granite or avalanche. When writing stories, characters sometimes take over and you as a writer have to respect that. Key question to ask here: is what this character is doing characteristic of him or her? That’s when you may have to return to your character sketch.

And you won’t use everything in your character sketch in your short story – or even in your novel, but you will use more in your novels. With a short story, every character element and development has to tie in with your basic story plot. With a novel you can add in the extras, although they have to tie in with the plot, but you have more leeway.

For example, in my prequel novel Beyond Blood, Dana Bowman has more space to show how she feels about a certain situation with her son as well as the conflict she has with being a mother of a six year old and a private investigator, especially when the two collide. If I didn’t do this, Dana would come across as shallow, one-dimensional and unbelievable. In the four linked stories in Beyond the Tripping Point (remember these are the year after the novel occurs), Dana is still reacting over what happened to David, but in the interest of space and plot, the whole story can’t be about her reaction. So I weave it in with the case she is investigating. In “Saving Grace,” while she is following a lead on a country road outside Goderich, Ontario, she stops the car and has a mini-break-down. But it doesn’t last long; she has to pull herself together and get on with it.

In the novel Beyond Blood, after the actual event that triggers all this has happened, Dana has many instances of having difficulty dealing with the situation. In one scene (without giving it away), she wakes up and is somewhat disoriented and depressed so she acts a bit strangely. She also has nightmares that act as a sort of premonition of what will happen. The time she spends with her son and her feelings about him there, as well as developing a possible relationship with Detective Sergeant Donald Fielding, all tie in with the plot. Without this character development, some of the future plot lines would have the reader saying, “This doesn’t make sense. How would she know how to do that? This action is not credible.”

These pointers are more for commercial fiction than literary fiction.

Next week we will delve more into the makings of series characters appearing in novels and short stories.

Meantime, you can read more about the characters and their stories in Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

Sharon A. Crawford’s prequel novel Beyond Blood, featuring the fraternal twins will be published fall 2014 by Blue Denim Press. Stay tuned.

Cheers.

Sharon A. Crawford

 

 
Leave a comment

Posted by on May 8, 2014 in Beyond Blood, Beyond the Tripping Point, Credible Fiction Characters, Series Characters novels and short stories, Sharon A. Crawford, Short Story Collection, Writing

 

Tags: , , , , , , , , , , , ,

Short Story and Novel Writing with Same Characters

01 May
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

You can’t write a novel all at once, any more than you can swallow a whale in one gulp. You do have to break it up into smaller chunks. But those smaller chunks aren’t good old familiar short stories. Novels aren’t built out of short stories. They are built out of scenes.

—Orson Scott Card, September 1980

Transitioning series characters from short story to novel or vice-versa presents challenges for fiction writers. It requires the combination of imagination and keeping facts straight.

Unless you are time-travelling with your stories or are deliberating putting them at an earlier or later age, time-lines can be tricky. Where in your characters’ story timeline do you want the short stories to appear? Or if the short stories came first, then your novel needs to be kept in the time-line. That can affect your characters development. For example, you don’t want one character to be divorced in the short story and newly married to the same person in a novel obviously set at a later date. You need to be consistent and realistic. If you mess up, your readers will find it.

My story situation has the timeline and consistency problem in spades (and I don’t mean the spade that digs the graves for bodies dead from murder). My short story collection Beyond the Tripping Point was published first. In it are four linked stories featuring fraternal twin PIs Dana Bowman and Bast Overture, Dana’s son David and a few other series’ characters. It is David I have to be concerned with because these four stories happened after the novel Beyond Blood, which I call the pre-quel novel. The four stories occurred in 1999 and the novel in the summer of 1998.

David is psychologically mute in Beyond the Tripping Point. In Beyond Blood, the reader finds out why. So, obviously he is talking at least for the first part of Beyond Blood.

Then there are the other characters, such as the ones I kill off in Beyond Blood. Obviously they didn’t appear in Beyond the Tripping Point.

Characters are supposed to grow and develop, so in a prequel novel, the characters have to be a few steps behind in that area. For example, in Beyond Blood, Dana could not be at the point where she is dealing with a mute David – that comes in BTTP. Things happen to characters and that’s what changes them one way or the other. But the event must happen before the change – something to keep in mind when transitioning from novel to short story or vice-versa.

To make the situation more complicated with me, I had actually written an earlier version of the pre-quel novel before those four linked short stories. So, when writing the stories, I had to keep the novel’s content in mind. When I returned to rewriting the novel for the publisher (after BTTP was published) I then had to make sure I was consistent – even though I was expanding the plot, making it more complicated. One of my base lines was why David became psychologically mute and when he is mute.

There is also the obvious difference in short stories and novels – length. The short story has to be more succinct because you do not have novel-length. You can’t have multiple plots in a short story or multiple points of view. How much about characters do you include?

Next week’s blog post will deal with some of those issues.

Meantime, you can read more about the characters and their stories in Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

Sharon A. Crawford’s prequel novel Beyond Blood, featuring the fraternal twins will be published fall 2014 by Blue Denim Press. Stay tuned.

Cheers.

Sharon A. Crawford

 
Leave a comment

Posted by on May 1, 2014 in Beyond Blood, Beyond the Tripping Point, Credible Fiction Characters, Fiction Characters, Plot and Characters, Writing

 

Tags: , , , , , , , , , ,

Interview with Fiction Characters by Fiction Characters – Part 44

17 Apr
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

Make everybody fall out of the plane first, and then explain who they were and why they were in the plane to begin with.

– Nancy Ann Dibble

All the main characters, except the missing Bast Overture, are assembled in the dining room of the Stuart house in Toronto, Ontario. Will Bast show up? And if so, how? In physical person? Or in spirit. And what about PC Joseph Oliver? What is he going to do?

Swan (waving the gun he just fired): Next time I’ll hit one of you.

Fielding: Put that gun down, Swan.

Hutchinson: You heard him. Put that gun down.

Dana, still shaking from the gun’s noise: Better listen to them, Swan.

Swan: Or you’ll do what. I’m the one with the gun here. I…oh…

Roger’s and Susan’s spirits are creating havoc around Swan but they can’t seem to get the gun out of his hand.

Oliver (rushing forward to Swan and reaching up): I’ll take that.

Oliver knocks the gun from Swan’s hand, sending the gun flying. Hutchinson picks it up and points it at Swan.

Hutchinson: Cuff him, Oliver.

He does and Susan’s and Roger’s spirits return to the table where Robbie hasn’t budged. Robbie appears as if in a trance, as if he is talking to someone that no one else can see.

Dana, looking at Swan: We got you now. It might be in your best interest to tell me where my brother is. NOW.

Swan smirks: Of course. Look over there.

Dana follows his eyes. Sitting at the dining room table with Robbie, and the two spirits, is Bast. He appears to be talking to Robbie. The other two don’t seem to notice.

And Bast’s face looks very very pale.

Cheers.
Sharon A. Crawford

Sharon A. Crawford’s prequel novel Beyond Blood, featuring the fraternal twins will be published fall 2014 by Blue Denim Press. Stay tuned.

Meantime, you can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 

 
2 Comments

Posted by on April 17, 2014 in Beyond the Tripping Point, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Uncategorized, Writing Critique Groups

 

Tags: , , , , , , , , , , ,

Interview with Fiction Characters by Fiction Characters Part 43

10 Apr
Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers. Your job isn’t to find these ideas, but to recognize them when they show up.
— Stephen King, On Writing

In the last post, suspect Cory Swan suddenly appeared pointing a gun at the interviewing/séance session with Dana Bowman, Detective Sergeant Donald Fielding, Detective Larry Hutchinson, Robbie Stuart and the spirits of Roger Stuart and Susan Stuart. PC Oliver is still present but has remained silent, as if in a stupor, from seeing the spirits.

Hutchinson: Put that gun down, Swan before someone gets hurt.

Swan: Why? So you can arrest me? No. I have something to say and I’m going to say it.

Dana: You’re going to tell us all.

Swan: That’s right.

Dana: You’re going to tell Detective Hutchinson, Detective Sergeant Fielding, PC Oliver, Robbie Stuart, and me.

Swan: Of course. You’re all here, all five of you.

Dana (looking at Susan’s spirit. They nod at each other as if in cahoots): Very well. Speak.

Fielding, clearing his throat: Okay, please sit down over there and put that gun down.

Swan: No, no, no, no. I remain standing and keep the gun. You three cops though, take out your guns slowly and put them on the side table over there. Or I start shooting you one by one and Robbie Stuart is first.

The three police officers comply.

Swan: Good choice. Okay, I heard you discuss my story – so far, but not all of it. And I want immunity before I go any further.

Hutchinson: We can’t promise you that.

Swan: Then I don’t talk.

Fielding: We can probably reduce the blackmail charges to a plea bargain.

Swan: A good start, but I expect more.

Dana: And I expect my brother back safe and sound and alive.

Swan: All in due time, Ms Private Eye. Okay. What you guys were talking about is somewhat correct as far as it goes. Sure I blackmailed Roger Stuart and made a pretty penny until he had the audacity to croak. (He looks at Dana). That’s your brother’s fault for interviewing him and getting a lot more details from him.

Dana: And were you there hovering and hiding for that interview.

Swan moves closer to Dana and waves the gun a few inches from her face: Shut up. This is my story.
Dana, her voice shaking: Very well. Continue.

Swan: Thank you. Yes, I was around when your brother interviewed Roger but not hiding. Bast and I arrived together as he wanted me to take pictures of Roger. But that’s not all I did. I took photos of her, too.

Dana: Her?

Swan: Yeah, the second bogus Mrs. Roger Stuart. She walked in right near the end of the interview. She was furious, ranting and raging about Roger blabbing family secrets. She threatened him and Bast if the story got printed and me if the photos got printed. Then the bitch grabbed my camera and pulled out the film. Too bad we didn’t have digital then but I guess she would have just smashed the camera. Then she went after Roger. She picked up a lamp and charged towards him. Bast and I managed to grab the lamp and stop her. We were going to call the police but Roger said, “No, please don’t do that. I can calm her down.”

Roger’s spirit is nodding “yes” at this.

Swan: Bast and I left when she appeared to be sitting calmly at the table. But… we should have stayed because Roger Stuart died later that evening of a heart attack.

Hutchinson: Are you saying that the second Mrs. Stuart scared her husband into a heart attack?

Swan shrugs his shoulders.

Roger Stuart is nodding again: She attacked me again that evening. She knew I had a heart condition. She hated my first wife and my kids. I couldn’t take it and so I died.

Hutchinson: So, you wanted all this to be suppressed in Robbie Stuart’s memoir? And so that’s why you kidnapped Bast Overture?

Swan: No, you got that all wrong. I wanted the memoir to be published. But Mrs. Stuart No. 2 got wind of it and…

Dana: She’s in prison.

Fielding: Ms Bowman, you should know that doesn’t stop anyone.

Swan: You got that right Detective.

Fielding: So, where does Bast Overture fit into all this?

Dana: Yes, why did you kidnap my brother after he returned from his first disappearance?

Swan: I didn’t kidnap your brother. He suddenly appeared in my office demanding answers. He didn’t want to co-operate with me…
Dana: So you tied him up and kept him prisoner?

Swan: What choice did I have? He was going to have me arrested? And that didn’t fit in with my plan.

Dana: But he got away.

Swan: Yes, damn him.

Fielding: But that’s when you started threatening Doris Bowman and David Bowman?

Swan (smiling): Of course. Nothing like a little family pressure to get someone to come round.

Dana (standing up): You scum.

Swan: Sit down Ms Bowman or you’ll meet the same fate as your brother.

Dana: What’s that? What have you done to Bast?

Swan: Not telling right now. First, I need police co-operation – no charges against me and you put me in witness protection – or whatever you call it here in Canada.

Hutchinson: No, you’re wrong. First you tell us where Bast Overture is now because it is obvious you have him somewhere.

Swan: Not yet. I still need him.

Dana: What for?

Swan: Why he is going to come out of retirement and write another newspaper story about the Stuart saga, sort of a preliminary to Robbie’s memoir and also with some updates about what really happened during that other interview.

Susan’s spirit, looking at Dana: Time for Dad and me to step in.

Roger’s spirit, Robbie and Dana nod. Detective Sergeant Fielding and Detective Hutchinson both stand up. Swan raises the gun and fires into the air.

PC Joseph Oliver suddenly becomes alert to what is happening.

Cheers.

Sharon A. Crawford

Sharon A. Crawford’s prequel novel Beyond Blood, featuring the fraternal twins will be published fall 2014 by Blue Denim Press. Stay tuned.

Meantime, you can read more about the characters and their stories in from Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy. Spread the word.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

 
Leave a comment

Posted by on April 10, 2014 in Beyond the Tripping Point, Blue Denim Press, Interviewing fictional characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

Tags: , , , , , , , , , ,

← Older posts
Newer posts →