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Category Archives: Credible Fiction Characters

Writing an outline or not for your novel?

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Do you painstakingly outline your characters every move and every plot development in your novel before you write it? Or do you jump right in and write from your idea of plot and characters? With a series (like my Beyond Blood series) the second option is modified as you already have your main characters – they just need further development.

I do a little of both and by that I don’t mean outlining to the last detail what is going to happen. I start with an idea and some new characters and start to type in an outline. But something happens as I do this. The darn story wants to be told so I involuntarily switch to writing mode.

Not that I’m through doing outlines. Far from it. I have had to stop and think between writings what could happen next. I say “could” because characters and situations change (like people in real life situations). And being anal and sticking to the original plan is often not in the best interest of the novel. This is creative writing – fiction.

Because a few things happen when you are in creative writing land. You get better ideas and characters like to take over. Listen to them. Some original plot ideas may not work out. Some characters need fleshing out and/or need to be connected to the story more, particularly what I call the “guest characters” as opposed to the series regulars.

I tend to write complicated plots and am constantly going up and down the screen to fix inconsistencies. I do have a list of inconsistencies and also a list of what I call “Balls being juggled in the plot.” The latter refers to what evolves as I write, but they must be worked out in the story telling. Let no story thread be left well, unthreaded.

One thing readers hate is if some plot development is left hanging at the end of the novel. I’m not referring to continuation of series characters’ private lives – for example relationships that have formed in the novel and may continue in your next novel. If Alice and Joseph start dating in your novel, you don’t have to marry them off at the end of the novel. Leave that open-ended one way or the other as anything can happen in the next novel. But if you have a subplot that is a red herring (part of the criteria for mystery novels), you better resolve that one.

So I ask you again – how do you write – from an outline or by the seat of your pants?

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 

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Let your fiction characters evolve

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

How relevant is your original concept of your fiction characters? You do an outline of their traits and how they act, talk, etc. Then as you write your novel something happens.

Your characters have the nerve to change. They don’t act according to your plan, your concept of them. And worse, the little devils want to take over your novel.

Excuse me. It is their novel too. Without them you don’t have a novel or at the most, you have a bare bones plot with some iffy and maybe characters.

If you remember, last week’s post dealt with guest characters wanting to take over https://sharonacrawfordauthor.com/2015/04/16/fiction-characters-who-want-to-take-over-the-story/ so let’s take that a step further. But first we have to step back. You and your friends and family did not suddenly stop changing and growing (and not just physically here) at age five, age 20 and so on. You evolve; you change; things happen.

Same with your fiction characters. As you write your novel, no matter what you put in your outline for characters and plot, something is going to change if for no other reason than the original idea, the original concept, just won’t work.

I’ll give you an example from my recently published mystery novel Beyond Blood. One of the biggies was changing the POV characters from one – private investigator Dana Bowman, PI – to also her fraternal twin and PI partner Bast Overture, Dana’s six-year old son, David, and the mysterious Him. That sure opened up the plot. It also meant getting inside four, not one, characters’ heads.

And dealing with their development, their actions and their demands. Sure it puts the writer on edge. Would this change work? Should I do this or should I do that?

I’ve found when you get to a point where you have to deviate from the original plan, it works best to write spontaneously and see what happens. Each character will invade your mind and make demands. You may not use all of what they want, but listen to them. And just write. You can make more changes later.

That’s what I do even though it means scrolling to and from different parts to fix something that doesn’t seem consistent or make sense. And I do it when my characters insist.

Remember, characters are real to you and to your readers. Just like you, your family and friends, characters evolve over time.

Let them.

And if you want to hear a bit about the point of view changes I made, I will be reading from Beyond Blood this evening when I join 15 other Crime Writers of Canada authors reading at the Arthur Ellis Short List Party. We each get three minutes to read – I can just squeeze in my two pages of Prologue – one from Him’s point of view and one from Dana’s.

After the readings all the CWC authors short-listed in the various Arthur Ellis Awards categories will be named – out loud. If you are in the Toronto or GTA area in Ontario, Canada, please join us from 7 p.m. to 9 p.m. at Indigo Book Store in the Manulife Centre at Bay Street and Bloor Street West. It promises to be fun.

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a  copy there, please do a review on amazon.

 

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Fiction characters who want to take over the story

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

In my Beyond mystery series, one of the main characters, Dana Bowman, often wants to be front and centre in the story. She even gets into my mind outside of writing time. I’ve posted about that before. Dana can get away with this. She’s one of the twin private investigators and it is her function to get all over the place. But what about a non-series character, a guest of one novel, who grabs the reins and insists?

In my third Beyond mystery book which I am currently writing, this is what’s happening. Without giving the plot away, there is a nun in the story who is important to the plot and as such some of the novel is her story. But she has invaded my mind and is insisting on being in almost every scene.

A little privacy, please, for the other characters and for the plot revelation. One important feature of mystery plots is that each character doesn’t have all the information; they don’t know all the plot. At the same time, putting all the information together for the reader, but at the same time having it happen throughout the story is important. Unless God is one of your main characters, each character doesn’t know it all and letting each character find out and reveal helps make for a good plot.

So, what do you do about “guest” characters trying to take over the whole novel?

  1. Acknowledge them – who they are and that they do have a purpose.
  2. Let them come into your mind and speak because if you shut them out you may lose good plot and character developments.
  3. But give them some parameters. Yes, they are important, but they are part of a whole, part of a plot.
  4. If necessary, give them timelines when it is okay to invade your mind. Not easy, but try the “not now, but (when?)” approach.
  5. Or when they invade, grab that notebook or iPad and start scribbling/typing their information. Sometimes doing something about it right away, stops the “invasion.” You can decide later whether to include it in your story.
  6. And make sure they are playing their important role in your novel. This can be done by having them be one of the novel’s point-of-view characters.

 

I know this may all sound crazy. But it is a good sign that your characters are real in the fiction sense. And that’s a good thing for your readers.

 

This evening from 7 p.m. to 9 p.m., I get a chance to talk about developing series characters in fiction. Crime writers Rosemary McCracken (the Pat Tierney mystery fiction series), Nate Hendley (true crime) and I will be talking about writing crime – fiction and true – and getting our work published, to the Storytellers (love that name) writing group at the Angus Glen public library in Markham, Ontario, Canada. It is a Meet-up group. More information at http://www.meetup.com/The-Storytellers/events/221133884/

 

Cheers.

 

Sharon A. Crawford

 

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a  copy there, please do a review on amazon.

 

 

 

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When your fiction characters get inside your head

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Are your fiction characters trying to take over your mind? Do you seem to be losing yourself in their quirks and even their talk?

Two of the main characters from my Beyond mystery fiction series (Beyond the Tripping Point, 2012 and Beyond Blood, 2014, Blue Denim Press for both) are doing this. Dana Bowman, the PI mom of six to seven-year old-David (age depending on which book) and the stuttering Detective Sergeant Donald Fielding.

Sandra Kryzakos in her Liquid Lunch interview with me says I’m channeling my characters. She bases this on how I talk about them and how I read excerpts from the books. And to add more fuel to the channelling fire, when I told her about Detective Fielding, I started to stutter and said so.

“Now, she’s channeling,” she said. (Watch this thatchannel.com interview on You Tube at http://youtu.be/i2bBaePIWgY)

Not the first time something like this has happened. Others hearing me read say I don’t read like I’m just reading but I put myself into the characters, into their heads.

Now, are Dana and Fielding getting back at me? Just kidding? Actually I welcome my characters getting into my head. Besides giving me an excuse for if and when I stumble over words, my characters are speaking to me. They give me ideas for what to write in my third Beyond book. They keep me in touch with what is happening in their lives and remind me of what is impossible. They also remind me they are distinct characters and not me.

Although I wonder about the latter. Especially when I find myself sometimes using “Dana’s big bag” to cart groceries and other purchases. For Dana this bag is her purse. To my credit I use another smaller bag as my purse. But just calling the bag “Dana’s bag,” says something. However, I still can’t draw a straight line even with a ruler and Dana is also an artist, sketching the people she interviews and incorporating the interview context into the drawing. And she drives a car and the only driving I can do is to drive people up a wall. She is also not a gardener and I am. Then there is the 25 or so year age difference. (Note: I’m the older gal here).

And of course, I don’t have a fraternal twin brother – don’t have any siblings.

So, I’ll let Dana, Detective Sergeant Fielding and whomever else I write about “invade” my mind. They have stories to tell and I need to tell their story, not mine, in the Beyond books.

Now, if I could only sort out this dream business. Dana sometimes dreams about the future (you have to read Beyond Blood to see that). I’m hoping my horrendous, sometime scary dreams, are not premonitions of my future. If so, it could be a bleak future.

Dana? What do you think?

Cheers.

 

Sharon A. Crawford

Maybe I’ll see you at a future gig. I post my reading and presentation gigs on the Beyond Blood page of my website www.samcraw.com. Keep checking back for updates.

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/

Beyond Blood Book cover at the top of this post links to my Amazon author profile.

And that Liquid Lunch interview link again is http://youtu.be/i2bBaePIWgY

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Putting reality into fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The other evening I was teaching a workshop on Memoir Writing – not exactly fiction, but memoir reads like fiction. A participant said she was scared to name names of family members and wanted to know how to get around this.

You can turn the memoir into fiction – this has been done before. Or use pseudonyms with a disclaimer. Or be scrupulous about what you include.

Or you can do what I did after a confrontation with a relative who definitely didn’t want something in the family background getting published. The excuse was she didn’t want her children reading about it. However, she was okay with it all being fictionalized.

So I listened to her, although maybe not exactly as she meant it. In my mystery short story collection Beyond the Tripping Point (Blue Denim Press. 2012), one story is based on something that happened in my family – although except for the central event, all the characters have been changed and so have the circumstances. However, I was so ticked off with her attitude that I loosely based one of the suspects in one of the stories on her. I changed the details but when I see this character I see the complaining relative.

As for the memoir chapter she was complaining about – I did remove it – and several other chapters because at the same time another author and I did a manuscript evaluation exchange. He said I had three stories going on in the memoir – family history, some other history, and my personal story. My personal story was more interesting – so that was the new focus.

In my mystery novel Beyond Blood (Blue Denim Press 2014), I don’t use any stories from the original memoir, although Great Aunt Doris is very loosely based on an eccentric aunt (now deceased). However, the eccentricities are different as are Aunt Doris’ actions and role. The only similarities, if you will, are the two are eccentric and both are aunts.

However, I did use something in my past as fodder and then used my imagination to expand from there. The business with the raccoons. Racoons got into the attic of my house in Aurora and that was the real life starting point. But I assure you, except for racoons on the roof, anything else with racoons that happens in Beyond Blood never happened in real life, mine at least.

The bottom line is to use something real as the catalyst, the gem for an idea or character. Because you need to be careful here. How often have readers said that a character reminds them of so-and-so or the character is so-and-so? Usually this is not the reality.

But it is an indication that your story, your characters are resonating with your readers.

Cheers.

Sharon A. Crawford

Author of the Beyond book series. See http://www.samcraw.com and http://www.bluedenimpress.com for more info. Book at top of this post links to my Amazon author profile.

To watch my interview on Liquid Lunch on thatchannel.com go to Go to http://youtu.be/i2bBaePIWgY and enjoy.

 

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Beyond Blood character takes over blog post

Sharon reads from her Beyond book series

Sharon reads from her Beyond book series

Last week I mentioned that the fraternal twins from Beyond Blood would be posting here for the next couple of weeks. Today, Bast Overture will write this post. He was given one criteria – he had to discuss his feelings about his actions, etc. in Beyond Blood – without giving away the plot. Bast…

Bast Overture here and I have my recorder turned on. I know, bad habit of a former crime writing journalist.

Sharon A. has given me a difficult task. Talking about my feelings is not my big point. My twin, Dana, however, wears her emotions on her sleeve. But we are connected as only twins are, even though we’re fraternal twins.

When Dana’s six-year-old son (and my nephew) David is kidnapped … and Sharon this is NOT a spoiler as this info is on the back cover of Beyond Blood … I was almost as devastated as Dana. I say “almost” because Dana is David’s mother. As Dana had to cope as both a mother and private investigator, I tried to keep cool, tried to keep an even keel with some humor in our talks – but never anything insulting about what had happened. When Dana hit her down side I tried to comfort her, tried to help her. But I felt so helpless. So I did what I do best – dug in like the crime writer I used to be and helped Dana interview some of the people we had to talk to.

In hindsight I probably should have interviewed them all. But Dana being Dana had to do some of it herself. That’s the way she is. She won’t let herself sit still and do nothing.

I was the one who found Debbie’s body (not a spoiler, as it’s also on Beyond Blood’s back cover), I was sickened and could barely stagger back to tell Dana who had just found out David had been kidnapped. That surprised and infuriated me – I’m supposed to offer support and comfort to my twin, even though she is 43 minutes older than me. And she makes sure I know that. In all the crime stories, some with gruesome details, I’ve written, I had never seen a murdered dead body until Debbie. But I used some of these crime stories to help Dana get to the truth. I even passed along some information to Detective Sergeant Fielding.

However, I’m sorry I encouraged Fielding and Dana to go on a date on his sailboat. Well, maybe not entirely or maybe the story would have ended differently. Maybe…

Dana: maybe what little brother? You’re not supposed to give the plot away.

Bast: What? I didn’t see you come in. And I’m not giving away the plot. Why are you here? Your turn isn’t until next week.

Dana: Well, I had to hear what you were saying about me.

Bast: And do you approve?

Dana: Yes, except for Fielding.

Bast: So there is something going on between the two of you.

Dana (shaking her fist): That’s none of your business unless I make it so. After all, as you said, I’m 43 minutes older than you.

Bast: But I’m 15 inches taller than you.

Dana: Oh for Christ’s sake, Bast, grow up.

Bast (shrugging): Fine. You’ll have your say in next week’s post. So, now together let’s say it.

Bast and Dana: Read Beyond Blood by Sharon A. Crawford. See below and click on book covers for online purchase of Beyond Blood e-copies from the publisher Blue Denim Pess (e-pub and Kindle). For print copies go to http://sleuthofbakerstreet.ca/ . Or go into a bricks and mortar bookstore and ask to have the book ordered in.

Cheers.

Bast and Dana

and Sharon A. Crawford

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press. Click for link to purchase e-copies

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press. Click for link to purchase e-copies

 

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Beyond Blood character puts Sharon A. Crawford in hot seat

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

My ideas usually come not at my desk writing but in the midst of living.

 

  • Anais Nin

 

The other fraternal twin in Beyond Blood – Bast Overture is now going at me with the third degree. At least his journalistic techniques appear familiar to me – he has a recorder running and is also taking notes by hand to back it up in case of technological difficulties.

Bast: Okay, Sharon A., I’ll try not to cover exactly what my sister did last week, but I may want to add to it.

Me: Okay. Fire away.

Bast: First, I’d like to know more about your journalism career. You mentioned you did some crime stories but not a lot. As that is my forte, I wonder if you could tell me what stories you did write and why you wrote them.

Me: Sometimes the story was about a crime that I had first-hand experience with. I see you looked perplexed. No, I didn’t do the crime but it was done against me. For example, when I lived in Aurora, Ontario, my house was broken into. So I wrote a humorous personal essay on that. It was published in Wordscape Seven: Mystery & Suspense Anthology, MTB Press, 2001. I also wrote a story for a community newspaper about protecting your home from invasion.

Bast: What about other stories?

Me: I wrote a story about fraud against seniors in their homes, particularly about home renovations and repairs – this was before Identity theft, although I did write a story on that too. But as I told your sister Dana, I believe that if you do the crime you do the time – one way or the other. So, one of the ways I get back, if you will, is to write about prevention, so people don’t become victims of crime. I talked to seniors as well as police and a unique hardware store then in Aurora – the owners recommended legitimate and trustworthy tradespeople for this. I even found a handyman for me, although I didn’t interview him as that might be considered not at arms length – you know too close to the writer.

Bast: Hmm. You mentioned writing a story on Identity Theft. Can you tell me a bit about that? Did you pitch that story to a magazine or was it assigned?

Me: A little of both. I pitched it to the now defunct Homemakers magazine and the editor there was interested and added more scope to the story so that besides police and identity theft protection experts, I interviewed a couple of people who had their identify stolen – one by getting his regular mail redirected so he had to replace all his credit cards and other ID. The other one was the victim of mortgage fraud – someone put a mortgage, in her name, on her house without her knowledge.

Bast: I gather fraud is something you are interested in and you have that as one of the many crimes in Beyond Blood. How did that come about?

Me: Well, without giving the plot away beyond what is on the back book cover, the fraud in there comes from or maybe I should say is related to some of the other crimes. And I’m not saying any more except that some of the plot events are peculiar to that time (1998) and not completely relevant today.

Bast: That’s a bit obtuse. Care to elaborate.

Me: All right. Without giving it all away (and this is on the back cover) abortions, or rather illegal abortions are part of the story in Beyond Blood. And you know, abortions are in the news again with all the anti-abortion movements in the States and even some press in Canada. But the interesting thing here is not that so much as that one thing related to abortions which was illegal in Canada in 1998 is still illegal in Canada today.

Bast: Let the record show that Sharon A. is not talking about Canadian law regarding abortion itself. Abortions are legal in Canada. Sharon A. is referring to…

Me: Stop. Don’t give the plot away. Let’s just say it all is part of the plot and you and Dana figure it out, but will you do so in time to save Dana’s son and your nephew David?

Bast: Right. But maybe you could include that plot blurb on the back of Beyond Blood. That book cover photo at the top of this post shows the front page only.

Me. Okay. Here it is.

In Beyond Blood (Blue Denim Press, fall 2014), Dana Bowman has misgivings about starting the home-based Attic Investigative Agency with her fraternal twin, Bast Overture. Especially when the agency’s launch is preceded by a break and enter downstairs and a kidnapping at the Mini-Mall involving her son David’s babysitter, Debbie Sangwell. Especially when David is kidnapped and Debbie is murdered during the agency’s opening ceremonies. Hovering in the background is the mysterious “Him.”

Further digging reveals more kidnappings, murders, fraud, and abortion. The twins’ investigation also leads to run-ins with police detective Donald Fielding and CKNT TV reporter Charles Haas, the latter who has the “dirt” on Bast. A colourful cast of characters dot the pages, including Dana’s ex-husband Ronald, Great Aunt Doris, Mini-Mall merchants Lois and Ray Chalmers, and various nosy neighbours. Hovering in the background is the mysterious “Him.”

Dana is pushed beyond blood ties trying to avoid an emotional meltdown as a mother and focus on finding her son. The twin detectives discover that everything seems to be connected. Which connection will lead them to David, and to Debbie’s murderer? Will they be too late for David?

Click on my book cover above – it will lead you to my publisher Blue Denim Press’s website. Scroll down and you can see where Beyond Blood is currently available, including at www.bluedenimpress.com.

And check my website www.samcraw.com – click on Beyond Blood. I constantly update the gigs etc. on that page.

Cheers.

Sharon A. Crawford

 

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Dana Bowman interviews author Sharon A Crawford

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

I suppose all fictional characters, especially in adventure or heroic fiction, at the end of the day are our dreams about ourselves. And sometimes they can be really revealing.

  • Alan Moore

Dana Bowman sits before me, sketch pad and charcoal in hand. She is going to give me the third-degree interview.

Dana: I understand you and my brother Bast share a career background.

Me: Journalistic, yes. I am a former journalist for 30 years, so a bit longer than your twin. I did write a few crime-related articles but my beats were the arts, health, seniors, and profiles of all kinds of people.

Dana: How and why did you switch from journalism to mystery fiction?

Me: That’s really two questions. First, the journalism one – it wasn’t really a switch. I just got tired of all the work for newspaper and magazine stories for little pay. Guess I ran out of steam but I am still interested in people and writing their stories, so profiles aren’t off the table completely.

Dana: But why mystery fiction?

Me: Because that’s what I like to read and watch on TV. I grew up with Nancy Drew, the Hardy Boys and from age 12, Agatha Christie. And my late mom and I used to watch the Perry Mason TV series – the original one in black and white. From all that I got hooked on the puzzle – why people do what they do, why it brings them to murder and who the heck is the guilty party. I also have a sense of justice – people who do the crime should do the time – in one way or another. That doesn’t seem to be happening anymore in real life, even back in your days in the late 1990s.

Dana: As Bast would say, let the record show, that Sharon is referring to the timelines in Beyond Blood and Beyond the Tripping Point. So, Sharon, can you tell us how you, well created Bast and I? Are you and I similar in any way?

Me: That’s two questions again. I see that’s how you operate.

Dana: You started it all.

Me: Right.

Dana: How are we similar? Especially with our height.

Me: Yes, you and I are shorties, but I have a couple of inches on you.

Dana: Why did you make me 4’11”? Couldn’t you have brought me up to 5 feet at least?

Me: Too close to me. Actually the idea of both yours and Bast’s height came from an aunt and uncle on my dad’s side. Aunt Marguerite was 4’ll” and Uncle Miles was 6’2” But I did give Bast an inch. But I gave you some qualities and traits I don’t have. You own and drive a car. I couldn’t drive a car to save my life.

Dana: Would you want to?

Me: Very occasionally but seldom. I know I would be guilty of roadkill, so it’s safer if I’m never behind the wheel of a car. Also you have a cell phone and I don’t. Sure, it would come in handy in emergencies but cell phone technology is a whole lot more complicated in 2014 than in the late 1990s. And I gave you the gift of being able to draw because I can’t draw a straight line even with a ruler.

Dana: A little jealousy here?

Me. Maybe, but I wanted you different than I. And you and your brother evolved over 15 or 16 years of on and off writing, now definitely in the on stage.

Dana: And Bast? Why did you make him gay?

Me: Because when I first started writing Beyond Blood back in the late 1990s, gay people were just coming out more. The annual Pride parade was just starting up in Toronto. And I wanted a character that was different than what was being published. I know there are now gay (male and female) mystery characters, but how many of them are a fraternal twin?

Dana: True. What about my son David? Where did he come from?

Me: Well, I do have a son, who is now in his mid-thirties and I too was a single parent, so I suppose some of that originated there. And I had issues with being a working mom and wanted to bring that out in the stories.

Dana: Okay. Now, moving along. You mentioned that you want justice done in this world. Is there anything in your background, particularly when growing up, that made you feel this way?

Me: Several things. I was bullied as a child by both one of my best friends and also by a nun in grade school. Never beaten up – it was more verbal. Also I read a lot in the newspapers about 11 and 12-year-old girls getting murdered and that really upset me. I was the same age then. You have to remember this was around 1960 when things were supposedly stricter. Well, they were at school and church – I grew up a Catholic and so there was this belief in the bad being punished for their bad deeds, even an eye for an eye. So, if you killed someone, you deserved to die. But Canadian justice seemed to be getting too liberal. Many convicted murderers were getting their executions (hanging in Canada back then) stayed. I remember in grade 11 at high school class discussion on capital punishment – it was around the time that the government was considering dropping the hanging sentence. I was one of the few in the class who wanted Canada to keep the death penalty. We all know that didn’t happen and a lot of the criminal law got too much in favour of the criminals since then. Sure, some harsh sentences remain, but the convicted killers get jail credit for time spent in prison leading up to and during the trial. The bottom line is I don’t think justice for the victim is being given. But in a mystery novel you can have this happen – one way or the other – even with any lenient laws.

Dana: Wow. That sounds familiar. That’s me; that’s how I feel. And now understand better why I do what I do.

Me: Well, remember I may have created you, but you go out on your own in my stories.

Dana: Oh, so you give me enough rope to hang…. sorry, bad choice of words.

Me: Right. We don’t want you getting killed. It would kill the stories.

Dana: Of course. And I thought it was because you like me.

Me: I do.

Dana: Okay, that’s it for this time. Bast wants to interview you next week.

Meantime click on my book cover above – it will lead you to my publisher Blue Denim Press’s website. Scroll down and you can see where Beyond Blood is currently available, including at www.bluedenimpress.com.

And check my website www.samcraw.com – click on Beyond Blood. I constantly update the gigs etc. on that page.

 

Cheers.

Sharon A. Crawford

 

 

 

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Come to Sharon A Crawford’s Book Launch Sunday Oct.19

Sharon A Crawford author of the short story collection Beyond Blood published by Blue Denim Press

Sharon A Crawford author of Beyond Blood published by Blue Denim Press

Fiction is about stuff that’s screwed up.
– Nancy Kress

 

Dana is scurrying around The Attic Agency Office when Bast walks into the room.

Bast: What are you doing?

Dana: Getting ready for the big launch.

Bast: Our agency opening reception. I thought all was…

Dana: No, no, not that. Sharon A. Crawford’s book launch. You know the author who created us?

Bast: Of course. That is coming up already?

Dana: Yes, this Sunday. October 19. We have to get the word out Bast about her book Beyond Blood.

Bast: You mean before our agency opening?

Dana: Yes, and Sharon’s book launch has to happen first so that Beyond Blood can happen.

Bast: You mean our actual launch, the kidn…

Dana: Sh. Bast, don’t give it all away. People have to come to the book launch and buy a copy of Beyond Blood to find out what happens.

Bast: Right. And we should also mention what else is happening at the Book Launch.

Dana: Yes. The book launch is also for another first time mystery novelist, Klaus Jakelski’s book Dead Wrong. It’s a medical mystery.

Bast: Yes. And Klaus is a medical doctor in Sudbury, Ontario.

Dana: And Sharon, like you is a former journalist, although she covered health as well as some crime stories.

Bast: Sharon is also short like you. In fact, she has a couple of inches on you.

Dana: Bast. Leave my height out of it.

Bast (chuckling): Okay, if you wish.

Dana: What I wish is to find that poster that Blue Denim Press, Sharon’s and Klaus’s publisher, had printed. Have you seen it?

Bast: Yes, right here on my desk.

Dana and Bast grab the poster, hold it up and together announce:

Blue Murder with Blue Denim Press:

Join in the murderous mayhem at the launch of two debut mystery novels:

Beyond Blood by Sharon A. Crawford

Dead Wrong by Klaus Jakelski

More mayhem provided by guest readers Rosemary McCracken and Nate Hendley

Launch presented by Blue Denim Press.

Mayhem provided by all.

Location:     Paintbox Bistro

555 Dundas Street East (at Parliament St.) Toronto (parking inside building), Ontario

http://paintboxbistro.ca/contact

Time and Date: 3 p.m., Sunday, October 19, 2014

Bring a guest or two if you wish.

There is an entrance cost of $15. per person. That entitles you to a copy of a Blue Denim Press book-. Your guest(s) can choose another book published by Blue Denim Press. No charge for children 16 and under.

See you there.

Cheers.

Dana Bowman

Bast Overture

And

Sharon A. Crawford

And check out Sharon A. Crawford’s Facebook author page https://www.facebook.com/pages/Sharon-A-Crawford/412730865439394

Linked In profile http://ca.linkedin.com/in/sharoncrawfordwordssparkle

Sharon A. Crawford’s website www.samcraw.com and click on Beyond Blood for all the details of Sharon’s gigs.

And visit Sharon’s publisher Blue Denim Press at http://www.bluedenimpress.com to see that poster.

 

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

 

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Beyond Blood – …and open the door again…

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.

  • Richard Bach

Footsteps are heard coming up the stairs to The Attic Investigative Agency.

Dana: Who is it this time?

Bast points to the doorway. Debbie Sangwell, babysitter for Dana’s six-year-old son and daughter of Dana’s best friend, Marge, stumbles in.

Dana (joking): Rough night?

Debbie trying to get her breath: No. Must be the stairs.

Bast: We have an elevator.

Debbie: Yeah, right. Didn’t see it. Oh, this place looks neat. I guess you are wondering why I’m here.

Dana: And where’s David?

Debbie: He’s with Mom. She took him to the park. I’m not feeling that good.

Dana: You coming down with something?

Debbie: Oh no. Just something I ate for breakfast. I’ll be okay. I just wanted to check on the arrangements for Friday evening.

Dana: The reception starts at 7.30 p.m. so you can come over maybe around 7 p.m. or earlier. Hey, why not come for supper?

Debbie staggering a bit. She grabs the back of a chair: Maybe. But 7 p.m. sounds good.

Bast jumping up from his chair: Here, Debbie sit down. I’ll get you a glass of water.

Bast exits the agency office.

Dana, swivelling her chair around until she is almost knee-to-knee with Debbie: You look awful. Your face is pale. You don’t look like you’ve seen a ghost; you look like you are the ghost.

Debbie: I said I’m okay. Just something I ate.

Dana: Okay, just concerned. Okay, back to Friday night. David will probably want to come up here to see all the guests but there will be adult stuff talked about and to tell the truth, some of our guests may be old school and not take kindly to having the son of one of the business owners around. If it were up to me, I’d let him come in at the beginning, introduce him to all, let him look around a bit and then go back downstairs.

Debbie: Got it. I will keep him busy on the second floor, mostly in his room. We have a pile of books to read and… are the Randalls next door coming?

Dana: No, why?

Debbie: Just thinking. Maybe I could take David there to see Mr. Randall and his big train set-up downstairs.

Dana: Hmm.

Debbie: Before his bedtime. I could come here at 6.30 p.m. and take him over.

Dana: Hmm. Well check with Mr. Randall first.

Bast returns with a glass of water which he hands to Debbie. She leans over to grab it and almost falls forward. Dana catches her arms and helps her sit up.

Dana: You really don’t seem well.

Debbie: I’m okay. Just something I ate. Think I’ll go home and rest up for Friday.

Debbie gulps down some water, hands the glass to Dana and manages to stand up without keeling over: See I’m fine. I’ll give you a call before Friday or drop over before.

Dana: Okay.

Bast: Take care.

Debbie: I will. I’m going to have a little nap when I get home.

Bast. I’ll take you to the elevator.

Debbie: No, stairs are fine.

Dana and Bast listen as she goes down the stairs. Her footsteps sound like they are going at normal speed. When they drift off from the second stairway down, Dana turns to Bast.

Dana: Something is up with that girl.

Bast: I agree. You better speak to Madge.

Dana: Will do.

Dana’s cell phone rings. She picks it up

Dana: Hello. What do you want?

Bast’s cell phone starts ringing and he picks it up.

 

Stay tuned for next week’s post.

Meantime check out my books. The book at the top of this blog post links to Amazon. Click on Sharon A Crawford for my profile.

For those of us with Kobo’s, here is that link for the e-pub version. http://store.kobobooks.com/en-CA/ebook/beyond-blood-1 And check out my updated web page at www.samcraw.com and click on Beyond Blood. Scroll down to Sharon A’s Gigs to see where I will be appearing with Beyond Blood.

 

Cheers.

Sharon A. Crawford

 

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