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Tag Archives: Credible Fiction Characters

Making your fiction characters sick

17 Mar
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

I’ve talked before about giving your fiction characters tags such as jangling keys in their pocket or going silent when someone starts arguing with them. These tags show character traits and help the reader connect better with them. The first trait mentioned might occur when the character is impatient and the second opens a lot of things the author can show about the character. It might be as simple as the character hates arguing but he or she might be afraid to speak up when challenged. Both those bring up the question “Why?” in the reader’s mind. And give the author leeway to build his or her character.

Another trait that can be used is health issues – good or bad. Maybe you want your character to be an extreme fitness buff. Maybe he is passionate about playing golf. But the flip side of the coin can present even more interesting character tags – the character’s illness or an injury – the latter maybe occurring during the story. For example, the late Robert Parker in one of his Spencer novels had Spencer get shot in the chest and part of the novel dealt with his recovery and how it affected him both professionally and personally.

In my Beyond novel, Beyond Blood, I give Detective Sergeant Donald Fielding an affliction no one really wants – migraines. I know of where I write here because when I was in my early 30s (back in the grey ages, of course), I had migraines with almost the whole enchilada in symptoms. Didn’t have the aura but I did get sick to my stomach and of course the pain. And lots of treatments were tried and not all worked or were only temporary. Then there was the personal and professional repercussions. I had to postpone story interviews with subjects because I had a migraine, and one of the treatment options – blowing in a brown bag, supposedly to stop the pain (it didn’t work), was done around the kitchen table during a big party I held. My girlfriend who suggested that was coaching me and there were some onlookers around the table.

Which gave me lots of options for Fielding, I combined my personal experience with imagination for his migraine attack. Not a party, not a kitchen, but in the main character Dana Bowman’s bedroom. That’s all I’ll say about that scene except the cause of the migraine was the same as many of mine were – stress.

So you can use your personal health experience for one of your characters in your novel or short story. Just make sure it is worked into the plot and isn’t a tangent. And yes, Fielding’s migraine incident was part of the plot. Also, it could be a friend’s illness, but just make sure if the illness is yours or your friend’s that the character doesn’t turn into a copy of you or your friend. Use the illness as a character tag.

And next Thursday, March 24, I’ll be joining four other Crime Writers of Canada authors for a lively panel discussion and q and a about what and how we write. Here are the details:

Murder and Mayhem between the (book covers) at Gerrard/Ashdale library branch

March 24, 2016

Join five Crime Writers of Canada authors Sharon A. Crawford, Steve Shrott, Lisa de Nikolits (three mystery novelists) and Mark Eddy and Nate Hendley (both true crime authors) for a lively discussion about crime writing and their books. Sharon moderates this panel and the authors just might read a bit from their books. More information.

Location: Gerrard/Ashdale Toronto Public Library branch

1432 Gerrard St. E., Toronto

Time and Date: 6.30 p.m. to 8 p.m., Thursday, March 24, 2016

Maybe I’ll see some of you there.

Cheers.

Sharon

If you click on the book cover at the top, it will take you to one place where my Beyond books area available.

 

 
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Posted by on March 17, 2016 in Author Reading, Beyond Blood, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Sharon A. Crawford

 

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Turning winter weather into fiction

14 Jan
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

If you’re like me and hate winter with a passion, don’t just moan and groan about it. Write about it.

Not necessarily your hatred for the season itself. But set your story in winter. Take some of the weather highlights as white fodder for your stories. Follow news stories on the weather on TV or online from various media outlets. One of the best sources is The Weather Network. Both on TV and online, they feature stories in video and text (online) formats about some of the extremes in winter, as well as amusing incidents.

For example, this week, a motorist parked his car beside Lake Erie in south western Ontario. Then we got a flash freeze and snow. If you can’t imagine what happened (no the car didn’t fall into the lake, check out the story here). From that you can let your imagination run wild with story ideas. Maybe there is a dead body in the car – froze to death or murdered before and left there to die? Somebody in an emotional turmoil – failed relationship, terminal illness, etc. – decides to end it all. Somebody wants to save their body for posterity to come back in a later century and finds a unique way to “preserve” his or her body.  Or? Well, you get the picture.

The main idea is to take the actual story, not copy it, but use it for inspiration for your story. And be original.

You can also do the opposite of what is written. In my story “The Couch” from my short story collection Beyond the Tripping Point (Blue Denim Press, 2012), I took a theme from many private eye stories – the PI who is having trouble making ends meet. (If you want a recent TV series on that one, watch the British series Case Histories). My story had a young, mid-20s PI who had just the opposite happening – too many clients. So my story took this dilemma and spun out a tale of how this PI tried to reduce the number of clients. It wasn’t that straightforward as the story has many twists and turns and a surprise ending.

And that’s all I will tell about “The Couch.” If you want to read it (warning, short plug coming here), you’ll have to read “Beyond the Tripping Point.” Click on the book cover below for one place it is available besides the usual Amazon (yes, it’s available there, too)

And use that blizzard keeping you indoors for time given to write your story.

Cheers.

Sharon A. Crawford

Beyond the Tripping Point Cover 72dpi

 
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Posted by on January 14, 2016 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Characters and plot in fiction, Credible Fiction Characters, Plot and Characters, Sharon A. Crawford, Short Story Collection

 

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Transitioning the real into the reel (fiction)

29 Oct

 

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Sometimes we go through tremendous ordeals in our lives. Often it is because of a big change – a death in the family, relationship breakup, personal illness, or being the victim of a crime.

Writing about it is often a way to heal and tell our story to others. A journal, personal essay or even a non-fiction article encompassing the ordeal is more fact, more actual with a story (and viewpoint included).

But what if you want to fictionalize it? Do you present details and people as they happened? Do you change people’s names and some details? How can you go about it?

Authors do it several ways. You do have to be concerned with libel – especially if the fiction is more fact than fiction. An author colleague is very particular here because she ran into libel issues a couple of times in the past – no libel involved, but it can scare you and serve as a warning.

Other authors use the “based on…” line.

Some write what they want and use the “Any resemblance to living persons, etc.” disclaimer.

I am a bit liberal about my approach. For the most part I sometimes take something from my life as a basis for a story – but the characters aren’t me or whomever else appeared and the story definitely is different. For example, in my short story collection Beyond the Tripping Point, one story deals with two female friends who have problems with a car brake that won’t work as they drive up to the cottage. This happened to a friend and I about 30 years ago. All my friend had to contend with was the brakes failing. She used the parking brake and we were in and out of gas stations looking for a bay to get the problem fixed. That’s where truth ends. What happens in “No Breaks” is well, crime fiction.

But I do up the ante sometimes if someone has really messed up with my life. When I told this story at a recent Crime Writers of Canada reading, I could just feel the other author mentioned above cringe. (I was looking at the audience, not her, so didn’t actually see her face).

There is a way to do this. One of the characters in one of my short stories in Beyond the Tripping Point is loosely based on this real-life person – only the age is in the same decade and I saw her features, her way of dressing in my mind. But from the minimal description I gave of her, she could be any person in that age bracket fitting that description. I kept her in the same work industry but a different job. Yes, she was one of the suspects, but I won’t tell you if she was the guilty one.

A bit of background here – the person (yes a family member) objected to me writing and getting published family stories as memoir but she said I could fictionalize any of it. So, I did a variation of that.

In Beyond Blood, a couple of characters, Detective Sergean tDonald  Fielding and Great Aunt Doris Bowman are loosely on people I have known – but none of them messed up my life. The first one I liked and the second one was an interesting person. Dana Bowman, my main character, is she based on me? Not exactly. For one thing she is 25 years younger than me. True, we are both short in stature, but I made her shorter, something she is a bit peeved about. Let’s just say Dana tends to boldly go where I just might not do so.

So, it is not all cut and dry about going from real to reel. Just consider that even when your fiction has nothing to do with real life, at least any you have experienced, read about or seen, there is always somebody who will insist that a character in your story is based on them.

Usually they are wrong. Perhaps they have a latent wish to be immortalized in some way.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 
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Posted by on October 29, 2015 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Uncategorized

 

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When readers relate to authors’ characters

15 Oct
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Dana Bowman, the main character in my Beyond mystery series is making herself known.

Another author who read Beyond Blood compared Dana’s situation as the mother of a lost son to a non-fiction book dealing with a mother losing her son. Mind you, David, Dana’s son is lost in the sense that he is kidnapped. But both mothers suffer anguish and go through much emotional turmoil.

Others have picked out Dana’s offbeat sense of humour and being a likeable character.

All indications that readers are identifying with Dana.

Getting readers to identify with your novel’s characters – main character in particular, but also the other characters is one of the challenges for writers. But no matter what the fiction genre readers want more than just a good plot – they want to connect with your characters. Perhaps the daytime soap operas or the old night time TV soaps started this. However, even other TV series, police, etc. have a running thread for each character.

If readers can’t identify with your characters, you will lose them. They won’t enjoy your book as much or at all and may give up on it.

So what makes fiction characters compelling?

Liking the character isn’t absolutely necessary, but remember that most people are not all good or all bad. And even so-called good characters can come across as somewhat off. Maybe they are too good-two shoes. Maybe they are too superficial. The dreaded wooden characters.

So, in a nutshell, you have to make your characters compelling – by making them three dimensional – with dialogue, their inner thoughts, and their actions. You need to compel the reader to get under the character’s skin and if not emphasize with them, at least be with them.

Besides your novel’s characters getting a mention from readers, another good sign of compelling characters ix when readers read they want to find out what happens to the main character because they care. When they sense something terrible is going to happen to a character they keep reading, hoping both that it won’t happen and that it will. And when it does, they feel right with the character and read on to see if the character can come through the situation.

Of course, some of this is plot. But these days you really can’t have one without the other.

Besides my Beyond books, read fiction by Peter Robinson, Rosemary McCracken, Rosemary Aubert and Maureen Jennings to name a few.

And happy reading.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available;

And check my updated Gigs and Blog Tours for a presentation with other Crime Writers of Canada authors on October 22, 2015

 

 
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Posted by on October 15, 2015 in Beyond Blood, Blue Denim Press, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Sharon A. Crawford, Uncategorized, Writing

 

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Creating Eccentric Fiction Characters

10 Sep
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Can eccentric characters come across as too eccentric? How does this affect your story?

Eccentric means “tending to act in strange or unusual ways,” according to the Merriam-Webster online dictionary.

How strange is strange? How unusual is unusual?

Let’s take a step back. We writers don’t want wooden characters – characters who act normal and live boring lives. Often these characters are stereotypes – the police officer who drinks a lot of coffee and eats donuts, the prostitute with the heart of gold. You get the picture. Readers don’t like the stereotype, the norm. It bores them and they may stop reading the story.

So we create eccentric characters. Sometimes these eccentric characters can go off the walls and distract readers from the story. Readers may also dislike the characters. Think about some of the sit-coms currently on TV. The old Jerry Steinfield TV show had eccentric characters, but it worked. Some of today’s just don’t. Just check out the ones that don’t last more than a season or perhaps not even a season. Viewers can’t connect to the sit-com’s characters,

Think Agatha Christie for eccentric characters such as Hercule Poirot and Miss Marple. When you strip away their eccentricities you find each has a core ordinary connection to living. Hercule Poirot is a private detective and Miss Marple is a meddling old lady. These are common characters in everyday life.

In my novel Beyond Blood and in my short stories in Beyond the Tripping Point I have eccentric characters. I try to keep their eccentricity not too far out there, although I do wonder about the mother in “For the Love of Wills.” However, the characters in the four linked stories who also appear in Beyond Blood are what I call distinctive eccentric characters. Each is, to borrow the hackneyed phrase, “their own person,” from the stuttering police DetectiveSergeant Donald Fielding who occasionally suffers from migraines to my meddling old lady – Great Aunt Doris. She is old-school and anything that is modern she tends to turn her nose down at – the gay twin PI Bast and his fraternal twin sister Dana’s status as working mother of a small boy.

Yes, you could say that these characteristics are often part of old ladies. So, I take these and work them in with how Doris relates with the other main characters, Dialogue plays a big part here. So does action. Doris really loves Dana’s son David and he seems to get along with her. Doris, also is the one who takes care of Madge, after her daughter Debbie is murdered. But I have added another eccentricity to Doris. She always lands on Dana, David and Bast at the most unexpected and inconvenient times. In Beyond Blood, she knocks on their door at 3 a.m. while police are there investigating a break and enter.

Bottom line with me? Create all characters as individuals – no two are alike (even the twins are different, but they are also fraternal twins, so don’t even look alike). Stay away from the stereotype; just don’t go to the opposite of extremely eccentric. You may just come up with interesting eccentric characters who work with and in your plot.

And please your readers to the point where they look forward to reading more about them and their adventures in your next book.

Cheers,

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 
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Posted by on September 10, 2015 in Beyond Blood, Beyond the Tripping Point, Credible Fiction Characters, Plot and Characters, Short Story Collection, Uncategorized, Writing

 

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Changing your story mid-stream

09 Jul
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

As I continue writing my third Beyond mystery book, things are changing with the plot and the characters. That is the big reason why I don’t pre-plot down to the last T. Characters, like real people, change over time and that includes perspective – mine and my characters.

Yes, you read that right – my characters are changing and I’m letting them do so. The main characters of the Beyond series – fraternal twin PIs – Dana Bowman and Bast Overture, Dana’s son David and Detective Sergeant Donald Fielding – have to change and grow. If I want my characters to be real life, they can’t stagnate. This third book has to reflect consequences of what happened in Beyond Blood (the novel) and the four Bowman/Overture stories in Beyond the Tripping Point. BB takes place in summer 1998; those four stories in BTTP from May 1999 to mid-October 1999. The current Beyond book takes place from November 1999 to the beginning of January 2000.

So, I’ve been sitting at my computer almost every weekday, writing, some of the story pre-thought out, much “by-the-seat-of-my-pants.” At the end of the day’s work I type up a few notes about what to cover the next day – not that I will stick exactly to it.

Something just wasn’t working out. I do choose who the murder is before I get going on a novel. But the who and the whys just weren’t making sense here. And there would be some similarities to Beyond Blood. I’m supposed to be continuing the characters’ stories, not copying them.

So, on Tuesday I woke up brainstorming and later put down some changes in writing. Yes, I changed the who-dunnit and of course the why. This made sense and provides a real twist in the story. The other person who I had pegged for the murderer will not be lily-white and will figure into the plot line – not just as a red-herring, but also in a subplot that ties in with the main plotline. I love complicated. And yes there are more twists and turns going on.

But I’m not telling what. I just might change my mind. Or the characters might.

Sometimes I wonder just who is writing this novel.

And it’s not just me that thinks that. When I was interviewed about Beyond Blood a few months ago on the Liquid Lunch for thatchannel.com, one of the interviewers, Sandra Kyrzakos, said I was channelling my characters. Perhaps she is right. See for yourself at https://www.youtube.com/watch?v=i2bBaePIWgY&feature=youtu.be

 

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 
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Posted by on July 9, 2015 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Channelling Fiction Characters, Characters and plot in fiction, Fiction Characters, Plot and Characters, Sharon A. Crawford, Writing

 

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Let your fiction characters evolve

23 Apr
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

How relevant is your original concept of your fiction characters? You do an outline of their traits and how they act, talk, etc. Then as you write your novel something happens.

Your characters have the nerve to change. They don’t act according to your plan, your concept of them. And worse, the little devils want to take over your novel.

Excuse me. It is their novel too. Without them you don’t have a novel or at the most, you have a bare bones plot with some iffy and maybe characters.

If you remember, last week’s post dealt with guest characters wanting to take over https://sharonacrawfordauthor.com/2015/04/16/fiction-characters-who-want-to-take-over-the-story/ so let’s take that a step further. But first we have to step back. You and your friends and family did not suddenly stop changing and growing (and not just physically here) at age five, age 20 and so on. You evolve; you change; things happen.

Same with your fiction characters. As you write your novel, no matter what you put in your outline for characters and plot, something is going to change if for no other reason than the original idea, the original concept, just won’t work.

I’ll give you an example from my recently published mystery novel Beyond Blood. One of the biggies was changing the POV characters from one – private investigator Dana Bowman, PI – to also her fraternal twin and PI partner Bast Overture, Dana’s six-year old son, David, and the mysterious Him. That sure opened up the plot. It also meant getting inside four, not one, characters’ heads.

And dealing with their development, their actions and their demands. Sure it puts the writer on edge. Would this change work? Should I do this or should I do that?

I’ve found when you get to a point where you have to deviate from the original plan, it works best to write spontaneously and see what happens. Each character will invade your mind and make demands. You may not use all of what they want, but listen to them. And just write. You can make more changes later.

That’s what I do even though it means scrolling to and from different parts to fix something that doesn’t seem consistent or make sense. And I do it when my characters insist.

Remember, characters are real to you and to your readers. Just like you, your family and friends, characters evolve over time.

Let them.

And if you want to hear a bit about the point of view changes I made, I will be reading from Beyond Blood this evening when I join 15 other Crime Writers of Canada authors reading at the Arthur Ellis Short List Party. We each get three minutes to read – I can just squeeze in my two pages of Prologue – one from Him’s point of view and one from Dana’s.

After the readings all the CWC authors short-listed in the various Arthur Ellis Awards categories will be named – out loud. If you are in the Toronto or GTA area in Ontario, Canada, please join us from 7 p.m. to 9 p.m. at Indigo Book Store in the Manulife Centre at Bay Street and Bloor Street West. It promises to be fun.

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a  copy there, please do a review on amazon.

 
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Posted by on April 23, 2015 in Beyond Blood, Blue Denim Press, Channelling Fiction Characters, Characters and plot in fiction, Credible Fiction Characters, Fictional Characters Interviewing Authors, Plot and Characters, Point of View in Fiction, Sharon A. Crawford, Uncategorized, Writing

 

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Fiction characters who want to take over the story

16 Apr
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

In my Beyond mystery series, one of the main characters, Dana Bowman, often wants to be front and centre in the story. She even gets into my mind outside of writing time. I’ve posted about that before. Dana can get away with this. She’s one of the twin private investigators and it is her function to get all over the place. But what about a non-series character, a guest of one novel, who grabs the reins and insists?

In my third Beyond mystery book which I am currently writing, this is what’s happening. Without giving the plot away, there is a nun in the story who is important to the plot and as such some of the novel is her story. But she has invaded my mind and is insisting on being in almost every scene.

A little privacy, please, for the other characters and for the plot revelation. One important feature of mystery plots is that each character doesn’t have all the information; they don’t know all the plot. At the same time, putting all the information together for the reader, but at the same time having it happen throughout the story is important. Unless God is one of your main characters, each character doesn’t know it all and letting each character find out and reveal helps make for a good plot.

So, what do you do about “guest” characters trying to take over the whole novel?

  1. Acknowledge them – who they are and that they do have a purpose.
  2. Let them come into your mind and speak because if you shut them out you may lose good plot and character developments.
  3. But give them some parameters. Yes, they are important, but they are part of a whole, part of a plot.
  4. If necessary, give them timelines when it is okay to invade your mind. Not easy, but try the “not now, but (when?)” approach.
  5. Or when they invade, grab that notebook or iPad and start scribbling/typing their information. Sometimes doing something about it right away, stops the “invasion.” You can decide later whether to include it in your story.
  6. And make sure they are playing their important role in your novel. This can be done by having them be one of the novel’s point-of-view characters.

 

I know this may all sound crazy. But it is a good sign that your characters are real in the fiction sense. And that’s a good thing for your readers.

 

This evening from 7 p.m. to 9 p.m., I get a chance to talk about developing series characters in fiction. Crime writers Rosemary McCracken (the Pat Tierney mystery fiction series), Nate Hendley (true crime) and I will be talking about writing crime – fiction and true – and getting our work published, to the Storytellers (love that name) writing group at the Angus Glen public library in Markham, Ontario, Canada. It is a Meet-up group. More information at http://www.meetup.com/The-Storytellers/events/221133884/

 

Cheers.

 

Sharon A. Crawford

 

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a  copy there, please do a review on amazon.

 

 

 
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Posted by on April 16, 2015 in Beyond Blood, Blue Denim Press, Credible Fiction Characters, Fiction Characters, Plot and Characters, Series Characters novels and short stories, Sharon A. Crawford, Writing

 

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When your fiction characters get inside your head

19 Mar
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Are your fiction characters trying to take over your mind? Do you seem to be losing yourself in their quirks and even their talk?

Two of the main characters from my Beyond mystery fiction series (Beyond the Tripping Point, 2012 and Beyond Blood, 2014, Blue Denim Press for both) are doing this. Dana Bowman, the PI mom of six to seven-year old-David (age depending on which book) and the stuttering Detective Sergeant Donald Fielding.

Sandra Kryzakos in her Liquid Lunch interview with me says I’m channeling my characters. She bases this on how I talk about them and how I read excerpts from the books. And to add more fuel to the channelling fire, when I told her about Detective Fielding, I started to stutter and said so.

“Now, she’s channeling,” she said. (Watch this thatchannel.com interview on You Tube at http://youtu.be/i2bBaePIWgY)

Not the first time something like this has happened. Others hearing me read say I don’t read like I’m just reading but I put myself into the characters, into their heads.

Now, are Dana and Fielding getting back at me? Just kidding? Actually I welcome my characters getting into my head. Besides giving me an excuse for if and when I stumble over words, my characters are speaking to me. They give me ideas for what to write in my third Beyond book. They keep me in touch with what is happening in their lives and remind me of what is impossible. They also remind me they are distinct characters and not me.

Although I wonder about the latter. Especially when I find myself sometimes using “Dana’s big bag” to cart groceries and other purchases. For Dana this bag is her purse. To my credit I use another smaller bag as my purse. But just calling the bag “Dana’s bag,” says something. However, I still can’t draw a straight line even with a ruler and Dana is also an artist, sketching the people she interviews and incorporating the interview context into the drawing. And she drives a car and the only driving I can do is to drive people up a wall. She is also not a gardener and I am. Then there is the 25 or so year age difference. (Note: I’m the older gal here).

And of course, I don’t have a fraternal twin brother – don’t have any siblings.

So, I’ll let Dana, Detective Sergeant Fielding and whomever else I write about “invade” my mind. They have stories to tell and I need to tell their story, not mine, in the Beyond books.

Now, if I could only sort out this dream business. Dana sometimes dreams about the future (you have to read Beyond Blood to see that). I’m hoping my horrendous, sometime scary dreams, are not premonitions of my future. If so, it could be a bleak future.

Dana? What do you think?

Cheers.

 

Sharon A. Crawford

Maybe I’ll see you at a future gig. I post my reading and presentation gigs on the Beyond Blood page of my website www.samcraw.com. Keep checking back for updates.

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/

Beyond Blood Book cover at the top of this post links to my Amazon author profile.

And that Liquid Lunch interview link again is http://youtu.be/i2bBaePIWgY

.

 

 
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Posted by on March 19, 2015 in Author Interviews, Author Reading, Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Channelling Fiction Characters, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

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Putting reality into fiction

26 Feb
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The other evening I was teaching a workshop on Memoir Writing – not exactly fiction, but memoir reads like fiction. A participant said she was scared to name names of family members and wanted to know how to get around this.

You can turn the memoir into fiction – this has been done before. Or use pseudonyms with a disclaimer. Or be scrupulous about what you include.

Or you can do what I did after a confrontation with a relative who definitely didn’t want something in the family background getting published. The excuse was she didn’t want her children reading about it. However, she was okay with it all being fictionalized.

So I listened to her, although maybe not exactly as she meant it. In my mystery short story collection Beyond the Tripping Point (Blue Denim Press. 2012), one story is based on something that happened in my family – although except for the central event, all the characters have been changed and so have the circumstances. However, I was so ticked off with her attitude that I loosely based one of the suspects in one of the stories on her. I changed the details but when I see this character I see the complaining relative.

As for the memoir chapter she was complaining about – I did remove it – and several other chapters because at the same time another author and I did a manuscript evaluation exchange. He said I had three stories going on in the memoir – family history, some other history, and my personal story. My personal story was more interesting – so that was the new focus.

In my mystery novel Beyond Blood (Blue Denim Press 2014), I don’t use any stories from the original memoir, although Great Aunt Doris is very loosely based on an eccentric aunt (now deceased). However, the eccentricities are different as are Aunt Doris’ actions and role. The only similarities, if you will, are the two are eccentric and both are aunts.

However, I did use something in my past as fodder and then used my imagination to expand from there. The business with the raccoons. Racoons got into the attic of my house in Aurora and that was the real life starting point. But I assure you, except for racoons on the roof, anything else with racoons that happens in Beyond Blood never happened in real life, mine at least.

The bottom line is to use something real as the catalyst, the gem for an idea or character. Because you need to be careful here. How often have readers said that a character reminds them of so-and-so or the character is so-and-so? Usually this is not the reality.

But it is an indication that your story, your characters are resonating with your readers.

Cheers.

Sharon A. Crawford

Author of the Beyond book series. See http://www.samcraw.com and http://www.bluedenimpress.com for more info. Book at top of this post links to my Amazon author profile.

To watch my interview on Liquid Lunch on thatchannel.com go to Go to http://youtu.be/i2bBaePIWgY and enjoy.

 
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Posted by on February 26, 2015 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

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