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Book Launch Crossing Limbo July 8

Dana Bowman escapes from Beyond Blood again.

Creativity from the Stacks  presented by my East End Writers’ group last evening went over very well – despite a smaller audience than expected, despite the laptop falling over (and the connecting cable coming out – yes, everything was fine) and despite Shane and I mixing up some of the order of our skit (we did a lot of improv there, which I prefer, and it went over well). The food was good, everyone enjoyed themselves and I managed to get my main Beyond mystery series character Dana Bowman back between the covers of Beyond Blood. That despite one of Shane’s book characters, George Walton, stealing a copy of Beyond Blood.

Speaking of Shane Joseph, the Toronto Launch of his new literary book, Crossing Limbo, a collection of short stories, is Saturday, July 8, 3 to 5 p.m. at Supermarket Restaurant and Bar, 268 Augusta Ave. in Toronto’s Kenginston Market area. If you are in the Toronto area then, why not drop in? It is open to the public and there is no admission charge. And no, George Walton is not in the book. And oh yeah, I’m one of the guest readers and so is Michael Dyet.

Crossing Limbo’s 13 stories cover the harder and darker side of life – greed, desire, ambition, loss, illness, death, and the driving quest to find purpose in a meaningless world.

Below is a sized-down version of the poster for Crossing Limbo.

Cheers.

Sharon

 

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The Credibility Factor in Fiction Writing

The second Beyond book.

We writers let our imaginations flow. We get creative and write outside the box. However, sometimes we go on tangents with our plots, and characters’ actions and dialogue, often resulting in going way off the credibility meter.  We don’t always see that, but our readers do.

And to make it more complicated – credibility can be relative. What is credible for fantasy may not be credible for mystery or romance – at least the plot. Character, no matter the genre, always need to be credible.

I’m not immune to this credibility tangent. Just ask my publisher. And read last week’s post here.

So, how do we get make sure our characters and plot are credible?

One thing I sometimes do is act out a scene. Can a character actually do this? No, I don’t jump off buildings – nothing extreme like that (I’m afraid of heights anyway.) But I do it to get the logistics of a character’s action. For example to see if a character could actually see something from a certain window? Or what it is like walking in heavy rain. Yes, you can use your imagination, but I bet you’ll forget some detail. So get out there and experience your scene. Hook yourself up to your cell phone  so if you have to talk like your character, you don’t risk strange looks from others you pass. If you are using present time and present location and not making any of that up, it might be a good idea to get the lay of the land as it is now for streets and crossings. You don’t want your characters crossing a street called Main Street today that last week was renamed to Markham Avenue.

Use a credibility meter for characters to decide on action or dialogue. (And remember, this might be done in a rewrite). Ask yourself how your character  would act or react- based on their traits, based on their background, based on their psyche, based on what has happened with and to them before in your novel. Would a timid character suddenly start arguing with someone who is clearly trying to get her goat? But remember, part of a novel’s premise is things change and that includes the characters. So if something happens to your character to bring about a change, maybe that character will finally tell that other character off. Don’t make it easy for him or her. It would be a struggle.

It also is a good idea to have your writing critiqued by a writing critique group – online and/or in person.

Remember, writers can have tunnel vision about their work. But other writers will look at it fresh and from other viewpoints.

That is taking your writing out of the box in another way.

Cheers.

Sharon A. Crawford

 

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Don’t Write the Same Old Same Old

The latest Beyond book in the series

The latest Beyond book in the series

When writing fiction, particularly mystery, thriller and suspense, don’t develop plots and characters that have been used before. Do readers really want another jaded police detective who is an alcoholic? How about yet another body found in a trunk?

Readers want to be surprised, entertained, and have something different. Those who like to try to figure out who done it and why like a challenge. If it is too easy, that won’t work.

Twists and turns in suspense, mystery and thriller novels work very well – provided they are different. And if you are writing a series, you need to write the unexpected even more so your readers don’t get too comfortable with your series characters. You want them to relate to the characters and develop a bond, but you have to shake them up with each book’s plot and characters.

Remember your characters need to be like real people – they can’t be stagnate. Throw them lots of curve balls and see how they act and react.

Some authors that are masters at this are Julia Spencer Fleming, Peter Robinson and Harlan Coben. The latter writes standalone mystery-suspense, while the former two write series mysteries. Spencer Fleming, for example throws a big curve with each book. Just as something seems to be sorted out between her two main characters – Rev. Clare Fergusson and Russ Van Alstyne –  right at the end of the novel, something happens that seems to come out of the blue.

But it is not really out of the blue – if you go back throughout the novel you will see events and what the characters are doing that make the unexpected logical. Some examples (without stating which novel) are when the priest and the cop finally get their relationship solidified, the priest who was previously in the armed forces and is now on reserve, is put on active duty outside the US. Right at the end of the book. Great hook to get the reader to read the next one in the series.

The reader knew Clare’s background here,so that wasn’t grabbed from the air. It was the timing.

And that’s what is important. Timing. In my Beyond novels, I build up the suspense with (among other things) a growing relationship between the main character PI Dana Bowman and Detective Sergeant Donald Fielding. Both are relationship shy – that isn’t too different. But how it evolves (or does it?) is different because of other things going on in the novel. The ending has a big twist.

This is the novel I’m still putting the finishing touches on for the publisher. So, I’m not going into more details. The previous and most recent one, Beyond Blood has a bit of a cliff hanger at the end – the premise here being, when a crime victim has been rescued, it may not all be rosy and comforting for them. In fact, it isn’t in real life.  I took that idea and left the reader wondering about a character’s dealing with after effects. The short story collection Beyond the Tripping Point has four stories featuring Dana Bowman and most of the rest of the Beyond gang. These stories take place the year after. And the current Beyond book is later that same year and the character is still suffering some after effects.

Unexpected events change people – how they live their lives afterwards.And that varies with each person. So, too, should your fiction.

Don’t be lazy and write the same old same old. Surprise your readers – but make it logical. That may sound like an oxymoron, but be creative.

And read what is already written to see what works, what surprises and what doesn’t. Read books by Julia Spencer Fleming, Peter Robinson and Harlan Coban, and yes my Beyond books too.

You can get more information about the Beyond books by clicking on the Beyond Blood icon at the top.

Cheers.

Sharon

 

 

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Working birthdays into your novels

The latest Beyond book in the series

The latest Beyond book in the series

Probably because today is my birthday it got me thinking about how to work in birthdays for your main fiction characters. Doing something different in the plot instead of just the character having a birthday party. Or in the case of the fraternal twin PIs Dana  Bowman and Bast Overture in the current Beyond mystery (which I’m still rewriting) who turn 40 in the book. I am avoiding the cliche throw a 40 surprise birthday party. I have also added in that their birthday is December 31 so we have New Year’s Eve as well. Double celebration here, but not just party- party – there are plot twists and revelations and I’ve put all this birthday/New Year’s Eve stuff at the end of the novel. And it is not only December 31, but December 31, 1999 so going into the new (then) 21st. century.  Bast is a computer geek so some of us will remember the big Y2K scare at that time. Yes, that’s involved but I’m not saying how.

What I am saying is there are ways to incorporate typical life happenings and events into your novel but be unique in your plot about it. Another example from this Beyond book is the pushing 40 syndrome, although in 2016 it might be “pushing 60” not 40. Remember my book set in late 1999. Yes, the twins have some anxiety about reaching the big 40, but it’s more than that as both have life intervening events that play a part in their angst. Especially Dana.

And I’m not saying what. Just a few tips to sum up how to incorporate normal life events into your fiction.

For specific holidays, have something different about them and I don ‘t meant just the location. Christmas is a big one. I jump from mid December to New Year’s Eve with just a sentence referencing Christmas in that chapter. While I love Christmas movies – olnd new – I think Christmas plots have been overdone, at least in film. “Different” is the key word here.

For characters birthdays, again, make it different and that can be done by tying it into the plot. Your character pushing 40, 50 or whatever, can help them decide to make a big change in their life – but what is the change? Depending on the genre, they might want to let their inner desires come to the surface and act on them. Use your imagination for what that can be.They might be so fed up with their life situation (which will be in your plot) they decide to disappear for good. Instead of telling your story from the other, main characters about after the character disappears, why not go with the disappearing character and what he or she is dealing with. Is it as he or she expected? Or different?

“Different” again is the key word here. You don’t want to write the same old, same old. So brainstorm. Let your mind wander. This often works best when you are doing something else. You know when you are trying to think of something (with me it is people’s names, a sure sign of getting old(er), don’t think about it and it will come to you.

Having said that, just the act of sitting at your computer and creating and getting in that well, creative – out-of-your-normal- world zone can also bring about some interesting and different plot ideas. Is your character directing this? Maybe. Sometimes I think Dana Bowman is in my head. She certainly thinks she is.

Happy and creative writing.

Cheers.

Sharon

And the  usual, click on the Beyond Blood graphic at the top to go to my author profile and books and where to purchase. Christmas is only 25 days away.

And I don’t have most of my Christmas decorations up. Too busy writing and editing.

 

 

 

 

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Dana Bowman and George Walton collide this evening

Dana Bowman

Dana Bowman

This evening Dana Bowman from my Beyond Blood novel and George Walton from Shane Joseph’s novel In the Shadow of the Conquistador meet and collide. It may be a collision all right as Shane and I have still to do an in-person rehearsal together. We have done a script of sorts for a skit-line – back and forth by email – and I have been practicing on my own, which is difficult when the other person is not there.And Skype isn’t exactly the best way to practice. But Shane is coming here a few hours early for us to practice..

Meantime, Dana Bowman, as you can see from her photo at the top is getting into high gear to do her snarky bratty thing. And George Walton? He better be ready. Those two – one from a mystery novel and one from a literary novel are both eccentric and powerful characters.And neither better forget their lines – even if not exact. It has to be somewhat spontaneous.

And hopefully this rain and wind storm won’t interfere with people coming to see this Urban Folk Art Salon and also the other performers arriving. (And water better not get into my basement.) Below  are more details for those in the area who wish to attend.

Also part of this two-hour salon are folksinger Brian Gladstone, poet Merle Amodeo, Ariel Balevi, Isaak Bonk, Ann Marie Boudreau and Mary Mllne with host poet/violinist Tom Gannon Hamilton.

The location, time, etc. details are:

Location:

Mount Pleasant Library

599 Mount Pleasant Rd. (between Davisville Rd. and Eglinton Ave. E.)

Toronto, Ontario, Canada

Free.

Below are photos of Sharon and Shane. Click on the photos to link to our respective websigtes. Sorry no photos of George…yet

sharonacrawford authorShane Joseph.

 

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Connecting with your fiction characters

The latest Beyond book in the series

The latest Beyond book in the series

The other night I had a dream about one of my main Beyond characters – the other fraternal twin, Bast Overture. I was in my house waiting for him to arrive here – not just in my head, but physically. Of course, as in most dreams of this type, I woke up before Bast arrived.

I’m not sure why I even dreamed about this as my mind lately has been overcrowded with computer and house repair problems. The former is all this Windows update nonsense with the changes in how and its slow checking for the actual updates and even downloading and installing them. Enough said about that. Perhaps Bast was there to remind me to get back to rewriting the third Beyond book this week. I haven’t done anything in it this week so far – not just for computer issues to deal with but also client work and this latter is fine with me.

But the weird thing about the dream is Bast is not the Beyond character I identify with – but his fraternal twin, Dana Bowman. No, Dana is not based on me, but as some of you know she is the one I channel (or the other way around if Dana has her way). She is the one I dress up as and “become” in comedy skits. Not Bast. Bast would be a little difficult for me to do unless I grew a beard (red in colour, too) and stood on stilts. Bast is 6 feet 3 inches tall to my 5 feet 1 inch.

And next Thursday, October 27 I will be again doing a Dana skit – this time with another novelist – Shane Joseph. We have a scenario where Dana and Shane’s main character, George Walton, from his latest novel In the Shadow of the Conquistador. Our novels occur in the same time frame mostly – the late 1990s, but that’s where similarities may end. Shane’s novel is literary and mine is mystery genre. But our characters can be pain in the you-know-what. Dana is an opinionated private investigator who likes to stick her nose in other people’s business and George is a philandering world traveller. But they do have something in common, at least Dana thinks so…until she meets up with George.

If you want to see and hear what happens, if you live in the Toronto, Canada area, check it out. We are part of the monthly Urban Folk Art Salon October 27 at the Mount Pleasant Library.

Also part of this two-hour salon are folksinger Brian Gladstone, poet Merle Amodeo, Ariel Balevi, Isaak Bonk, Ann Marie Boudreau and Mary Mllne with host poet/violinist Tom Gannon Hamilton.

The location, time, etc. details are:

Location:

Mount Pleasant Library

599 Mount Pleasant Rd. (between Davisville Rd. and Eglinton Ave. E.)

Toronto, Ontario, Canada

More info: 416-393-7737

Time and Date: 6.00 p.m. to 8.00 p.m., Thursday, Oct. 27, 2016

Free.

Below are photos of Dana Bowman and Shane Joseph. Sorry, I don’t have one of George Walton.

And click on the Beyond Blood icon at the top for more info about the book.

Cheers.

Sharon

Dana Bowman

Dana Bowman

Shane Joseph

Shane Joseph

 

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Being Dana – precautions when getting inside fiction characters

The latest Beyond book in the series

The latest Beyond book in the series

Dana Bowman is the main character in Beyond Blood. Because some of the novel is told from her viewpoint in first person singular, I get inside her head a lot. Of course, Dana thinks it is her getting inside my head.

Could be.

That’s where fiction authors have to be somewhat careful. How much of what your character thinks, does and says is him or her and how much is you? While it is true that some of our quirks rub off on our characters, they are distinct “people” at least between the book covers or in e-books, and in your head.

Add to all this head business is my comedy skits where I actually become Dana Bowman. Again, have to make sure I’m channelling her, not me and she talks and acts as Dana, not Sharon. I try to use the black wig as my changing point.Black wig on I’m Dana; black wig off I’m me. And no, I don’t wear the wig when I’m writing – or as I am doing now – rewriting the next Beyond book.

This brings up something else I’m having to deal with. Without going into a lot of details, Dana suffers some sort of injury in the latest book. What happens has not exactly happened to me – yet. So, besides doing the medical research, to understand better what Dana is going through, I went back (in my mind) to similar injuries I have suffered. How did I react? How did I feel right after it happened? Later? Injury consequences.

Earlier this summer I was at an open garden held by a member of my garden club. I had never been to her place before and because we were encouraged to walk all over the property outside, I entered the property by walking on the front lawn. After seeing the garden in the backyard, asking questions, and talking to the garden’s owner and other club members, I decided to return home.

This time I left by the normal route out front – used the cement walkway to the public sidewalk.

Except when I got to the end of the walkway I lost my footing and went flying forward, landing on my front on the hard cement sidewalk and injuring my knee – big wide cut, bleeding.

Shock, was what I felt. And anger – although the latter was not directed at the culprit – yet. Many people helped me up and one fellow lined up my purse and hat which had fallen off. Many (included the owner) brought out some first aid stuff and one couple drove me home (it was a 10 minute walk but I wanted to get antiseptic on my knee before putting on the gauze and band-aids to hold the gauze in place as soon as possible. I was deathly afraid of infection (because I had been bitten by flying ants a couple of summers ago and the areas did get infected). After the cleanup at home I headed over to the drugstore for more band-aids and gauze.

Later, like the next day, I began to re-direct my anger – at the homeowner. The step was deeper than a curbside step (from sidewalk to road) and unseen – no handrails, so unless you were familiar with the area you would not know the step was there. I wanted to report the homeowner’s negligence to the City – there is probably a bylaw for something like this. But I decided that if my injury didn’t become infected I wouldn’t do that, but would have a serious “chat” with the homeowner next time I see her. The injury didn’t become infected although at one point it looked like it might be and I rushed over to the walk-in medical clinic near my place. I haven’t yet talked to the property owner, because I haven’t made it to any garden club events since then.

How does that translate to Dana and her situation? Well, the fall part, the shock at it happening, the loss of control and the fear afterwards – that’s what I can draw on. The rest for Dana has to be different because she does not fall down an unseen step. Also she is 27 years younger than me, so “seniors and falls” doesn’t come into play.

What happened to me gives me some idea of something bad physically happening, something that is unexpected and how Dana could feel.

So, if you can pull something out of your life that occurred to get the feelings at least, it can help you get inside your character’s head when he or she has something bad happen that is similar.

Now I just have to contend with Dana’s chattering inside my head.

Who is really in control here?

If you want a look at Dana Bowman as I see her (and others when I do a comedy skit), her picture is below. For more info on her check out my website book page. You can see what I look like (on my good days) at the top of this blog

And you can check out my author profile at amazon by clicking on the Beyond Blood book cover at the top.

Cheers.

Sharon A. Crawford

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

 

 

 

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