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Sharon A. Crawford appears at Inspire Book Fair

13 Nov

Sharon_A_Crawford_Book_LaunchReading is the sole means by which we slip, involuntarily, often helplessly, into another’s skin, another’s voice, another’s soul.

  • Joyce Carol Oates

The first Inspire: the Toronto International Book Fair gets underway this evening. And I’m going to be doing double duty in appearances there – signing and selling books and reading from Beyond Blood. More on that shortly. But first a personal perspective about how an author prepares for these events.

My books – Beyond Blood and Beyond the Tripping Point are key and I don’t just mean to sell. That’s important too but so is engaging with my readers. Just sitting there with a bunch of books does not connect me with my readers. I need to talk to them. And I don’t just do a book promo speech. I ask them if they write and what they write. Do they read mystery fiction? Conversation is a two-way street.

When I actually do read I don’t just stand there and drone on from my book(s). First I give a little background about my story and the main characters. Then I read. I’m told my reading is like audio, like I’m right in my story. True. I channel each character who speaks, particularly six-year-old David Bowman, Dana Bowman’s son. I love talking like a child. Not sure what that says about me.

I also get right into the actions going on. Haven’t stabbed or shot anyone yet. (FYI the only gun I have is a small water gun and carrying around knives would be considered carrying a concealed weapon). But I’ll shake my manuscript when Dana is shaking her sketch pad at her brother Bast.

Yes, I said manuscript. Because here’s my deep dark secret. I have terrible eyesight (the bane of getting old), and although the font is large enough in my books, sometimes the lights are not bright enough. So I have a few pages of pumped-up font printed out and read from that.

You really wouldn’t want me to use a magnifying glass, would you? Although I do carry one of those around and it would be appropriate for crime fiction.

Back to the books – the big question is: how many do I bring? Which gets translated into: how many can I carry? I travel on public transit and many Toronto subway stations don’t have elevators or down escalators. If I get a ride it helps – if there is a parking lot nearby.

You also sometimes need to create an attractive display in a small space, i.e. prop up one copy of each book, have some bookmarks and other info, but not too much. You don’t want to overwhelm your readers.

So, while I prepare for this weekend at Inspire, the Toronto International Book Fair at Metro Toronto Convention Centre North Building, 255 Front Street West, http://www.torontobookfair.ca/

here are the details about my appearances:

Friday, November 14, 6 p.m. to 7 p.m.

Selling and signing copies of Beyond Blood and Beyond the Tripping Point at the Toronto Sisters in Crime Booth No. 1120 in the Marketplace Section.

Saturday, November 15, 4 p.m.

Reading from Beyond Blood at my publisher Blue Denim Press’s booth No. 1326 in the Marketplace. Afterward I’ll be there to talk to my readers and sign books.

Note: my publishers will be at that booth for the duration of the book fair.

Please join me there and engage in the conversation about your writing and/or reading.

And of course Beyond Blood and Beyond the Tripping Point.

And pass this info on – tweet about it, link to your blog, Facebook, etc.

Cheers.

 

Sharon A. Crawford

For those not in the Toronto, Canada area, you can click on my book covers below – they will lead you to my publisher Blue Denim Press’s website. Scroll down and you can see where Beyond Blood is currently available, including at www.bluedenimpress.com.

And check my website www.samcraw.com – click on Beyond Blood. I constantly update the gigs etc. on that page.

Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

 
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Posted by on November 13, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Plot and Characters, Short Story Collection, Writing Critique Groups

 

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They’re back – PIs Dana Bowman and Bast Overture in Beyond Blood

18 Sep
Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Ideally, I like to integrate the human issues into the suspense story itself.

  • Jeffery Deaver

 

As the book launch for my prequel mystery novel Beyond Blood is gearing up for October 19, 2014, Dana Bowman and her fraternal twin Bast Overture are back here on my blog post. So are some of the other characters carried over from their four linked short stories in Beyond the Tripping Point. The time is August 1998 and the scenarios coming up now and the next few weeks are supplements to Beyond Blood.

In this session, Dana and Bast are mulling over the opening of their Attic Investigative Agency upstairs in their house, when… well, you’ll have to read on here to see what happens.

Dana enters the Attic Investigative office where Bast is hunched over his computer.

Dana: Still sending out invitations for our open house reception? Or, do we already have some business?

Bast: No just emailing for some more publicity.

Dana (frowning): That’s what I’m concerned about.

Bast: Publicity? Thurston may be a large town but not everyone knows what everyone else is doing. Have to get the word out to get business.

Dana: Yes, I know and that’s what I mean. I really want to do this but I’m still having concerns about our location.

Bast: Dana, we’ve been over this before many times. We are centrally located, a few blocks in from Main St. in downtown Thurston. And having the business in our home keeps us close to David.

Dana: That’s it – close to David. He is a six-year old and I’m still not sure if the top floor of the house he lives in is safe for him. We will be dealing with criminal cases, probably interviewing some shady characters, and…

Bast (swings around to face his sister): Whoa! Hold on there Dana. The office is separate upstairs with a closed door. David will be downstairs or outside with one of us or Debbie when she comes over to babysit. Sometimes she’ll take him to her apartment, as she does now. And David will be in school full days starting next month.

Dana: I suppose. But I keep getting this funny feeling in my gut.

Bast: You’re just hungry. You need to eat more. You’re

Dana and Bast: too skinny.

Dana: Let’s leave my weight out of it.

Bast: You are under 100 pounds.

Dana: I’m also under 5 feet short. No, food won’t remove that gut feeling.

Bast: We have an alarm for the office.

Dana: Yeah, but you haven’t tested it yet have you?

Bast: No. All right. I’ll do it now.

Bast goes over to the alarm, sets it, leaves the office, and returns.

The sounds of silence fills the office air.

Dana: See what I mean.

Bast: All right. All right. I’ll call the alarm company.

He has just done so when loud footsteps are heard on the stairs and two figures rush into the office.

The sound of the alarm vibrates inside the office. Both Dana and Bast jump up.

Dana: What are you two doing here?

 

Stay tuned for next Thursday’s blog post to find out just who did rush into the room and why.

Meantime check out my books. The book at the top of this blog post links to Amazon. Click on Sharon A Crawford for my profile.

For those of us with Kobo’s, here is that link for the e-pub version. http://store.kobobooks.com/en-CA/ebook/beyond-blood-1 And check out my updated web page at www.samcraw.com and click on Beyond Blood. Still more updates on my reading gigs to be added as I get them.

 
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Posted by on September 18, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Interviewing fictional characters, Plot and Characters, Writing

 

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Beyond Blood my mystery novel debuts amid promo frenzy

28 Aug
Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Publishing is a business. Writing may be art, but publishing, when all is said and done, comes down to dollars.

  • Nicholas Sparks

 

 

My first mystery novel Beyond Blood is making its debut in the e-copies on amazon.com and Kobo now – early. I am still frantically doing all the pre-book launch PR and wishing I had a clone or astral body to do some of the work.

Not that I mind – I love doing the PR but my two-week holiday earlier this month probably wasn’t a good idea time-wise. However, I did do some promo during my vacation– lining up possible reading gigs for Beyond Blood in southwestern Ontario and telling my cousins – “you’ll get an invite for the book launch once the details are finalized.”

Well, after all the other promo that comes before is done. And yes, I do have a marketing plan. Finding the time to do all that is on it for pre-book launch is the challenge. Too much else going on but I am trying to prioritize. Whatever can wait goes on hold on the back burner. That includes answering some email and even some client work. For the latter I am focusing on one editing client’s manuscript evaluation because the deadline is the end of next week.

But I am so happy that my fraternal twin characters – Dana Bowman and Bast Overture are back. Some of you may remember them from the four linked stories in Beyond the Tripping Point. Or from the series of Dana interviews on this blog a few months ago. Beyond Blood’s story is actually the prequel to the four linked stories.

Watch for Dana and Bast. They will be returning here in these blog posts soon.

Meantime, check out the book. The book at the top of this blog post links to amazon.com and for those of us with Kobo’s, here is that link for the e-pub version. http://store.kobobooks.com/en-CA/ebook/beyond-blood-1 And when I (finally) get my amazon profile and web page updated I’ll give you the links to them.

Print version of Beyond Blood is coming out soon.

Cheers.

 

Sharon A. Crawford

 
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Posted by on August 28, 2014 in Beyond Blood, Blue Denim Press, Fiction Characters, Sharon A. Crawford

 

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Authors – read from your book or chat too?

21 Aug
Cover of Sharon A. Crawford's mystery short story collection

Cover of Sharon A. Crawford’s mystery short story collection

“Be awesome! Be a book nut!” — Dr. Seuss

While touring around southwestern Ontario, Canada  to promote my upcoming mystery novel Beyond Blood, I ran into opposite takes on how the author should present his or her new novel in person to readers.

A bookstore owner who wants me (and a few other Crime Writers of Canada authors) to read in his bookstore this fall or early spring said authors need to do more than just read. People no longer want to sit through an author only reading from her published book. I agreed and said my publisher had told me – not more than 10 minutes of reading or the audience starts fidgeting. I explained that what crime fiction and non-fiction authors have been doing is interviews – either myself or Nate, the CWC Ontario Regional Director who organizes these readings (some with my help), interviews the other authors presenting and we get one of them to interview us. Interviewing yourself is not cool or hot or even lukewarm.

I added that some of us are or were journalists so there is the contrast there and how we switched to writing about crime – fiction or fact. And we open it to the audience for a Q and A. He was enthusiastic about that.

Then, one of my readers told me she would rather have the author read from his or her book rather than talk about it or about their writing.

Hm. This is maybe less work for the author. But I still think anything that will get the author to interact with her audience and provide some insight on where her characters come from, adds to the interest. That is what has been my experience in the Q and A – even when we do reveal something about our writing and our characters.

Maybe the latter also whets the reader’s appetite.

So, the answer may be to blend in the reading with the back story and a Q and A.

And sell some books, of course.

Cheers.

Sharon A. Crawford

You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html And keep checking http://samcraw.com/Articles/BeyondBlood.html for the latest news on the release of my first mystery novel Beyond Blood, also published by Blue Denim Press http://www.bluedenimpress.com More info on the Beyond Blood page as we get closer to the date. And remember that clicking on the book icon at the top gets you to my Amazon profile.

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

 
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Posted by on August 21, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Plot and Characters, Sharon A. Crawford, Writing

 

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Your life in fiction?

14 Aug
amazon.comlink to Sharon A. Crawford's mystery short story collection

amazon.comlink to Sharon A. Crawford’s mystery short story collection

If you have other things in your life—family, friends, good productive day work—these can interact with your writing and the sum will be all the richer.

  • David Brin

 

How much of your life do you put into your fiction? What do your favourite fiction authors do? It is supposed to be fiction after all.

But life creeps in – sometimes a barely-concealed fact turned into fiction – usually because the story is too painful to the author or she is afraid to put herself into a real-life story with all the people who did her wrong or are, well, scoundrels. Then there is the fear of retribution or the desire to tell her story but keep herself out of it. My personal opinion here is to write it as a memoir and use pseudonyms (and state you are doing so). That’s what I’m doing – but that’s another story.

So that leaves us with what can you put from your life into fiction and how can you do it?

Disclaimer here: this is my opinion from my experience. It is not the only way to go about it and some of you may think I cross some lines between fact and fiction.

Here are a few instances from my short story collection Beyond the Tripping Point and my soon-to-be-published first mystery novel Beyond Blood.

In “No Breaks” (BTTP) two female friends are driving to one woman’s family cottage and on the way the car’s main brakes fail. In my life I once did ride with a friend up to her mother’s cottage and on the way her brakes failed. Except for the way my friend managed to get us up to the cottage (she had a few driving tricks up her sleeve), the two friends, Millie and Jessie, in “No Breaks” are completely different from my friend and me. The storyline in “No Breaks” also gets somewhat sinister and crimes are committed (it is mystery fiction). And the title is not spelled incorrectly as the main character in the story feels life has treated her very badly and so she has had “no breaks” in life – and that includes the trip to the cottage. Even when she tries to give herself some breaks it doesn’t exactly work out as she planned. As many of us do, sometimes I feel as if I am getting a lot of bad breaks in life – but there are good things happening too. Millie doesn’t feel that way about her life.

So how did I go from some facts to fiction? I took this scenario in my life and pulled out relevant parts that I thought could be the root for a story. Then I used my imagination to develop my plot and characters.

In Beyond Blood I take so many things from life – not just mine – and fictionalize them into the mystery. One of the threads running through the story is something many mothers can relate to – the working mother and how she balances raising her child(ren) and doing her job. Dana Bowman, one of the fraternal twins is a private investigator and she is always concerned that she doesn’t give enough of her time to her son, David, yet she has to work and she chooses to work with her twin brother in something she is interested in. It doesn’t help that Great Aunt Doris disapproves of Dana working and chastises her constantly for it – another thing working mom’s have to deal with, although it might be a mother-in-law. So when something happens to David, Dana is really in conflict – should she be “working on the case” (Note: I don’t want to give away some of the plot) or just spend her time being mom. Also the twins are in their late 30’s, David is six years old, and Dana is divorced – more fodder to connect to today’s working moms who are having children into their 30s and even 40s. I don’t think Dana would resonate with readers as much if she was in her 20s. (And I have been told by several readers that they like Dana and Bast, too)

So how did I get from fact to fiction here? David did come from the fact that I have a son and am divorced (although he was much younger than his 36 years and my ex and I were separated, not divorced, when Beyond Blood was first conceived in my head and I started writing it.) Yes, it has been a long haul of on and off writing because I had to make my living as a single mother of one son. Not as a PI but as a freelance writer, book editor and writing instructor. The direction I take with all of those have changed and I do less editing and more teaching, but it is doing something I enjoy.

Which Dana was doing with her twin Bast when they opened their investigative agency on the attic floor of their house. Then thing started happening and…

But that would be a spoiler. You’ll have to read Beyond Blood when it comes out. Stay tuned here and my other social media – I will be posting as soon as I get more details about the book launch.

 

 

Sharon A. Crawford

 

You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html And keep checking http://samcraw.com/Articles/BeyondBlood.html for the latest news on the release of my first mystery novel Beyond Blood, also published by Blue Denim Press http://www.bluedenimpress.com More info on the Beyond Blood page as we get closer to the date. And remember that clicking on the book icon at the top gets you to my Amazon profile.

 

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

 
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Posted by on August 14, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Credible Fiction Characters, Plot and Characters, Sharon A. Crawford

 

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Some thoughts on marketing your published book

31 Jul
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

Almost anyone can be an author; the business is to collect money and fame from this state of being.
– A.A. Milne
–
The book cover for my new mystery novel Beyond Blood is about ready for print. Shane the editor at my publisher’s (Blue Denim Press) and I have been to-ing and fro-ing by email to proofread the cover, mainly the back page info. I think we got the last comma squared away. Whew!

And the cover is awesome and reflects the book’s title and content. When Shane emails me the actual cover in a smaller size, I will post it on this blog.

Meantime I continue on the pre-book launch PR. I also have to consider the other mystery novelist (first novel for both of us) being published by Blue Denim Press – Klaus Jakelski, a medical doctor and author of the medical mystery Dead Wrong. Ironically, Klaus is one of my editing clients although except for providing Blue Denim Press’s contact info, I had nothing to do with his book getting accepted by them. But Klaus and I will be doing some of the PR together.

There are many, many ways an author can publicize his or her book. My publisher is doing some PR (Shane sent me a list, including what we authors can do). However, I have learned much from my PR efforts with my debut mystery short story collection Beyond the Tripping Point.

1. You need a marketing plan as I found out when trying to book a gig reading Beyond the Tripping Point (before it came out) at a bookstore in Waterloo, Ontario. The store manager wanted to see my marketing plan first.
2. You need to organize your marketing plan to suit you. I tried doing it by category (i.e. book launch, writing organizations, etc.) first in a Word Table and then a colleague set it up in Excel. Too confusing. For yet another possible marketing venture, I had to list my Marketing plan by the month. That one works best for me. Under each month I list what I will do by – you guessed it – category. The list meshes social media, email and in-person. And it is always in flux and open to additions – some of which my publisher emails me.

What else have I learned from the PR I did for BTTP?
1. A combination of social media, email and in-person appearances/readings,workshops and lots of book reviews is the way to go. Despite this digital age, author appearances reading should not be excluded. People still like to connect in person with authors.
2. E-mail PR can still work and can be segued into social media and result in book sales.
4. Videos of author reading (short) and interviews (shortish) are also draws if posted on You Tube and all your other social media.
5. Blogging, including blog tours, with connections to amazon.com, etc. and other social media works.
6. A book page on the now old-fashioned website. I have one for Beyond the Tripping Point and have started one for Beyond Blood at http://www.samcraw.com. You can list your author gigs, including blog tours and other relevant info. Just keep it short and use links where possible.

 

What new strategies I need to use with Beyond Blood:

Among others – book trailer, using my social media much more, getting more book reviews, visiting more bricks and mortar bookstores for readings (with or without other Crime Writers of Canada authors) and getting more TV interviews and maybe a radio one, and the DVD copies of the interviews to put up on You Tube, etc. (with my son, Martin, the computer expert’s help), and using a tagline for all of this (for Beyond Blood and Klaus’s Dead Wrong it is Blue Murder, a play on words for the publisher’s name. Shane from Blue Denim Press came up with that one.

It’s almost a full-time job, but as I posted a few weeks ago in https://sharonacrawfordauthor.com/2014/07/10/juggling-time-to-publicize-first-novel-and-write-second-novel/

I do other writing, teaching and editing. It boils down to being organized and picking my battles for all the other stuff in my life that goes wrong. Like the bank (i.e. one of their tellers) paying my property tax money into the city utility (water and waste) account by mistake, so I get a big fine for “non-payment” of property taxes. The bank manager is supposed to be fixing that and seemed very interested if I knew which teller was responsible, so I hope they nail her. She should be paying my fine.

And if any of my readers use other PR strategies for their published books (whether Indie or traditional publisher), please comment.

Meantime, back to the PR for Beyond Blood.

Cheers.

Sharon A. Crawford

You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html And keep checking http://samcraw.com/Articles/BeyondBlood.html for the latest news on the release of my first mystery novel Beyond Blood, also published by Blue Denim Press http://www.bluedenimpress.com More info on the Beyond Blood page as we get closer to the date. And remember that clicking on the book icon at the top gets you to my Amazon profile.

 
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Posted by on July 31, 2014 in Beyond Blood, Beyond the Tripping Point, Blog Tours and Guest Blogging, Blue Denim Press, Book Reviews, Sharon A. Crawford, Uncategorized, Writing

 

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Get motivated to write that novel or short story.

24 Jul

I

Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

It is by sitting down to write every morning that one becomes a writer.
—Gerald Brenan

 

You want to start writing that novel but can’t seem to find the time. The kids need ferrying to their soccer games; you have to clean out the garage, and hey you are going on holidays in a couple of weeks and need to plan your itinerary. Or you are beyond hooked on social media.

Meantime that novel sits either deadlocked at Chapter 3 or the novel plot and characters are scurrying around you mind faster than mice in your house.

What do you do? Who do you call?

You need someone to help get you motivated to write. You can get another writer friend who can empathize with your predicament, join a writing critique group. Or hire a writing consultant.

I briefly mentioned in last week’s post that I coach clients in writing. But what exactly does that mean? What exactly do I do?

First I talk to the client (either in person or by Skype or regular phone) to see where they are at (or not at) with their novel, short story, or memoir. We talk about their goals and if that is nebulous we try to get the goals more concrete. I present suggestions for working with them – in person or via Skype or a combination of both.

So, what exactly can happen during the consult?

If the author hasn’t actually started writing, we discuss an outline for our time together based on their story outline. I may get them to write a synopsis of their novel just to nail it down. The next step depends on the client. With one client we brainstormed ideas for each chapter and she took notes. Then she went home, wrote the chapter, maybe with a revision, and emailed that chapter to me to look over before our next consult.

At this meeting, we first went through this chapter with me making suggestions, which we discussed and then she made notes to do so (if the client brings his or her laptop or iPad, he or she can make the changes right then). The rest of the session we brainstormed for her next chapter. And then the process was repeated as we did with her previous chapter.

Another client is well into her manuscript and just needs feedback on what she has written. We work either in person or with Skype. She emails me the chapter she is working on (often a few hours before our appointment) and I look it over. When she is “here” she looks at her copy on her laptop and I look at it on my computer. She gives me a brief synopsis of where this chapter will fit in her book (it is non-fiction), what it focuses on and what she hopes to accomplish with this chapter. I make suggestions and ask questions about the content. Often I will suggest moving something up for the beginning, rewording the beginning or the middle, clarifying different things, adding different things, etc. As we talk, she is making the changes or making note of changes to make if it will take some time to do so (for example, if she has to check her research or do more research). Once we are done with the chapter, if there is still time in our hour together, she might go into what she will be working on next in the book.

The fiction-writing client and I met once a week. The non-fiction-writing client and I meet twice a month. Sure, there is a fee, but the feedback I get from my clients is that it is worth it for them to get going at their writing.

These writing sessions establish regularity in writing and because the author also has to write outside the sessions, a few meetings may be all she needs before she embarks on writing that novel, that memoir, that short story collection, without someone on her case. I see where these sessions also help the writer gain some self-confidence that she can actually do this, and actually write something. The latter ties in with the writing critique part.

So, if you don’t want to hire someone to coach you in your writing, join a writing critique group – it will motivate you to write if you have to produce something for critique every couple of weeks.

 

Sharon A. Crawford

 

You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html And keep checking http://samcraw.com/Articles/BeyondBlood.html for the latest news on the release of my first mystery novel Beyond Blood, also published by Blue Denim Press http://www.bluedenimpress.com More info on the Beyond Blood page as we get closer to the date. And remember that clicking on the book icon at the top gets you to my Amazon profile.

 

 
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Posted by on July 24, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Plot and Characters, Sharon A. Crawford, Uncategorized, Unlock Writer's block, Writing, Writing Time

 

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Author Editor Relationship – keep it professional and respectful

17 Jul
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

Your editor is not your ninth grade English teacher (at least I hope not) and is not there to rap your knuckles for forgetting some arcane rule. Editors are professionals who are accustomed to interacting with authors in a mutually respectful relationship.

– Dick Margulis (Editor)
http://www.intelligentediting.com/editorauthorrelationship.aspx

We authors need editors to edit our fiction because we are too subjective with our stories. A fresh pair of eyes and brain can see what our tunnel vision misses. However, many authors have tunnel vision in how they deal with their editor. Sadly, so do editors with their authors.

I should know as I work both sides of the fence as a writer and an editor. And I also teach writing and coach clients in writing. And balancing on that fence (not barbed wire, although sometimes it feels like it), I have seen some strange situations. So, from my personal experience, here are a few tips (with a few weird anecdotes) to help smooth your relationship with your editor.

1. Be professional. You are hiring the editor to evaluate and edit your writing. So no prima donna activities such as insisting the editor can edit but must not change one comma.

2. Realize that editing takes time. You are not going to get a good edit in a few days or a few weeks – even if the editor works 18/7.

3. Realize that editing costs money. Editors do not all charge the same rates. I once had an author include me in his extended fishing expedition to find an editor. He was looking for dirt cheap for editing his book-length manuscript. He told me some of his “contacts” charged as low as $300 and I charged the highest. He didn’t go with me, but I wonder which editor he chose. You get what you pay for. However, it is a good idea to check out a few editors.
4. Choose an editor who actually edits in your genre. I do decline work in some areas I don’t edit in (children’s books and erotica to name a couple, but I do edit young adult books. The first one is not in my area of editing expertise – I don’t have the mindset here and the second I just prefer not to edit). But I will sometimes take on other areas I seldom edit in. Maybe the story interests me or maybe I want to help the author. Or maybe the publisher is my client and the author is the publisher’s client.

5. Both editor and author need to be somewhat flexible with time. As they say, stuff happens and the editor might get behind. Ditto the author when he or she has to answer questions about unclear novel content or make changes. (Note: the author is the copyright owner of the novel, not the editor, so if there are major structural changes I suggest them, especially if I am evaluating, not editing, the manuscript).

6. More on time: don’t bombard your editor with constant emails asking how it is going or worse, sending unasked for changes in your novel for the editor to add in while the editor is still editing. I had a client do the latter, but she found it difficult to follow my requests to please source the references she quoted from.

7. There should always be a contract, or at least a written agreement, between editor and author. This keeps both on track re the editor’s tasks, time-lines, fees, etc. I use the contract suggested by the Editors’ Association of Canada.

8.  For the editors – when editing or evaluating a manuscript, do not be sarcastic. Be honest but polite. Keep it professional. Do not play school marm. You are there to help the writer not wave the big stick.

9. And here is the latest bug-a-boo. If you have made an appointment to meet with an editor before hiring him or her, keep the appointment or at least treat it like you would any other business appointment – if you have to cancel, contact the editor and reschedule. The same goes for editors. I had a would-be-client on a constant change-the-time-and-date spree. He would phone up and ask to do so. That would be okay once. Stuff happens. But when the would-be client agreed to a certain time-change and then changed it to something else without telling the editor… Or one and a half hour after the appointment the author called and said he got tied up and could he come to my home office now? You can imagine my answer to that one. On the other hand, people get sick and have family emergencies. One writing client I tutor has medical issues and I respect that. We work around them. I do not dump clients or refuse clients because of health issues; I have enough of my own to work around

I could go on and on but you get the gist.

An author-editor relationship is a business one. Both should be professional in their dealings with the other.

Cheers.

Sharon A. Crawford

You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html And keep checking http://samcraw.com/Articles/BeyondBlood.html for the latest news on the release of my first mystery novel Beyond Blood, also published by Blue Denim Press http://www.bluedenimpress.com More info on the Beyond Blood page as we get closer to the date.

 
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Posted by on July 17, 2014 in Beyond Blood, Beyond the Tripping Point, Sharon A. Crawford, Writing

 

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Writing fiction as a diversion from problems

03 Jul
Amazon.com link to Sharon A.'s short story collection

Amazon.com link to Sharon A.’s short story collection

Writing is a struggle against silence.

– Carlos Fuentes
Many writers freeze up when overloaded with problems or buried in deep depression. You don’t have to and I’m living proof.

When I was depressed for a number of years, writing was my main hold on life. The depression started as post-partum blues in the late 1970s and escalated to full-blown depression.

Disclaimer here: the psychiatrist diagnosed it as reactionary depression and some high anxiety. In other words outside events caused me to feel depressed. So, perhaps the type of depression had something to do with my ability to keep on writing. I also had a regular freelance writing gig, doing a weekly column and feature articles for one of the local newspapers. And I had a son to raise. Those were the two responsibilities that I focused on.

Not to say I didn’t fall off the wagon. But that’s another story.

I haven’t been depressed for years but I still have the high anxiety – a regular fallout from outside events. Instead of depression, I get angry. But anger makes me get going and accomplishing things. Including writing, particularly fiction.

So, how can you use your fiction writing as at least a distraction from your problems and/or your depression? Let me illustrate the ways.

1. Instead of writer’s block when you turn on your computer, write. Start by writing where the fear, where the anger is and where it leads you. This is called freefall writing. That will open up your creative juices to get to No. 2. Or you may be able to skip No. 1.

2. Start a new short story or novel chapter – or work on one already started. Force yourself to start writing. It may take a few go’s, but once you get into it, you become absorbed in what you are writing. Your characters and their concerns will fill your mind and you will connect to them so much that your problems will go behind the back burner of your mind.
3. If you want to do something about the problem, for example if someone is causing you grief and you are stymied about a solution, then write a short story loosely based on the problem. Or do as I did in one of my stories in Beyond the Tripping Point – put the infuriating person in your life into your story. And don’t make them a nice person. This particular relative had been giving me grief about something I had put in the original version of my memoir. I was so upset I wasn’t going to let her off the hook. So I used her essence, i.e., her age and appearance for one of the characters in that short story (“Gone Missing,” if you really want to know). I even had the character working in the same type of “industry” but in another capacity. And here is the crème de la crème – that character was one of the suspects who turned out to be very bad. I often mention this in my talks and readings from Beyond the Tripping Point, with the added comment, “You don’t want to tick me off.”

4. Keep a journal. Yes, I know journaling about your problems on a daily basis is nothing new. But how about doing a twist on that. Use the fiction writing angle. One way is to write the daily postings from the point of view of one of the characters in your short stories or novel. Get inside your character’s head. How would this character see and handle the problem and/or problem person? Or better still, skip your goody-two-shoes character and use a nasty one. How would your nasty character see the problem and handle it?
Using the above, you might find a possible solution to your problem. Or you might get more insight into your characters and write more fiction. At the very least, you have found a creative way, an all encompassing way, to distract you for some time from the misery in your life.
And that’s not just good for your writing; it is also good for your health.
You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com.

More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html And keep checking http://samcraw.com/Articles/BeyondBlood.html for the latest news on the release of my first mystery novel Beyond Blood, also published by Blue Denim Press http://www.bluedenimpress.com More info on the Beyond Blood page as we get closer to the date.

Cheers.

Sharon A. Crawford

 
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Posted by on July 3, 2014 in Beyond the Tripping Point, Freefall Writing, Plot and Characters, Sharon A. Crawford, Writer's Block, Writing to solve real life problems

 

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Proofread your writing – always

19 Jun
Click on the book cover to go to amazon.com

Click on the book cover to go to amazon.com

Imagine that everything you are typing is being read by the person you are applying to for your first job. Imagine that it’s all going to be seen by your parents and your grandparents and your grandchildren as well.
– Tim Berners-Lee

The manuscript of my first mystery novel Beyond Blood came back again for more proofreading. I didn’t complain but got right down to doing another proofreading. As a former proofreader for a legal publishing company for seven years in the 1990s I know the importance of many proofreads of a manuscript by several readers. Even the same readers having another crack at it.

Because the old eyes don’t always catch something the first go-round. And what one person doesn’t catch another person can. It is not something to be lazy about if you want your published novel to be nearly perfect.

I say “nearly perfect” because nobody is 100 per cent perfect. But you have to aim high or you might be embarrassed what gets published. True, with electronic publishing there is room for some changes later on. But most trade publishers publish both e-copies and print copies and it’s the latter which can land the author in hot water. Readers for the most part tend to be smart and will catch errors. However, it is the author they usually go after. Maybe the author is at fault, maybe not. But, if enough pairs of eyes haven’t proofread the manuscript several times, it really doesn’t matter who is to blame. The error is there.

Back in the days of my proofreading for the legal publishing company, a few things did slip through to print. We were reading from the galleys, often from manuscripts scanned and then printed out for proofing. In those days of the early scan, sometimes weird things came out. One (and this one was not from a manuscript I was proofing) was “the Crown Attorney” as “the Clown Attorney.” It wasn’t caught. As you can imagine that didn’t go over very well with the president and other big wigs in the company, not to mention the “Crown Attorney” himself or herself.

And my current manuscript?
Most of the snafus are apostrophes and backward quotation marks with a few mea culpa’s thrown in. I mean you would think that I, a “child” of the late 1950s and 1960s would know how to spell the late singer Bobby Darin’s name and his big hit “Mack the Knife.” I came out with Bobby Darrin and Mac the Knife. I caught it on this last round of proofreading. It doesn’t help that I know why I goofed. There is also a singer (still living) from the same era – James Darren (hence the two r’s) and some of you younger readers may remember him better as an actor on TV series such as T.J. Hooker (William Shatner and Heather Locklear also starred), The Time Tunnel, and Star Trek: Deep Space Nine. The Mac error comes from the more common spelling of Mac. I have to list all these proofreading errors in a separate sheet for my editor at the publisher’s to fix as he has done some formatting on the manuscript. Any that were my spelling errors like in this Darin case, and content errors (I also had one character sitting in a chair and a few paragraphs down she got up from the chesterfield), I have put “Mea Culpa” in brackets after it.

Proofreading your writing-in-progress before even submitting it is a very good idea. Editors of magazines and publishing houses, as well as agents, are turned off by a lot of typos and actual miss-spellings in a manuscript.

Happy writing and proofreading.

 

You can read about my characters and their stories in my short story collection Beyond the Tripping Point (Blue Denim Press, 2012). Click on the book at the top and it takes you to Sharon A. Crawford’s profile – including book reviews – at http://www.amazon.com. The book is available there in print and Kindle. For Kobo e-book go to http://store.kobobooks.com/en-CA/ebook/beyond-the-tripping-point or go to any bricks and mortar store and order in a print copy.
More info on Sharon A.’s upcoming gigs, workshops, guest blog posts, etc. at http://www.samcraw.com/Articles/BeyondtheTrippingPoint.html

Cheers.

Sharon A. Crawford

 

 
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Posted by on June 19, 2014 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Plot and Characters, Sharon A. Crawford, Writing

 

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