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Category Archives: Writing

Author reading calm after the storm

The latest Beyond book in the series

The latest Beyond book in the series

To continue with last week’s post about the East End Writers’ Group meeting amidst a thunderstorm, my author reading the next evening at another library branch – the Mount Pleasant library branch – went well. In fact the whole Thursday evening of this Urban Art and Folk Salon was something special for all of us. I call it the calm after Wednesday evening’s storm because it was a delightful evening and despite the usual pre-presentation nerves, very enjoyable.

I left in lots of time to allow for public transit screw-ups. Tthere was one delay when I was switching subway lines. Trains were holding because somebody who shouldn’t have been on the tracks was, at another subway station. The TTC kept us informed about subway service and I boarded about the third train that arrived when the train service resumed. When I transferred to a bus, I chatted with a woman who was actually on one of the subway trains that was stopped. She said that everything (including air conditioning and I presume lights) was turned off while they sat. That seems unusual as anytime I’ve been in a train stopped for whatever reason, things were not turned off.

But after this little glitch, everything got better. I sat on a park bench by a school yard and had my sandwich and fruit and took a slow walk the four blocks up to the library, arriving in plenty of time for the 6 p.m. start to the Salon. And what a Salon it was. Lots of musicians, mostly folk who are really good with playing guitar and singing, two poets, and me reading about murder and mayhem. But I read it like it was a play performance – two short story excerpts from Beyond the Tripping Point and the beginning of Beyond Blood. Tom Gannon Hamilton, one of the poets reading and also the host and organizer of these monthly Salons, is also a violinist and he accompanied the other musicians on his violin. The library supplied snacks and at the break I met some new people and re-connected with some “old” (as in those I had met before, not necessarily age).

It was truly a wonderful evening and made up for all the nonsense from the night before. And I notice from the information online that the S. Walter Stewart Library branch where my East End Writers’ Group meets still has the children’s department downstairs closed until further notice due to flooding. I am always outraged and saddened when flooding of buildings – libraries, peoples’ homes, etc. occurs. Most of the time it is from severe weather.

But don’t get me on that topic. I cover it in my personal blog Only Child Writes – in several postings from time to time.

And as usual if you click on the Beyond Blood book cover at the top, it will connect to you my amazon author profile.

Cheers.

Sharon A. Crawford

 

 

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Preparing for author reading amidst aftermath of severe storm etc.

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

You would think as an author I could focus on just the preparation for my reading this evening as part of the Urban Folk Art Salon at the Mount Pleasant Library. But I’m dealing with too many snafus and bad happenings – yesterday’s, ongoing ones, and possibly a somewhat repeat this evening of the one last evening.

Last evening my East End Writers’ Group had its usual almost monthly writing critique at the S. Walter Stewart Library. But we had a severe thunderstorm – actually the heavy rain was the severe part with flash flooding including in the library basement where we meet – we had to go to higher ground and I let everyone out early because I was worried about some water getting in my basement. Yes, some did although with all the towels etc. I had down it was more damp in places in the laundry room. I’ll be going into all this flooding business in my post on my other more personal blog Only Child Writes next Tuesday. For now suffice to say, I got soaked going to the library (despite wearing rain gear) and my running shoes got soaked inside despite spraying them earlier in the day with water repellant.The shoes are outside in the sun now in the hopes that they dry in a few hours. Because…

We may get another round of these thunderstorms with heavy rainfall later this afternoon going into the evening. The Weather Network calls it a risk of a thunderstorm. Just what I need when I have to head out to yet another library for this Urban Folk Art Salon. This time I gave house keys to a neighbour who also has had (now fixed in his case) basement flooding so he should know what to do. Now I just have to get out and there staying dry and get back home again. And enjoy myself the whole evening.

There is more to this why my basement still floods story, but that will also be in the Only Child Writes post next Tuesday.

The other situation I’m still dealing with is trying to get the rest of the payment for a writing course I taught last month. The cheque for two sessions arrived on Tuesday – late. It seems to be too many layers of departments involved and it doesn’t help that my signed contract got lost by the middle-department – that’s the cheque I’m still waiting for.

Such are the woes of the writer. Now I better do one more round of practicing for tonight.

Meantime you can check out the details of this evening’s Urban Folk Art Salon on my author blog post last Thursday or for a shorter version on my Gigs and Blog Tours page here.

And as usual if you click on the Beyond Book cover at the top, it will take you to my Amazon author page.

Wish me luck later today and this evening. And if you are in the area in Toronto this evening, drop in. At least the program room is upstairs on the second floor, so hopefully all will go well.

Cheers.

Sharon

 

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Using real life in your fiction – more info

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

A writer friend recently told me that I was one of the strongest people she knows and then she referenced that I raised my son as a single parent.

Once I got over the shock (I seem to live my life in worry and fear lately but I am very vocal and get after people and organizations that mess up my life), I started thinking that this may have a lot to do with the family situation I created in my novel Beyond Blood.

My main character, PI Dana Bowman has a seven-year old son, David. She is also divorced, so a single mom.

In my life, I do have a son whom I raised as a single mom. But I did have help from my ex-husband. Dana gets no help from her ex, Ron, but she and David live with her fraternal twin brother, Bast Overture, also a PI.

My son was a young child in the 1980s while Beyond Blood is set in 1998. But subconsciously I guess some of raising my son rubbed off. But there are several differences besides the time frame. Dana is much more outspoken than I was back then and she ventures where another character Great Aunt Doris says she shouldn’t because she is a mother. Aunt Doris says Dana shouldn’t be working as a private investigator and chasing after bad people also because it’s not safe for David.

Unfortunately, it turns out Aunt Doris is right here because David is kidnapped. But that puts Dana in the double-bind of being the PI to find her son and being his mother. That creates a lot of character conflict which influences the plot. And that is pure imagination. My son was never kidnapped. The closest he came to “disappearing” was when he was four years old. I couldn’t find him anywhere in the house (and yes, I was home at the time) or outside – at first. Then I looked a little closer in the big backyard. Yup! There he was, crouched down in the grass and playing with his toys.

My point here is you can use some situations and even characters loosely in your novels and short stories. But you have to fictionalize it all. Just think “trigger point” and use your imagination from there.

Maybe living my life in fear (balanced by being very outspoken and yes, I admit, sometimes grumpy) has spawned something good. Because Dana’s family situation continued in the four linked short stories in Beyond the Tripping Point and in the current Beyond novel I am currently rewriting.

Cheers.

Sharon A. Crawford

And as usual, if you click on the book cover at the top it takes you to my amazon profile and my two Beyond books

 

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Insights on Author presentations and readings

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Last evening’s East End Writers’ Group presentation on Making Your Short Stories Sparkle and Sell drew a full house of authors and readers (some are both) at the S.Walter Stewart Library Branch in Toronto, Canada. Rosemary McCracken, Madeline Harris-Callway and I got everyone involved in why and how we write and that included lots of questions from the audience. We had a real dialogue of sharing information and stories on writing fiction and getting it published.

And then Rosemary reminded us all that we should each read from one of our books. I had forgotten all about reading as I was so engrossed in the conversations we were all having.

Just as well Rosemary got the reading ball rolling. Because afterwards, a fellow in the audience who is also a writer came up to me and said that he likes to hear authors read. He compared it to musicians performing and said that what else can authors do to preform except read.

I was surprised. Because it has been my experience that too much author reading can make the audience yawn with boredom.

His words made me rethink the whole presentation situation. Perhaps we should have more reading time. Perhaps we should do more author readings. There are a lot of those in pubs, cafes, and yes library branches in Toronto. I’ve done some of those readings myself and also with other authors.

I think the boredom factor might have something to do with how the author reads. If they read in a quiet inside voice, if they read with no expression, if they are not animated as they read, if they don’t have inserts about their stories and writing them between reading excerpts, maybe they lose some connection with the audience.

The purpose of authors reading (besides hopefully selling some book copies) is to engage the audience, to bring the audience into their stories, to live with their characters for a time, to take the audience out of their own lives and into someone else’s, and to just listen and love the words, their flow, and the story being told.

Wise words from someone in the audience.

Cheers.

Sharon A. Crawford

And as usual, if you click on the book cover at the top it takes you to my amazon profile and my two Beyond books.

Sharon A. Crawford reads from her Beyond series

Sharon A. Crawford reads from her Beyond series

 

 

 

 

 

 

 

 

 

 

 

 

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Writing from Real Life

Rosemary McCracken author of the Pat Tierney mystery novels

Rosemary McCracken author of the Pat Tierney mystery novels

Today, I have a guest blogger – Rosemary McCracken, a friend and writing colleague who has often been part of the same panel on crime writing as me. Rosemary’s third novel, Raven Lake, in her Pat Tierney mystery series is out now in June and… well I’ll let Rosemary tell you all about it and her writing. The e-book launch is on Facebook this Sunday from 4 p.m. to 7 p.m. Click here to reach the party site.and the in-person book launch is June 25, 2 p.m. to 4 p.m. at Sleuth of Baker Street bookstore in Toronto. Over to you,  now Rosemary…

Thank you, Sharon, for inviting me here today!

I thought I’d talk about a subject that’s dear to my heart—writing from real life. All writers “borrow” from the people they know and situations they’ve been in when they create their fiction. Some to a greater extent than others. Two students in my How to Develop Your Novel course at Toronto’s George Brown College are working on novels based on their own lives. It’s not as easy a job as it might seem.

Writers who turn real-life events into fiction face the same challenges that writers have with any novel. They need to create believable characters and riveting plots. But knowing the real-life counterparts and the outcome of their adventures can often curb a writer’s ability to let the characters get on with their fictional lives.

My advice to writers who base their stories on real people and events is not to incorporate every detail of the real story into the work of fiction. “Use your imagination,” I tell them, “and don’t feel you have to stick to the facts. You’re writing fiction.”

They will need to expand the scope of the real-life story. In fiction, plot is the order of events in a story that gradually builds tension. The plot needs to develop with all its requisite plot points—which may take characters far afield from the people they are based on. Writers shouldn’t be afraid to impose the cause-and-effect order of plot on the story they are telling. It will build conflict and tension, and make the story more unified and enjoyable for readers.

Of course, names will have to be changed to protect the privacy of people the writer knows. The writer should go a step further and change characters’ initials as well, so that Mark Manners doesn’t become Mike Madison. The character’s physical appearance, the details of his childhood and his job will also need to be altered.

With my background as a newspaper journalist, I enjoy developing fiction from real-life stories that have been in the news—situations or events that happened to other people. And, yes, a story that was in the news a few summers ago is part of my new Pat Tierney mystery novel, Raven Lake.

The news coverage described the plight of vacationers who had turned to rental websites to find vacation homes to rent for their holidays. They arrived at their vacation destinations in Ontario lake country only to find that they’d been duped by con artists. The cottages were actually full-time residences and not for rent at all. They lost their deposits, some lost their full payments, and they had nowhere to spend their holidays. My heart went out to these people who had driven for hours thinking that they were about to spend a relaxing week or two at a sylvan lake. I also felt sorry for the residents of the targeted homes who had would-be renters turning up on their doorsteps. Some of them were afraid that these strangers might take their frustrations out on them.

A perfect crime for a mystery set in cottage country. It helped that I didn’t know any of the real people involved so I was free to create my own characters and outcomes.

Rosemary McCracken

Pageflex Persona [document: PRS0000040_00070]

Bio:

Rosemary McCracken has worked on newspapers across Canada as a reporter, arts reviewer, editorial writer and editor. She is now a Toronto-based fiction writer and freelance journalist. Her first Pat Tierney mystery, Safe Harbor, was shortlisted for Britain’s Crime Writers’ Association’s Debut Dagger in 2010 and published by Imajin Books in 2012. It was followed by Black Water in 2013. “The Sweetheart Scamster,” a Pat Tierney mystery in the anthology Thirteen, was a finalist for a Derringer Award in 2014. Rosemary’s third Pat Tierney mystery, Raven Lake, has just been released. It is available at myBook.to/RavenLakeTierney.

Follow Rosemary on her blog, Moving Target at http://rosemarymccracken.wordpress.com, on Facebook at www.facebook.com/rosemarymccracken and on Twitter @RCMcCracken. Visit Rosemary’s website at http://www.rosemarymccracken.com/.

Links to Rosemary’s books and short stories

Safe Harbor: myBook.to/SafeHarborTierney

Black Water: myBook.to/BlackWaterTierney

Raven Lake: myBook.to/RavenLakeTierney

Thirteen: http://amzn.to/18oY8mF

 

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Dana Bowman from Beyond Blood appears again May 28

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Dana Bowman, the main character, the irreverent  PI from my novel Beyond Blood will be doing another of her comedy skits this Saturday afternoon. The occasion is Toronto’s annual Doors Open and Dana (and me too) will be at the Toronto Heliconian Club volunteering from 1.30 p.m. and then performing at 4 p.m.

There’s a lot of work in these comedy skits and this one is 85 per cent new stuff. The premise is Dana is supposed to talk about Beyond Blood and she does – sort of – in her own way, dissing me and generally not following instructions. So trying to get this skit together with help from Dana hasn’t been easy. Dana keeps sticking her face in maybe too much and therein lies the dilemma.

Just who is writing this skit? Who wrote Beyond Blood. Both Dana and I each answer “I did.” The book has “Sharon A. Crawford” for the byline but the skit?

Personally, I would prefer Dana that writes it. She is performing it so it’s her call. So, she’s been digging inside my brain for info or I have been channeling her.

There are many things to consider – content – is it funny or funny enough? Sometimes what’s on paper doesn’t come across as funny enough when you perform it. Then you go back to the skit content and realize that a lot of it is in the performance. The practice session yesterday wasn’t up to par. But I wasn’t feeling well then so does that mean that Dana was also feeling sick?

I did get ideas for some skit changes and made them.

And it might help if I was fully in costume when practicing. Especially the hair.

That’s Dana at the top. And here is the blurb from my website about Dana at the Heliconian Club May 28.

Sharon A. Channels Dana Bowman at Toronto’s Doors Open

Saturday, May 28, 2016

Sharon A. Crawford will be channeling Dana Bowman, the main character in  Beyond Blood at the Toronto Heliconian Club during the first day of Toronto’s Doors Open. Sharon/Dana will be there from 1.30 p.m. to 5.30 p.m. to talk about the Heliconian Club along with other club members and she will take to the stage at 4 p.m. for a short comedy skit. Meantime, Sharon is coaching Dana on the Toronto Heliconian Club’s history and club activities, etc.

See you there.

Cheers.

Sharon A. Crawford

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

 

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Tips for Authors Self-publishing Part 2

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Last week’s post contained tips for editors dealing with authors who plan to self-publish a book. Today, I’ll present some tips for the authors. These are all from my presentation on the Editors Canada Self-publishing panel held April 26.

And what they call “a word to the wise” – just because you are self-publishing your book doesn’t meant you can skip the editing process. An editor can read your manuscript with an open mind, i.e., not working from the “tunnel vision” authors (and that includes me here) can get into with their baby, their manuscript. It’s more than just where the commas go, but includes whether or not your story flows, makes sense (and in a micro way – does a scene, paragraph make sense?). Is one character’s actions believable (considering the genre and story line) and is the plot, especially the resolution, credible.

Remember authors and editors need to work together, so the first point below is the most important. The rest really flows from that one.

 

What authors need to know when working with editors (a partial list):

  1. Mutual Respect
  2. Don’t have your book printed out before getting it edited.
  3. Don’t design your book in Word BEFORE getting it edited.
  4. Your book is still a manuscript before it is edited, so submit it electronically as a manuscript – 12 pt. Times New Roman, double-spaced AFTER you and the editor reach a hiring agreement. However, the potential editor might want a few chapters to help estimate a fee.
  5. The potential editor and writer can sort out hiring and related matters by email, phone, in person, or some of those three. Don’t be a no-show for appointments.
  6. Most editors will require a fee deposit and will draw up a contract for work requirements, time-line, and fees.
  7. When the contract is signed and the editor starts work, don’t bother her with constant emails or phone calls for progress reports and don’t email content changes without an editorial request.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 

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Tips for authors self-publishing

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The self-publishing panel I was on with Ali Cunliffe and Susan Viets presented by Editors Canada last week went very well. We all had interesting and informative points to make. A link to the You Tube video of it is here. Warning: the visual is lousy – we appear in shadows a lot, and it is long – it was an hour and a half panel including Q and A. But the sound is good, so you might want to get it going and listen to it while you eat lunch.

Over the next two or three weeks I will post some tips for authors and editors as that’s what our panel discussion was about. Today I’ll talk about the editor’s side.

Drama queen that I am (or ham actor) I started withe a mini-skit, standing up with a book (not mine and not the client’s). I recreated the scene when  a potential client walked into my home office for a meeting. He came in carrying a book, his book, already printed and said,

“I need this book edited.”

What’s wrong with this picture?

Editors don’t edit books AFTER they are printed. Fortunately, he had only the one book printed. So, here are a few tips and caveats, for editors working with authors who are self-publishing.
At the top of the list is MUTUAL RESPECT

  1. Many authors self-publishing don’t know anything about editing, so you have to educate them.
  2. Some authors think a book can be edited almost overnight (well in a week or two). Editors need to diplomatically tell them that it’s not so – even if they don’t have other projects on the go (avoid using the word “client” here as some authors often like to think you are focusing on their work only
  3. Diplomacy
  4. Ability to connect with the author about what they are looking for in their manuscript, for example a manuscript evaluation, a copy edit, etc.
  5. Flexibility in fees and time.
  6. Use a contract
  7. Knowledge beyond the usual editing such as illustrators, self-publishing methods, e-copies, promotion.
  8. Know your skills and what you are prepared to do.
  9. Keep authors apprised of any problems arising such as time lines and missing content.
  10. Patience.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 

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Point of View clarity important in writing fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Currently I am reading a mystery novel where the characters’ points of view are all over the map  – in one chapter without a scene change, in one scene, Even in one paragraph the point of view switches from one police detective to the other. They are police partners, but this “jumping heads” (as it is known in the editing business) is not only ridiculous and annoying it is distracting from the story. And it is an interesting story.

Looks like the author’s editor was asleep at the computer. I blame the editor, not the author because as an editor I find that 85 per cent of my fiction clients mess up the point of view. And, yes, if the author mixes up points of view, then it is his or her editor’s job to fix it.

So, what is acceptable in fiction writing (unless you are going for experimental fiction, which this mystery novel is not)? Here we go with the standards:

In novels it is acceptable to have multiple points of view as long as it isn’t overdone. Do we really need to know what minor characters A and B think?

Up to five points of view are the limit in my opinion.

Keep the same point of view within a chapter or a scene. Next chapter or next scene you can change the point of view. For scenes this is usually indicated by extra line spacing and starting the first paragraph flush left or separating the scenes with an asterisk. Read Peter Robinson’s mystery novels. He usually has three points of view and does a superb job of it. He uses the change of scene change of character POV method with extra line spacing.

Other authors indicate change of character POV by putting the character’s name at the top of the change – this can be with a new chapter or new scene. I use this method in my latest Beyond book, the mystery novel Beyond Blood. The story is told from four different points of view – Dana Bowman, Bast Overture (the two fraternal twin PIs), David Bowman (Dana’s six-year-old son), and the mysterious “Him.” I put the character name and the date and time (a word on that in a sec) just before the character POV change. This change usually occurs with chapters but I do have it within chapters – change of scene change of character POV with the above-mentioned indication.

It is not necessary to always use time and date unless it is relevant to your novel. I’m not the only author who does this. I do it because Beyond Blood is a fast-paced mystery that occurs during eight frantic days in August 1998. Often when I switch point of view what is happening with that character is happening simultaneously with another POV character. And that is another reason to switch POVs.

Switching POVs is also a good way to heighten suspense – if you end one scene/chapter with one character left out on a limb and the reader does not know what will happen with him or her next. Instead they go on to another character – more waiting to find out/more suspense. And it also allows plot development that just might not be possible using one character’s POV>

Switching points of view in a novel also allows the author to get deeper into each main character – and gives the readers a more intense looksee at the characters.

My POV on POV anyway.

Cheers.

Sharon

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 

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Electronic mania versus telling a good story

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

We are bombarded with electronic devices in our daily lives and that includes TV shows. Sometimes the story gets lost in all the “bells and whistles.” But what about books? In particular novels set in present time? Should authors overwhelm the reader with smart phone usage, social media and the like?

A story in the May 2016  issue of The Walrus writes about this conundrum. Here writer Naben Ruthnum, discusses how some authors like best-selling author Joy Fielding skirt around it. While summarizing the story lines and acknowledging that the story is important, Ruthnum wonders how long this approach will be relevant in our digital/social media obsessed society?

Ruthnum writes “By ignoring the contemporary reality of instant communication, authors such as Fielding are preserving the nail-biting satisfactions of their art. But how much longer can these books provide escapism-seeking readers with relief given that their trick of withholding details is in direct conflict with our expectation that information always wants to be free?” (bolded part is mine).

That’s a big point with mystery novels – readers get temporary relief from a mad mad world and that includes overdoses of electronic media leading to overwhelm.

Yes, mystery novels do imitate reality. But the reality is what the story is about, the story’s setting and its characters. As in real life, not all people are digitally proficient; nor do they all immerse themselves in the whole digital/social media life-style. So, Fielding and other authors have to be true to that. And they are.

Personally, after all the over-abundance of bells and whistles on some TV shows set in present time (not futuristic and not fantasy), I prefer a somewhat toned-down digital presence in the novels I read (and write for that matter).

Many mystery novel authors handle this digital business very well. Marcia Muller’s PI Sharon McCone has a nephew who handles all this digital stuff so only what is necessary to the story is told. McCone gets to do what she does best – personal investigation while her nephew helps out on the digital end.

Mystery novel authors like Peter Robinson, acknowledge the digital aspect – his police officers have smart phones (they are called mobiles in England) but his main character Alan Banks doesn’t investigate by being glued to his smart phone or sitting in front of his computer (which some consider passe these days). He does what police should be doing – gets off his butt and interviews people, as well as following suspects in his car.

And yes, Robinson makes use of one current technology available to police in most cities world wide – CCTV- the police surveillance cameras on public city streets.

And I do the same in my Beyond books. Perhaps the short story collection Beyond the Tripping Point is the best example as stories in there take place in different time periods – 1965, 1980s, 1999 and present day. So for the first two – no technology-infested society. In 1999, where my fraternal twin PIs, Dana Bowman and Bast Overture are introduced, technology is relevant to the time – so I have cell phones (that have antenna and fold closed), Polaroid cameras for “instant” photos, and dial-up Internet connection, but with email functions. (Note: in Canada DSL didn’t get going until late 1999 – after the four “twins” stories in BTTP. I should know. My computer techie son’s computer business at that time was testing one of the DSL’s in 1999 and in late fall1999, my son hooked up my computer o one of the first DSL’s provided. Dana uses a computer for basics such as email and leaves all the computer technology to her brother. So in my third Beyond book (which I’m still rewriting), which is set in November and December 1999, I have computers – desktop and laptop – using DSL. There are also onlinr forums involved which Bast accesses – but it is all part of the plot and the twins’ investigation of a case. And birth record searches (which is part of the novel’s plot) were not online then (I checked with Service Ontario on this one), so Bast has to go into the Ontario Government dept. office to do an in-person search.

My BTTP stories set in present time do use electronic realities such as CCTV and smart phones. In fact one story, the main character is obsessed with using her device but that is part of the plot. The plot, the story is never buried in electronic devices.

Which is what Peter Robinson and many other mystery novelists do. Use the current technology (or technology for the time period of your novel) as it applies to  your story. Don’t make the technology the story unless that is your plot.

A happy medium often works best. Besides, we mystery novel readers need a rest from the over-indulgence of digital on TV in other areas of our lives. And that’s one reason I like reading from my Kobo (I do still read print books). Not a lot of flashing digital nonsense. And the print size is bigger – better for my fading eyesight (left eye)

Our eyes and brains need this respite, this escape from too much digital.

What do you think?

And on another note, I will be part of a panel (along with Ali Cunliffe and Susan Viets) about Self-publishing from both authors and editors perspectives. Hosted by the Editors Association of Canada, the panel/seminar will be held in Toronto Tuesday, April 26, from 7.30 p.m. More information on my Gigs and Blogs page here and also on Editors Association of Canada website.

Cheers.

Sharon

Again click on the Beyond Blood icon at the top to find out more about my Beyond books. At least we have this digital function today.

 

 

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