Tag Archives: Rewriting Fiction
Five rewrites later for the publisher I finally got it right. Sure lots of changes and improvements throughout Beyond Faith. But the one giving me the devil of a time was the ending. No matter how many rewrites of that, the editor at the publisher came back with what basically amounted to that it wasn’t quite right. And he did make suggestions which I did not ignore.
In retrospect I was probably being too flippant in part and it wasn’t getting serious enough, wasn’t making sense. In the end, my change must have been inspired by something he emailed. Or maybe that he said he could rewrite the last page. And the time ticking. So, I said I wanted one more crack at it and he agreed.
So, I suppose I got really into what the ending was all about and just wrote. When finished (including some rewording here and there before it went back to the publisher) I discovered something I wasn’t even thinking about in the main part of my brain. But my subconscious must have been tuned in, because there it was.
The ending actually tied back to the beginning.
And it made sense. It also provides, shall we say (no spoilers wanted), an opening for the next Beyond book. In fact, there are a few things happening in the latter part of Beyond Faith that could be carried forward into the next Beyond book, story lines that could be developed further and used in the complex mix of plots and characters I use in my stories.
So, why hadn’t I thought of that tie-in to Chapter One before?
Many reasons. Perhaps the rush to finish the rewrite to meet a deadline (as it turned out, several deadlines). Perhaps because I had client work to do as well (no offence to the clients. I try to balance client work with the novel-writing and all the PR work for it involved.) If it were just Beyond Faith and client work to balance, I could manage.
I think I have to put a big share of the blame on much of the other stuff in my life, such as income tax filing and the CRA messing up despite me filing on time, health issues (that one will eat up your life no matter what. Guaranteed.), house and property problems, etc. Perhaps one of the biggies is others expecting me to do this and that for them and well, just bugging me to do so. Now, I’m reining back, even being slow to return emails if it is something that can be dealt with later. Some things I’m dumping and some things I’m saying “no.” to. My new motto is to prioritize and to focus on what is important to me.
That includes my family, too and some property and financial stuff, and especially the garden. My garden is therapeutic. So is my writing
What can we learn from my experiences above to get the right ending for your story?
Don’t rush it.
Better time management – ignore the unnecessary and/or not important at the time. If those demanding your time to do something for them balk, too bad.
Think of your story’s beginning. This works for novels, novellas and short stories. A long time ago I learned from a writing instructor that the ending has to tie in with the beginning somehow – perhaps a resolution. In today’s mystery series novels, which mimic TV series, there is often a cliff-hanger at the end. Don’t be afraid to use it. Linwood Barclay and Julia Spencer Fleming use that tactic very well. In fact, I’m currently reading the third (and I think final) in Linwood Barclay’s Promise Falls series. This third one The Twenty-three starts just days after the second one. I suggest you read some of their books as well.
And don’t be afraid to rewrite. That may include several endings to see what works best. This might be the time to get somebody (besides a biased family member) to read the beginning and ending and give you some feedback. I know it could have spoiler potential, but you do want to get it right, don’ you?
The cover of my previous Beyond book Beyond Blood is up at the top with links to amazon. And yes it’s ending ties in with something in Chapter one, and also has a hook into Beyond Faith.
The publisher now has his book designer designing a cover for Beyond Faith. When that’s done and I get a copy, I’ll be putting it at the top of these blog posts.
Meantime, starting next week, I’ll be writing some special blog posts, a sort of mini-Beyond series for the summer.
Keep writing and rewriting.
Sharon A. Crawford
The actual “final” rewrite of my latest Beyond mystery is coming along and I am enjoying doing it because I get more creative insights, can fix inconsistencies, check the research and am really tightening up the wordage.
However, I’ve hit a few outside snags that are interfering with my writing time. And they make me angry. So, I’m doing something about them.
One biggie comes under the heading “My health ate my life.” So far since 2017 arrived I’ve been and am faced with two separate unexpected molar extractions. The dental surgery for the second is the day before my publisher’s deadline. As he has given me two extensions already and for health reasons, I do not want to push my luck – it would also not be fair to the publisher.
To get the manuscript and its synopsis (the latter rewritten this week with the word count part left open so far) done in time, I’ve arbitrarily given me an earlier deadline before the publisher’s and before the dental surgery.
It has also forced me to do something I had started to do this year. Get rid of a lot of the stuff I do that isn’t really important and put some of the others in “pending”.
So far I’ve cancelled me going to a meeting tonight, limited what I get involved in within my community. Important are my East End Writers’ Group and keeping track of a nearby Light Rail Transit line being built as that will affect me in many ways. I am also a member of a local garden club and go to some of their meetings but no volunteering there this year. A couple of other community things I’m interested in I signed petitions and will let the persons organizing them do all the work – just keep me informed. At this point I am also careful of how many social and pseud-social events I go to.
And I finally found someone to shovel my snow when we get bigger snowfalls.
The big take-away point here for writers – whatever you are writing or rewriting – is you can’t do everything, especially what others think you should be doing. Figure out what is important and don’t be afraid to say “no” and/or put some of that on hold. Prioritize. Make the word “no” a big word in your vocabulary even if you have to post it all around your house and on your devices – maybe create an electronic file with a big “NO” and click on it sporadically. You can figure something out.
What I have kept in is family. Last Saturday I was to take out my son and his girlfriend for his birthday dinner (which is actually tomorrow but he will be out of town in the US for a tour with his band – Beams). Martin was sick last weekend. I wanted to see him and at least get his birthday present to him before tomorrow – the present, although not connected to music, is something useful for travelling. So, we arranged for me to make a “flying visit” to his and his girlfriend’s place in another part of Toronto last evening – if you can call buses and subway “flying.” He was feeling better. Dinner will be rescheduled when he returns home.
I know this isn’t exactly about writing, but perhaps if those getting distracted from their writing from whatever, can see one person’s way to deal with the problem, maybe it will help.
How do you deal with writing distractions?
Comments please in the comment section.
And as usual, click on the book icon at the top to find out more about my Beyond books.
I have posted before about writing critique groups and how they can help us writers. But it never hurts to add more on the subject because we writers write in a vacuum of me, myself and I. So we often think in opposites – our short story, or essay, or novel is brilliant or our writing piece is awful. Sometimes we think with wisdom – we know something is just not working but we don’t know exactly what or if we do, we don’t know how to fix it. Enter a writing critique group.
As the organizer and facilitator of the East End Writers’ Group in Toronto, I don’t always bring a piece for critique to our almost monthly meetings There is only so much time for a limited number of authors to read and get their work critiqued, so If I did bring something to each gathering, other members might think “oh, she runs the group, so she can do this.” This isn’t true as I find we are all helping each other whether we bring in something or not. And we are polite as well as giving constructive criticism. Nobody should feel their work is really bad.Each of us has our own individual writing experience and knowledge which we can put into the critique – even if we don’t write in the genre of the writing work being critiqued.
So, last evening I brought in the first five pages of a humorous mystery short story for critique. And I learned a few things. One author who also writes short stories wanted to know the age of the two main characters. The ironic thing here (and I got it and mentioned it) is I am always suggesting he do the same in his stories. Somebody else misread the ages of these two characters and it was from what she read and also what wasn’t there for her to read. She asked me how old the two characters were and when I told her, she said they were much too young as women at that age nowadays would be more technical savvy. She said that one sounded like she was retired. After I explained that the “retired” one was currently unemployed and she was the one not technically smart, but the other one was and that the latter was in the story, I realized that I needed to include some ages, fix the bugaboo I had in with the technological luddite, and mention she is currently unemployed. She should be early 50s and her friend 15 years younger. The latter would work, not only because she has an elderly mother who figures in the story, but my son is late 30s and is very tech savvy – in fact his work is with computers, software and architecture and the like. And he is my computer expert who helps me with my computers.
So you can see how a writer’s tunnel vision can work, or not work. I didn’t even consider including the characters’ ages. As one of the others said, and I paraphrase. You see in your mind how your story is going and presume everyone else knows as much as you do.
Wise words, and something for us writers to consider.
Do you belong to a writers’ critique group – in person or online? If so, how has the group helped you?
And if you want a looksee at my collection of published short stories in Beyond the Tripping Point, just click on its icon at the top.
One of my 2017 writing goals is to write more mystery short stories and submit them to contests and magazines for possible publication. As I’m registered to attend Bouchercon 2017 (in Toronto, Canada in October), I decided to enter their short story contest for possible publication in their short story book for the event.
I checked my files of unfinished short stories. The one I was thinking of needs too much work to make the January 31, 2017 deadline. Not a problem, I thought. A check through my other short-stories-in-the-works unearthed one that has been written and rewritten many times and shows a lot of promise. Of course it needs more rewriting, but there is time for that. Only one problem – the theme for the Bouchercon 2017 short story contest is travel and my story doesn’t even cover travel, unless you count travelling across a parking lot and inside a commercial building.
However, I am not one to give up – just change course if necessary. I decided to scrap the Bouchercon contest – after all, I should be able to arrange to have my two published (so far) Beyond books there to be sold and I will be doing a lot of learning and networking there. So, I decided to focus on this one story and also did a big Internet search of possible markets. I have had short stories published in anthologies and also my first Beyond book – Beyond the Tripping Point – is a collection of 13 of my mystery short stories, five of them published first elsewhere and eight new. And who knoews? If I get going on writing and rewriting short stories, there may be another collection down the road. I already have on story published before that is not in Beyond the Tripping Point.
My point here is if you are stymied about what to write for a short story, don’t go crazy trying to think of new plot with new characters. Check out stories you have already started. You might just find a gold mine there.
And as usual, if you click on the book cover at the top it connects you to more information about my books.
Rewriting a novel can be daunting, especially with the many, many rewrites that are necessary. I find there is no right way to do it, but with all the rewrites with my third Beyond book, I discovered by accident a way to be both creative and practical.
Use both sides of your brain – the right side for creativity and the left side for the logical and practical. Let me explain.
Without giving away the plot, let’s just say, like most of my story lines, it is complicated. That means the characters, like real people are complicated.
So I brainstorm outside of writing time for what I could change. When I sit down at the computer, I re-read all the novel and make a few notes. Then I tackle it from the beginning, dealing with it in parts. As I write more ideas come into my brain. But each idea leads to something that will have to be added or changed later on in the novel. So how do I keep track. Sure, I can make a few notes in another file, but mainly I use the Word comment for this with some suggestions.Then I can go back and update later. However, often the creative spirit married to the logical spirit moves me to do so right away. So I follow the thread to the next part that needs changing and do so.
I’ll give you one example which won’t give the story away. My Beyond novels, as well as four stories in Beyond the Tripping Point, feature fraternal twin private investigators, Dana Bowman and Bast Overture. While they partner in their business, they do split up the investigation a lot of the time. One of the things with this is the twins have to keep each other updated with what they find. So that has to go in somehow somewhere or else later on I will be writing from say Bast’s point of view as if he already knows what Dana found out – but nowhere does it say this.The reader can’t assume Dana told him. But I don’t always want a long dialogue between the two unless it can move the plot forward and/or develop the characters.
So, I sometimes use the phrase “Bast brought Dana up to speed about….” or “Dana brought Bast up to speed about…” Sometimes I don’t even do that but just have Bast in his next investigative action think “Dana had told him that… ” and very briefly mention it. I do the same with Dana and do so when what one twin told the other is relevant to the other twin’s current detecting.
But with all this to-ing and fro-ing something else different has come up – what would happen if one twin didn’t tell the other twin what he or she found out?
Yes, it can be a somewhat constant shifting to different parts of the brain and I find that one feeds the other. And often you are rewriting on the creative side during most of that day’s writing time.
Now if I can just follow through with my rewrite of Beyond…. Nope, not even giving away the title.
Meantime, you can check out Beyond Blood and Beyond the Tripping Point. Link to all that can be found in the usual spot – the book cover at the top.
And later this month I will be back on the PR road for the Beyond books, so next week will be updating both the Gigs and Blog Tours part of this blog (a fiction writing workshop I’m teaching in October is already listed) and also the book page of my website. And yes, Dana will be doing another comedy skit gig in late October – this time with a really big twist. Stay tuned.
Sharon. A. Crawford