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Making Your Short Stories Sparkle and Sell

Cover of Sharon A. Crawford's mystery short story collection. Click on it for publisher's website

If you want to lift your short stories above the mediocre there are many things you can do. One of these is to be original in your story and in your characters. Readers like something different in their plot and eccentric characters can be a big draw whether you are writing commercial or literary fiction.

Three of us commercial fiction authors – Rosemary McCracken, Madeleine Harris-Callway and Sharon A. Crawford – who write both crime novels and short stories will be discussing why and how we do it. We will cover how we get story ideas and how much is from real life and how much from imagination. A couple of us have series characters in some of our short stories and in our novels, so we will discuss how we deal with time lines. Is it difficult going back and forth from writing novels and short stories and what the heck is the difference in how you write each?

Then there is marketing your short stories. Each of us has unusual ways we market our books (both the short stories and the novels).

And this panel will not be just the three of us talking. We are open to lots of  q and a.We want to get a real conversation going on short story writing. Here are the details about this upcoming panel being held by the East End Writers’ Group Wednesday, June 29, 2016.

Making Your Short Stories Sparkle and Sell

Do short stories come from real life, imagination, or both? How do you market short stories? For June’s East End Writers’ Group meeting join fiction authors Rosemary McCracken (shortlisted for the 2014 Derringer Award), Madeleine Harris-Callway (finalist for 2015 Arthur Ellis Award for Best First Novel), and Sharon A. Crawford (author of the “Beyond” mystery series) for a discussion on writing and marketing short stories.  Copies of authors’ books available and there will be  networking and food at 9 p.m.

Time and Date: 7 p.m. to 9.30 p.m., Wednesday, June 29, 2016

Location: S. Walter Stewart library branch, 170 Memorial Park Avenue, Toronto, Ontario, Canada

I am doing a guest blog post on Rosemary McCracken’s blog Moving Target about libraries and how they were and are important to me in my writing career, then seguing into this upcoming panel which is held at a library. There is a serendipity for me about this library branch. You’ll find this and more when my post is up on Monday, June 27 at Moving Target.

Meantime you can check out the panelists:

Rosemary McCracken http://www.rosemarymccracken.com/

Madeleine Harris-Callway http://mhcallway.com/

Sharon A. Crawford http://www.samcraw.com

Cheers.

Sharon A. Crawford

That’s my short story collection – Beyond the Tripping Point – book cover at the top of this post. If you click on the book cover, it will take you to my author profile on amazon.com

 

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Writing through complicated novel plots

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Sometimes novel plots can get away from you, especially if like me, you write mysteries or thrillers. Even doing an outline before starting to write won’t stop potential confusion for several reasons.

Characters, especially the main ones, have a habit of taking over the novel and that means directing the plot. Which can be a good thing, because it shows that your novel has life. But when, like me in my Beyond mystery series, you have more than one point of view  character, you not only have to deal with one rogue character, but sometimes two. Dana Bowman the main character in Beyond Blood is an outspoken willful PI with a mind of her own. Her fraternal twin brother, Bast Overture her partner in solving crime is a bit tamer. But he is a former crime reporter and the words “reporter” and “journalist’ send out flares of “digging up the dirt.”

So with two nosy-parkers on the loose (often working somewhat separately) and adding in some other characters such as police Detective-Sergeant Donald Fielding and Dana’s six or seven-year old son (age depending on which book), this author is often juggling a lot of plot development.

A disclaimer: I don’t do much of an outline beforehand. Sure, I have some idea of where I want the story to go, but I find if I do too much outline or summary I seem to automatically switch to write-the-novel mode and I’m off in that direction for then.

So, what do I do to try to keep the plot consistent and making some sense?

I do some flipping back and forth to check – maybe after the day’s writing session or perhaps just before I start writing the next time. Or as often happens a couple of niggling plot developments are in my mind and I need to sort them out. So I use the Word “Find” tool to go to these plot developments and from there do one or two things:

Make a note either in brackets in red in the paragraph or whole scene or with the Comment tool about what needs to be changed. I also keep separate files on some areas of plot development that come up and/or I want to put in. Not exactly an outline, but more of a description of what I’m trying to do…at that point. Until Dana and/or Bast step in.

When all else fails I just go in there and make the changes/corrections.

With two PIs I have to make sure they don’t overlap in what they do – unless they are actually doing some of their investigation together. When working alone, they have to keep each other informed of what they find or the reader could wonder “How did he know that?” And do it without long conversations between the two. Sometimes they leave each other phone messages or sometimes I use a couple of short narrative sentences, such as “Bast brought Dana up to speed.”

It gets even trickier in the current Beyond novel I’m rewriting when one of the twins suffers a concussion.

But, hey I like a challenge. It is one of the things that makes writing fiction interesting.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood book at the top to go to my amazon author profile and books.

To see what I’m up to with the Beyond books and characters check out the Gigs and Blog Tours page of this blog here

 

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Social Media book promo snafus

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

In the past few days promoting my Beyond Books and even connecting with other authors via social media has been (to put it politely) a challenge. Not all of it is my aptitude (or lack of) for maneuvering around and through computer technology.

A lot of it is some of these social media sites are constantly updating how they work. You can sign in one day and all is fine and the usual. Next day – oops.

So far (and I hope this is it), I’ve tried to visit an author friend’s Facebook launch. Well, I signed in on Facebook, went from my author page to her author page (I had previously “liked” her author page just after it went up). I arrived there but my photo at the top of my Facebook page, didn’t. So I had to introduce myself (that was what the author asked us all to do) by including my name with this blank box up in the left-hand corner. So, I decided instead of sticking my name in all posts and explaining the no picture problem continually I chose to just follow everyone else’s conversation at the book launch. I had congratulated the author on her new book in the first post. Later she emailed me that she did see I had attended.

Weird part is when I went to her regular Facebook account page, my picture came with me. Go figure.

Then, by accident while using a library branch’s computer I discovered that something was wrong with one part of connecting to my new  website. If I typed in the actual URL I got there but only the page links side was “on” The content for Home had an “oops  this site doesn’t seem to be here” sign. Being an avid clicker, I clicked on the links list section and voila – my Home page (and the other pages when I checked) appeared. But links to all the other social media and other Internet connections with my name in it showed up in my Google search – as did some of my photos on Google’s images.

I emailed my son the computer tech. He checked and the Search Engine connection was turned off. He not only turned it on, but after I gave him a list (at his request) of all the wrong links on Google, Bing and Yahoo, he managed to delete them or whatever he had to do. Next day when I typed in my name, my new website linked appeared at the top of the Google list.

There are more, but I think you get the picture. No wonder some authors complain about the time social media takes. It’s all the time wasted mucking around with the computer technology.

Also I have updated my gigs in some places. In the next one Dana Bowman my main Beyond Blood character  will be staying between the book covers as it is a panel of mystery fiction authors – Rosemary McCracken, Madeleine Harris-Callway and me (I’m also moderating) being held by my East End Writers’ Group June 29 at S. Walter Stewart library branch in Toronto, Canada. More details in the Gigs and blog tours page here and on my regular website here.

To link to my amazon author page click on the book at the top of this post.

Cheers.

Sharon

 

 

 

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Writing from Real Life

Rosemary McCracken author of the Pat Tierney mystery novels

Rosemary McCracken author of the Pat Tierney mystery novels

Today, I have a guest blogger – Rosemary McCracken, a friend and writing colleague who has often been part of the same panel on crime writing as me. Rosemary’s third novel, Raven Lake, in her Pat Tierney mystery series is out now in June and… well I’ll let Rosemary tell you all about it and her writing. The e-book launch is on Facebook this Sunday from 4 p.m. to 7 p.m. Click here to reach the party site.and the in-person book launch is June 25, 2 p.m. to 4 p.m. at Sleuth of Baker Street bookstore in Toronto. Over to you,  now Rosemary…

Thank you, Sharon, for inviting me here today!

I thought I’d talk about a subject that’s dear to my heart—writing from real life. All writers “borrow” from the people they know and situations they’ve been in when they create their fiction. Some to a greater extent than others. Two students in my How to Develop Your Novel course at Toronto’s George Brown College are working on novels based on their own lives. It’s not as easy a job as it might seem.

Writers who turn real-life events into fiction face the same challenges that writers have with any novel. They need to create believable characters and riveting plots. But knowing the real-life counterparts and the outcome of their adventures can often curb a writer’s ability to let the characters get on with their fictional lives.

My advice to writers who base their stories on real people and events is not to incorporate every detail of the real story into the work of fiction. “Use your imagination,” I tell them, “and don’t feel you have to stick to the facts. You’re writing fiction.”

They will need to expand the scope of the real-life story. In fiction, plot is the order of events in a story that gradually builds tension. The plot needs to develop with all its requisite plot points—which may take characters far afield from the people they are based on. Writers shouldn’t be afraid to impose the cause-and-effect order of plot on the story they are telling. It will build conflict and tension, and make the story more unified and enjoyable for readers.

Of course, names will have to be changed to protect the privacy of people the writer knows. The writer should go a step further and change characters’ initials as well, so that Mark Manners doesn’t become Mike Madison. The character’s physical appearance, the details of his childhood and his job will also need to be altered.

With my background as a newspaper journalist, I enjoy developing fiction from real-life stories that have been in the news—situations or events that happened to other people. And, yes, a story that was in the news a few summers ago is part of my new Pat Tierney mystery novel, Raven Lake.

The news coverage described the plight of vacationers who had turned to rental websites to find vacation homes to rent for their holidays. They arrived at their vacation destinations in Ontario lake country only to find that they’d been duped by con artists. The cottages were actually full-time residences and not for rent at all. They lost their deposits, some lost their full payments, and they had nowhere to spend their holidays. My heart went out to these people who had driven for hours thinking that they were about to spend a relaxing week or two at a sylvan lake. I also felt sorry for the residents of the targeted homes who had would-be renters turning up on their doorsteps. Some of them were afraid that these strangers might take their frustrations out on them.

A perfect crime for a mystery set in cottage country. It helped that I didn’t know any of the real people involved so I was free to create my own characters and outcomes.

Rosemary McCracken

Pageflex Persona [document: PRS0000040_00070]

Bio:

Rosemary McCracken has worked on newspapers across Canada as a reporter, arts reviewer, editorial writer and editor. She is now a Toronto-based fiction writer and freelance journalist. Her first Pat Tierney mystery, Safe Harbor, was shortlisted for Britain’s Crime Writers’ Association’s Debut Dagger in 2010 and published by Imajin Books in 2012. It was followed by Black Water in 2013. “The Sweetheart Scamster,” a Pat Tierney mystery in the anthology Thirteen, was a finalist for a Derringer Award in 2014. Rosemary’s third Pat Tierney mystery, Raven Lake, has just been released. It is available at myBook.to/RavenLakeTierney.

Follow Rosemary on her blog, Moving Target at http://rosemarymccracken.wordpress.com, on Facebook at www.facebook.com/rosemarymccracken and on Twitter @RCMcCracken. Visit Rosemary’s website at http://www.rosemarymccracken.com/.

Links to Rosemary’s books and short stories

Safe Harbor: myBook.to/SafeHarborTierney

Black Water: myBook.to/BlackWaterTierney

Raven Lake: myBook.to/RavenLakeTierney

Thirteen: http://amzn.to/18oY8mF

 

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Dana Bowman from Beyond Blood appears again May 28

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Dana Bowman, the main character, the irreverent  PI from my novel Beyond Blood will be doing another of her comedy skits this Saturday afternoon. The occasion is Toronto’s annual Doors Open and Dana (and me too) will be at the Toronto Heliconian Club volunteering from 1.30 p.m. and then performing at 4 p.m.

There’s a lot of work in these comedy skits and this one is 85 per cent new stuff. The premise is Dana is supposed to talk about Beyond Blood and she does – sort of – in her own way, dissing me and generally not following instructions. So trying to get this skit together with help from Dana hasn’t been easy. Dana keeps sticking her face in maybe too much and therein lies the dilemma.

Just who is writing this skit? Who wrote Beyond Blood. Both Dana and I each answer “I did.” The book has “Sharon A. Crawford” for the byline but the skit?

Personally, I would prefer Dana that writes it. She is performing it so it’s her call. So, she’s been digging inside my brain for info or I have been channeling her.

There are many things to consider – content – is it funny or funny enough? Sometimes what’s on paper doesn’t come across as funny enough when you perform it. Then you go back to the skit content and realize that a lot of it is in the performance. The practice session yesterday wasn’t up to par. But I wasn’t feeling well then so does that mean that Dana was also feeling sick?

I did get ideas for some skit changes and made them.

And it might help if I was fully in costume when practicing. Especially the hair.

That’s Dana at the top. And here is the blurb from my website about Dana at the Heliconian Club May 28.

Sharon A. Channels Dana Bowman at Toronto’s Doors Open

Saturday, May 28, 2016

Sharon A. Crawford will be channeling Dana Bowman, the main character in  Beyond Blood at the Toronto Heliconian Club during the first day of Toronto’s Doors Open. Sharon/Dana will be there from 1.30 p.m. to 5.30 p.m. to talk about the Heliconian Club along with other club members and she will take to the stage at 4 p.m. for a short comedy skit. Meantime, Sharon is coaching Dana on the Toronto Heliconian Club’s history and club activities, etc.

See you there.

Cheers.

Sharon A. Crawford

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

 

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How self-publishing has changed – this editor’s personal take

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The self-publishing business has evolved a lot in the last few years. It is no longer on the fringe but has moved more main-stream. Here is my take on some of what is happening. This will sum up my postings on the editor-self-publishing author relationship based on my talk on the Editors Canada panel April 26.

  1. Self-published books are now considered respectable and not vanity press. Authors of sp books can be members of The Writers Union, have their books in libraries, do library readings and presentations, and register the book(s) with the Public Lending Rights program
  2. Author has much more say in what is done, can be more satisfying but also lots more work and responsibility and cost. And no middle person for taking cut in book sales.
  3. Choice in how to publish (e-publish only or print only or both – Kobo, amazon, etc.).
  4. A lot more social media and the like (including doing book review trades with other authors) involved –author blog, Facebook, Linked In, Goodreads, etc.; author must organize and pay for any in-person book launch, but virtual book launches are becoming popular. As the title suggests, the author is glued to the seat of her chair at the computer for hours, but she has control over the time and length of her book launch – also much cheaper than in-person launches.
  5. Other online media authors can schedule – videos, including guesting on online TV shows such as The Liquid Lunch on thatchannel.com and join meet-up groups such as the Toronto Indie Publishing group.

But author having more control can be good and prosperous. My writing colleague, Rena Natan who self-publishes some of her books is proof of that.Here is what she emailed me (in part) to use in my presentation:

“The process of promoting the book is time-consuming. I try to have it reviewed by friend authors (like yourself), by Midwest Book review (authoritative, free, but it takes about a year) and Goodreaders members.

Then I submit the book to all competitions that are not too expensive; I check them first on the website  www.pred-ed.com (preditors and editors).

When you win a competition you get, in general, perks, like free listing on a number of Websites, Bookdaily,  and the like. These help a little to sell.”

Rene’s books have won awards as you can see from the first page of her website. She also has more info on her books and what is happening with them here.

And for those who have trade publishers, some of these promotional activities can apply as today published authors have to take their publicity by the horns and do a lot of it themselves.

Which is good in that authors can connect more with their readers.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 

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Tips for Authors Self-publishing Part 2

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Last week’s post contained tips for editors dealing with authors who plan to self-publish a book. Today, I’ll present some tips for the authors. These are all from my presentation on the Editors Canada Self-publishing panel held April 26.

And what they call “a word to the wise” – just because you are self-publishing your book doesn’t meant you can skip the editing process. An editor can read your manuscript with an open mind, i.e., not working from the “tunnel vision” authors (and that includes me here) can get into with their baby, their manuscript. It’s more than just where the commas go, but includes whether or not your story flows, makes sense (and in a micro way – does a scene, paragraph make sense?). Is one character’s actions believable (considering the genre and story line) and is the plot, especially the resolution, credible.

Remember authors and editors need to work together, so the first point below is the most important. The rest really flows from that one.

 

What authors need to know when working with editors (a partial list):

  1. Mutual Respect
  2. Don’t have your book printed out before getting it edited.
  3. Don’t design your book in Word BEFORE getting it edited.
  4. Your book is still a manuscript before it is edited, so submit it electronically as a manuscript – 12 pt. Times New Roman, double-spaced AFTER you and the editor reach a hiring agreement. However, the potential editor might want a few chapters to help estimate a fee.
  5. The potential editor and writer can sort out hiring and related matters by email, phone, in person, or some of those three. Don’t be a no-show for appointments.
  6. Most editors will require a fee deposit and will draw up a contract for work requirements, time-line, and fees.
  7. When the contract is signed and the editor starts work, don’t bother her with constant emails or phone calls for progress reports and don’t email content changes without an editorial request.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 

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Tips for authors self-publishing

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The self-publishing panel I was on with Ali Cunliffe and Susan Viets presented by Editors Canada last week went very well. We all had interesting and informative points to make. A link to the You Tube video of it is here. Warning: the visual is lousy – we appear in shadows a lot, and it is long – it was an hour and a half panel including Q and A. But the sound is good, so you might want to get it going and listen to it while you eat lunch.

Over the next two or three weeks I will post some tips for authors and editors as that’s what our panel discussion was about. Today I’ll talk about the editor’s side.

Drama queen that I am (or ham actor) I started withe a mini-skit, standing up with a book (not mine and not the client’s). I recreated the scene when  a potential client walked into my home office for a meeting. He came in carrying a book, his book, already printed and said,

“I need this book edited.”

What’s wrong with this picture?

Editors don’t edit books AFTER they are printed. Fortunately, he had only the one book printed. So, here are a few tips and caveats, for editors working with authors who are self-publishing.
At the top of the list is MUTUAL RESPECT

  1. Many authors self-publishing don’t know anything about editing, so you have to educate them.
  2. Some authors think a book can be edited almost overnight (well in a week or two). Editors need to diplomatically tell them that it’s not so – even if they don’t have other projects on the go (avoid using the word “client” here as some authors often like to think you are focusing on their work only
  3. Diplomacy
  4. Ability to connect with the author about what they are looking for in their manuscript, for example a manuscript evaluation, a copy edit, etc.
  5. Flexibility in fees and time.
  6. Use a contract
  7. Knowledge beyond the usual editing such as illustrators, self-publishing methods, e-copies, promotion.
  8. Know your skills and what you are prepared to do.
  9. Keep authors apprised of any problems arising such as time lines and missing content.
  10. Patience.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 

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Point of View clarity important in writing fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Currently I am reading a mystery novel where the characters’ points of view are all over the map  – in one chapter without a scene change, in one scene, Even in one paragraph the point of view switches from one police detective to the other. They are police partners, but this “jumping heads” (as it is known in the editing business) is not only ridiculous and annoying it is distracting from the story. And it is an interesting story.

Looks like the author’s editor was asleep at the computer. I blame the editor, not the author because as an editor I find that 85 per cent of my fiction clients mess up the point of view. And, yes, if the author mixes up points of view, then it is his or her editor’s job to fix it.

So, what is acceptable in fiction writing (unless you are going for experimental fiction, which this mystery novel is not)? Here we go with the standards:

In novels it is acceptable to have multiple points of view as long as it isn’t overdone. Do we really need to know what minor characters A and B think?

Up to five points of view are the limit in my opinion.

Keep the same point of view within a chapter or a scene. Next chapter or next scene you can change the point of view. For scenes this is usually indicated by extra line spacing and starting the first paragraph flush left or separating the scenes with an asterisk. Read Peter Robinson’s mystery novels. He usually has three points of view and does a superb job of it. He uses the change of scene change of character POV method with extra line spacing.

Other authors indicate change of character POV by putting the character’s name at the top of the change – this can be with a new chapter or new scene. I use this method in my latest Beyond book, the mystery novel Beyond Blood. The story is told from four different points of view – Dana Bowman, Bast Overture (the two fraternal twin PIs), David Bowman (Dana’s six-year-old son), and the mysterious “Him.” I put the character name and the date and time (a word on that in a sec) just before the character POV change. This change usually occurs with chapters but I do have it within chapters – change of scene change of character POV with the above-mentioned indication.

It is not necessary to always use time and date unless it is relevant to your novel. I’m not the only author who does this. I do it because Beyond Blood is a fast-paced mystery that occurs during eight frantic days in August 1998. Often when I switch point of view what is happening with that character is happening simultaneously with another POV character. And that is another reason to switch POVs.

Switching POVs is also a good way to heighten suspense – if you end one scene/chapter with one character left out on a limb and the reader does not know what will happen with him or her next. Instead they go on to another character – more waiting to find out/more suspense. And it also allows plot development that just might not be possible using one character’s POV>

Switching points of view in a novel also allows the author to get deeper into each main character – and gives the readers a more intense looksee at the characters.

My POV on POV anyway.

Cheers.

Sharon

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 

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Electronic mania versus telling a good story

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

We are bombarded with electronic devices in our daily lives and that includes TV shows. Sometimes the story gets lost in all the “bells and whistles.” But what about books? In particular novels set in present time? Should authors overwhelm the reader with smart phone usage, social media and the like?

A story in the May 2016  issue of The Walrus writes about this conundrum. Here writer Naben Ruthnum, discusses how some authors like best-selling author Joy Fielding skirt around it. While summarizing the story lines and acknowledging that the story is important, Ruthnum wonders how long this approach will be relevant in our digital/social media obsessed society?

Ruthnum writes “By ignoring the contemporary reality of instant communication, authors such as Fielding are preserving the nail-biting satisfactions of their art. But how much longer can these books provide escapism-seeking readers with relief given that their trick of withholding details is in direct conflict with our expectation that information always wants to be free?” (bolded part is mine).

That’s a big point with mystery novels – readers get temporary relief from a mad mad world and that includes overdoses of electronic media leading to overwhelm.

Yes, mystery novels do imitate reality. But the reality is what the story is about, the story’s setting and its characters. As in real life, not all people are digitally proficient; nor do they all immerse themselves in the whole digital/social media life-style. So, Fielding and other authors have to be true to that. And they are.

Personally, after all the over-abundance of bells and whistles on some TV shows set in present time (not futuristic and not fantasy), I prefer a somewhat toned-down digital presence in the novels I read (and write for that matter).

Many mystery novel authors handle this digital business very well. Marcia Muller’s PI Sharon McCone has a nephew who handles all this digital stuff so only what is necessary to the story is told. McCone gets to do what she does best – personal investigation while her nephew helps out on the digital end.

Mystery novel authors like Peter Robinson, acknowledge the digital aspect – his police officers have smart phones (they are called mobiles in England) but his main character Alan Banks doesn’t investigate by being glued to his smart phone or sitting in front of his computer (which some consider passe these days). He does what police should be doing – gets off his butt and interviews people, as well as following suspects in his car.

And yes, Robinson makes use of one current technology available to police in most cities world wide – CCTV- the police surveillance cameras on public city streets.

And I do the same in my Beyond books. Perhaps the short story collection Beyond the Tripping Point is the best example as stories in there take place in different time periods – 1965, 1980s, 1999 and present day. So for the first two – no technology-infested society. In 1999, where my fraternal twin PIs, Dana Bowman and Bast Overture are introduced, technology is relevant to the time – so I have cell phones (that have antenna and fold closed), Polaroid cameras for “instant” photos, and dial-up Internet connection, but with email functions. (Note: in Canada DSL didn’t get going until late 1999 – after the four “twins” stories in BTTP. I should know. My computer techie son’s computer business at that time was testing one of the DSL’s in 1999 and in late fall1999, my son hooked up my computer o one of the first DSL’s provided. Dana uses a computer for basics such as email and leaves all the computer technology to her brother. So in my third Beyond book (which I’m still rewriting), which is set in November and December 1999, I have computers – desktop and laptop – using DSL. There are also onlinr forums involved which Bast accesses – but it is all part of the plot and the twins’ investigation of a case. And birth record searches (which is part of the novel’s plot) were not online then (I checked with Service Ontario on this one), so Bast has to go into the Ontario Government dept. office to do an in-person search.

My BTTP stories set in present time do use electronic realities such as CCTV and smart phones. In fact one story, the main character is obsessed with using her device but that is part of the plot. The plot, the story is never buried in electronic devices.

Which is what Peter Robinson and many other mystery novelists do. Use the current technology (or technology for the time period of your novel) as it applies to  your story. Don’t make the technology the story unless that is your plot.

A happy medium often works best. Besides, we mystery novel readers need a rest from the over-indulgence of digital on TV in other areas of our lives. And that’s one reason I like reading from my Kobo (I do still read print books). Not a lot of flashing digital nonsense. And the print size is bigger – better for my fading eyesight (left eye)

Our eyes and brains need this respite, this escape from too much digital.

What do you think?

And on another note, I will be part of a panel (along with Ali Cunliffe and Susan Viets) about Self-publishing from both authors and editors perspectives. Hosted by the Editors Association of Canada, the panel/seminar will be held in Toronto Tuesday, April 26, from 7.30 p.m. More information on my Gigs and Blogs page here and also on Editors Association of Canada website.

Cheers.

Sharon

Again click on the Beyond Blood icon at the top to find out more about my Beyond books. At least we have this digital function today.

 

 

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