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Category Archives: Fiction Characters

Tales – good and bad – from the book promo trenches

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channelling Dana Bowman from Beyond Blood. Shane Joseph photo

Still promoting my Beyond books. But when you do this you also need to help other writers promote their books. It is only fair as we are all in this together.

And sometimes that can be fun as the photo at the left shows. Cut line explains it briefly but more on that shortly. First I need to mention the downside as other published authors may run into this, if not with this bookseller, but another one, or two.

Up to last week, my encounters with booksellers have been amicable and polite. All had said they would at least see about carrying my Beyond Blood in their store. One even opted to carry a copy of each Beyond book. A couple of others I have to follow up on but they are part of a big chain, which has been helpful at other branches, so we will see here.

Now the bad and the ugly. I have also been approaching independent bookstores, but the latest venture there has left a sour taste in my mouth. Last week I entered Ben McNally Books in downtown Toronto. I always like to check to see if they already have a copy of my book. Ben McCally Books has a weird book placement system. No books by category – no signs either at the top of the bookshelves. Mystery,science fiction are all placed in with all fiction – alphabetically by author. So be it if that is the way they want to do it – their prerogative.

I approached the owner, Ben McNally about carrying a copy of Beyond Blood. As always, I stated it is not self-published but is published by a small Canadian trade publisher and handed him my business card and now that I have more – a couple of bookmarks. He barely glanced at them and said, ” Sorry, no.” He looked about as sorry as a person arrested who shows no remorse for his crime.

Being a former journalist and naturally curious, I asked “Why?”

He said he didn’t want books by small trade publishers.

So, I three him my kicker:

“Indigo (big Canadian book chain) has them in their stores.”

Then, I turned and left the store.

And you know, there weren’t many other customers in the store. Which says something.

I went directly to the big downtown Indigo store and what a difference. Manager very interested in carrying my Beyond Blood in that Indigo store. Indigo Chapters online has carried both Beyond books from day 1 for each, including print copy and e-copy (Kobo). Also this downtown Indigo bookstore is very busy – lots of customers. Because of the positive response, I bought a book there to give as a gift to a friend.

What goes around comes around.

And that brings me to what goes with the photo at the top.

I have started doing brief skits featuring Dana Bowman, the main character in the Beyond stories. I give Dana instructions to talk about herself and to read a bit from Beyond Blood.

Dana being Dana doesn’t listen. She does talk about herself some – but connects it to talking about me, her author. Dana claims she is instrumental in writing the Beyond stories. Oh, to a certain extent. I’ve been told I’m channelling Dana. I don’t mind her talking about writing and some of my quirks – if related to writing, but she can leave my plants out of it.

And when I say to read, she needs to read from Beyond Blood. And that hair in the photo above, taken by the editor at my publishers at their fall book launch, November 21? Dana has short “boy style hair.” Now she has decided to grow it somewhat. Really?

But the skit went over well at Blue Denim Press’s book launch. I was happy to bring along a few friends and to pre-promote the book launch and the authors launching their books, Shane Joseph and Chris Canniff, including reviewing their books in the two previous posts on this blog. The launch also had a Flamenco dancer and her husband providing the music on his guitar.

The funny thing here is Michael, the husband, used to come to my East End Writers’ Group when he and Lesley lived in my area. So did Shane when he lived in Toronto. And I knew Chrit from Canadian Authors Association Toronto Branch.

See, we writers are all connected, so we need to help each other.

Certain booksellers need to learn that too. Then they might get more business.

Dana Bowman will be making one more appearance before Christmas on Dec.4 and Sharon A. Crawford will have her Beyond books for sale at the Toronto Heliconian Club Art and Gift sale, Saturday, November 28. See my Gigs and Blogs page for more info.

Cheers.

Sharon A. Crawford

 

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Dana Bowman entertains at East End Writers’ Group

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Dana Bowman, the main character in my Beyond Blood novel took over my presentation spot at the East End Writers’ Group 15th anniversary last week.This is actually my writing critique group and it’s been happening in Toronto’s east end for 15th years – for 13 years at my house, then at a couple of local businesses nearby and finally from May 2014 at the S. Walter Stewart Public Library.

It was a lot of work with a lot of snafus popping up at the last minute – presenters having to cancel – all for good reasons, but I almost went batalistic when one of the two panelists on self-publishing cancelled a week before the event. Fortunately I was able to get another EEWG member with self-publishing experience to fill in and he (Steven Biggs) was awesome. So, was the other panelist (Ellen Michelson).

The presentations were divided into non-fiction, poetry and fiction. Each presenter could do whatever they wanted in their short time-slot. So we had an author interview set up as a letter and reply to and from a Toronto newspaper advice columnist. Another author, who writes opera, did a Power Point presentation (complete with music) on an opera he wrote for a company that involves the homeless in producing and presenting operas. Lots of readings.

And then there was Dana Bowman, my character. I didn’t introduce any of the fiction presenters as I was one of them. For my presentation, instead of only reading from Beyond Blood I decided to dress up like Dana (complete with short hair black wig and cap). So, when I was introduced, “Dana” ran into the room and onto the stage and made some comment that “Sharon can’t make it because an impatient client insisted on speaking to her now.”

Yes, I was channeling Dana – or that was supposed to be it, but it got to the point where well, who was channeling who. Dana completely took over.

But it got everyone’s attention, interest and some laughs.

Maybe I’m a closet actor. At any rate, I plan to take Dana on a sort of tour – well somewhat limited as I have just two  acting engagements lined up: one for Dec. 4 at a fundraiser in Toronto for Syrian refugees. I’ll be posting that shortly on my Gigs and Blogs page connected with this blog and also on my website http://www.samcraw.com.

Meantime, the next couple of postings here will feature my book reviews of a couple of other Blue Denim Press authors – Shane Joseph and Christopher Canniff – who are launching new books at 3 p.m.,  November 21 at Paintbox Bistro  in Toronto. Dana will be doing her skit here too. See below for the launch info.

If you are in the Toronto area then, you are invited to come to this launch.

Cheers.

Sharon

 

Click on Beyond Blood book cover at the top for where it is available.

 

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Transitioning the real into the reel (fiction)

 

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Sometimes we go through tremendous ordeals in our lives. Often it is because of a big change – a death in the family, relationship breakup, personal illness, or being the victim of a crime.

Writing about it is often a way to heal and tell our story to others. A journal, personal essay or even a non-fiction article encompassing the ordeal is more fact, more actual with a story (and viewpoint included).

But what if you want to fictionalize it? Do you present details and people as they happened? Do you change people’s names and some details? How can you go about it?

Authors do it several ways. You do have to be concerned with libel – especially if the fiction is more fact than fiction. An author colleague is very particular here because she ran into libel issues a couple of times in the past – no libel involved, but it can scare you and serve as a warning.

Other authors use the “based on…” line.

Some write what they want and use the “Any resemblance to living persons, etc.” disclaimer.

I am a bit liberal about my approach. For the most part I sometimes take something from my life as a basis for a story – but the characters aren’t me or whomever else appeared and the story definitely is different. For example, in my short story collection Beyond the Tripping Point, one story deals with two female friends who have problems with a car brake that won’t work as they drive up to the cottage. This happened to a friend and I about 30 years ago. All my friend had to contend with was the brakes failing. She used the parking brake and we were in and out of gas stations looking for a bay to get the problem fixed. That’s where truth ends. What happens in “No Breaks” is well, crime fiction.

But I do up the ante sometimes if someone has really messed up with my life. When I told this story at a recent Crime Writers of Canada reading, I could just feel the other author mentioned above cringe. (I was looking at the audience, not her, so didn’t actually see her face).

There is a way to do this. One of the characters in one of my short stories in Beyond the Tripping Point is loosely based on this real-life person – only the age is in the same decade and I saw her features, her way of dressing in my mind. But from the minimal description I gave of her, she could be any person in that age bracket fitting that description. I kept her in the same work industry but a different job. Yes, she was one of the suspects, but I won’t tell you if she was the guilty one.

A bit of background here – the person (yes a family member) objected to me writing and getting published family stories as memoir but she said I could fictionalize any of it. So, I did a variation of that.

In Beyond Blood, a couple of characters, Detective Sergean tDonald  Fielding and Great Aunt Doris Bowman are loosely on people I have known – but none of them messed up my life. The first one I liked and the second one was an interesting person. Dana Bowman, my main character, is she based on me? Not exactly. For one thing she is 25 years younger than me. True, we are both short in stature, but I made her shorter, something she is a bit peeved about. Let’s just say Dana tends to boldly go where I just might not do so.

So, it is not all cut and dry about going from real to reel. Just consider that even when your fiction has nothing to do with real life, at least any you have experienced, read about or seen, there is always somebody who will insist that a character in your story is based on them.

Usually they are wrong. Perhaps they have a latent wish to be immortalized in some way.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 

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When readers relate to authors’ characters

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Dana Bowman, the main character in my Beyond mystery series is making herself known.

Another author who read Beyond Blood compared Dana’s situation as the mother of a lost son to a non-fiction book dealing with a mother losing her son. Mind you, David, Dana’s son is lost in the sense that he is kidnapped. But both mothers suffer anguish and go through much emotional turmoil.

Others have picked out Dana’s offbeat sense of humour and being a likeable character.

All indications that readers are identifying with Dana.

Getting readers to identify with your novel’s characters – main character in particular, but also the other characters is one of the challenges for writers. But no matter what the fiction genre readers want more than just a good plot – they want to connect with your characters. Perhaps the daytime soap operas or the old night time TV soaps started this. However, even other TV series, police, etc. have a running thread for each character.

If readers can’t identify with your characters, you will lose them. They won’t enjoy your book as much or at all and may give up on it.

So what makes fiction characters compelling?

Liking the character isn’t absolutely necessary, but remember that most people are not all good or all bad. And even so-called good characters can come across as somewhat off. Maybe they are too good-two shoes. Maybe they are too superficial. The dreaded wooden characters.

So, in a nutshell, you have to make your characters compelling – by making them three dimensional – with dialogue, their inner thoughts, and their actions. You need to compel the reader to get under the character’s skin and if not emphasize with them, at least be with them.

Besides your novel’s characters getting a mention from readers, another good sign of compelling characters ix when readers read they want to find out what happens to the main character because they care. When they sense something terrible is going to happen to a character they keep reading, hoping both that it won’t happen and that it will. And when it does, they feel right with the character and read on to see if the character can come through the situation.

Of course, some of this is plot. But these days you really can’t have one without the other.

Besides my Beyond books, read fiction by Peter Robinson, Rosemary McCracken, Rosemary Aubert and Maureen Jennings to name a few.

And happy reading.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available;

And check my updated Gigs and Blog Tours for a presentation with other Crime Writers of Canada authors on October 22, 2015

 

 

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Changing your story mid-stream

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

As I continue writing my third Beyond mystery book, things are changing with the plot and the characters. That is the big reason why I don’t pre-plot down to the last T. Characters, like real people, change over time and that includes perspective – mine and my characters.

Yes, you read that right – my characters are changing and I’m letting them do so. The main characters of the Beyond series – fraternal twin PIs – Dana Bowman and Bast Overture, Dana’s son David and Detective Sergeant Donald Fielding – have to change and grow. If I want my characters to be real life, they can’t stagnate. This third book has to reflect consequences of what happened in Beyond Blood (the novel) and the four Bowman/Overture stories in Beyond the Tripping Point. BB takes place in summer 1998; those four stories in BTTP from May 1999 to mid-October 1999. The current Beyond book takes place from November 1999 to the beginning of January 2000.

So, I’ve been sitting at my computer almost every weekday, writing, some of the story pre-thought out, much “by-the-seat-of-my-pants.” At the end of the day’s work I type up a few notes about what to cover the next day – not that I will stick exactly to it.

Something just wasn’t working out. I do choose who the murder is before I get going on a novel. But the who and the whys just weren’t making sense here. And there would be some similarities to Beyond Blood. I’m supposed to be continuing the characters’ stories, not copying them.

So, on Tuesday I woke up brainstorming and later put down some changes in writing. Yes, I changed the who-dunnit and of course the why. This made sense and provides a real twist in the story. The other person who I had pegged for the murderer will not be lily-white and will figure into the plot line – not just as a red-herring, but also in a subplot that ties in with the main plotline. I love complicated. And yes there are more twists and turns going on.

But I’m not telling what. I just might change my mind. Or the characters might.

Sometimes I wonder just who is writing this novel.

And it’s not just me that thinks that. When I was interviewed about Beyond Blood a few months ago on the Liquid Lunch for thatchannel.com, one of the interviewers, Sandra Kyrzakos, said I was channelling my characters. Perhaps she is right. See for yourself at https://www.youtube.com/watch?v=i2bBaePIWgY&feature=youtu.be

 

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

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Fiction characters who want to take over the story

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

In my Beyond mystery series, one of the main characters, Dana Bowman, often wants to be front and centre in the story. She even gets into my mind outside of writing time. I’ve posted about that before. Dana can get away with this. She’s one of the twin private investigators and it is her function to get all over the place. But what about a non-series character, a guest of one novel, who grabs the reins and insists?

In my third Beyond mystery book which I am currently writing, this is what’s happening. Without giving the plot away, there is a nun in the story who is important to the plot and as such some of the novel is her story. But she has invaded my mind and is insisting on being in almost every scene.

A little privacy, please, for the other characters and for the plot revelation. One important feature of mystery plots is that each character doesn’t have all the information; they don’t know all the plot. At the same time, putting all the information together for the reader, but at the same time having it happen throughout the story is important. Unless God is one of your main characters, each character doesn’t know it all and letting each character find out and reveal helps make for a good plot.

So, what do you do about “guest” characters trying to take over the whole novel?

  1. Acknowledge them – who they are and that they do have a purpose.
  2. Let them come into your mind and speak because if you shut them out you may lose good plot and character developments.
  3. But give them some parameters. Yes, they are important, but they are part of a whole, part of a plot.
  4. If necessary, give them timelines when it is okay to invade your mind. Not easy, but try the “not now, but (when?)” approach.
  5. Or when they invade, grab that notebook or iPad and start scribbling/typing their information. Sometimes doing something about it right away, stops the “invasion.” You can decide later whether to include it in your story.
  6. And make sure they are playing their important role in your novel. This can be done by having them be one of the novel’s point-of-view characters.

 

I know this may all sound crazy. But it is a good sign that your characters are real in the fiction sense. And that’s a good thing for your readers.

 

This evening from 7 p.m. to 9 p.m., I get a chance to talk about developing series characters in fiction. Crime writers Rosemary McCracken (the Pat Tierney mystery fiction series), Nate Hendley (true crime) and I will be talking about writing crime – fiction and true – and getting our work published, to the Storytellers (love that name) writing group at the Angus Glen public library in Markham, Ontario, Canada. It is a Meet-up group. More information at http://www.meetup.com/The-Storytellers/events/221133884/

 

Cheers.

 

Sharon A. Crawford

 

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a  copy there, please do a review on amazon.

 

 

 

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When your fiction characters get inside your head

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Are your fiction characters trying to take over your mind? Do you seem to be losing yourself in their quirks and even their talk?

Two of the main characters from my Beyond mystery fiction series (Beyond the Tripping Point, 2012 and Beyond Blood, 2014, Blue Denim Press for both) are doing this. Dana Bowman, the PI mom of six to seven-year old-David (age depending on which book) and the stuttering Detective Sergeant Donald Fielding.

Sandra Kryzakos in her Liquid Lunch interview with me says I’m channeling my characters. She bases this on how I talk about them and how I read excerpts from the books. And to add more fuel to the channelling fire, when I told her about Detective Fielding, I started to stutter and said so.

“Now, she’s channeling,” she said. (Watch this thatchannel.com interview on You Tube at http://youtu.be/i2bBaePIWgY)

Not the first time something like this has happened. Others hearing me read say I don’t read like I’m just reading but I put myself into the characters, into their heads.

Now, are Dana and Fielding getting back at me? Just kidding? Actually I welcome my characters getting into my head. Besides giving me an excuse for if and when I stumble over words, my characters are speaking to me. They give me ideas for what to write in my third Beyond book. They keep me in touch with what is happening in their lives and remind me of what is impossible. They also remind me they are distinct characters and not me.

Although I wonder about the latter. Especially when I find myself sometimes using “Dana’s big bag” to cart groceries and other purchases. For Dana this bag is her purse. To my credit I use another smaller bag as my purse. But just calling the bag “Dana’s bag,” says something. However, I still can’t draw a straight line even with a ruler and Dana is also an artist, sketching the people she interviews and incorporating the interview context into the drawing. And she drives a car and the only driving I can do is to drive people up a wall. She is also not a gardener and I am. Then there is the 25 or so year age difference. (Note: I’m the older gal here).

And of course, I don’t have a fraternal twin brother – don’t have any siblings.

So, I’ll let Dana, Detective Sergeant Fielding and whomever else I write about “invade” my mind. They have stories to tell and I need to tell their story, not mine, in the Beyond books.

Now, if I could only sort out this dream business. Dana sometimes dreams about the future (you have to read Beyond Blood to see that). I’m hoping my horrendous, sometime scary dreams, are not premonitions of my future. If so, it could be a bleak future.

Dana? What do you think?

Cheers.

 

Sharon A. Crawford

Maybe I’ll see you at a future gig. I post my reading and presentation gigs on the Beyond Blood page of my website www.samcraw.com. Keep checking back for updates.

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/

Beyond Blood Book cover at the top of this post links to my Amazon author profile.

And that Liquid Lunch interview link again is http://youtu.be/i2bBaePIWgY

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Putting reality into fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The other evening I was teaching a workshop on Memoir Writing – not exactly fiction, but memoir reads like fiction. A participant said she was scared to name names of family members and wanted to know how to get around this.

You can turn the memoir into fiction – this has been done before. Or use pseudonyms with a disclaimer. Or be scrupulous about what you include.

Or you can do what I did after a confrontation with a relative who definitely didn’t want something in the family background getting published. The excuse was she didn’t want her children reading about it. However, she was okay with it all being fictionalized.

So I listened to her, although maybe not exactly as she meant it. In my mystery short story collection Beyond the Tripping Point (Blue Denim Press. 2012), one story is based on something that happened in my family – although except for the central event, all the characters have been changed and so have the circumstances. However, I was so ticked off with her attitude that I loosely based one of the suspects in one of the stories on her. I changed the details but when I see this character I see the complaining relative.

As for the memoir chapter she was complaining about – I did remove it – and several other chapters because at the same time another author and I did a manuscript evaluation exchange. He said I had three stories going on in the memoir – family history, some other history, and my personal story. My personal story was more interesting – so that was the new focus.

In my mystery novel Beyond Blood (Blue Denim Press 2014), I don’t use any stories from the original memoir, although Great Aunt Doris is very loosely based on an eccentric aunt (now deceased). However, the eccentricities are different as are Aunt Doris’ actions and role. The only similarities, if you will, are the two are eccentric and both are aunts.

However, I did use something in my past as fodder and then used my imagination to expand from there. The business with the raccoons. Racoons got into the attic of my house in Aurora and that was the real life starting point. But I assure you, except for racoons on the roof, anything else with racoons that happens in Beyond Blood never happened in real life, mine at least.

The bottom line is to use something real as the catalyst, the gem for an idea or character. Because you need to be careful here. How often have readers said that a character reminds them of so-and-so or the character is so-and-so? Usually this is not the reality.

But it is an indication that your story, your characters are resonating with your readers.

Cheers.

Sharon A. Crawford

Author of the Beyond book series. See http://www.samcraw.com and http://www.bluedenimpress.com for more info. Book at top of this post links to my Amazon author profile.

To watch my interview on Liquid Lunch on thatchannel.com go to Go to http://youtu.be/i2bBaePIWgY and enjoy.

 

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Why do writers write?

Sharon reads from her Beyond book series

Sharon reads from her Beyond book series

If the writing is honest it cannot be separated from the man who wrote it.

 

  • Tennessee Williams

 

I was hit with this question and connected it to my crime fiction Beyond Blood and Beyond the Tripping Point.

The trigger was listening to best-selling author Linden MacIntyre being interviewed this morning by Mike Duncan on Classic 93.6 FM radio station. MacIntyre was talking about his new novel Punishment and its theme of vengeance versus justice. And he is also a former journalist, albeit a high profile broadcast journalist lately host of CBC’s investigative TV show The Fifth Estate. (More information on MacIntyre in this Toronto Star story http://www.thestar.com/entertainment/books/2014/11/21/linden_macintyre_on_community_vengeance_and_punishment.html

 

What is it about journalists turning to writing fiction, often crime fiction?

I’m beginning to think it is our sense of justice, justice not really being meted out today to those who commit crimes, especially heinous crimes. And as journalists we certainly see our share of that in the true stories we write, as well as in what we read in the newspapers and magazines, whether in print or online. (For the record – now that is a journalistic phrase – I read both print and online.)

With me, this sense of justice is something I have carried from my childhood. Blame it on my Catholic background. As an ex-Catholic I can no longer stand by some of those beliefs. Although I have to admit that my sense of justice comes more from the “eye for an eye” of the Old Testament.

That may be where the vengeance factor fits in.

In all my short stories in Beyond the Tripping Point, no one who commits a crime gets away with it. Not all the baddies get arrested but they get their just desserts. For example, in “Unfinished Business” a woman who was sexually assaulted as a child gets her chance to get back at the guilty party when he becomes a threat to her 12-year-old daughter.

Then there are the four-linked stories featuring the fraternal twin PIs Dana Bowman and Bast Overture. Here all the baddies do get arrested. Dana and Bast both have a great sense of justice. Bast was a former crime reporter so he’s seen a lot of bad things and talked to a lot of bad people. As a journalist he had to try to sit on the observation side. As a PI, especially in my new novel Beyond Blood, he can do more.

But it is Dana who drives this search for justice. Especially after her son David is kidnapped. Then it becomes more personal. Nothing like motherly love to motivate someone.

Maybe that has something to do with my sense of justice – at least adds fuel to the fire. My son is in his mid-thirties now and was never kidnapped but there have been instances over the years where I went to bat for him, even if just the normal growing-up incidents that happen.

Of course, there are other reasons why I write and why crime fiction. I’ll cover them in future blog posts.

For now, I would like to know

Why do you write?

Please comment.

Cheers.

Sharon A. Crawford

This Saturday, Nov. 29, 11 a.m. to  4 p.m. I will be selling copies of Beyond Blood and Beyond the Tripping Point at the Toronto Heliconian Club Fine Arts and Gift Sale, 35 Hazelton Ave. (Yorkville area), Toronto, Ontario, Canada. For more info about the Toronto Heliconian Club and this sale (open to the public), see http://heliconianclub.org/ Scroll down a bit – it is there.

For those not in the Toronto, Canada area, you can click on my book covers below – they will lead you to my publisher Blue Denim Press’s website. Scroll down and you can see where Beyond Blood is currently available, including at www.bluedenimpress.com.

And check my website www.samcraw.com – click on Beyond Blood. I constantly update my gigs on that site.

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press. Click for link to purchase e-copies

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press. Click for link to publisher’s website

Cover of Sharon A. Crawford's mystery short story collection. Click on it for publisher's website

Cover of Sharon A. Crawford’s mystery short story collection. Click on it for link to publisher’s website

 

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Come to Sharon A Crawford’s Book Launch Sunday Oct.19

Sharon A Crawford author of the short story collection Beyond Blood published by Blue Denim Press

Sharon A Crawford author of Beyond Blood published by Blue Denim Press

Fiction is about stuff that’s screwed up.
– Nancy Kress

 

Dana is scurrying around The Attic Agency Office when Bast walks into the room.

Bast: What are you doing?

Dana: Getting ready for the big launch.

Bast: Our agency opening reception. I thought all was…

Dana: No, no, not that. Sharon A. Crawford’s book launch. You know the author who created us?

Bast: Of course. That is coming up already?

Dana: Yes, this Sunday. October 19. We have to get the word out Bast about her book Beyond Blood.

Bast: You mean before our agency opening?

Dana: Yes, and Sharon’s book launch has to happen first so that Beyond Blood can happen.

Bast: You mean our actual launch, the kidn…

Dana: Sh. Bast, don’t give it all away. People have to come to the book launch and buy a copy of Beyond Blood to find out what happens.

Bast: Right. And we should also mention what else is happening at the Book Launch.

Dana: Yes. The book launch is also for another first time mystery novelist, Klaus Jakelski’s book Dead Wrong. It’s a medical mystery.

Bast: Yes. And Klaus is a medical doctor in Sudbury, Ontario.

Dana: And Sharon, like you is a former journalist, although she covered health as well as some crime stories.

Bast: Sharon is also short like you. In fact, she has a couple of inches on you.

Dana: Bast. Leave my height out of it.

Bast (chuckling): Okay, if you wish.

Dana: What I wish is to find that poster that Blue Denim Press, Sharon’s and Klaus’s publisher, had printed. Have you seen it?

Bast: Yes, right here on my desk.

Dana and Bast grab the poster, hold it up and together announce:

Blue Murder with Blue Denim Press:

Join in the murderous mayhem at the launch of two debut mystery novels:

Beyond Blood by Sharon A. Crawford

Dead Wrong by Klaus Jakelski

More mayhem provided by guest readers Rosemary McCracken and Nate Hendley

Launch presented by Blue Denim Press.

Mayhem provided by all.

Location:     Paintbox Bistro

555 Dundas Street East (at Parliament St.) Toronto (parking inside building), Ontario

http://paintboxbistro.ca/contact

Time and Date: 3 p.m., Sunday, October 19, 2014

Bring a guest or two if you wish.

There is an entrance cost of $15. per person. That entitles you to a copy of a Blue Denim Press book-. Your guest(s) can choose another book published by Blue Denim Press. No charge for children 16 and under.

See you there.

Cheers.

Dana Bowman

Bast Overture

And

Sharon A. Crawford

And check out Sharon A. Crawford’s Facebook author page https://www.facebook.com/pages/Sharon-A-Crawford/412730865439394

Linked In profile http://ca.linkedin.com/in/sharoncrawfordwordssparkle

Sharon A. Crawford’s website www.samcraw.com and click on Beyond Blood for all the details of Sharon’s gigs.

And visit Sharon’s publisher Blue Denim Press at http://www.bluedenimpress.com to see that poster.

 

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Dead Wrong by Klaus Jakelski, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press

 

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