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Criminals and historical figures on CWC panel

30 Jul
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The bad guys and history guys weren’t there in person. But five of us from Crime Writers of Canada – Rosemary McCracken, Steve Burrows, Sylvia Warsh, Nate Hendley and I told tales of crossing paths with the above and more in our research to write that perfect mystery novel or true crime story.

Rosemary moderated the panel which gave me a breather from that function so I would just have to show up and answer questions. But apparently I had trouble finding the Fairview library branch, or rather the exit from Fairview Mall, where I had to run a few errands first (like glasses cleaner, very important to be able to see through your glasses to read from your books). And I’ve been at this library before and had no trouble then going from the mall across the parking lot to the library. This time I couldn’t find the right exit or even the right level of the mall. Finally I asked at the Guest Service booth.

We had a good audience turnout. Rosemary got us panelists talking and the stories that came out. Sylvia’s Dr. Rebecca Temple mysteries are set in 1979 Toronto, but Find Me Again also goes back in time to Catherine the Great. She did most of her research on the Internet. You can’t exactly interview Catherine the Great. Nate, who writes about true crime (Crystal Death), has met the criminal element – bikers and the like. Rosemary, whose protagonist Pat Tierney is a financial advisor (Safe Harbor), writes about finances as a journalist, so has information and connections there. Steve writes the Birder mysteries (A Siege of Bitterns), so birding features in his novels (Steve is a birder), but he had to do some police research. My Beyond books (Beyond Blood) are set in the late 1990s (so far, the third one I’m working on goes into the twenty-first century). As mentioned in last week’s blog post (https://sharonacrawfordauthor.com/2015/07/23/researching-mid-stream-for-your-novel/), I have a police consultant and have to keep any police procedure in that time period. I also have to be careful with technical devices. No social media. Internet connection was via dial-up until late fall 1999, cellphones were just that and they folded closed and had antennae. But there was email and that figures in my Beyond books. In this third one I write, I may have to talk to a psychic, so that should be interesting.

We also read excerpts from our books and answered questions on marketing your book.

Authors and audience connected so well, we had to be reminder by the librarian that it was time to leave.

In August I take a break from actual gigs. So will be spending more time researching and writing that third Beyond book. With a bit of final arrangements for fall presentations and readings. It promises to be a busy fall. Check out the Gigs and Blog Tours page on this blog and also my website http://www.samcraw.com/ for updates as I get them in there.

Meantime, the photo at the top of this post still connects to where you can get e-copies of Beyond Blood and Beyond the Tripping Point. Print copies available (among other places) at https://www.chapters.indigo.ca/en-ca/home/search/?keywords=Beyond%20blood%20and%20Sharon%20A.%20Crawford

Cheers.

Sharon A. Crawford

 
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Posted by on July 30, 2015 in Author Interviews, Author Reading, Beyond Blood, Book Promotion, Plot and Characters, Public Libraries, Research for fiction, Sharon A. Crawford, Toronto Public Library

 

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Researching mid-stream for your novel

23 Jul
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

I just finished a draft of the first part of my newest Beyond novel. As usual I am juggling several balls with plots and characters and inconsistencies, and again as usual, I need to do more research. I’ll deal with the juggling act and inconsistencies in another blog post. But today, briefly I’ll go into the research part.

Yes, I have covered research previously, but it is important in fiction writing. If you mess up, readers will find the mistakes. Some of them get very picky with details. One reader chided me for using a BlackBerry and not an IPhone in one of my short stories in Beyond the Tripping Point. She was reading the book when Blackberry was having financial difficulties (the first time), just before the big changeover in their executives. Beyond the Tripping Point came out in October 2012, so the story she was referring to, “Missing in Action” was written before that (April and May 2012).

Which brings me to my first point for research: make sure your details are accurate with the time-line you are writing in. Especially important if you are writing historical fiction (mystery, romance or other). Even going back a few years as my current novel Beyond Blood and four linked stories in BTTP do, you have to get your facts straight. Beyond Blood is set in August 1998, so we have dial-up Internet connection and cell phones that are longish, narrow, have antennae and you flip them open and closed. Not to mention how police set up taping phone calls from kidnappers. My police consultant, Constable Brent Pilkey and I had a good laugh over the setup of that one.

If you are writing anything that includes police procedure, you need to do research. I have my police consultant who is very helpful. I run questions by him, sometimes including inserts from the work-in-progress so he can see what I am trying to do. Yes, I have another round of questions and excerpts to email him.

Medical info needs to be checked to get it accurate. I do both checking online at qualified sources (Mayo Clinic, for example), but also consult MDs. One, who is a former MD-turned freelance writer asked on a medical listserve she is on and forwarded the feedback to me. Now, I have a couple of MDs who specialize in what I’m looking for to consult.

These are just a few examples of research required. Depending on your novel, yours may differ.

Remember: the devil is in the details and you better get those details right or the “devil” in the form of readers will complain.

And rightly so. Readers are your audience, your book buyers.

A reminder: I’m on a panel this evening with other Crime Writers of Canada authors – Nate Hendley (true crime), Sylvia Warsh (historical mystery), Steve Burrows (winner of the Arthur Ellis first novel award 2015), Rosemary McCracken (author of the Pat Tierney mystery series and also moderating the panel. She will be asking questions about researching for your novels), and me Sharon A. Crawford (author of the Beyond mystery series). Check out the full details on my Gigs and Blog Tours page at

https://sharonacrawfordauthor.com/getting-around-with-the-beyond-blood-gang-and-friends

If you are in Toronto, feel free to drop in. We authors will also be reading from our books and book copies will be available for sale.

Meantime, the photo at the top of this post still connects to where you can get e-copies of Beyond Blood. Print copies available (among other places) at https://www.chapters.indigo.ca/en-ca/home/search/?keywords=Beyond%20blood%20and%20Sharon%20A.%20Crawford

Cheers.

Sharon A. Crawford

 
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Posted by on July 23, 2015 in Author Reading, Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Characters and plot in fiction, Research for fiction, Sharon A. Crawford, Short Story Collection

 

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Changing your story mid-stream

09 Jul
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

As I continue writing my third Beyond mystery book, things are changing with the plot and the characters. That is the big reason why I don’t pre-plot down to the last T. Characters, like real people, change over time and that includes perspective – mine and my characters.

Yes, you read that right – my characters are changing and I’m letting them do so. The main characters of the Beyond series – fraternal twin PIs – Dana Bowman and Bast Overture, Dana’s son David and Detective Sergeant Donald Fielding – have to change and grow. If I want my characters to be real life, they can’t stagnate. This third book has to reflect consequences of what happened in Beyond Blood (the novel) and the four Bowman/Overture stories in Beyond the Tripping Point. BB takes place in summer 1998; those four stories in BTTP from May 1999 to mid-October 1999. The current Beyond book takes place from November 1999 to the beginning of January 2000.

So, I’ve been sitting at my computer almost every weekday, writing, some of the story pre-thought out, much “by-the-seat-of-my-pants.” At the end of the day’s work I type up a few notes about what to cover the next day – not that I will stick exactly to it.

Something just wasn’t working out. I do choose who the murder is before I get going on a novel. But the who and the whys just weren’t making sense here. And there would be some similarities to Beyond Blood. I’m supposed to be continuing the characters’ stories, not copying them.

So, on Tuesday I woke up brainstorming and later put down some changes in writing. Yes, I changed the who-dunnit and of course the why. This made sense and provides a real twist in the story. The other person who I had pegged for the murderer will not be lily-white and will figure into the plot line – not just as a red-herring, but also in a subplot that ties in with the main plotline. I love complicated. And yes there are more twists and turns going on.

But I’m not telling what. I just might change my mind. Or the characters might.

Sometimes I wonder just who is writing this novel.

And it’s not just me that thinks that. When I was interviewed about Beyond Blood a few months ago on the Liquid Lunch for thatchannel.com, one of the interviewers, Sandra Kyrzakos, said I was channelling my characters. Perhaps she is right. See for yourself at https://www.youtube.com/watch?v=i2bBaePIWgY&feature=youtu.be

 

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 
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Posted by on July 9, 2015 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Channelling Fiction Characters, Characters and plot in fiction, Fiction Characters, Plot and Characters, Sharon A. Crawford, Writing

 

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Incorporating the weather into your fiction

25 Jun
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

I am intensely interested in the weather – where it comes from, who or what causes it, and how it plays out. So, it isn’t a big leap to figure out that I start chapter one in the Beyond mystery novel I am currently writing with the main character, Dana Bowman, dealing with weather. And that isn’t as simple as it sounds.

First, you need the weather appropriate to the time frame of your story. Although using a present-day setting, if the weather is severe and floods are a big part, you will probably be right on. However, it is always best to check with reliable weather sources online for weather on any day or in any time frame.

If you set your story anywhere in the past, you need to have the weather at least based on the weather situation then. Where you set your story will also factor in. For example, you probably wouldn’t have a tornado in California, but you might have very dry weather causing forest fires. On the flip side of the weather coin, you can use some weather conditions that occurred in the past as part of your story, part of the conflicts that occur in your plot. Think going out in a sailboat and getting caught in a storm. Of course, like all plots you have to build up the suspense and that includes impending storms. You need to connect the weather to your characters. Perhaps your main character is terrified of tornadoes or thunderstorms. Why? That would be part of your story and you can also blend that terror in with what the main character may have to do at the climax. Maybe your protagonist is in that sailboat with a friend who is actually the sailor. The protagonist may have to try to save the day if the sailor is injured, falls overboard, etc.

The weather can also play a creepy role in your novel – especially thrillers and horror. I am reminded of the 1960 movie Midnight Lace starring Doris Day (yes, I know, that dates me) where Rex Harrison as her husband appears to be stalking her as she walks through the London fog.

So sometimes the weather becomes like another character in your fiction. The weather possibilities are endless.

Even if you don’t have weather playing a major part, you don’t want your character going out in a snowstorm in shorts and a T-shirt. Or heading for the beach in a fur coat. Unless that is part of their eccentricity or they are on a modelling or music video assignment.

And don’t forget to give some reference to the weather in your story, but incorporate it into your story so it doesn’t read like an extended weather dissertation.

And what is my main character Dana Bowman facing weather-wise in the Beyond novel currently being written, which begins in late November 1999? She is walking in the rain.

But I have one extenuating circumstance here. My setting is a fictitious small city I call Thurston, Ontario. Thurston is located just north of Toronto where Aurora and Newmarket are. When I checked historical record data (three sources online), neither place had historical weather listings, so I went to the closest – Richmond Hill, Ontario and that’s what I’m using. With fictitious locations, you can be somewhat creative with the weather – within reason (see above about fur coats and shorts). Check out the real location in the general area of your made-up place and see what the weather is/was like there. Again, you don’t want snowstorms in California.

However, if you are writing fantasy or science fiction, the sky is the limit (pun intended).

Do you use weather as an important part of your fiction and how do you do so?

Comments please.

Cheers.

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

 
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Posted by on June 25, 2015 in Beyond Blood, Blue Denim Press, Characters and plot in fiction, Plot and Characters, Settings in Fiction, Short Story Collection, Uncategorized

 

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Taming Time to write your novel

14 May
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Lately I’ve fallen into the writer’s trap of finding (or not finding) time to write my Beyond novel-in-progress. My characters – PI fraternal twins Dana Bowman and Bast Overture, the stuttering Detective-Sergeant Donald Fielding seem to be getting far away. Life, in too many forms, has gotten in the way. And this is not to my liking. So, it is time (pun intended) to go through an update of how to tame time (well try) so you can write.

First, two big words – delete and prioritize

  1. The “devils” in your life who intrude – can be family, friends, telemarketers, utilities and other people who mess things up for you, and house and property repairs. The list is endless. Decide who and what are important and when. Speak to family and friends about your writing situation but reiterate you will get back to them. Telemarketers – don’t answer the phone or door (for the in-person one). Utilities, etc., decide when you will deal with them.
  2. Emails – (and I’m guilty here) – decide what to answer and when. Set a timer if necessary.
  3. Decide what can be deleted from your life – use the word “no” a lot more. Better still, don’t sign up for something you are only mildly interested in. For me, that is one writer’s organization AGM (two hours is two-hours too much of my time). The Crime Writers of Canada AGM, however, is half that time and is followed by their annual banquet and Arthur Ellis Awards evening.
  4. Make your decisions on “delete and prioritize” on what is really important in your life – what works for your goals, particularly writing.
  5. For those with day jobs it can get even trickier, even when, like me, you work from home and client work takes up more time than you expected. For the latter, slot it in for specific times.
  6. If you are promoting another book via social media and/or in person – schedule a set time for the social media. In person may not be completely under your control for time and date, but factor it into your schedule.
  7. Draw up a flexible timetable – “flexible” because stuff happens. You just don’t want so much stuff happening you don’t have time to write.
  8. Re-acquaint yourself with your novel’s characters. You can be plotting in your mind as you go for a walk.
  9. And don’t forget to relax, to breathe and enjoy the day now that spring is here.

 

Dana, Bast, Donald, et al. I’m thinking of you and will be writing more in your novel tomorrow.

 

And anyone or anything that gets into the way of that will have to answer to the wrath of Sharon A. Crawford. Remember my current published mystery novel is titled Beyond Blood. And some events and people in my life who have really aggravated me have been fodder (fictionalized of course) for my short stories and novels.

 

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo – there.

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a copy there, please do a review there.

 
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Posted by on May 14, 2015 in Beyond Blood, Blue Denim Press, Characters and plot in fiction, Fictional Characters Interviewing Authors, Juggline book promo and writing new novel, Sharon A. Crawford, Time Management for Writers, Writing, Writing Time

 

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Don’t forget the ears – Promoting your book on radio

30 Apr
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

In this graphic online world we sometimes forget there is another older way to promote your book. And it can be done online – live streaming or download or via the website’s Archives. The word is “radio” and although your audience can’t see you they can hear you.

I’ve had that radio interview experience a few times lately for my mystery novel Beyond Blood. None were straightforward. But all were interesting and satisfying.

Probably the closest to “straightforward” was a phone interview for a local (Cobourg, Ontario Canada) radio station. The q and a was normal but it felt a little strange reading an excerpt from Beyond Blood into my wireless phone.

For another radio station I was interviewed in a closet. No brooms or mops but lots of chairs piled up. The location was the Cobourg Public Library and the occasion was Word Northumberland in October 2014. The radio host had a micro digital recorder and among the chairs we did the q and a. Fortunately, I didn’t have to read in the closet. That was done on the small stage in the corner of the publishers and authors exhibit room where authors took their turns reading excerpts from their latest books. And yes, those segments were recorded.
Perhaps the most interesting is the interview I did with Nancy Bullis Tuesday night at 10 p.m. for her Howl show. Love that title. And love the location even more. CIUT 89.5 FM is the long-running University of Toronto radio station. Nancy has been hosting Howl for fifteen and a half years. But they weren’t always at this Hart House location. Until fall 2010 they were in another building closer to a main drag – Bloor Street – and Howl was broadcast live at 2 p.m. on Sundays. Nancy said she always ran into the annual Santa Clause parade just as it started.

But the curious thing is the studio’s actual location – if you can find it. Took me two preliminary visits and a chat with the station manager to find out exactly where on the third floor of historic Hart House it is situated.To make the search more confusing, the first recording studio you see is NOT the correct one. You have to walk along an inner corridor in front of that one until you come to another door which leads you to another corridor with the correct studio at the end.

I had no trouble finding Hart House or its west wing as instructed. Apparently some interviewees can’t do that and land in the east wing. Nancy has chased after lost interviewees before.

But not me. I found it without any problems the night of the interview; my research paid off. When Nancy arrived (and she was early too), she found me chatting with Robert the technician. Nancy and I had a preliminary chat then went inside the studio – the recording part in the front and the actual place where the interview occurs in a small room behind. We sat at a small oval table with huge table-top mics. Nancy checked to see which ones were working and then gave me mic instructions – how far away to put my face from the mic. She adjusted the mic a bit.

I’m usually useless with microphones. I get too close, too far away or worse – have to adjust the mic because someone taller used the mic before me. When I try to adjust these mics, I either can’t move the stand part and/or the mic comes off and I feel like a would-be rock star who can’t sing. That’s me. So I use my loud outside voice.

With the CIUT radio interview, no mic problem I guess. My publisher’s editor listened to the show live while driving home and said the interview was good. I gather he could hear it all right.

So what went on in the interview? Nancy asked questions and I talked about how I got into writing mysteries, about research, some of the characters (the fraternal twin PIs Dana Bowman and Bast Overture) and Dana’s son, David, plus a couple more eccentric characters, Great Aunt Doris and the stuttering Detective Sergeant Donald Fielding, and if my characters appear in both my books.

We also talked about that other Beyond book – the short story collection Beyond the Tripping Point (Blue Denim Press, 2012) and the four linked stories connected to Beyond Blood and why the two weren’t published in chronological order.

And where I am reading in the near future. I also managed to get in my website address somewhere in the conversation. Those two are very important.

Speaking of reading – I did read a short excerpt from Beyond Blood. And it didn’t feel like I was reading to a wall or a wireless phone.

Until Wednesday, May 6 you can check out my interview at http://www.ciut.fm/shows-2/ciut-audio-archives/ scroll down to Howl and click on Howl. You need an MP3 player to listen, from what I see there. But remember, I am not technically inclined.

And for those who must have their visual, you can see and hear my interview about Beyond Blood and writing on thatchannel’s Liquid Lunch at http://youtu.be/i2bBaePIWgY

 

Cheers.

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a copy there, please do a review on amazon.com.

 

 
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Posted by on April 30, 2015 in Author Interviews, Author Reading, Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Characters and plot in fiction, Reading out loud, Writing

 

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Let your fiction characters evolve

23 Apr
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

How relevant is your original concept of your fiction characters? You do an outline of their traits and how they act, talk, etc. Then as you write your novel something happens.

Your characters have the nerve to change. They don’t act according to your plan, your concept of them. And worse, the little devils want to take over your novel.

Excuse me. It is their novel too. Without them you don’t have a novel or at the most, you have a bare bones plot with some iffy and maybe characters.

If you remember, last week’s post dealt with guest characters wanting to take over https://sharonacrawfordauthor.com/2015/04/16/fiction-characters-who-want-to-take-over-the-story/ so let’s take that a step further. But first we have to step back. You and your friends and family did not suddenly stop changing and growing (and not just physically here) at age five, age 20 and so on. You evolve; you change; things happen.

Same with your fiction characters. As you write your novel, no matter what you put in your outline for characters and plot, something is going to change if for no other reason than the original idea, the original concept, just won’t work.

I’ll give you an example from my recently published mystery novel Beyond Blood. One of the biggies was changing the POV characters from one – private investigator Dana Bowman, PI – to also her fraternal twin and PI partner Bast Overture, Dana’s six-year old son, David, and the mysterious Him. That sure opened up the plot. It also meant getting inside four, not one, characters’ heads.

And dealing with their development, their actions and their demands. Sure it puts the writer on edge. Would this change work? Should I do this or should I do that?

I’ve found when you get to a point where you have to deviate from the original plan, it works best to write spontaneously and see what happens. Each character will invade your mind and make demands. You may not use all of what they want, but listen to them. And just write. You can make more changes later.

That’s what I do even though it means scrolling to and from different parts to fix something that doesn’t seem consistent or make sense. And I do it when my characters insist.

Remember, characters are real to you and to your readers. Just like you, your family and friends, characters evolve over time.

Let them.

And if you want to hear a bit about the point of view changes I made, I will be reading from Beyond Blood this evening when I join 15 other Crime Writers of Canada authors reading at the Arthur Ellis Short List Party. We each get three minutes to read – I can just squeeze in my two pages of Prologue – one from Him’s point of view and one from Dana’s.

After the readings all the CWC authors short-listed in the various Arthur Ellis Awards categories will be named – out loud. If you are in the Toronto or GTA area in Ontario, Canada, please join us from 7 p.m. to 9 p.m. at Indigo Book Store in the Manulife Centre at Bay Street and Bloor Street West. It promises to be fun.

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a  copy there, please do a review on amazon.

 
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Posted by on April 23, 2015 in Beyond Blood, Blue Denim Press, Channelling Fiction Characters, Characters and plot in fiction, Credible Fiction Characters, Fictional Characters Interviewing Authors, Plot and Characters, Point of View in Fiction, Sharon A. Crawford, Uncategorized, Writing

 

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Fiction characters who want to take over the story

16 Apr
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

In my Beyond mystery series, one of the main characters, Dana Bowman, often wants to be front and centre in the story. She even gets into my mind outside of writing time. I’ve posted about that before. Dana can get away with this. She’s one of the twin private investigators and it is her function to get all over the place. But what about a non-series character, a guest of one novel, who grabs the reins and insists?

In my third Beyond mystery book which I am currently writing, this is what’s happening. Without giving the plot away, there is a nun in the story who is important to the plot and as such some of the novel is her story. But she has invaded my mind and is insisting on being in almost every scene.

A little privacy, please, for the other characters and for the plot revelation. One important feature of mystery plots is that each character doesn’t have all the information; they don’t know all the plot. At the same time, putting all the information together for the reader, but at the same time having it happen throughout the story is important. Unless God is one of your main characters, each character doesn’t know it all and letting each character find out and reveal helps make for a good plot.

So, what do you do about “guest” characters trying to take over the whole novel?

  1. Acknowledge them – who they are and that they do have a purpose.
  2. Let them come into your mind and speak because if you shut them out you may lose good plot and character developments.
  3. But give them some parameters. Yes, they are important, but they are part of a whole, part of a plot.
  4. If necessary, give them timelines when it is okay to invade your mind. Not easy, but try the “not now, but (when?)” approach.
  5. Or when they invade, grab that notebook or iPad and start scribbling/typing their information. Sometimes doing something about it right away, stops the “invasion.” You can decide later whether to include it in your story.
  6. And make sure they are playing their important role in your novel. This can be done by having them be one of the novel’s point-of-view characters.

 

I know this may all sound crazy. But it is a good sign that your characters are real in the fiction sense. And that’s a good thing for your readers.

 

This evening from 7 p.m. to 9 p.m., I get a chance to talk about developing series characters in fiction. Crime writers Rosemary McCracken (the Pat Tierney mystery fiction series), Nate Hendley (true crime) and I will be talking about writing crime – fiction and true – and getting our work published, to the Storytellers (love that name) writing group at the Angus Glen public library in Markham, Ontario, Canada. It is a Meet-up group. More information at http://www.meetup.com/The-Storytellers/events/221133884/

 

Cheers.

 

Sharon A. Crawford

 

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a  copy there, please do a review on amazon.

 

 

 
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Posted by on April 16, 2015 in Beyond Blood, Blue Denim Press, Credible Fiction Characters, Fiction Characters, Plot and Characters, Series Characters novels and short stories, Sharon A. Crawford, Writing

 

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When your fiction characters get inside your head

19 Mar
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Are your fiction characters trying to take over your mind? Do you seem to be losing yourself in their quirks and even their talk?

Two of the main characters from my Beyond mystery fiction series (Beyond the Tripping Point, 2012 and Beyond Blood, 2014, Blue Denim Press for both) are doing this. Dana Bowman, the PI mom of six to seven-year old-David (age depending on which book) and the stuttering Detective Sergeant Donald Fielding.

Sandra Kryzakos in her Liquid Lunch interview with me says I’m channeling my characters. She bases this on how I talk about them and how I read excerpts from the books. And to add more fuel to the channelling fire, when I told her about Detective Fielding, I started to stutter and said so.

“Now, she’s channeling,” she said. (Watch this thatchannel.com interview on You Tube at http://youtu.be/i2bBaePIWgY)

Not the first time something like this has happened. Others hearing me read say I don’t read like I’m just reading but I put myself into the characters, into their heads.

Now, are Dana and Fielding getting back at me? Just kidding? Actually I welcome my characters getting into my head. Besides giving me an excuse for if and when I stumble over words, my characters are speaking to me. They give me ideas for what to write in my third Beyond book. They keep me in touch with what is happening in their lives and remind me of what is impossible. They also remind me they are distinct characters and not me.

Although I wonder about the latter. Especially when I find myself sometimes using “Dana’s big bag” to cart groceries and other purchases. For Dana this bag is her purse. To my credit I use another smaller bag as my purse. But just calling the bag “Dana’s bag,” says something. However, I still can’t draw a straight line even with a ruler and Dana is also an artist, sketching the people she interviews and incorporating the interview context into the drawing. And she drives a car and the only driving I can do is to drive people up a wall. She is also not a gardener and I am. Then there is the 25 or so year age difference. (Note: I’m the older gal here).

And of course, I don’t have a fraternal twin brother – don’t have any siblings.

So, I’ll let Dana, Detective Sergeant Fielding and whomever else I write about “invade” my mind. They have stories to tell and I need to tell their story, not mine, in the Beyond books.

Now, if I could only sort out this dream business. Dana sometimes dreams about the future (you have to read Beyond Blood to see that). I’m hoping my horrendous, sometime scary dreams, are not premonitions of my future. If so, it could be a bleak future.

Dana? What do you think?

Cheers.

 

Sharon A. Crawford

Maybe I’ll see you at a future gig. I post my reading and presentation gigs on the Beyond Blood page of my website www.samcraw.com. Keep checking back for updates.

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/

Beyond Blood Book cover at the top of this post links to my Amazon author profile.

And that Liquid Lunch interview link again is http://youtu.be/i2bBaePIWgY

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Posted by on March 19, 2015 in Author Interviews, Author Reading, Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Channelling Fiction Characters, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

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Putting reality into fiction

26 Feb
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The other evening I was teaching a workshop on Memoir Writing – not exactly fiction, but memoir reads like fiction. A participant said she was scared to name names of family members and wanted to know how to get around this.

You can turn the memoir into fiction – this has been done before. Or use pseudonyms with a disclaimer. Or be scrupulous about what you include.

Or you can do what I did after a confrontation with a relative who definitely didn’t want something in the family background getting published. The excuse was she didn’t want her children reading about it. However, she was okay with it all being fictionalized.

So I listened to her, although maybe not exactly as she meant it. In my mystery short story collection Beyond the Tripping Point (Blue Denim Press. 2012), one story is based on something that happened in my family – although except for the central event, all the characters have been changed and so have the circumstances. However, I was so ticked off with her attitude that I loosely based one of the suspects in one of the stories on her. I changed the details but when I see this character I see the complaining relative.

As for the memoir chapter she was complaining about – I did remove it – and several other chapters because at the same time another author and I did a manuscript evaluation exchange. He said I had three stories going on in the memoir – family history, some other history, and my personal story. My personal story was more interesting – so that was the new focus.

In my mystery novel Beyond Blood (Blue Denim Press 2014), I don’t use any stories from the original memoir, although Great Aunt Doris is very loosely based on an eccentric aunt (now deceased). However, the eccentricities are different as are Aunt Doris’ actions and role. The only similarities, if you will, are the two are eccentric and both are aunts.

However, I did use something in my past as fodder and then used my imagination to expand from there. The business with the raccoons. Racoons got into the attic of my house in Aurora and that was the real life starting point. But I assure you, except for racoons on the roof, anything else with racoons that happens in Beyond Blood never happened in real life, mine at least.

The bottom line is to use something real as the catalyst, the gem for an idea or character. Because you need to be careful here. How often have readers said that a character reminds them of so-and-so or the character is so-and-so? Usually this is not the reality.

But it is an indication that your story, your characters are resonating with your readers.

Cheers.

Sharon A. Crawford

Author of the Beyond book series. See http://www.samcraw.com and http://www.bluedenimpress.com for more info. Book at top of this post links to my Amazon author profile.

To watch my interview on Liquid Lunch on thatchannel.com go to Go to http://youtu.be/i2bBaePIWgY and enjoy.

 
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Posted by on February 26, 2015 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Sharon A. Crawford, Short Story Collection, Writing

 

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