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Category Archives: Blue Denim Press

Recharging you novel’s rewrite

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

This week I finally got back to rewriting the next novel in my Beyond mystery series. The plan had been to spend a good part of June, July and August doing this. But for a change I had a lot of client work. That I’m not complaining about. Neither am I complaining about spending time gardening. As well as writing, gardening is a passion of mine.

However, I am complaining about all the health issues I’ve had to deal with lately, some caused by others’ negligence. (See my post this week on my personal blog Only Child Writes.).

Still doing one client’s work – but no complaints. Client confidentially doesn’t allow me to discuss the client’s work, but sufficient to say it is interesting and challenging and when it arrives I switch over from the novel rewrite to the client work.

Getting back to the big novel rewrite is also a challenge. Having ideas percolating inside my head while I was doing other things and also some suggestions from the editor at Blue Denim Press (my publisher) have been big helps. So has one of my writer friends and colleagues – Rosemary McCracken – just publishing the third in her Pat Tierney mystery series.And having a wacky main character like PI Dana Bowman is good. At least I think so, although she does get inside my head a lot and likes to have her way in her stories. All inspiration to do more than put the seat of my pants to the chair.

How did I actually get back into the rewriting?

First, I reread the novel and comments I had made for changes and also noted what I had changed. Then I got in and made some changes in the beginning and continued on until I got stuck. But I had ideas for other parts, including the ending which needed a big change, so those are the places I focused on next. I feel better that I made changes in the ending even though I know that some of it will be changed as more changes in parts coming before will be made. That’s okay. Often just doing something that is a change is a good start.

Writing the ending before some of the rest, you may ask? I am following the advice given by another author Ken McGoogan who said when he gets tired of writing in chapter order, he will go the end. Mind you he writes narrative non-fiction. But I think it can be done with fiction as long as you realize it is not written in granite. Well, some writers think their prose, and even their punctuation, should be left exactly as they write it.

That is arrogance and maybe a little worry that the editor will mess up your prose so it isn’t really yours when it’s done. And yes, being an editor myself, and a former journalist who worked with several editors, it does happen. However, there is one thing we writers need to remember.

Writers work in isolation. Writers see their creations with tunnel vision. Another pair of eyes will find flaws and better ways to express something than the author.

So keep up the rewriting. Although you can get carried away with that. Another author colleague is still making changes in his novels after they are published. And yes he does have a trade publisher, so not being self-published he can’t exactly make changes in the print book for sale. But he can do so for his author readings.

Cheers.

Sharon A. Crawford

If you click on the Beyond Blood book icon a the top it will take you to my amazon author profile and books.

 

 

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How self-publishing has changed – this editor’s personal take

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The self-publishing business has evolved a lot in the last few years. It is no longer on the fringe but has moved more main-stream. Here is my take on some of what is happening. This will sum up my postings on the editor-self-publishing author relationship based on my talk on the Editors Canada panel April 26.

  1. Self-published books are now considered respectable and not vanity press. Authors of sp books can be members of The Writers Union, have their books in libraries, do library readings and presentations, and register the book(s) with the Public Lending Rights program
  2. Author has much more say in what is done, can be more satisfying but also lots more work and responsibility and cost. And no middle person for taking cut in book sales.
  3. Choice in how to publish (e-publish only or print only or both – Kobo, amazon, etc.).
  4. A lot more social media and the like (including doing book review trades with other authors) involved –author blog, Facebook, Linked In, Goodreads, etc.; author must organize and pay for any in-person book launch, but virtual book launches are becoming popular. As the title suggests, the author is glued to the seat of her chair at the computer for hours, but she has control over the time and length of her book launch – also much cheaper than in-person launches.
  5. Other online media authors can schedule – videos, including guesting on online TV shows such as The Liquid Lunch on thatchannel.com and join meet-up groups such as the Toronto Indie Publishing group.

But author having more control can be good and prosperous. My writing colleague, Rena Natan who self-publishes some of her books is proof of that.Here is what she emailed me (in part) to use in my presentation:

“The process of promoting the book is time-consuming. I try to have it reviewed by friend authors (like yourself), by Midwest Book review (authoritative, free, but it takes about a year) and Goodreaders members.

Then I submit the book to all competitions that are not too expensive; I check them first on the website  www.pred-ed.com (preditors and editors).

When you win a competition you get, in general, perks, like free listing on a number of Websites, Bookdaily,  and the like. These help a little to sell.”

Rene’s books have won awards as you can see from the first page of her website. She also has more info on her books and what is happening with them here.

And for those who have trade publishers, some of these promotional activities can apply as today published authors have to take their publicity by the horns and do a lot of it themselves.

Which is good in that authors can connect more with their readers.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 

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Can fictional characters teach readers something?

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Readers read novels to be entertained. However, life isn’t all about entertainment. We want to learn more, to grow, to live a better life.

Can fiction help here? I think so. If you have credible fiction characters who live lives like readers. And it doesn’t matter what genre the novel is written in. For example, science fiction can present us with a future we might just not want, with the underlying story of just how it can play out. This requires believable characters who deal with these situations. Built into a good sci-fic story are elements of present time – such as law enforcement professionals and your every-day person like divorced parents, seniors, etc. Sometimes the professionals and the single mom are one and the same person. Although the characters have problems peculiar to a future  time period to deal with; like us now, they have common day-to-day problems as well. So the reader can identify with the story and the characters and get a satisfied read. A science fiction author who does this very well is Robert Sawyer. Read any of his books to see how he handles it. And many of his novels also have murder in them.

In the mystery genre, there is a series by J.D. Robb (Nora Roberts pseudonym) where the novels are set in the future. So the reader not only gets policing in the future,but also something many of us now balance – a career and a marriage.

In somewhat current time (in the late 1990s), my novel Beyond Blood, has characters that are representative of real-life characters. I have the fraternal twins (which may not be so common) Sebastian (Bast) Overture who is gay and Dana Bowman who is a divorced mother of a six-year old boy. Readers have told me that it is this relationship between mother and son that they relate to because they find it not only interesting but compelling. Of course, not all six-year olds are kidnapped (thank God), but here I have taken a universal relationship, that of a mother and son, and escalated it into the “what if?” area, where a mother is pushed to the edge to find her son before it is too late. And because Dana is human she may try to forge ahead as a professional PI and push her fear and other feelings back inside, we know that in real life this just doesn’t happen. She is conflicted, and yes she does lose it at times.

And that’s the key to writing fiction to teach a lesson. You need both realistic characters that readers can identify with and a plot that grabs readers.You need characters that are human, because we are human. This way you can show readers what your characters are like, what they are made of – but heightened to situations beyond what you would deal with in your life.

Remember, readers want to also be entertained.

You can read for yourself how Dana Bowman handles all her problems with her son’s kidnapping and all the complexities that occur, from an ex-husband who shows up as a suspect, to the stuttering Detective Sergeant Donald Fielding whom she is attracted to, to ….well, you may just have to read Beyond Blood to find out. Click on the book icon at the top for more info.

And I have a new website with a much different website design, thanks to Martin Crawford, computer software expert and Juni Bimm, graphic artist. The website text is purely my doing. So take a look here

Cheers.

Sharon A. Crawford

 

 

 

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Picture it to kick-start your story

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

I teach a memoir writing workshop called Writing Your Memoir from Pictures. Participants look at old family photos, old newspaper stories, old ads to bring their minds back to their past. From there they start writing part of their memoir, perhaps even the beginning.

A variation of this could be done to get you going writing fiction or to help you create a scene in your story.

Let’s consider a photo of a family member or friend – whether in print or digital. Or even a photo posted online of someone you don’t know. Maybe you are having a hard time visualizing what your character looks like. Or maybe you have some idea but are having problems describing the character. Looking at a picture can trigger some ideas. I’m not saying you should make your character an exact copy, but images can get ideas swirling.

If your story is set in the not-too-distant past, maybe up to 150 years ago, old newspaper photographs, and ads especially can help you get ideas of how society lived at that time. Sure, newspaper stories back then, can tell you that. However, just looking at pictures and letting your mind absorb them, can help you create that scene in a town set in the 1950s or during one of the world wars or another time – whatever your story dictates.

Picture it and let your mind absorb. Then let your imagination loose.

You know what they say about a picture being worth a thousand words.

Cheers.

Sharon

If you click on the book cover at the top, it will take you to one place where my Beyond books area available

 

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Beyond book character taking over my life?

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Dana Bowman, the main character in my Beyond mystery series is taking over my life – both professional and maybe some personal. Considering all the bad things that have been happening in my personal life lately (and no ramble on that here), maybe that’s a good thing.

It all started back at the book launch of Beyond Blood October 19, 2014. The editor at my publisher’s, Shane, suggested that the other mystery author, Klaus Jakelski, launching a mystery novel Dead Wrong and I do a brief skit. He also gave the criteria – we would be our main characters and the skit would be a mock-up of a scene in his novel. Klaus’ character would be waiting to meet a broadcaster and instead gets Dana Bowman, PI, but friend of his book’s broadcast character. Shane had to talk Klaus into doing this, but once Klaus agreed, he came up with a good short script.

The short skit went off okay, although I kept sneaking looks at the script, hidden in one of Dana’s props – her large sketchpad.

But it gave me courage to do future skits. This time as it was only me then, I did a 10-minute improv – no actual script, just a list of what I wanted to cover as Dana dissed her author (me). And lots of practice plus filling my mind with the skit in the hours before showtime. It went over well here at my East End Writer’s Group 15th anniversary presentation. One comment afterwards was it was great, like the character just jumping out of the book (this is a guy very critical of others’ writing). And another author who has acting experience said it was good, but she suggested not having the character do any actual reading from the book as it lowered the energy level.

Fair enough. I’ve done variations of the skit twice since then and seemed to actually fool one person in the audience. When I returned into the room, dressed back as Sharon, he commented “Oh, you’re back.” I know I wear a black wig, cap and sunglasses, but… you can check out Dana’s photo at the top and see what you think. The next skit was at a Syrian Refugee fundraiser in early December. I was overtired then and didn’t think Dana was up to her usual. But one person in the audience thought it was great.

Have I found a new calling in my old age? One that combines as book promo? I’m scheduled to do a 10-minute skit May 28 at the Toronto Heliconian club during Toronto’s big annual Doors Open event. And for the rest of the afternoon I’m there volunteering, I’ll be dressed up as Dana. A couple more Dana appearances are in the works, one with another person who has acting experience.

Methinks I need a bit of training in improv. Off to Bad Dog Theatre mini-workshop at least, next month.

Dana is also inhibiting my mind with novel plots, etc. But that’s another story. Check out the Gigs and Blurbs page connected with this blog and my website  There will be a new  better-designed website (same address) hopefully the end of this month/early April. My son, the computer whiz and I are working on it.

Cheers.

Sharon A. Crawford

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series. Click on book cover to see where book is available.

 

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Turning personal tragedy into fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

A wounded deer leaps the highest.
– Emily Dickinson

We all have personal tragedies in our life, whether it is losing a family member or close friend to disease, “natural” disaster, unnatural disaster such as war, accident or murder. Unfortunately these are now all part of living. We may also be carrying emotional baggage from our past. Sometimes these life tragedies can dig deep within our psyche. But, we writers have a bonus here to help us heal. We can write about it.

If memoir or personal essay is too personal, then  we can fictionalize the tragedy. Let me give you an example. As a child I was bullied by a teacher, a nun. So I’ve taken that experience, changed it to much worse and have a character in my most recent Beyond mystery loosely based on this nun. But I haven’t written fact. Instead I did the “what if:? scenario. What if one of my main characters was assaulted by a nun as a child and the nun surfaces in her adult life? How does she deal with it?

And the nun, what could be her story? Why is she the way she is. In my real life, I have no idea, so I fabricated a background of childhood torment and how does this affect the nun as an adult? The timeline for the story is different as my Beyond books are set in the late 1990s. And of course, the name of the nun is different. For one thing, in the late 1990s nuns weren’t using saint names, but their own names. So I made up a “real” name for this nun character

You can get the picture. Don’t write your story (unless it is memoir) but fabricate it into a fictional story that is part of your plot.

You may come up with something very creative and there may be a bonus – it might help you work through this piece of baggage you have been carrying around, often buried so deep you don’t realize it.

It’s worth a try.

On a recent personal note, I am dealing with a personal tragedy – a close friend died of lung cancer last month. She was only 51. Her memorial is Saturday afternoon. After that, I will need to follow my own advice.

Cheers.

Sharon A. Crawford

If you click on the book cover at the top it will take you to my publisher’s page about my books and my background.

 

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More tales from the novel rewriting trenches

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Still working furiously to make changes in my current Beyond book to meet my publisher’s deadline. Making progress, despite distractions and glitches from others.

The research mentioned last week hit some more glitches. The social issue in the new novel (not telling what it is – no spoilers here) ran into the same roadblock with the Ontario government department as the police query with the local police services corporate communications department. No reply.

So, my journalist background came into play here. Journalists don’t give up on their research, despite roadblocks and twists and turns.

The two library books I had looked at in the Toronto Reference Library? Sure, I had made some notes but that wasn’t enough. So I bought the out-of-print one on Canadian Law (it fits the novel’s time period) secondhand from amazon.ca .Counting the day I put in the order online, it took three business days to arrive in my mailbox. The other Canadian Law book – a q and a type with questions for civilians I found out from an editing client that over 20 copies are circulating in Toronto library branches. I put a hold on it and if there are still some other copies not on hold, I should be able to renew my copy three times.

I phoned Service Ontario and after being shunted around three times got a very knowledgeable person in the specific department who answered my questions.

For that one nagging police procedure question that the two books couldn’t answer, I emailed a retired police colleague via Linked In. He replied immediately, answered part of my question and said he would contact one of his police connections to get more of an answer. I gave him my email address to avoid the Linked In quirks in email and he has replied again this week, apologizing for the delay and why (that is his business) and that he would be contacting his colleague that evening.

Meantime, I’m rewriting to get around anything that wasn’t true with the social issue and police procedure back in 1999. And also rewriting to deal with any plot threads left dangling. Some will get deleted as irrelevant.

Also there is the matter of my two main characters, fraternal twin private investigators Dana Bowman and Bast Overture trying to take over the plot. I have to listen to them because they can have good ideas.

And it is their story. Always listen to your characters.

As for the other distractions, I’m trying to rein them in. Personal calls that come during my writing time (which pretty much follows a business weekday give or take a few hours at either end), I will now let them go to voice mail. My dentist appointment will have to be moved to February 29 after my deadline. I have a big problem with medical people who don’t have some evening and weekend hours .I may ‘not be working outside my home, but what about those who do? Why should they have to take time off for dental and other medical appointments, Hey medical professionals. Get with the times. Yes, some professionals (like police, transit drivers, etc.) have work hours all over the map. But many people still work regular business hours (excluding email and social media). Medical clinics understand this and even my optometrist works one evening a week and some Saturdays. My eye specialist doesn’t. My dentist doesn’t. So, unless a medical emergency, I work their times around mine.

I have also worked in editing clients after the end of February and any new inquiries re work, they are being told I am booked up until … Two current clients have been scheduled in after the end of February – it is set up to work for both of us.

Now, back to the novel rewriting. Bast and Dana are waiting impatiently for me to get to it.

Cheers.

Sharon A.Crawford

If you click on the book cover at the top it will take you to my publisher’s page about my books and my background.

 

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Crunch time for publisher’s deadline for novel

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

I am in the last month to finish the rewrite of the third book in my mystery Beyond series before submitting in to my publisher.. Of course, it won’t be the final rewrite. Once a publisher decides to publish a book, the author always has more rewrites.

I have limited my email time – I set a timer and when it rings I finish the current email and the rest can wait for another day. And I am particular which events I go to .

Some of the latter has been railroaded because I also just got yet another sinus infection over the weekend. So the two writing-related workshops I planned to go to, I had to cancel.

And with all my health issues, I am trying to keep medical appointments to one health issue a month. Last summer and fall when all these health issues kept coming and coming, often overlapping, I tried to deal with them all at once, including medical appointments. That caused way too much worry and anxiety and I might have had to add “shrink” to the list.  So, I’m trying the one-at-a-time approach and hope it works. Some of the medical people aren’t too happy about it. Too bad. I am trying to get more sleep to help heal.

But I like to rewrite what I have written. Sometimes the most creative twists in plots and character development occurs here. It is also a time to fix plot and character inconsistencies, get rid of excess and not necessary scenes and even chapters, smooth out the telling – get rid of awkward phrases and sentences, polish it all up. .And do final fact checking on your research.

It is the latter that is driving me crazy. A few new police procedure questions and also questions on the social issue in this novel have come up. And I’m having trouble getting the experts to reply to my emails and phone calls to get some answers.

My police consultant just retired and has moved out of the country. I am grateful for all his help with my other two books and this third book as well. So, I’ve been doing what most authors without police connections do – contact the corporate communications media department of the police services. I have emailed and phoned there and have received no response. It has been a week and a half.

Meantime I visited the Toronto Reference Library and looked at criminal code books from the shelves and stacks. Made notes as those books are not for lending. My book is set in late 1999, which is an added glitch. And did more Internet search.

Also emailed a government department’s service questions part. That was done two days ago and so can’t complain yet about that

I am also rewriting to change parts of the plot to fit in with what my research (at the library and online) has revealed, even to the point where I have a few options for a couple of areas.

But I need some answers.

So, I will try some contacts via Linked In and see where that gets me.

For those of you writing fiction, how do you deal with this type of non-response to your research questions? How do you get your rewriting done to meet your deadlines?

Cheers.

Sharon A. Crawford

If you click on the book cover at the top it will take you to my publisher’s page about my books and my background.

 

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Writers’ group looks at Writer’s Block

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?

– Kurt Vonnegut

You might not want to be arrested and charged by police but there are many options if you have a dose of writer’s block. Last evening, in a round circle discussion, members of my East End Writers’ Group came up with some novel ideas for well writer’s block when writing a novel – or writing anything.

Here are our words of wisdom, in no particular order:

Take a writing course, especially one taught by Brian Henry – you will get inspired and Brian gets you to actually write in his workshops, even during lunch.

Put the blocked novel, short story aside and write something different. Maybe your brain is bored with the same old story and needs something new, at least temporarily. But do come back to the original.

Have a roster of several writing projects on the go – to some extent; don’t over tax yourself – so you can move from one to the other when stuck.

Start reading. You would be surprised how reading another novel, short story, newspaper article written by someone else can inspire you to write. Don’t analyze the story’s style, just go with the flow of writing and let your subconscious absorb the writer’s style. You don’t want to copy it, but it will jar your inner creativity.

Freefall write – write anything that comes to mind and keep writing for at least 20 minutes. You can also use a word, a sentence from a book, a sound, something visual to get you going. Or if you are angry, worried, or fearful about something, write about that. Go where the fear takes you.

Do something completely different – preferably something physical – walk the dog or just go for a walk on your own, do some gardening (season permitting). Getting your body moving can help wake up your brain – often with a possible solution to your block.

One group member writes in different languages, so when blocked he switched languages. He also juggles several writing projects at a time.

And don’t forget to join a writing critique group. Even if you don’t always bring something to read for feedback, just listening to someone read their writing excerpt and listening to and taking part in the discussion, can be inspiring.

Let’s banish writer’s block where it belongs – buried in the snow.

Here are a couple of books to help you do just that with writer’s block.

The Artist’s Way – Julia Cameron

Unlock Writer’s Block – Paul Lima

Cheers.

Sharon

If you click on the book at the top, it will take you to my books,bio, etc on my publisher’s page. To check out the East End Writers’ Group go here.

 

 

 

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Turning winter weather into fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

If you’re like me and hate winter with a passion, don’t just moan and groan about it. Write about it.

Not necessarily your hatred for the season itself. But set your story in winter. Take some of the weather highlights as white fodder for your stories. Follow news stories on the weather on TV or online from various media outlets. One of the best sources is The Weather Network. Both on TV and online, they feature stories in video and text (online) formats about some of the extremes in winter, as well as amusing incidents.

For example, this week, a motorist parked his car beside Lake Erie in south western Ontario. Then we got a flash freeze and snow. If you can’t imagine what happened (no the car didn’t fall into the lake, check out the story here). From that you can let your imagination run wild with story ideas. Maybe there is a dead body in the car – froze to death or murdered before and left there to die? Somebody in an emotional turmoil – failed relationship, terminal illness, etc. – decides to end it all. Somebody wants to save their body for posterity to come back in a later century and finds a unique way to “preserve” his or her body.  Or? Well, you get the picture.

The main idea is to take the actual story, not copy it, but use it for inspiration for your story. And be original.

You can also do the opposite of what is written. In my story “The Couch” from my short story collection Beyond the Tripping Point (Blue Denim Press, 2012), I took a theme from many private eye stories – the PI who is having trouble making ends meet. (If you want a recent TV series on that one, watch the British series Case Histories). My story had a young, mid-20s PI who had just the opposite happening – too many clients. So my story took this dilemma and spun out a tale of how this PI tried to reduce the number of clients. It wasn’t that straightforward as the story has many twists and turns and a surprise ending.

And that’s all I will tell about “The Couch.” If you want to read it (warning, short plug coming here), you’ll have to read “Beyond the Tripping Point.” Click on the book cover below for one place it is available besides the usual Amazon (yes, it’s available there, too)

And use that blizzard keeping you indoors for time given to write your story.

Cheers.

Sharon A. Crawford

Beyond the Tripping Point Cover 72dpi

 

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