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Category Archives: Plot and Characters

Criminals and historical figures on CWC panel

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The bad guys and history guys weren’t there in person. But five of us from Crime Writers of Canada – Rosemary McCracken, Steve Burrows, Sylvia Warsh, Nate Hendley and I told tales of crossing paths with the above and more in our research to write that perfect mystery novel or true crime story.

Rosemary moderated the panel which gave me a breather from that function so I would just have to show up and answer questions. But apparently I had trouble finding the Fairview library branch, or rather the exit from Fairview Mall, where I had to run a few errands first (like glasses cleaner, very important to be able to see through your glasses to read from your books). And I’ve been at this library before and had no trouble then going from the mall across the parking lot to the library. This time I couldn’t find the right exit or even the right level of the mall. Finally I asked at the Guest Service booth.

We had a good audience turnout. Rosemary got us panelists talking and the stories that came out. Sylvia’s Dr. Rebecca Temple mysteries are set in 1979 Toronto, but Find Me Again also goes back in time to Catherine the Great. She did most of her research on the Internet. You can’t exactly interview Catherine the Great. Nate, who writes about true crime (Crystal Death), has met the criminal element – bikers and the like. Rosemary, whose protagonist Pat Tierney is a financial advisor (Safe Harbor), writes about finances as a journalist, so has information and connections there. Steve writes the Birder mysteries (A Siege of Bitterns), so birding features in his novels (Steve is a birder), but he had to do some police research. My Beyond books (Beyond Blood) are set in the late 1990s (so far, the third one I’m working on goes into the twenty-first century). As mentioned in last week’s blog post (https://sharonacrawfordauthor.com/2015/07/23/researching-mid-stream-for-your-novel/), I have a police consultant and have to keep any police procedure in that time period. I also have to be careful with technical devices. No social media. Internet connection was via dial-up until late fall 1999, cellphones were just that and they folded closed and had antennae. But there was email and that figures in my Beyond books. In this third one I write, I may have to talk to a psychic, so that should be interesting.

We also read excerpts from our books and answered questions on marketing your book.

Authors and audience connected so well, we had to be reminder by the librarian that it was time to leave.

In August I take a break from actual gigs. So will be spending more time researching and writing that third Beyond book. With a bit of final arrangements for fall presentations and readings. It promises to be a busy fall. Check out the Gigs and Blog Tours page on this blog and also my website http://www.samcraw.com/ for updates as I get them in there.

Meantime, the photo at the top of this post still connects to where you can get e-copies of Beyond Blood and Beyond the Tripping Point. Print copies available (among other places) at https://www.chapters.indigo.ca/en-ca/home/search/?keywords=Beyond%20blood%20and%20Sharon%20A.%20Crawford

Cheers.

Sharon A. Crawford

 

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Changing your story mid-stream

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

As I continue writing my third Beyond mystery book, things are changing with the plot and the characters. That is the big reason why I don’t pre-plot down to the last T. Characters, like real people, change over time and that includes perspective – mine and my characters.

Yes, you read that right – my characters are changing and I’m letting them do so. The main characters of the Beyond series – fraternal twin PIs – Dana Bowman and Bast Overture, Dana’s son David and Detective Sergeant Donald Fielding – have to change and grow. If I want my characters to be real life, they can’t stagnate. This third book has to reflect consequences of what happened in Beyond Blood (the novel) and the four Bowman/Overture stories in Beyond the Tripping Point. BB takes place in summer 1998; those four stories in BTTP from May 1999 to mid-October 1999. The current Beyond book takes place from November 1999 to the beginning of January 2000.

So, I’ve been sitting at my computer almost every weekday, writing, some of the story pre-thought out, much “by-the-seat-of-my-pants.” At the end of the day’s work I type up a few notes about what to cover the next day – not that I will stick exactly to it.

Something just wasn’t working out. I do choose who the murder is before I get going on a novel. But the who and the whys just weren’t making sense here. And there would be some similarities to Beyond Blood. I’m supposed to be continuing the characters’ stories, not copying them.

So, on Tuesday I woke up brainstorming and later put down some changes in writing. Yes, I changed the who-dunnit and of course the why. This made sense and provides a real twist in the story. The other person who I had pegged for the murderer will not be lily-white and will figure into the plot line – not just as a red-herring, but also in a subplot that ties in with the main plotline. I love complicated. And yes there are more twists and turns going on.

But I’m not telling what. I just might change my mind. Or the characters might.

Sometimes I wonder just who is writing this novel.

And it’s not just me that thinks that. When I was interviewed about Beyond Blood a few months ago on the Liquid Lunch for thatchannel.com, one of the interviewers, Sandra Kyrzakos, said I was channelling my characters. Perhaps she is right. See for yourself at https://www.youtube.com/watch?v=i2bBaePIWgY&feature=youtu.be

 

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

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Incorporating the weather into your fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

I am intensely interested in the weather – where it comes from, who or what causes it, and how it plays out. So, it isn’t a big leap to figure out that I start chapter one in the Beyond mystery novel I am currently writing with the main character, Dana Bowman, dealing with weather. And that isn’t as simple as it sounds.

First, you need the weather appropriate to the time frame of your story. Although using a present-day setting, if the weather is severe and floods are a big part, you will probably be right on. However, it is always best to check with reliable weather sources online for weather on any day or in any time frame.

If you set your story anywhere in the past, you need to have the weather at least based on the weather situation then. Where you set your story will also factor in. For example, you probably wouldn’t have a tornado in California, but you might have very dry weather causing forest fires. On the flip side of the weather coin, you can use some weather conditions that occurred in the past as part of your story, part of the conflicts that occur in your plot. Think going out in a sailboat and getting caught in a storm. Of course, like all plots you have to build up the suspense and that includes impending storms. You need to connect the weather to your characters. Perhaps your main character is terrified of tornadoes or thunderstorms. Why? That would be part of your story and you can also blend that terror in with what the main character may have to do at the climax. Maybe your protagonist is in that sailboat with a friend who is actually the sailor. The protagonist may have to try to save the day if the sailor is injured, falls overboard, etc.

The weather can also play a creepy role in your novel – especially thrillers and horror. I am reminded of the 1960 movie Midnight Lace starring Doris Day (yes, I know, that dates me) where Rex Harrison as her husband appears to be stalking her as she walks through the London fog.

So sometimes the weather becomes like another character in your fiction. The weather possibilities are endless.

Even if you don’t have weather playing a major part, you don’t want your character going out in a snowstorm in shorts and a T-shirt. Or heading for the beach in a fur coat. Unless that is part of their eccentricity or they are on a modelling or music video assignment.

And don’t forget to give some reference to the weather in your story, but incorporate it into your story so it doesn’t read like an extended weather dissertation.

And what is my main character Dana Bowman facing weather-wise in the Beyond novel currently being written, which begins in late November 1999? She is walking in the rain.

But I have one extenuating circumstance here. My setting is a fictitious small city I call Thurston, Ontario. Thurston is located just north of Toronto where Aurora and Newmarket are. When I checked historical record data (three sources online), neither place had historical weather listings, so I went to the closest – Richmond Hill, Ontario and that’s what I’m using. With fictitious locations, you can be somewhat creative with the weather – within reason (see above about fur coats and shorts). Check out the real location in the general area of your made-up place and see what the weather is/was like there. Again, you don’t want snowstorms in California.

However, if you are writing fantasy or science fiction, the sky is the limit (pun intended).

Do you use weather as an important part of your fiction and how do you do so?

Comments please.

Cheers.

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

 

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Making time to write

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

If you want to write some more of that novel, that short story, that essay, sometimes you need to take drastic actions.

Like toss all the other work-related stuff into the holding bins. Yes, for some of us one holding bin just isn’t big enough.

That’s what I did (for the most part) the last three days. And not only finished a personal essay that was in an appalling draft state, I wrote some more in my next Beyond novel. I woke up my characters – the fraternal twin PIs Dana Bowman and Bast Overture and my stuttering detective Donald Fielding.  I also straightened out some plot inconsistencies, smoothed some other parts, sorted out and included the last bit of info from my police consultant, but also more questions arose for research. Most of it has to do with police procedure and I’ll be getting back soon to my police consultant about that.

Something else happened as I wrote both the novel content and that personal essay. I go lost in my writing, i.e., the world around me continued on – cars driving by, neighbours cutting their lawn, etc. but it was on the peripherals and if I noticed, it was sub-consciously or just in passing to silently acknowledge it way back in my mind.

The phone ringing is another matter. Although I am glad to have the phone working, it did intrude. No, I didn’t answer it; if I did someone would get a nasty earful. I did answer the door because at the time I had the inside door open to let in fresh air.

It was someone selling something to do with heating the house equipment – I was curt and sent him on his way.

The moral here (besides keeping your doors all closed when you are writing) is if you want to write, don’t only says so, do so.

You will get taken in by your story and you might just get somewhere writing it.

The creative satisfaction can only be described as…well the words you write do it more than justice.

Happy writing.

 

Cheers.

Sharon A. Crawford

 

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

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Serendipity Book Marketing

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Last Saturday I was the guest speaker for an English Conversation drop-in seminar for new Canadian citizens at a local Toronto library branch (Brentwood). From what was discussed by email with the organizers, I was to talk a bit about writing memoirs using the senses. However, I could bring copies of my mystery books to sell.

So armed with memoir writing handouts and my books I arrived early.

And received a very pleasant surprise.

I already knew one of the organizers, Bill, who attended my memoir writing workshop at another library branch. So, from our phone conversations and emails I knew of this plan he had concocted and yes, I knew he was interested in buying my books as well as others – librarians and seminar participants.

What I didn’t know was all the enthusiasm I would receive about my books and being a writer. As I’ve mentioned before, we writers sometimes forget that this is what we do (just like some people are lawyers) so we take it as second nature.

We, or at least I, never forget we do want and need to sell book copies. But I try not to be in people’s faces about it.

The whole two hours was all about my books – characters and plot – and writing, but with a twist. The participants are newly-arrived in Canada and their English varies from good to just learning. Part of these seminars’ focus is on the idiosyncrasies of the English language. So when a slang phrase or cliché came up, Anna the librarian or Bill would ask the others if they knew what it meant so that started a lively discussion. I caught on to this and started to do the same as for some reason I began involuntarily using a lot of slang terms. And near the end I was allowed to sell my books – sold all of the Beyond the Tripping Point short story collection copies I had brought along and half of the Beyond Blood novel copies.

And Bill, Anna (and Lidia, the other librarian who also facilitated this session) want me back to do a guest spot in one of their evening sessions. Not sure if its fiction writing or memoir writing, but I will be ready for either or both and yes, I can sell books.

Lidia also had me sign the contract to teach a different memoir writing workshop for library patrons in the fall. And yes, I can sell books then, too.

The point here is – no matter how you organize promoting your books, you may miss something – often something pleasant and rewarding – not just book sales, but that magical connection with others who are interested in writing and your books.

Meantime I’m preparing for two gigs with other Crime Writers of Canada members coming up June 11 and June 12. See my website www.samcraw.com and go to Beyond Blood for a list. More on that in next week’s posting.

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

 

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Let your fiction characters evolve

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

How relevant is your original concept of your fiction characters? You do an outline of their traits and how they act, talk, etc. Then as you write your novel something happens.

Your characters have the nerve to change. They don’t act according to your plan, your concept of them. And worse, the little devils want to take over your novel.

Excuse me. It is their novel too. Without them you don’t have a novel or at the most, you have a bare bones plot with some iffy and maybe characters.

If you remember, last week’s post dealt with guest characters wanting to take over https://sharonacrawfordauthor.com/2015/04/16/fiction-characters-who-want-to-take-over-the-story/ so let’s take that a step further. But first we have to step back. You and your friends and family did not suddenly stop changing and growing (and not just physically here) at age five, age 20 and so on. You evolve; you change; things happen.

Same with your fiction characters. As you write your novel, no matter what you put in your outline for characters and plot, something is going to change if for no other reason than the original idea, the original concept, just won’t work.

I’ll give you an example from my recently published mystery novel Beyond Blood. One of the biggies was changing the POV characters from one – private investigator Dana Bowman, PI – to also her fraternal twin and PI partner Bast Overture, Dana’s six-year old son, David, and the mysterious Him. That sure opened up the plot. It also meant getting inside four, not one, characters’ heads.

And dealing with their development, their actions and their demands. Sure it puts the writer on edge. Would this change work? Should I do this or should I do that?

I’ve found when you get to a point where you have to deviate from the original plan, it works best to write spontaneously and see what happens. Each character will invade your mind and make demands. You may not use all of what they want, but listen to them. And just write. You can make more changes later.

That’s what I do even though it means scrolling to and from different parts to fix something that doesn’t seem consistent or make sense. And I do it when my characters insist.

Remember, characters are real to you and to your readers. Just like you, your family and friends, characters evolve over time.

Let them.

And if you want to hear a bit about the point of view changes I made, I will be reading from Beyond Blood this evening when I join 15 other Crime Writers of Canada authors reading at the Arthur Ellis Short List Party. We each get three minutes to read – I can just squeeze in my two pages of Prologue – one from Him’s point of view and one from Dana’s.

After the readings all the CWC authors short-listed in the various Arthur Ellis Awards categories will be named – out loud. If you are in the Toronto or GTA area in Ontario, Canada, please join us from 7 p.m. to 9 p.m. at Indigo Book Store in the Manulife Centre at Bay Street and Bloor Street West. It promises to be fun.

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a  copy there, please do a review on amazon.

 

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Fiction characters who want to take over the story

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

In my Beyond mystery series, one of the main characters, Dana Bowman, often wants to be front and centre in the story. She even gets into my mind outside of writing time. I’ve posted about that before. Dana can get away with this. She’s one of the twin private investigators and it is her function to get all over the place. But what about a non-series character, a guest of one novel, who grabs the reins and insists?

In my third Beyond mystery book which I am currently writing, this is what’s happening. Without giving the plot away, there is a nun in the story who is important to the plot and as such some of the novel is her story. But she has invaded my mind and is insisting on being in almost every scene.

A little privacy, please, for the other characters and for the plot revelation. One important feature of mystery plots is that each character doesn’t have all the information; they don’t know all the plot. At the same time, putting all the information together for the reader, but at the same time having it happen throughout the story is important. Unless God is one of your main characters, each character doesn’t know it all and letting each character find out and reveal helps make for a good plot.

So, what do you do about “guest” characters trying to take over the whole novel?

  1. Acknowledge them – who they are and that they do have a purpose.
  2. Let them come into your mind and speak because if you shut them out you may lose good plot and character developments.
  3. But give them some parameters. Yes, they are important, but they are part of a whole, part of a plot.
  4. If necessary, give them timelines when it is okay to invade your mind. Not easy, but try the “not now, but (when?)” approach.
  5. Or when they invade, grab that notebook or iPad and start scribbling/typing their information. Sometimes doing something about it right away, stops the “invasion.” You can decide later whether to include it in your story.
  6. And make sure they are playing their important role in your novel. This can be done by having them be one of the novel’s point-of-view characters.

 

I know this may all sound crazy. But it is a good sign that your characters are real in the fiction sense. And that’s a good thing for your readers.

 

This evening from 7 p.m. to 9 p.m., I get a chance to talk about developing series characters in fiction. Crime writers Rosemary McCracken (the Pat Tierney mystery fiction series), Nate Hendley (true crime) and I will be talking about writing crime – fiction and true – and getting our work published, to the Storytellers (love that name) writing group at the Angus Glen public library in Markham, Ontario, Canada. It is a Meet-up group. More information at http://www.meetup.com/The-Storytellers/events/221133884/

 

Cheers.

 

Sharon A. Crawford

 

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a  copy there, please do a review on amazon.

 

 

 

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Recharging your novel in progress

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

My editor did it. He gave me the boost to get my third Beyond book out of stall mode.

A few weeks ago I blogged about a lot of problems (house, health, utility, income taxes) stealing from my writing time including coming up with plot development. See https://sharonacrawfordauthor.com/2015/03/05/kick-start-writing-your-novel-when-it-hits-stall-mode

This big surge happened a couple of weeks ago when Shane, my editor at Blue Denim Press, and I did a joint marketing presentation (author and publisher) at the Beaches Library Branch in Toronto, Canada. Two things Shane said did it. On the panel, he was answering a question related to submissions and editing. He pointed to Beyond Blood and said my book went through several edits and at first it needed a lot of changes. He said I needed one murder within the first 50 pages. So he said that I wrote in two murders. After the presentation he was saying that today’s mysteries that sell aren’t so much cozies – but edgy like my Beyond the Tripping Point short story collection. I reminded him that my prequel novel Beyond Blood is also edgy.

However, it got me thinking. The Beyond novel I’m currently writing tended to meander too much in the beginning. It needed to be made sharper with more twists and turns. As for the murders, there is one within the first 50 pages and another incident in the beginning that is left hanging whether it will turn into a murder or be an attempted murder.

Letting all this percolate in my brain, as well as being open to whatever ideas materialized, finally worked. So I’ve been writing and writing – well, not all the time. There are still house and property problems and potential problems thanks to weather. And I am suddenly getting more editing clients – which I wanted and needed to help pay the bills.

I also like helping other writers – but more on that in another post.

For now, if your novel or short story has hit stall mode, don’t give up. Get another perspective from another author and/or editor. Join a writing critique group and listen – maybe even read that stalled chapter for feedback.

Do something besides moan and groan. You never know what might percolate in your mind.

Cheers.

Sharon A. Crawford.

Reminder: Next Thursday, April 16, I join Crime Writers of Canada writers Nate Hendley and Rosemary McCracken for a writing presentation to the Storytellers writing group at Angus Glen library in Unionville, Ontario, Canada. Check my Facebook page for more info https://www.facebook.com/pages/Sharon-A-Crawford/412730865439394. Scroll down beyond the bad customer service post to the Meet-up post.

 

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a copy, please write a review on amazon. Thanks.

 

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When your fiction characters get inside your head

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Are your fiction characters trying to take over your mind? Do you seem to be losing yourself in their quirks and even their talk?

Two of the main characters from my Beyond mystery fiction series (Beyond the Tripping Point, 2012 and Beyond Blood, 2014, Blue Denim Press for both) are doing this. Dana Bowman, the PI mom of six to seven-year old-David (age depending on which book) and the stuttering Detective Sergeant Donald Fielding.

Sandra Kryzakos in her Liquid Lunch interview with me says I’m channeling my characters. She bases this on how I talk about them and how I read excerpts from the books. And to add more fuel to the channelling fire, when I told her about Detective Fielding, I started to stutter and said so.

“Now, she’s channeling,” she said. (Watch this thatchannel.com interview on You Tube at http://youtu.be/i2bBaePIWgY)

Not the first time something like this has happened. Others hearing me read say I don’t read like I’m just reading but I put myself into the characters, into their heads.

Now, are Dana and Fielding getting back at me? Just kidding? Actually I welcome my characters getting into my head. Besides giving me an excuse for if and when I stumble over words, my characters are speaking to me. They give me ideas for what to write in my third Beyond book. They keep me in touch with what is happening in their lives and remind me of what is impossible. They also remind me they are distinct characters and not me.

Although I wonder about the latter. Especially when I find myself sometimes using “Dana’s big bag” to cart groceries and other purchases. For Dana this bag is her purse. To my credit I use another smaller bag as my purse. But just calling the bag “Dana’s bag,” says something. However, I still can’t draw a straight line even with a ruler and Dana is also an artist, sketching the people she interviews and incorporating the interview context into the drawing. And she drives a car and the only driving I can do is to drive people up a wall. She is also not a gardener and I am. Then there is the 25 or so year age difference. (Note: I’m the older gal here).

And of course, I don’t have a fraternal twin brother – don’t have any siblings.

So, I’ll let Dana, Detective Sergeant Fielding and whomever else I write about “invade” my mind. They have stories to tell and I need to tell their story, not mine, in the Beyond books.

Now, if I could only sort out this dream business. Dana sometimes dreams about the future (you have to read Beyond Blood to see that). I’m hoping my horrendous, sometime scary dreams, are not premonitions of my future. If so, it could be a bleak future.

Dana? What do you think?

Cheers.

 

Sharon A. Crawford

Maybe I’ll see you at a future gig. I post my reading and presentation gigs on the Beyond Blood page of my website www.samcraw.com. Keep checking back for updates.

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/

Beyond Blood Book cover at the top of this post links to my Amazon author profile.

And that Liquid Lunch interview link again is http://youtu.be/i2bBaePIWgY

.

 

 

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Putting reality into fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The other evening I was teaching a workshop on Memoir Writing – not exactly fiction, but memoir reads like fiction. A participant said she was scared to name names of family members and wanted to know how to get around this.

You can turn the memoir into fiction – this has been done before. Or use pseudonyms with a disclaimer. Or be scrupulous about what you include.

Or you can do what I did after a confrontation with a relative who definitely didn’t want something in the family background getting published. The excuse was she didn’t want her children reading about it. However, she was okay with it all being fictionalized.

So I listened to her, although maybe not exactly as she meant it. In my mystery short story collection Beyond the Tripping Point (Blue Denim Press. 2012), one story is based on something that happened in my family – although except for the central event, all the characters have been changed and so have the circumstances. However, I was so ticked off with her attitude that I loosely based one of the suspects in one of the stories on her. I changed the details but when I see this character I see the complaining relative.

As for the memoir chapter she was complaining about – I did remove it – and several other chapters because at the same time another author and I did a manuscript evaluation exchange. He said I had three stories going on in the memoir – family history, some other history, and my personal story. My personal story was more interesting – so that was the new focus.

In my mystery novel Beyond Blood (Blue Denim Press 2014), I don’t use any stories from the original memoir, although Great Aunt Doris is very loosely based on an eccentric aunt (now deceased). However, the eccentricities are different as are Aunt Doris’ actions and role. The only similarities, if you will, are the two are eccentric and both are aunts.

However, I did use something in my past as fodder and then used my imagination to expand from there. The business with the raccoons. Racoons got into the attic of my house in Aurora and that was the real life starting point. But I assure you, except for racoons on the roof, anything else with racoons that happens in Beyond Blood never happened in real life, mine at least.

The bottom line is to use something real as the catalyst, the gem for an idea or character. Because you need to be careful here. How often have readers said that a character reminds them of so-and-so or the character is so-and-so? Usually this is not the reality.

But it is an indication that your story, your characters are resonating with your readers.

Cheers.

Sharon A. Crawford

Author of the Beyond book series. See http://www.samcraw.com and http://www.bluedenimpress.com for more info. Book at top of this post links to my Amazon author profile.

To watch my interview on Liquid Lunch on thatchannel.com go to Go to http://youtu.be/i2bBaePIWgY and enjoy.

 

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