RSS

Category Archives: Short Story Collection

Turning winter weather into fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

If you’re like me and hate winter with a passion, don’t just moan and groan about it. Write about it.

Not necessarily your hatred for the season itself. But set your story in winter. Take some of the weather highlights as white fodder for your stories. Follow news stories on the weather on TV or online from various media outlets. One of the best sources is The Weather Network. Both on TV and online, they feature stories in video and text (online) formats about some of the extremes in winter, as well as amusing incidents.

For example, this week, a motorist parked his car beside Lake Erie in south western Ontario. Then we got a flash freeze and snow. If you can’t imagine what happened (no the car didn’t fall into the lake, check out the story here). From that you can let your imagination run wild with story ideas. Maybe there is a dead body in the car – froze to death or murdered before and left there to die? Somebody in an emotional turmoil – failed relationship, terminal illness, etc. – decides to end it all. Somebody wants to save their body for posterity to come back in a later century and finds a unique way to “preserve” his or her body.  Or? Well, you get the picture.

The main idea is to take the actual story, not copy it, but use it for inspiration for your story. And be original.

You can also do the opposite of what is written. In my story “The Couch” from my short story collection Beyond the Tripping Point (Blue Denim Press, 2012), I took a theme from many private eye stories – the PI who is having trouble making ends meet. (If you want a recent TV series on that one, watch the British series Case Histories). My story had a young, mid-20s PI who had just the opposite happening – too many clients. So my story took this dilemma and spun out a tale of how this PI tried to reduce the number of clients. It wasn’t that straightforward as the story has many twists and turns and a surprise ending.

And that’s all I will tell about “The Couch.” If you want to read it (warning, short plug coming here), you’ll have to read “Beyond the Tripping Point.” Click on the book cover below for one place it is available besides the usual Amazon (yes, it’s available there, too)

And use that blizzard keeping you indoors for time given to write your story.

Cheers.

Sharon A. Crawford

Beyond the Tripping Point Cover 72dpi

 

Tags: , , , , , , , , ,

Creating Eccentric Fiction Characters

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Can eccentric characters come across as too eccentric? How does this affect your story?

Eccentric means “tending to act in strange or unusual ways,” according to the Merriam-Webster online dictionary.

How strange is strange? How unusual is unusual?

Let’s take a step back. We writers don’t want wooden characters – characters who act normal and live boring lives. Often these characters are stereotypes – the police officer who drinks a lot of coffee and eats donuts, the prostitute with the heart of gold. You get the picture. Readers don’t like the stereotype, the norm. It bores them and they may stop reading the story.

So we create eccentric characters. Sometimes these eccentric characters can go off the walls and distract readers from the story. Readers may also dislike the characters. Think about some of the sit-coms currently on TV. The old Jerry Steinfield TV show had eccentric characters, but it worked. Some of today’s just don’t. Just check out the ones that don’t last more than a season or perhaps not even a season. Viewers can’t connect to the sit-com’s characters,

Think Agatha Christie for eccentric characters such as Hercule Poirot and Miss Marple. When you strip away their eccentricities you find each has a core ordinary connection to living. Hercule Poirot is a private detective and Miss Marple is a meddling old lady. These are common characters in everyday life.

In my novel Beyond Blood and in my short stories in Beyond the Tripping Point I have eccentric characters. I try to keep their eccentricity not too far out there, although I do wonder about the mother in “For the Love of Wills.” However, the characters in the four linked stories who also appear in Beyond Blood are what I call distinctive eccentric characters. Each is, to borrow the hackneyed phrase, “their own person,” from the stuttering police DetectiveSergeant Donald Fielding who occasionally suffers from migraines to my meddling old lady – Great Aunt Doris. She is old-school and anything that is modern she tends to turn her nose down at – the gay twin PI Bast and his fraternal twin sister Dana’s status as working mother of a small boy.

Yes, you could say that these characteristics are often part of old ladies. So, I take these and work them in with how Doris relates with the other main characters, Dialogue plays a big part here. So does action. Doris really loves Dana’s son David and he seems to get along with her. Doris, also is the one who takes care of Madge, after her daughter Debbie is murdered. But I have added another eccentricity to Doris. She always lands on Dana, David and Bast at the most unexpected and inconvenient times. In Beyond Blood, she knocks on their door at 3 a.m. while police are there investigating a break and enter.

Bottom line with me? Create all characters as individuals – no two are alike (even the twins are different, but they are also fraternal twins, so don’t even look alike). Stay away from the stereotype; just don’t go to the opposite of extremely eccentric. You may just come up with interesting eccentric characters who work with and in your plot.

And please your readers to the point where they look forward to reading more about them and their adventures in your next book.

Cheers,

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 

Tags: , , , , , , , , , , , ,

Promote your book alone or with other authors?

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Do you join with other authors to promote your books? Or are you the lone wolf? I do both and there are pros and cons for each.

With other authors – to use a variation on an old phrase – there are benefits in numbers. If three or even five authors band together to do a reading or some sort of presentation, it can draw in some readers that might not otherwise attend your presentation alone. Not to belittle your book, but we all have preferences for books we read. In the crime genre there is fiction and non-fiction. So by mixing it up with a variety of sub-genres, you can draw in more people. They may not know you or your books but they will find out. The trick is to be friendly, knowledgeable and interesting. Panels with q and a and a bit of author reading work best I have found. And when readers congregate at the author table at the end, there is a good chance they will be purchasing books. Yours might be one of them. Just don’t push it. And you get to meet a bunch of authors writing in the same genre and learn from each other.

Going it alone is a good idea if you want to focus on a particular subject that your book deals with – that could be writing series characters, especially if some appear in short stories as well as novels. Or if you want to talk about particular issues that are in your book and use your book and its story as an example. Beyond Blood covers child kidnapping, serial killers, fraud and abortion pill issues. Although Beyond Blood is set in August 1998, the abortion pill in the novel is still illegal in Canada.

Lots of fodder for thought there. You may also have a specific type of crime writing workshop and use your book for examples.

Then there is the honey of all solo presentations. When the person in charge of the venue – whether library, cafe, pub or festival – asks you to come and do a presentation. The latter has happened to me a few times with Beyond Blood and yes, I have sold book copies. I will be doing it again Sept. 3 (see the Gigs and Blog Tours page).

Just remember not to come on as a salesperson. You are there to primarily entertain and of course underneath all that, hopefully sell some books. But if you stand up (or sit at a table) like some of these motivational speakers continually pitching their courses, you won’t sell a book.

My thoughts anyway.

What do you think?

Cheers.

 

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 

Tags: , , , , , , , , , , , ,

Researching mid-stream for your novel

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

I just finished a draft of the first part of my newest Beyond novel. As usual I am juggling several balls with plots and characters and inconsistencies, and again as usual, I need to do more research. I’ll deal with the juggling act and inconsistencies in another blog post. But today, briefly I’ll go into the research part.

Yes, I have covered research previously, but it is important in fiction writing. If you mess up, readers will find the mistakes. Some of them get very picky with details. One reader chided me for using a BlackBerry and not an IPhone in one of my short stories in Beyond the Tripping Point. She was reading the book when Blackberry was having financial difficulties (the first time), just before the big changeover in their executives. Beyond the Tripping Point came out in October 2012, so the story she was referring to, “Missing in Action” was written before that (April and May 2012).

Which brings me to my first point for research: make sure your details are accurate with the time-line you are writing in. Especially important if you are writing historical fiction (mystery, romance or other). Even going back a few years as my current novel Beyond Blood and four linked stories in BTTP do, you have to get your facts straight. Beyond Blood is set in August 1998, so we have dial-up Internet connection and cell phones that are longish, narrow, have antennae and you flip them open and closed. Not to mention how police set up taping phone calls from kidnappers. My police consultant, Constable Brent Pilkey and I had a good laugh over the setup of that one.

If you are writing anything that includes police procedure, you need to do research. I have my police consultant who is very helpful. I run questions by him, sometimes including inserts from the work-in-progress so he can see what I am trying to do. Yes, I have another round of questions and excerpts to email him.

Medical info needs to be checked to get it accurate. I do both checking online at qualified sources (Mayo Clinic, for example), but also consult MDs. One, who is a former MD-turned freelance writer asked on a medical listserve she is on and forwarded the feedback to me. Now, I have a couple of MDs who specialize in what I’m looking for to consult.

These are just a few examples of research required. Depending on your novel, yours may differ.

Remember: the devil is in the details and you better get those details right or the “devil” in the form of readers will complain.

And rightly so. Readers are your audience, your book buyers.

A reminder: I’m on a panel this evening with other Crime Writers of Canada authors – Nate Hendley (true crime), Sylvia Warsh (historical mystery), Steve Burrows (winner of the Arthur Ellis first novel award 2015), Rosemary McCracken (author of the Pat Tierney mystery series and also moderating the panel. She will be asking questions about researching for your novels), and me Sharon A. Crawford (author of the Beyond mystery series). Check out the full details on my Gigs and Blog Tours page at

https://sharonacrawfordauthor.com/getting-around-with-the-beyond-blood-gang-and-friends

If you are in Toronto, feel free to drop in. We authors will also be reading from our books and book copies will be available for sale.

Meantime, the photo at the top of this post still connects to where you can get e-copies of Beyond Blood. Print copies available (among other places) at https://www.chapters.indigo.ca/en-ca/home/search/?keywords=Beyond%20blood%20and%20Sharon%20A.%20Crawford

Cheers.

Sharon A. Crawford

 

Tags: , , , , , , , , , ,

Incorporating the weather into your fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

I am intensely interested in the weather – where it comes from, who or what causes it, and how it plays out. So, it isn’t a big leap to figure out that I start chapter one in the Beyond mystery novel I am currently writing with the main character, Dana Bowman, dealing with weather. And that isn’t as simple as it sounds.

First, you need the weather appropriate to the time frame of your story. Although using a present-day setting, if the weather is severe and floods are a big part, you will probably be right on. However, it is always best to check with reliable weather sources online for weather on any day or in any time frame.

If you set your story anywhere in the past, you need to have the weather at least based on the weather situation then. Where you set your story will also factor in. For example, you probably wouldn’t have a tornado in California, but you might have very dry weather causing forest fires. On the flip side of the weather coin, you can use some weather conditions that occurred in the past as part of your story, part of the conflicts that occur in your plot. Think going out in a sailboat and getting caught in a storm. Of course, like all plots you have to build up the suspense and that includes impending storms. You need to connect the weather to your characters. Perhaps your main character is terrified of tornadoes or thunderstorms. Why? That would be part of your story and you can also blend that terror in with what the main character may have to do at the climax. Maybe your protagonist is in that sailboat with a friend who is actually the sailor. The protagonist may have to try to save the day if the sailor is injured, falls overboard, etc.

The weather can also play a creepy role in your novel – especially thrillers and horror. I am reminded of the 1960 movie Midnight Lace starring Doris Day (yes, I know, that dates me) where Rex Harrison as her husband appears to be stalking her as she walks through the London fog.

So sometimes the weather becomes like another character in your fiction. The weather possibilities are endless.

Even if you don’t have weather playing a major part, you don’t want your character going out in a snowstorm in shorts and a T-shirt. Or heading for the beach in a fur coat. Unless that is part of their eccentricity or they are on a modelling or music video assignment.

And don’t forget to give some reference to the weather in your story, but incorporate it into your story so it doesn’t read like an extended weather dissertation.

And what is my main character Dana Bowman facing weather-wise in the Beyond novel currently being written, which begins in late November 1999? She is walking in the rain.

But I have one extenuating circumstance here. My setting is a fictitious small city I call Thurston, Ontario. Thurston is located just north of Toronto where Aurora and Newmarket are. When I checked historical record data (three sources online), neither place had historical weather listings, so I went to the closest – Richmond Hill, Ontario and that’s what I’m using. With fictitious locations, you can be somewhat creative with the weather – within reason (see above about fur coats and shorts). Check out the real location in the general area of your made-up place and see what the weather is/was like there. Again, you don’t want snowstorms in California.

However, if you are writing fantasy or science fiction, the sky is the limit (pun intended).

Do you use weather as an important part of your fiction and how do you do so?

Comments please.

Cheers.

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

 

Tags: , , , , , , , , , , , , , ,

Serendipity Book Marketing

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Last Saturday I was the guest speaker for an English Conversation drop-in seminar for new Canadian citizens at a local Toronto library branch (Brentwood). From what was discussed by email with the organizers, I was to talk a bit about writing memoirs using the senses. However, I could bring copies of my mystery books to sell.

So armed with memoir writing handouts and my books I arrived early.

And received a very pleasant surprise.

I already knew one of the organizers, Bill, who attended my memoir writing workshop at another library branch. So, from our phone conversations and emails I knew of this plan he had concocted and yes, I knew he was interested in buying my books as well as others – librarians and seminar participants.

What I didn’t know was all the enthusiasm I would receive about my books and being a writer. As I’ve mentioned before, we writers sometimes forget that this is what we do (just like some people are lawyers) so we take it as second nature.

We, or at least I, never forget we do want and need to sell book copies. But I try not to be in people’s faces about it.

The whole two hours was all about my books – characters and plot – and writing, but with a twist. The participants are newly-arrived in Canada and their English varies from good to just learning. Part of these seminars’ focus is on the idiosyncrasies of the English language. So when a slang phrase or cliché came up, Anna the librarian or Bill would ask the others if they knew what it meant so that started a lively discussion. I caught on to this and started to do the same as for some reason I began involuntarily using a lot of slang terms. And near the end I was allowed to sell my books – sold all of the Beyond the Tripping Point short story collection copies I had brought along and half of the Beyond Blood novel copies.

And Bill, Anna (and Lidia, the other librarian who also facilitated this session) want me back to do a guest spot in one of their evening sessions. Not sure if its fiction writing or memoir writing, but I will be ready for either or both and yes, I can sell books.

Lidia also had me sign the contract to teach a different memoir writing workshop for library patrons in the fall. And yes, I can sell books then, too.

The point here is – no matter how you organize promoting your books, you may miss something – often something pleasant and rewarding – not just book sales, but that magical connection with others who are interested in writing and your books.

Meantime I’m preparing for two gigs with other Crime Writers of Canada members coming up June 11 and June 12. See my website www.samcraw.com and go to Beyond Blood for a list. More on that in next week’s posting.

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

 

Tags: , , , , , , , , , , , , , ,

Recharging your novel in progress

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

My editor did it. He gave me the boost to get my third Beyond book out of stall mode.

A few weeks ago I blogged about a lot of problems (house, health, utility, income taxes) stealing from my writing time including coming up with plot development. See https://sharonacrawfordauthor.com/2015/03/05/kick-start-writing-your-novel-when-it-hits-stall-mode

This big surge happened a couple of weeks ago when Shane, my editor at Blue Denim Press, and I did a joint marketing presentation (author and publisher) at the Beaches Library Branch in Toronto, Canada. Two things Shane said did it. On the panel, he was answering a question related to submissions and editing. He pointed to Beyond Blood and said my book went through several edits and at first it needed a lot of changes. He said I needed one murder within the first 50 pages. So he said that I wrote in two murders. After the presentation he was saying that today’s mysteries that sell aren’t so much cozies – but edgy like my Beyond the Tripping Point short story collection. I reminded him that my prequel novel Beyond Blood is also edgy.

However, it got me thinking. The Beyond novel I’m currently writing tended to meander too much in the beginning. It needed to be made sharper with more twists and turns. As for the murders, there is one within the first 50 pages and another incident in the beginning that is left hanging whether it will turn into a murder or be an attempted murder.

Letting all this percolate in my brain, as well as being open to whatever ideas materialized, finally worked. So I’ve been writing and writing – well, not all the time. There are still house and property problems and potential problems thanks to weather. And I am suddenly getting more editing clients – which I wanted and needed to help pay the bills.

I also like helping other writers – but more on that in another post.

For now, if your novel or short story has hit stall mode, don’t give up. Get another perspective from another author and/or editor. Join a writing critique group and listen – maybe even read that stalled chapter for feedback.

Do something besides moan and groan. You never know what might percolate in your mind.

Cheers.

Sharon A. Crawford.

Reminder: Next Thursday, April 16, I join Crime Writers of Canada writers Nate Hendley and Rosemary McCracken for a writing presentation to the Storytellers writing group at Angus Glen library in Unionville, Ontario, Canada. Check my Facebook page for more info https://www.facebook.com/pages/Sharon-A-Crawford/412730865439394. Scroll down beyond the bad customer service post to the Meet-up post.

 

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/ Online TV interview from Liquid Lunch is at http://youtu.be/i2bBaePIWgY

Beyond Blood Book cover at the top of this post links to my Amazon author profile. If you buy a copy, please write a review on amazon. Thanks.

 

Tags: , , , , , , , , , , , , ,

When your fiction characters get inside your head

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Are your fiction characters trying to take over your mind? Do you seem to be losing yourself in their quirks and even their talk?

Two of the main characters from my Beyond mystery fiction series (Beyond the Tripping Point, 2012 and Beyond Blood, 2014, Blue Denim Press for both) are doing this. Dana Bowman, the PI mom of six to seven-year old-David (age depending on which book) and the stuttering Detective Sergeant Donald Fielding.

Sandra Kryzakos in her Liquid Lunch interview with me says I’m channeling my characters. She bases this on how I talk about them and how I read excerpts from the books. And to add more fuel to the channelling fire, when I told her about Detective Fielding, I started to stutter and said so.

“Now, she’s channeling,” she said. (Watch this thatchannel.com interview on You Tube at http://youtu.be/i2bBaePIWgY)

Not the first time something like this has happened. Others hearing me read say I don’t read like I’m just reading but I put myself into the characters, into their heads.

Now, are Dana and Fielding getting back at me? Just kidding? Actually I welcome my characters getting into my head. Besides giving me an excuse for if and when I stumble over words, my characters are speaking to me. They give me ideas for what to write in my third Beyond book. They keep me in touch with what is happening in their lives and remind me of what is impossible. They also remind me they are distinct characters and not me.

Although I wonder about the latter. Especially when I find myself sometimes using “Dana’s big bag” to cart groceries and other purchases. For Dana this bag is her purse. To my credit I use another smaller bag as my purse. But just calling the bag “Dana’s bag,” says something. However, I still can’t draw a straight line even with a ruler and Dana is also an artist, sketching the people she interviews and incorporating the interview context into the drawing. And she drives a car and the only driving I can do is to drive people up a wall. She is also not a gardener and I am. Then there is the 25 or so year age difference. (Note: I’m the older gal here).

And of course, I don’t have a fraternal twin brother – don’t have any siblings.

So, I’ll let Dana, Detective Sergeant Fielding and whomever else I write about “invade” my mind. They have stories to tell and I need to tell their story, not mine, in the Beyond books.

Now, if I could only sort out this dream business. Dana sometimes dreams about the future (you have to read Beyond Blood to see that). I’m hoping my horrendous, sometime scary dreams, are not premonitions of my future. If so, it could be a bleak future.

Dana? What do you think?

Cheers.

 

Sharon A. Crawford

Maybe I’ll see you at a future gig. I post my reading and presentation gigs on the Beyond Blood page of my website www.samcraw.com. Keep checking back for updates.

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com including a link to a radio interview at http://bluedenimpress.com/authors/sharon-a-crawford/

Beyond Blood Book cover at the top of this post links to my Amazon author profile.

And that Liquid Lunch interview link again is http://youtu.be/i2bBaePIWgY

.

 

 

Tags: , , , , , , , , , , , , , , , , , , ,

Putting reality into fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The other evening I was teaching a workshop on Memoir Writing – not exactly fiction, but memoir reads like fiction. A participant said she was scared to name names of family members and wanted to know how to get around this.

You can turn the memoir into fiction – this has been done before. Or use pseudonyms with a disclaimer. Or be scrupulous about what you include.

Or you can do what I did after a confrontation with a relative who definitely didn’t want something in the family background getting published. The excuse was she didn’t want her children reading about it. However, she was okay with it all being fictionalized.

So I listened to her, although maybe not exactly as she meant it. In my mystery short story collection Beyond the Tripping Point (Blue Denim Press. 2012), one story is based on something that happened in my family – although except for the central event, all the characters have been changed and so have the circumstances. However, I was so ticked off with her attitude that I loosely based one of the suspects in one of the stories on her. I changed the details but when I see this character I see the complaining relative.

As for the memoir chapter she was complaining about – I did remove it – and several other chapters because at the same time another author and I did a manuscript evaluation exchange. He said I had three stories going on in the memoir – family history, some other history, and my personal story. My personal story was more interesting – so that was the new focus.

In my mystery novel Beyond Blood (Blue Denim Press 2014), I don’t use any stories from the original memoir, although Great Aunt Doris is very loosely based on an eccentric aunt (now deceased). However, the eccentricities are different as are Aunt Doris’ actions and role. The only similarities, if you will, are the two are eccentric and both are aunts.

However, I did use something in my past as fodder and then used my imagination to expand from there. The business with the raccoons. Racoons got into the attic of my house in Aurora and that was the real life starting point. But I assure you, except for racoons on the roof, anything else with racoons that happens in Beyond Blood never happened in real life, mine at least.

The bottom line is to use something real as the catalyst, the gem for an idea or character. Because you need to be careful here. How often have readers said that a character reminds them of so-and-so or the character is so-and-so? Usually this is not the reality.

But it is an indication that your story, your characters are resonating with your readers.

Cheers.

Sharon A. Crawford

Author of the Beyond book series. See http://www.samcraw.com and http://www.bluedenimpress.com for more info. Book at top of this post links to my Amazon author profile.

To watch my interview on Liquid Lunch on thatchannel.com go to Go to http://youtu.be/i2bBaePIWgY and enjoy.

 

Tags: , , , , , , , , , , , , , , , ,

Tales from the book promo trenches Part 2

Sharon reads from her Beyond book series

Sharon reads from her Beyond book series

The book promo for Beyond Blood continues. This time the promo took on somewhat different formats.

 

Wednesday, November 26 I was the guest speaker at the East End Writers’ Group. Disclaimer: it is my own group but because we meet in a library branch (S. Walter Stewart in Toronto) in their large auditorium, we can schedule guest speakers for the first part and after the break do our usual writing critique of members’ works-in-progress.

I talked about how I transition from short stories to novels and vice-versa with series characters. As my situation of writing/publishing is backwards in time, i.e. not chronological, that makes it more complicated. Beyond the Tripping Point, the short story collection was published in fall 2012 but the four linked stories with the fraternal twin PIs Dana Bowman and Bast Overture, occur in 1999. Beyond Blood is the pre-quel novel set in eight frantic days in August 1998.

My dirty little secret is an older version of Beyond Blood had been written 12 or so years ago. Of course, it had to be completely rewritten. But some of the plotline and character development was already there – something I had to keep in mind when writing the BTTP short stories. It was a constant back and forth as was this presentation last week because I also had q and a with the audience. We even worked humour into the discussion. I ended by doing a short reading from Beyond Blood.

No, didn’t sell any books there – at least in print. But maybe a few people bought e-books on line. Also, when I thought of it, some of the people there had come to my book launch and had already bought a book. Still a good evening.

Saturday, November 29 my books were part of the Toronto Heliconian Literary Group table at the Toronto Heliconian Club’s first (in this incarnation) art and gift sale. In fact, I organized our table. Like sometimes happens with the first of anything, attendance wasn’t great. But I did sell three copies of Beyond Blood and had some good chats with the other member authors. Afterwards, three of us went to the nearby Hemmingway’s Pub for some wine, an early supper and more chatting.

And I bought a mask from one of the artist vendors at the club sale. I collect masks.

But I am now wiped out from all this physical book promo, organization and also client work. I will be taking some time off soon this month to reconnect with family and friends, to attend some Christmas parties and to do some more writing/rewriting of the next novel in the Beyond series. And I will focus more on social media promo for Beyond Blood. And getting more sleep.

But this blog will continue on its weekly (Thursday) basis. However, for the next two weeks I’m letting my two PI characters – Dana Bowman and Bast Overture – do the posting.

Meantime, you can go to my publisher’s website www.bluedenimpress.com to order e-pub and Kindle copies of Beyond Blood and Beyond the Tripping Point. Also check out my interview with Tom Taylor on cable TV. I talk about writing novels, short stories and some of the characters in Beyond the Tripping Point. Go to http://bluedenimpress.com/authors/sharon-a-crawford/ and scroll down on the right until you get to  Watch Sharon A. Crawford and Beyond the Tripping Point on Rogers Cable TV

And I will be going to the book launch of World Enough and Crime Anthology featuring stories by Rosemary McCracken, Rosemary Aubert, Melodie Campbell, Donna Carrick and many more this Saturday, Dec. 6 from 2 p.m. to 3.15 p.m. at Sleuth of Baker St., 907 Millwood Avenue in Toronto. Check out Sleuth at http://sleuthofbakerstreet.ca/ Beyond Blood is also available there to order online.

Cheers.

 

Sharon A. Crawford

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press. Click for link to purchase e-copies

Cover of Beyond Blood by Sharon A. Crawford, published by Blue Denim Press. Click for link to purchase e-copies

 

Tags: , , , , , , , , , , , , , , , , ,