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Category Archives: Toronto Public Library

Crime wave hits Gerrard Ashdale library March 24

Longshot of the Gerrard Ashdale library CWC presentation

Longshot of the Gerrard Ashdale library CWC presentation

At 6.30 p.m., March 24, 2016 an unusual crime wave hit the Gerrard Ashdale branch of the Toronto Public Library. Downstairs, the dead body outline was “drawn” with masking tape. Upstairs, “crime” was in progress – at least between the book covers, and expanding to the audience facing the five crime writers in the front.

For the next hour and a half, true crime writers Mark Eddy and Nate Hendley and crime fiction authors Lisa de Nikolits, Steve Shrott and Sharon A. Crawford (also moderating to keep the crime enthusiasts on track) discussed various aspects of crime writing and reading – from authors’ and readers’ view points.

Besides the why we write what we do (Lisa and I have social justice as our reasons and Mark Eddy, author of The Recent History of Terrorism in Canada 1963 -2013, wrote that book because Canadian literature didn’t have this history published). We also discussed where we get our ideas. For example, many of mine come from real life incidents such as a harrowing drive up Highway 11 to cottage country with a friend when her car brakes stopped working. I take the incident and fictionalize the characters and plot.

But one of the most interesting discussions was in answer to the question:

What is your take on novel or true crime endings, i.e., should you leave the reader hanging or have a resolution that ties up the book’s contents?

Some wanted a full resolution, but some were okay with a resolution for the main plot, but some of the issues with the characters could be left hanging, especially for series novels. Nate Hendley, who (among other true crime books) wrote Steven Truscott; Decades of Injustice about Steven Truscott (who was wrongfully convicted of murder and rape at age 14,in 1959), was pleased that he could put in his book that in 2007 the Ontario Court of Appeal declared Truscott acquitted of the rape and murder of Lynn Harper. That declaration was the result of Truscott himself filing an application for this in 2001. Justice moves slow. In fiction, that can happen faster.

The five of us authors in the hot seats also discussed unusual ways we promote our books. For example, Nate Hendley had copies of his Truscott book at a presentation of a play about Truscott in southwestern Ontario. I dress up as my main Beyond Blood character, Dana Bowman and do short skits where Dana disses me. See my website for where Dana will next appear.

Meantime, here’s another photo of the CWC gang up close at Gerrard Ashdale. Both photos were taken by the library branch’s head librarian, Gail Ferguson.

Cheers.

Sharon A. Crawford

The CWC gang up close - Sharon, Steve Shrott, Nate Hendley, Lisa deNikolits, Mark Eddy

CWC gang up close – Sharon, Steve Shrott, Nate Hendley ,Lisa de Nikolits, Mark Eddy

 

 

 

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How Writers in Residence can help your writing

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

What are the advantages of having a Writer in Residence look at your writing and give feedback and marketing advice?

I’ve had the good fortune to be involved  on both sides. For two sessions I was Writer in Residence for the Canadian Authors Association Toronto branch. In that position, I have helped writers with advice on marketing their manuscripts, writing a query letter, editing and evaluating their manuscript – up to a point.

One thing about a Writer in Residence is he or she only evaluates/edits up to 20 or 30 pages – either for free or at a lower rate than normal fees. But it is worth every dollar (we don’t have pennies anymore in Canada), Euro or whatever denomination your country has. It is also worth your time because of the vast experience of Writers In Residence. They are published authors in various genres and if you pick your Writer in Residence to match your area of writing it can benefit your writing.

The process varies, but generally it involves submitting a few pages double-spaced of your writing-in-the works and then meeting with the WiR to get his or her feedback, ask questions and get some advice on how to make your manuscript sparkle and perhaps some marketing tips.

Recently, I had the experience of being on the other side of the fence. I am a member of the Toronto Heliconian Club and one of the benefits is the Writer in Residence. Just before Christmas I met with her – Dawn Promislow –  not for critique of my new Beyond novel in the works, but for an assessment of a five-page personal essay. I didn’t have to pre-submit the manuscript, just brought a couple of hard copies – one for her to look at and one for me – while we chatted.

And it was more than just a superficial chat. First, Dawn read the manuscript, then did a general overall evaluation including summing it up as good and more professional than she expected. (Note: this essay had been rewritten more times than I have fingers.) Then we went through it all line-by-line and discussed what worked, what didn’t, what could be expressed better and in fewer words, and what could be deleted. One of my concerns was to make it shorter so I could submit it to markets that require a shorter than 1300 personal essay. Previous to meeting withe Dawn I had shortened it from 1500 words to 1300 words.

It was a two-way discussion, none of this just giving advice with me listening. That’s important because the bottom line is it is my story and if I don’t have some input in the critique, I won’t really understand what needs to be done. The whole meeting took about an hour and 20 minutes.

So, besides CAA and clubs like the Heloconian, where can you find a Writer in Residence?

Try your local libraries. The Toronto Public Library system has two Writers in Residence programs a year, alternating locations with the two largest library branches – Toronto Reference Library and North York Central branch. I have submitted manuscripts over the years to WiRs at both branches. You have to have a library card for this – but library cards are free and renewed annually.

And submit is a keyword here. You have to submit up to a certain number of pages double-spaced to the library by a certain date. Then the library gets the manuscripts to the WiR and you will hear back from the library with an appointment time and date to meet with the WiR. Currently the TPL WiR is poet, memoir author, former journalist, etc. Brian Brett at Toronto Reference Library. For this session, Brian Brett will be focusing on poetry.

That’s another key. Submit something you are writing in the area of the WiR’s experience. Unlike me, who once submitted a chapter of my memoir to a literary novelist and poet. My memoir was part literary in style, but this author just didn’t get it. Another time, much earlier, I submitted one of the original chapter versions of the memoir to a well-rounded in writing experience WiR – Austin Clarke and got some excellent and thorough feedback. It was also a two-way discussion and it was Mr. Clarke’s feedback that helped me decide to actually write more chapters in a memoir.

So, a few tips for submitting your work to a Writer in Residence.

  1. Follow any submission guidelines.
  2. Make sure you match the WiR to what you are writing.
  3. Rewrite, rewrite your submission – a loose draft won’t do.
  4. Show up on time for your appointment with the WiR.
  5. Listen to what the WiR says but don’t be afraid to question and add details about what you are writing – it is not a one-way street.
  6. Don’t be afraid to ask related questions that are pressing – such as markets, copyright issues, and in the case of memoir (one I always find comes up in my memoir writing workshops) –  naming names and the fear with writing your story.

Good luck. The WiR can be the experience that helps you get your manuscript focused and inspires you to keep at it.

Cheers.

Sharon A. Crawford

To find out more about Sharon A. Crawford and where her Beyond books are available click on the Beyond Blood book above.And visit her website

 

 

 

 

 

 

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Act like a journalist to do research for your novel

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Three and a half years ago I finally stopped being a journalist. Or so I thought.

The journalistic writing may have stopped, but something stayed, something carried over to my fiction writing. My research skills, including my interviewing skills and more important the realization that even with fiction you need to seek out the experts for some aspects of your novel besides the craft of writing fiction. Most novels contain something else – perhaps medical conditions, perhaps police procedure, perhaps court procedure, perhaps historical information, perhaps socio-economic conditions, perhaps geographic information. The list goes on and on.

So as I write my novels, this research necessity is always in the back of my mind. Coupled with readers’ intelligence and knack to find anything off in my novel, I make notes in brackets in the manuscript about getting more info. I even do separate files with lists of what I need to find and where I could get it.

Some, of course can be found on the Internet. Mr. Google is very helpful. So are books on the subject. But some more specifics may need that personal expert.  In the last few years when I did a story for a magazine – print and/or online, and I needed information, I did the list of online links for information as well as indicating where a person was necessary. Sometimes there would be someone mentioned in these links; other times not. Then I used my other writing connections – sometimes posting on a listserve I belonged to – sometimes directly to a contact who might have this info.

I have received some good sources that way including a source who decided he could play guinea pig to be interviewed because he had been involved as victim in the crime. (Yes, this was a story about crime).

Other times I’ve found sources at writing or other conferences – either others attending or a speaker. So I talked to them, let them know what I was doing, and asked if I could interview them.

Usually they could help including letting me interview them.

Sometimes just random conversations with friends lead to sources and sometimes they were the source. Other times it worked for story ideas. That can work for fiction story ideas but that’s for another post.

Another good source is your public library and sometimes it is better to go right to the library, especially if there is a reference library branch. Stacks of books that you can’t find elsewhere and you can’t borrow can be found there – for in-library checking. And don’t forget the knowledgeable librarians. University libraries can also be of great help.

Just remember that because you write fiction, you have to include some facts. You wouldn’t want to have your main character holidaying today in a country using the country’s former name? If you set your story during a war, you definitely want to get your facts right about places and dates.  Leave no (research) stone unturned.

Which reminds me – I need to talk to a medical doctor who specializes in concussions for the novel I’m currently writing. I have taken the first few steps, the Internet, books, and getting some contacts from a former medical doctor turned journalist.

Your publisher may catch some or raise questions about others, but what if you are self-publishing your novel? Either way, you the author are responsible. Get your facts right. Act like a journalist but write like a novelist.

Cheers.

Sharon A. Crawford

The book cover at the top links to Beyond Blood on Amazon.com

 

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Crime Writers talk crime at Yorkville library tonight

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Crime can pay – at least between the book covers. Maybe not in big sales to make authors rich. But in authors connecting with each other and with readers.

That is set to happen this evening as four of us crime writers from Crime Writers of Canada – Rosemary Aubert, Robert J. Hoshowsky, Nate Hendley and me Sharon A Crawford will be talking about how we either create crime or tell it like it is. For the first time with me involved, there are two true crime reporters – Robert and Nate. Both write different aspects of true crime and both got into doing so in different ways.

On the fiction side, both Rosemary and I write series novels – hers is the award-winning Ellis Portal series. What’s interesting about Rosemary’s books is the first five were published by a large trade publisher, and at the beginning of this year she went with a small independent publisher.

I write the Beyond mystery series and am published by a small trade publisher – no awards yet, but I’m working on it.

Here are the details about the four of us and our presentation this evening.
Nate Hendley

Nate Hendley is a Toronto-based freelance writer and author of several books, primarily in the true-crime genre. Decades of Injustice, a hard-hitting look at the wrongful conviction case of Steven Truscott, is his latest book from a Canadian publisher. His website can be found at www.natehendley.com

 

Robert J. Hoshowsky

Robert J. Hoshowsky is the author of two True Crime books, including the Arthur Ellis-shortlisted The Last to Die: Ronald Turpin, Arthur Lucas, and the End of Capital Punishment in Canada and Unsolved: True Canadian Cold Cases, which inspired Macleans magazine to publish an entire special issue on famous murder cases. His extensive research on the last men executed in Canada has sparked an interest in the Lucas case, which is currently being investigated to determine if Lucas’ death sentence can be posthumously overturned, for the first time in Canadian history.

 

A former Researcher-Reporter at Macleans magazine, he has also contributed to top-rated television programs, including the Canadian version of Who Wants to be a Millionaire. His investigative work has been published in over 100 magazines and newspapers worldwide.

 

Much of Robert’s recent work can be found in Serial Killer Quarterly, where he has profiled such infamous murderers as Jeffrey Dahmer, Britain’s John Christie, Leonard Lake and Charles Ng, and Sheila Labarre.

 

Rosemary Aubert

Rosemary Aubert is the author of eighteen published books, the most recent being Don’t Forget You Love Me, the sixth in the acclaimed Ellis Portal mystery series, set in Toronto and featuring a formerly homeless judge and reluctant solver of murders. Rosemary is a popular teacher, presenter and mentor.

 

Sharon A. Crawford

 

Sharon A. Crawford, a former journalist, is a freelance memoir and fiction writer, writing consultant and instructor, and editor. Sharon is the author of the Beyond mystery series, the short story collection Beyond the Tripping Point (Blue Denim Press, 2012), and her latest novel Beyond Blood (Blue Denim Press, Fall 2014). She teaches writing workshops for Toronto Library branches. She belongs to Crime Writers of Canada, Sisters in Crime, The Toronto Heliconian Club and runs the East End Writers’ Group. Her hobbies: reading, walking and gardening act as catalysts for her next novel.

An Evening of Crime at the Yorkville Library

Thursday, Oct 22, 2015

6:30 p.m. – 8:00 p.m.

Four Canadian crime writers read from their latest works: Rosemary Aubert, Sharon Crawford, Nate Hendley,and Robert J. Hoshowsky. Sharon Crawford will interview the panel and a question and answer period will follow.

No registration required.

Yorkville Library Branch (Program Room)
22 Yorkville Ave., Toronto, Ontario.

If you are in the area this evening, please drop in.

Meantime, I have to go over the questions I’m asking the panel and make sure I’m on the ball with my answers too.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 

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Don’t rush your writing

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

We writers all seem to have deadlines with writing our novels or short stories. Sometimes it is the publisher’s deadline, sometimes our own. So we fret and hurry through writes and rewrites and maybe don’t write our best.

Last Saturday I had a heart-to-heart talk with the acquisitions editor at Blue Denim Press (publisher of my Beyond mystery books). Shane had a big piece of advice – Don’t rush the writing.

If you rush it, you’ll miss things, make errors and your writing will come across as hurried. This is mostly me speaking, but including some of what Shane and I discussed. Note: Shane is also a published fiction author. Both of us have missed things because of writing in too much of a hurry. His error is his business, but it was caught in time before all print copies of his new novel In the Shadow of the Conquistador were done for the book launch, etc.

I’ll tell you my stupid error – it is in the current Beyond book (third in the series), I am writing – apparently too fast because of time constraints (too much else going on in my life – the writing, editing and instructing business, health, house, social, etc.) Anyway for  those familiar with my Beyond books, they are set in the late 1990s, although this third one gets my fraternal twin PIs, Dana Bowman and Bast Overture into the beginning or 2000.

Which is neither here nor there with my writing error. In one scene Bast goes to the Toronto Reference Library to look up old addresses in the Toronto Might Street Directory. So, I had him go to the library’s former address – now the University of Toronto Bookstore. Why? I had done research there and for some reason the decade  that I did so got lost in my brain, so hence my date mixup.

I had gone there in the early 1970s. Bast went to the Toronto Reference Library in late 1999. This newer (and current) TRL location opened in 1977. My error arrived in my brain weeks after writing it, as often happens when not actually writing. You can bet I made the change next time I turned on the computer.

That is only one of the many things that can suffer if you write too fast. Try to pace yourself and make more time for your writing – either in the time spent each day/week or the whole time (months/years) spent.

If you do that, when your publisher accepts your manuscript and you sign that contract, you won’t have to worry so much when the publisher suggests some changes.

And often publishers have tight deadlines.

I am constantly trying to prioritize my life – including dumping things, saying “no” more often and putting some people and things on hold.  Still an uphill battle, but I try. And I need to try to relax more.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 

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Book Promo trick learned at festival and library

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

It has been a hectic few days with my Beyond Books at two booths (not during the same hour) at Word on the Street last Sunday and Tuesday evening at the Runnymede Toronto Public Library Branch.

Very interesting – great to meet readers and other writers and chat. And I also learned and applied a new sales technique (new to me) that worked, so much so that I have to order more copies of my first published Beyond book – Beyond the Tripping Point from my publisher and he in turn has to order more from the distributor. This book was published three years ago. And we’re talking print copies, not e-copies. So there is still steam in the “old” book and the “old” book copy option.

So what happened?

I’ve been attending the Word on the Street Festival, Toronto version almost every year since it began, often selling books or passing out info about writers’ organizations or both. This year it changed venue for the third time.This year it was at Toronto’s Harbourfront Centre beside Lake Ontario. It was a hot summer day (yes, I know it is fall), sunny and very pleasant. So were most of the people there and the venue setup – closer together and also specific areas to sit and rest your feet and your a.. well you know what.

At WOTS I had an hour each at two booths selling Beyond Blood and Beyond the Tripping Point as well as handing out business cards and flyers for two more of the venues I would be at this fall, and chatting about my books with people who pass by. Very important. You don’t just sit there and smile because not everyone is going to stop unless you approach them. “Do you read mystery novels?” became my ice-breaker and if the answer was “yes” (about two-thirds to three-quarters of the time), I was off talking about my Beyond books and holding up copies as I talked. I was at the Crime Writers of Canada booth first and then Toronto Sisters in Crime. Despite the crowded quarters of the latter (in a booth at extended tables with other writing organizations). Space was so limited the poets reading had to stand on a table at their end. That was also where anyone going to sit behind any of the tables had to enter the area. Sisters in Crime had their booth at the other end. So if I didn’t want to hop the table to get out and chat, I had to maneuver over to the other end, avoid the poet on the table, slither out and walk to the end where I stood and chatted.

I was selling both books as two for one price (and made sure I had the individual prices listed on my price sheet to show the difference). That worked for sales, including to a lady who said she had to run into the building behind to the ATM and would I be there? Of course, I would.

During all this I was trying to find and keep track of two old friends (who didn’t know each other at that point). One found me over at the Crime Writers booth but the other didn’t find me until the end of my stint at Sisters in Crime. But both kept busy going to booths, chatting and collecting info. The latter friend got steered to me by another mystery writer the friend had seen and heard at a previous Crime Writers of Canada library reading.

Which brings me to Runnymede library branch and Tuesday night. Despite rain, we got a good number of readers who filled the library program room. And it was one of the better author presentations by some of us from Crime Writers of Canada – Rob Brunet, Karen Blake-Hall, Madeleine Harris Callway and me. We talked about our books, often putting in humour, telling stories of how we got our stories settings, how we got our stories, did a little reading from our books and then opened it to questions.

It was really like chatting with old and new friends.

And yes, I sold more books – the package deal again and was really rewarded more by one author purchasing when she said “I really like your writing.” Mind you she has attended some of my writing workshops at library branches and I probably read something I had written there.

So, what’s the morale here to promote books? Get involved with your audience, entertain, and offer good deals with your books.

Cheers.

Sharon A. Crawford

Cover of Sharon A. Crawford's mystery short story collection. Click on it for publisher's website

 

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Criminals and historical figures on CWC panel

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The bad guys and history guys weren’t there in person. But five of us from Crime Writers of Canada – Rosemary McCracken, Steve Burrows, Sylvia Warsh, Nate Hendley and I told tales of crossing paths with the above and more in our research to write that perfect mystery novel or true crime story.

Rosemary moderated the panel which gave me a breather from that function so I would just have to show up and answer questions. But apparently I had trouble finding the Fairview library branch, or rather the exit from Fairview Mall, where I had to run a few errands first (like glasses cleaner, very important to be able to see through your glasses to read from your books). And I’ve been at this library before and had no trouble then going from the mall across the parking lot to the library. This time I couldn’t find the right exit or even the right level of the mall. Finally I asked at the Guest Service booth.

We had a good audience turnout. Rosemary got us panelists talking and the stories that came out. Sylvia’s Dr. Rebecca Temple mysteries are set in 1979 Toronto, but Find Me Again also goes back in time to Catherine the Great. She did most of her research on the Internet. You can’t exactly interview Catherine the Great. Nate, who writes about true crime (Crystal Death), has met the criminal element – bikers and the like. Rosemary, whose protagonist Pat Tierney is a financial advisor (Safe Harbor), writes about finances as a journalist, so has information and connections there. Steve writes the Birder mysteries (A Siege of Bitterns), so birding features in his novels (Steve is a birder), but he had to do some police research. My Beyond books (Beyond Blood) are set in the late 1990s (so far, the third one I’m working on goes into the twenty-first century). As mentioned in last week’s blog post (https://sharonacrawfordauthor.com/2015/07/23/researching-mid-stream-for-your-novel/), I have a police consultant and have to keep any police procedure in that time period. I also have to be careful with technical devices. No social media. Internet connection was via dial-up until late fall 1999, cellphones were just that and they folded closed and had antennae. But there was email and that figures in my Beyond books. In this third one I write, I may have to talk to a psychic, so that should be interesting.

We also read excerpts from our books and answered questions on marketing your book.

Authors and audience connected so well, we had to be reminder by the librarian that it was time to leave.

In August I take a break from actual gigs. So will be spending more time researching and writing that third Beyond book. With a bit of final arrangements for fall presentations and readings. It promises to be a busy fall. Check out the Gigs and Blog Tours page on this blog and also my website http://www.samcraw.com/ for updates as I get them in there.

Meantime, the photo at the top of this post still connects to where you can get e-copies of Beyond Blood and Beyond the Tripping Point. Print copies available (among other places) at https://www.chapters.indigo.ca/en-ca/home/search/?keywords=Beyond%20blood%20and%20Sharon%20A.%20Crawford

Cheers.

Sharon A. Crawford

 

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Serendipity Book Marketing

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Last Saturday I was the guest speaker for an English Conversation drop-in seminar for new Canadian citizens at a local Toronto library branch (Brentwood). From what was discussed by email with the organizers, I was to talk a bit about writing memoirs using the senses. However, I could bring copies of my mystery books to sell.

So armed with memoir writing handouts and my books I arrived early.

And received a very pleasant surprise.

I already knew one of the organizers, Bill, who attended my memoir writing workshop at another library branch. So, from our phone conversations and emails I knew of this plan he had concocted and yes, I knew he was interested in buying my books as well as others – librarians and seminar participants.

What I didn’t know was all the enthusiasm I would receive about my books and being a writer. As I’ve mentioned before, we writers sometimes forget that this is what we do (just like some people are lawyers) so we take it as second nature.

We, or at least I, never forget we do want and need to sell book copies. But I try not to be in people’s faces about it.

The whole two hours was all about my books – characters and plot – and writing, but with a twist. The participants are newly-arrived in Canada and their English varies from good to just learning. Part of these seminars’ focus is on the idiosyncrasies of the English language. So when a slang phrase or cliché came up, Anna the librarian or Bill would ask the others if they knew what it meant so that started a lively discussion. I caught on to this and started to do the same as for some reason I began involuntarily using a lot of slang terms. And near the end I was allowed to sell my books – sold all of the Beyond the Tripping Point short story collection copies I had brought along and half of the Beyond Blood novel copies.

And Bill, Anna (and Lidia, the other librarian who also facilitated this session) want me back to do a guest spot in one of their evening sessions. Not sure if its fiction writing or memoir writing, but I will be ready for either or both and yes, I can sell books.

Lidia also had me sign the contract to teach a different memoir writing workshop for library patrons in the fall. And yes, I can sell books then, too.

The point here is – no matter how you organize promoting your books, you may miss something – often something pleasant and rewarding – not just book sales, but that magical connection with others who are interested in writing and your books.

Meantime I’m preparing for two gigs with other Crime Writers of Canada members coming up June 11 and June 12. See my website www.samcraw.com and go to Beyond Blood for a list. More on that in next week’s posting.

Cheers.

 

Sharon A. Crawford

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

 

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In praise of public libraries

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series available in e-copies from Blue Denim Press

Way back in the late 1980s, an editor at one of the community newspapers I wrote for used to give me assignments connected to the local libraries. He said when he thought of libraries, he thought of me.

In the past few years I have traded my journalism hat for writing mystery fiction. But what this former editor said is still true. I suspect his thoughts would apply to most writers – journalists, fiction, whatever they write.

Libraries seem to be growing – Toronto, Ontario, Canada just opened its 100th branch in the city’s east end. Although the library landscape has changed, writers and readers (the two often overlapping in the same soul), cannot live without their public library. Even if we don’t get off our duff and go inside a library as often as we used to, we do online research in library databases, download e-books to “borrow,” put holds on books (print and e-books) online, and check library websites for their events. Reminders of books coming due or holds available also arrive in our Inbox from the library. And we can read and comment on library blog postings or join online book clubs (Note: there are still in-library book clubs).

Library events will get us into the library. So will picking up print books on hold. And if you are an avid reader like me, once you are in the library, it’s like a candy store. You can’t just leave with what you came there to get. How many times have you stepped into a library to pick up one book on hold and found two or three more you just have to read? Many people don’t want to have to deal with online movies, etc. and prefer to watch a DVD. Your local library to the rescue. You can also borrow old movies, documentaries and the like on DVDs.

Public libraries are also getting into the self-publishing business. The Toronto Reference Library has the Asquith Press service for patrons who want to self-publish a book. See http://www.torontopubliclibrary.ca/using-the-library/computer-services/book-printing-service/

Don’t forget those knowledgeable librarians who can help you find obscure information in books, non-circulating reference material, online. etc., etc.

And those library events – many are workshops to teach patrons everything from computer basics to finance to writing. The latter is one way I (and other writers) connect to the librarians and library branches. For the past four and a half years I have been teaching writing workshops (fiction and memoir writing) at various Toronto library branches and I love doing so. Besides the librarians, I get to meet a lot of interesting writers and help them with their writing. Some may “follow” me (for want of a better word) to my writing critique group – the East End Writers’ Group, also held in a library branch and may come to my crime readings and presentations (with or without other Crime Writers of Canada members) at …you guessed it – library branches.

And that is a good way for us writers to connect with readers. So is getting your published book into libraries.

That’s the way it should be. You know one of the rules of writing (Rule No. ? – as Gibbs would say on NCIS) – if you are going to write, read in the genre you want to write in.

That is more than an old journalistic research trick.

I would like your comments on libraries. How do you connect with your library branch?

Cheers.

Sharon A. Crawford

 

Sharon A. Crawford is the author of the Beyond book series. More info at www.samcraw.com and www.bluedenimpress.com – my publisher – you can also purchase e-books – both Kindle and Kobo from Blue Denim Press. Click on the Beyond Blood Book cover at the top of this post.

 

 

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