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Writers’ group looks at Writer’s Block

28 Jan
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?

– Kurt Vonnegut

You might not want to be arrested and charged by police but there are many options if you have a dose of writer’s block. Last evening, in a round circle discussion, members of my East End Writers’ Group came up with some novel ideas for well writer’s block when writing a novel – or writing anything.

Here are our words of wisdom, in no particular order:

Take a writing course, especially one taught by Brian Henry – you will get inspired and Brian gets you to actually write in his workshops, even during lunch.

Put the blocked novel, short story aside and write something different. Maybe your brain is bored with the same old story and needs something new, at least temporarily. But do come back to the original.

Have a roster of several writing projects on the go – to some extent; don’t over tax yourself – so you can move from one to the other when stuck.

Start reading. You would be surprised how reading another novel, short story, newspaper article written by someone else can inspire you to write. Don’t analyze the story’s style, just go with the flow of writing and let your subconscious absorb the writer’s style. You don’t want to copy it, but it will jar your inner creativity.

Freefall write – write anything that comes to mind and keep writing for at least 20 minutes. You can also use a word, a sentence from a book, a sound, something visual to get you going. Or if you are angry, worried, or fearful about something, write about that. Go where the fear takes you.

Do something completely different – preferably something physical – walk the dog or just go for a walk on your own, do some gardening (season permitting). Getting your body moving can help wake up your brain – often with a possible solution to your block.

One group member writes in different languages, so when blocked he switched languages. He also juggles several writing projects at a time.

And don’t forget to join a writing critique group. Even if you don’t always bring something to read for feedback, just listening to someone read their writing excerpt and listening to and taking part in the discussion, can be inspiring.

Let’s banish writer’s block where it belongs – buried in the snow.

Here are a couple of books to help you do just that with writer’s block.

The Artist’s Way – Julia Cameron

Unlock Writer’s Block – Paul Lima

Cheers.

Sharon

If you click on the book at the top, it will take you to my books,bio, etc on my publisher’s page. To check out the East End Writers’ Group go here.

 

 

 
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Posted by on January 28, 2016 in Author Interviews, Beyond Blood, Beyond the Tripping Point, Blue Denim Press, East End Writers' Group, Freefall Writing, Uncategorized, Writer's Block, Writing

 

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When your research and plot just don’t jibe

21 Jan
Beyond Blood_Final Ebook

Sharon A. Crawford’s latest in the Beyond series

You are writing what you think is a terrific story. You have done all your research – you think. Then, you find something crucial in your plot just would not happen in real life. You do have some leeway in fantasy and science fiction, but I’m referring to mysteries, romance, historical fiction and other commercial fiction, as well as literary. Let’s say you are writing historical fiction and a real-life character, well-known from the time you are writing in, is a part of your plot – maybe even crucial to the story.

But you goofed. Your story is set in the same time as this historical character lived, but you have just found out in re-checking your research, that no way could your famous historical character be in such and such a place when you have placed him there. At that time, he was living in France and your story takes place in England. You have set your story in the Victorian era, so you can’t just have your character take an airplane from France to England.

What can you do?

Delete this historical character from your story completely? Keep him in, but just as a reference to the times and something in your plot (music, government? Move some of your plot to take place in France? Change the historical time of your plot? Or?

Whatever you choose to do, it will require some re-writing. But you need to be accurate. True, for the purpose of your story, you have some leeway, but you can’t lie about history. If it were me, I would go for moving some of the plot to France, unless I decided this historical character didn’t need to play an active role in your plot.

I don’t write history – exactly. But my Beyond mysteries take place in the late 1990s, although the current one I’m writing just gets into the 21st century. So for police procedure and anything else – such as computers and cell phones, and medical (as there is some of that in the story) have to be what they were like back then. So I have to be careful with all that – including laws and even the names of courts. Gets tricky.

Currently I am fact-checking my research as it is incorporated into the novel. One of the characters suffers from a concussion. Fortunately there is a lot of information about concussions, both on the Internet (I’m referring to respected medical sites such as the Mayo Clinic) and books on the subject because of the current concern about sports-related injuries – many concussions.

The problem here is to make sure what the medical professionals do now was done in 1999. And also my character’s concussion is not from a sports injury.

Fortunately, the books on sports concussions go into details about past diagnoses and treatments. Studies and the like posted on the Internet often have references footnoted by number. (they all should have references), and I can cross-check the dates on those with the information in the study text.)

I also checked to see how the person’s head was “x-rayed” and found that CAT scans were around in 1999 – in fact they started being used widely in 1980. So my character had a CAT scan.

It never hurts to double-check your research. And remember, you may think you have done all your research before you write, but you probably haven’t. As you develop your story, “things” come up that you have to check on.

Now, I have to go back and research something in my novel’s climax for what one character does. What would she be charged with or would she be charged with anything? And in 1999, not 2016.

Back to my police consultant and to the Canadian Criminal Code in 1999. That might mean a copy of the CCC for a year or two before that, unless amendments were made and published in 1999.

But whatever the correct answer is, I should be able to change that part of my plot as needed.

Cheers.

Sharon A. Crawford

 
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Posted by on January 21, 2016 in Beyond Blood, Beyond the Tripping Point, Characters and plot in fiction, Plot and Characters, Research for fiction, Uncategorized, Writing

 

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Act like a journalist to do research for your novel

17 Dec
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Three and a half years ago I finally stopped being a journalist. Or so I thought.

The journalistic writing may have stopped, but something stayed, something carried over to my fiction writing. My research skills, including my interviewing skills and more important the realization that even with fiction you need to seek out the experts for some aspects of your novel besides the craft of writing fiction. Most novels contain something else – perhaps medical conditions, perhaps police procedure, perhaps court procedure, perhaps historical information, perhaps socio-economic conditions, perhaps geographic information. The list goes on and on.

So as I write my novels, this research necessity is always in the back of my mind. Coupled with readers’ intelligence and knack to find anything off in my novel, I make notes in brackets in the manuscript about getting more info. I even do separate files with lists of what I need to find and where I could get it.

Some, of course can be found on the Internet. Mr. Google is very helpful. So are books on the subject. But some more specifics may need that personal expert.  In the last few years when I did a story for a magazine – print and/or online, and I needed information, I did the list of online links for information as well as indicating where a person was necessary. Sometimes there would be someone mentioned in these links; other times not. Then I used my other writing connections – sometimes posting on a listserve I belonged to – sometimes directly to a contact who might have this info.

I have received some good sources that way including a source who decided he could play guinea pig to be interviewed because he had been involved as victim in the crime. (Yes, this was a story about crime).

Other times I’ve found sources at writing or other conferences – either others attending or a speaker. So I talked to them, let them know what I was doing, and asked if I could interview them.

Usually they could help including letting me interview them.

Sometimes just random conversations with friends lead to sources and sometimes they were the source. Other times it worked for story ideas. That can work for fiction story ideas but that’s for another post.

Another good source is your public library and sometimes it is better to go right to the library, especially if there is a reference library branch. Stacks of books that you can’t find elsewhere and you can’t borrow can be found there – for in-library checking. And don’t forget the knowledgeable librarians. University libraries can also be of great help.

Just remember that because you write fiction, you have to include some facts. You wouldn’t want to have your main character holidaying today in a country using the country’s former name? If you set your story during a war, you definitely want to get your facts right about places and dates.  Leave no (research) stone unturned.

Which reminds me – I need to talk to a medical doctor who specializes in concussions for the novel I’m currently writing. I have taken the first few steps, the Internet, books, and getting some contacts from a former medical doctor turned journalist.

Your publisher may catch some or raise questions about others, but what if you are self-publishing your novel? Either way, you the author are responsible. Get your facts right. Act like a journalist but write like a novelist.

Cheers.

Sharon A. Crawford

The book cover at the top links to Beyond Blood on Amazon.com

 
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Posted by on December 17, 2015 in Beyond Blood, Beyond the Tripping Point, Research for fiction, Sharon A. Crawford, Toronto Public Library

 

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Finding time to write in the Christmas season

10 Dec
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

No doubt you are all rushing around getting Christmas presents, wrapping them, going to Christmas parties or even holding a Christmas party, planning Christmas dinner including shopping for the Christmas bird. Then there will be all the Christmas Day family get togethers and afterwards the Boxing Day Sale. And don’t forget all those Christmas movies on TV.

Not that we all do all of these things. But Christmas can get us into quite a frenzy.

So, where and how with all of that going on, do you find time to write (or rewrite) that novel or short story (or short stories)?

It can be done, although with all that’s been happening at my end, it might be better to follow what I write here, rather  than what I do – at least until after this Friday.

Besides some of the above nonsense, I’ve had two dentist visits brought on by an emergency. Scratch two weekday afternoons to write my novel. Tomorrow afternoon I have to go the Christmas Market at Toronto’s Distillery. I used to go on weekends when that was the only time it was open. Now they are charging to get in on weekends. The $5 admission doesn’t bother me – it’s the long line-ups to get in weekends with tickets – you can buy them online.

A writer friend who lives in the area has let some of us writers know about those long lineups and the noise (well, she is living in the area – for those of us just visiting, we hopefully can tolerate the noise factor for a bit of time). Last year there were long line-ups to get in, but I snuck in another way around the corner and found it wasn’t as crowded as it seemed from outside the main entrance.

I doubt if I can do that this year – so I have to go on a weekday afternoon. Have to get my hand-crafted Christmas fudge (some of it becomes Christmas presents), and a few other things. It is also interesting to just look and absorb the old-fashioned Christmas market.

And hey, maybe it can be incorporated into a short story. Probably not the current novel I’m writing as my Beyond mystery series occur the end of the 1990s and into the millennium and the Distillery Christmas Market only started five years or so ago. But one can always fictionalize. And I do have this third Beyond book taking place in November and December.

So, besides using the incentive of your Christmas events to write, how can you make time to write?

Don’t set up times when you usually would write. Be creative. For example, I have made it a practice to take weekends off from writing (unless part of a workshop I’m attending). This Sunday afternoon I plan to write for a few hours. it’s going to rain anyway. That will take care of time taken off tomorrow afternoon for the Christmas market. Still haven’t worked in the time off for dental visits.

Also, you can just look at the time you actually have to spend with Christmas and Christmas-related stuff. Can you shorten, combine or delete some? And I don’t mean deleting the family Christmas dinner. But how many trips do you have to make to Christmas shop? Consider combining places to shop that are close together – if you just have to go in person. Or shop online. Or combine. Many places you can view the item online and pre-order it to have it ready for pick-up when you arrive at the store. I don’t recommend this latter one as it means you have to use a credit card and that means paying the piper in January or February depending on your credit card statement date.

There is another way – some stores (Canadian Tire is one) where you can search at their site for particular items. check them out and then go to the store’s branch online and see if the item is there (and how many) as well as what aisle they are in. Note: make sure you do this just before you leave or the item might be gone.

There are other shopping alternatives such as getting a lot of gift cards from one or two stores, using the old-fashioned catalogue shopping by phoning in your order from the print catalogue.

And record those Christmas movies on TV.

Just some suggestions for making time to write. Again, remember you don’t have to write in your usual time or day. We are creative writers and shouldn’t have problems creating time to write.

Just keep toes crossed there are no family and/or health emergencies. For the latter I have a writer friend, who was slightly injured in a car accident. Fortunately his laptop was not damaged, so he sat up in the gurney (even at the hospital) and wrote more of his latest short story.

That’s being creative.

What are your ideas for saving time at Christmas so you can write?

Cheers.

Sharon

The book cover at the top links to Beyond Blood on Amazon.com

 

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Posted by on December 10, 2015 in Blue Denim Press, Characters and plot in fiction, Plot and Characters, Sharon A. Crawford, Time Management for Writers, Writing Time

 

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Sharon A. Crawford reviews Christopher Canniff’s Poor Man’s Galapagos

19 Nov

Canniff-back-cover-pic-e1442498323960-225x300Here is my review of novelist Christopher Canniff’s book Poor Man’s Galapagos, also being launched by Blue Denim Press November 21, 2015. But first a bit about Chris.

Christopher Canniff is the author of Abundance of the Infinite (Quattro Books, 2012) and the forthcoming Poor Man’s Galapagos
(Blue Denim Press, 2015).
Christopher has been mentored by two of Canada’s top writers, MG Vassanji and David Adams Richards, at the Humber School for Writers.  He is the current President of the Canadian Authors Association Toronto Branch (www.canauthorstoronto.org).
He shortlisted for the 2010 Matrix Litpop Awards for fiction, and he won a short novel contest with LWOT Magazine in Montreal. He has published in Descant Magazine Issue 152 (Spring 2011), and he also shortlisted in the 2012 Ken Klonsky Novella Contest with Quattro Books. He has sold two radio scripts to Falcon Picture Group in Chicago, Illinois, USA for a nationally-syndicated radio program, and he has published with Tightrope Books in Toronto.
Christopher moved to Ecuador to begin writing.  There, he read over fifty books of world literature, learned a new language and culture, and taught English at an Ecuadorian university for WorldTeach, a non-profit and non-governmental organization based at the Harvard Institute for International Development. While in Ecuador, Christopher began work on two novels, one of which became Poor Man’s Galapagos.  He lived briefly in Quito (the country’s capital) and, for six months, lived with an Ecuadorian family in Portoviejo (literally translated, “old port,” a dusty town 30 kilometres from the coast, said to have been relocated from beach dwellings as pirates chased the residents further inland.) Christopher took culture, language and history classes about Ecuador, and worked with Plan International, an organization with the aim of improving Ecuador’s faltering rural education system.  Christopher obtained a Mechanical Engineering degree in 1995 from the University of Toronto, and he is a registered Professional Engineer in the province of Ontario.
He is married to Roxanne, and lives with his son Colin and daughter Abigail in Windsor, Ontario.

Book Review

Christopher Canniff’s latest novel Poor Man’s Galapagos is the coming-of-age story of an 18-year old university student, Tómas Montgomery Harvey. But that’s where similarity to the usual coming-of age novel ends because of the complicated plot Canniff has woven. First there is the setting – a small Ecuador island, Isla de la Plata. The novel is set from August 1987 into 1988. A war between Ecuador and Peru has been ongoing for many decades. Military conscription is mandatory and the bottom line for Tómas is he is afraid to go to war, afraid of being killed. This is first hinted at in the novel’s beginning when Tómas, working with student revolutionaries, does not have the nerve to light and throw a Molotov cocktail at a passing government vehicle.

Friends and so-called friends of Tómas and his father have differing approaches to keep Tómas out of the military. His friend, Juan Carlos, the newspaper editor of the island newspaper and a former lawyer, tries to go the court route with conscientious objection. Edwardo Delgado, a long-time friend of his father, at his father’s wishes, hires Tómas to work as the engineer in charge of the large hotel resort Edwardo is building, which provides a means for Tomas to get a military card and an exemption from military service.

Tómas goes along with both, with disastrous results. As Juan Carlos tells Tómas “What people perhaps should do, and what they actually do, is often very different.” That includes Tómas’ father, the legendary freelance photojournalist, Montgomery Harvey. All his life Tómas has lived in the shadow of his father, always feeling no love from his father, who spent more time travelling for his stories, than with his son and wife, Veronica. As the novel opens, Montgomery has been linked in the press with embezzling funds and after a meeting with Tómas on the beach, he says he is leaving for good. After his father departs, Tómas decides he has to reconnect with him and find his birth mother. Only by choosing his own options, and following through, despite many hurdles, is Tómas able to transition through the murky road of becoming an adult.

The novel is told with the alternating viewpoints of Tómas and Montgomery Harvey, which works well to provide details to the reader, but never revealing too much at a time. To avoid any spoilers, let’s just say that Canniff builds up the plot, piece by piece, keeping the reader’s interest. Although the novel, starts a bit slow (despite that Molotov cocktail), hang in there, it picks up very soon. Your best bet is to keep on reading to the end in one sitting, if possible, like I did while a wind storm occurred outside.

Reviewed by Sharon A. Crawford, author of Beyond Blood and Beyond the Tripping Point

Christopher’s books are available at the usual places such as Amazon and Indigo. He is also on Goodreads.

Christopher’s Website

Christopher’s Blog

For more information about Shane’s books and where they are available go to his publisher’s website.

Christopher Canniff’s book is one of two being launched by Blue Denim Press Saturday, November 21, 2015. For more details, check the flyer below

See you there on Saturday. I’m the guest author.

Cheers.

Sharon A. Crawford

 
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Posted by on November 19, 2015 in Author Reading, Beyond Blood, Blue Denim Press, Book Reviews, Other authors, Sharon A. Crawford, Writing

 

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Sharon A Crawford reviews Shane Joseph’s In the Shadow of the Conquistador

12 Nov

Shane Joseph head shot for book review posting 243887As promised, here is my review of novelist Shane Joseph’s latest book In the Shadow of the Conquistador. But first a little bit about Shane Joseph in his own words.

Shane Joseph is a graduate of the Humber School for Writers in Toronto, Canada. He began writing as a teenager living in Sri Lanka and has never stopped. Redemption in Paradise, his first novel, was published in 2004 and his first short story collection, Fringe Dwellers, in 2008. His novel, After the Flood, a dystopian epic set in the aftermath of global warming, was released in November 2009, and won the Canadian Christian Writers award for best Futuristic/Fantasy novel in 2010.His latest release is In the Shadow of the Conquistador, a novel set in Peru and Canada. His short stories and articles have appeared in several Canadian anthologies and in literary journals around the world. His blog at www.shanejoseph.com is widely syndicated.

His career stints include: stage and radio actor, pop musician, encyclopaedia salesman, lathe machine operator, airline executive, travel agency manager, vice president of a global financial services company, software services salesperson, publishing editor, project manager and management consultant.

Self-taught, with four degrees under his belt obtained through distance education, Shane is an avid traveller and has visited one country for every year of his life and lived in four of them. He fondly recalls incidents during his travels as real lessons he could never have learned in school: husky riding in Finland with no training, trekking the Inca Trail in Peru through an unending rainstorm, hitch-hiking in Australia without a map, escaping a wild elephant in Zambia, and being stranded without money in Denmark, are some of his memories.

After immigrating (twice), raising a family, building a career, and experiencing life’s many highs and lows, Shane has carved out a niche in Cobourg, Ontario with his wife Sarah, where he continues to work, write, and play in a rock band.

Shane Joseph, believes in the gift of second chances. He feels that he has lived many lives in just a single lifetime, always starting from scratch with only the lessons from the past to draw upon. His novels and stories reflect the redemptive power of acceptance and forgiveness.

Book Review

Shane Joseph’s latest novel, In the Shadow of the Conquistador. deals with people’s expectations when they are young, what they do to attain them, and coming to grips in middle age with the results. Joseph’s two main characters, long-time friends George Walton and Jeremy “Jimmy” Spence meet as school children living in Toronto’s east end. George is aggressive and Jimmy is withdrawn. However, the two become close friends, with Jimmy, like the novel’s title, living in George’s shadow. A third character, Denise Langevin, whom both men love but only one marries, keep the two men connected, sometimes in mind only, with several separations, sometimes due to job locations, sometimes due to their personal conflict. There is also a fourth “character” – the novel Conquistador, written over the years by George, which is inserted as a parallel to the main story. Conquistador is Spanish for conqueror and lady-killer, both of which apply to George’s modus operandi going through life. George’s novel tells the story of the Spanish conquering the Incas in Peru in the 1500s, particularly the Spanish leader, Francisco, who like George, is compelled to conquer – in his case – the Incas.

The novel begins with the two men, now middle-aged, meeting in Lima. Peru, at George’s request, after a 20-year separation. Ostensibly they are there to climb the Andes Mountain to the Machu Picchu, an historic site from the Incan reign before the Spanish conquest. As they hike the treacherous route with their guide Valdez, Jimmy’s and George’s past parades before them, taunting and terrorizing them. In Lima they meet two women, Ali and Bea, 15 years their junior. Ali is a spitting image of Denise and shy Bea has a large facial scar. The inevitable seems to be building up, but just when you are expecting it, Joseph adds a few twists.

Joseph intertwines this past with the present, each driving the novel forward. The reader learns that George is a womanizer, to extremes, and that trait cost him a possible political career, his career in academia and his wife, Denise. Denise turns to Jimmy, but he is a control freak and as neither man let her “do her own thing” she leaves them both and returns to her native Montreal where her mother is dying.

The difficult climb up the mountain, done in spurts over several days acts as a catalyst for George and Jimmy to sort out the consequences of their lives. As they interact with each other and the two women, both learn that you can’t always get what you want in life, but the alternative can be a better road to take, or if you live too hard and selfish, sometimes it is too late to do anything but accept the consequences.

Joseph continues to write a compelling story with real-life characters that readers can relate to. Only one negative – I wish the actual years for the past would have been headlined at the beginning of each pertinent section as I got confused a few times, especially when Denise and Jimmy meet after seven years of not seeing each other and Denise has aged, but the timeline is not as far along as I thought. The only dates are the ones at the top of Denise’s letters to her mother and the odd reference by Jimmy to starting university in 1968. And I never did figure out exactly where in middle age George and Jimmy are when they meet in Peru.

But dates aside, I suggest reading In the Shadow of the Conquistador in one or two sittings to get the most out of it.

Sharon A. Crawford

Author of Beyond Blood and Beyond the Tripping Point

Shane’s books are available in the usual online places like amazon.com. He is also on Goodreads .

Read Shane’s blog posts  Also included here is a list of Shane’s published books.

Shane’s recent guest blog post on Shannon J. Thompson’s blog

Book Review by Sharon A. Crawford at Indigo Chapters

For more information about Shane’s books and where they are available go to his publisher’s website.

Shane Joseph’s book is one of two being launched by Blue Denim Press Saturday, November 21, 2015. For more details, check the flyer below:

 

 
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Posted by on November 12, 2015 in Author Reading, Beyond Blood, Blue Denim Press, Book Reviews, Other authors, Sharon A. Crawford, Uncategorized, Writing

 

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Transitioning the real into the reel (fiction)

29 Oct

 

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Sometimes we go through tremendous ordeals in our lives. Often it is because of a big change – a death in the family, relationship breakup, personal illness, or being the victim of a crime.

Writing about it is often a way to heal and tell our story to others. A journal, personal essay or even a non-fiction article encompassing the ordeal is more fact, more actual with a story (and viewpoint included).

But what if you want to fictionalize it? Do you present details and people as they happened? Do you change people’s names and some details? How can you go about it?

Authors do it several ways. You do have to be concerned with libel – especially if the fiction is more fact than fiction. An author colleague is very particular here because she ran into libel issues a couple of times in the past – no libel involved, but it can scare you and serve as a warning.

Other authors use the “based on…” line.

Some write what they want and use the “Any resemblance to living persons, etc.” disclaimer.

I am a bit liberal about my approach. For the most part I sometimes take something from my life as a basis for a story – but the characters aren’t me or whomever else appeared and the story definitely is different. For example, in my short story collection Beyond the Tripping Point, one story deals with two female friends who have problems with a car brake that won’t work as they drive up to the cottage. This happened to a friend and I about 30 years ago. All my friend had to contend with was the brakes failing. She used the parking brake and we were in and out of gas stations looking for a bay to get the problem fixed. That’s where truth ends. What happens in “No Breaks” is well, crime fiction.

But I do up the ante sometimes if someone has really messed up with my life. When I told this story at a recent Crime Writers of Canada reading, I could just feel the other author mentioned above cringe. (I was looking at the audience, not her, so didn’t actually see her face).

There is a way to do this. One of the characters in one of my short stories in Beyond the Tripping Point is loosely based on this real-life person – only the age is in the same decade and I saw her features, her way of dressing in my mind. But from the minimal description I gave of her, she could be any person in that age bracket fitting that description. I kept her in the same work industry but a different job. Yes, she was one of the suspects, but I won’t tell you if she was the guilty one.

A bit of background here – the person (yes a family member) objected to me writing and getting published family stories as memoir but she said I could fictionalize any of it. So, I did a variation of that.

In Beyond Blood, a couple of characters, Detective Sergean tDonald  Fielding and Great Aunt Doris Bowman are loosely on people I have known – but none of them messed up my life. The first one I liked and the second one was an interesting person. Dana Bowman, my main character, is she based on me? Not exactly. For one thing she is 25 years younger than me. True, we are both short in stature, but I made her shorter, something she is a bit peeved about. Let’s just say Dana tends to boldly go where I just might not do so.

So, it is not all cut and dry about going from real to reel. Just consider that even when your fiction has nothing to do with real life, at least any you have experienced, read about or seen, there is always somebody who will insist that a character in your story is based on them.

Usually they are wrong. Perhaps they have a latent wish to be immortalized in some way.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 
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Posted by on October 29, 2015 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Uncategorized

 

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When readers relate to authors’ characters

15 Oct
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Dana Bowman, the main character in my Beyond mystery series is making herself known.

Another author who read Beyond Blood compared Dana’s situation as the mother of a lost son to a non-fiction book dealing with a mother losing her son. Mind you, David, Dana’s son is lost in the sense that he is kidnapped. But both mothers suffer anguish and go through much emotional turmoil.

Others have picked out Dana’s offbeat sense of humour and being a likeable character.

All indications that readers are identifying with Dana.

Getting readers to identify with your novel’s characters – main character in particular, but also the other characters is one of the challenges for writers. But no matter what the fiction genre readers want more than just a good plot – they want to connect with your characters. Perhaps the daytime soap operas or the old night time TV soaps started this. However, even other TV series, police, etc. have a running thread for each character.

If readers can’t identify with your characters, you will lose them. They won’t enjoy your book as much or at all and may give up on it.

So what makes fiction characters compelling?

Liking the character isn’t absolutely necessary, but remember that most people are not all good or all bad. And even so-called good characters can come across as somewhat off. Maybe they are too good-two shoes. Maybe they are too superficial. The dreaded wooden characters.

So, in a nutshell, you have to make your characters compelling – by making them three dimensional – with dialogue, their inner thoughts, and their actions. You need to compel the reader to get under the character’s skin and if not emphasize with them, at least be with them.

Besides your novel’s characters getting a mention from readers, another good sign of compelling characters ix when readers read they want to find out what happens to the main character because they care. When they sense something terrible is going to happen to a character they keep reading, hoping both that it won’t happen and that it will. And when it does, they feel right with the character and read on to see if the character can come through the situation.

Of course, some of this is plot. But these days you really can’t have one without the other.

Besides my Beyond books, read fiction by Peter Robinson, Rosemary McCracken, Rosemary Aubert and Maureen Jennings to name a few.

And happy reading.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available;

And check my updated Gigs and Blog Tours for a presentation with other Crime Writers of Canada authors on October 22, 2015

 

 
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Posted by on October 15, 2015 in Beyond Blood, Blue Denim Press, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Sharon A. Crawford, Uncategorized, Writing

 

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Don’t rush your writing

08 Oct
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

We writers all seem to have deadlines with writing our novels or short stories. Sometimes it is the publisher’s deadline, sometimes our own. So we fret and hurry through writes and rewrites and maybe don’t write our best.

Last Saturday I had a heart-to-heart talk with the acquisitions editor at Blue Denim Press (publisher of my Beyond mystery books). Shane had a big piece of advice – Don’t rush the writing.

If you rush it, you’ll miss things, make errors and your writing will come across as hurried. This is mostly me speaking, but including some of what Shane and I discussed. Note: Shane is also a published fiction author. Both of us have missed things because of writing in too much of a hurry. His error is his business, but it was caught in time before all print copies of his new novel In the Shadow of the Conquistador were done for the book launch, etc.

I’ll tell you my stupid error – it is in the current Beyond book (third in the series), I am writing – apparently too fast because of time constraints (too much else going on in my life – the writing, editing and instructing business, health, house, social, etc.) Anyway for  those familiar with my Beyond books, they are set in the late 1990s, although this third one gets my fraternal twin PIs, Dana Bowman and Bast Overture into the beginning or 2000.

Which is neither here nor there with my writing error. In one scene Bast goes to the Toronto Reference Library to look up old addresses in the Toronto Might Street Directory. So, I had him go to the library’s former address – now the University of Toronto Bookstore. Why? I had done research there and for some reason the decade  that I did so got lost in my brain, so hence my date mixup.

I had gone there in the early 1970s. Bast went to the Toronto Reference Library in late 1999. This newer (and current) TRL location opened in 1977. My error arrived in my brain weeks after writing it, as often happens when not actually writing. You can bet I made the change next time I turned on the computer.

That is only one of the many things that can suffer if you write too fast. Try to pace yourself and make more time for your writing – either in the time spent each day/week or the whole time (months/years) spent.

If you do that, when your publisher accepts your manuscript and you sign that contract, you won’t have to worry so much when the publisher suggests some changes.

And often publishers have tight deadlines.

I am constantly trying to prioritize my life – including dumping things, saying “no” more often and putting some people and things on hold.  Still an uphill battle, but I try. And I need to try to relax more.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 
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Posted by on October 8, 2015 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Rewriting Fiction, Sharon A. Crawford, Time Management for Writers, Toronto Public Library, Writing, Writing Time

 

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When to rewrite your novel

03 Sep
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

When do you rewrite your novel? As you go along? After each chapter? After a few chapters? Or when you complete the first draft?

If you rewrite after you go along, it can slow down finishing the novel’s first draft. You are constantly changing words, thinking of better words or phrases, deleting scenes, and on and on. You may easily lose your train of thought. The best way here is to keep on writing and if you just can’t come up with a better word or phrase, do as I do put “word” in brackets. Bold or red it if you like.

After each chapter or a few chapters? Yes, and no to rewriting. Most, if not all of us will not finish a novel in one sitting, so you are going to have to go back to it constantly. This will involve reading at least the previous chapter. or at most, the chapters written in your last writing session. During this time, I do make a few word changes or even scene changes. The latter often comes from getting a better idea – either between the last writing session and this one or as I read. Or sometimes the main characters from the Beyond series take over with what they think is best. Dana Bowman,one of the fraternal twin PIs is definitely good at this. But other characters, such as her brother Bast Overture, also speak to me. This can be a good thing because maybe you stopped writing when you reached an impasse or you knew something you had just written didn’t make sense to your plot and/or what your characters would do.

To continue last week’s post on outlining or not. I mentioned that I constantly go up and down the screen to fix inconsistencies. So that means I do some rewriting as I go along there. I find if I don’t fix the inconsistency when I and/or my characters figure out how to do so,  it will affect the rest of the plot. SometimesI have to add something – such as bringing in some of the characters’ suspicious’ actions so when I out them as guilty of something later on it doesn’t hit the reader in the face, leaving them wondering “Where did that come from?” “Or “there was no indication of this earlier on.”

So to answer the question, yes, I do some rewriting as I go along – but after I’ve written a few chapters – but I will also do several rewrites after I finish the first draft.

The process is all subjective – whatever works for the individual writer.

How and when do you rewrite your novel?

Comments?

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 
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Posted by on September 3, 2015 in Beyond Blood, Blue Denim Press, Characters and plot in fiction, Plot and Characters, Rewriting Fiction, Sharon A. Crawford, Writing

 

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