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Toronto Urban Folk Art Salon July 28 features many creative people

21 Jul
Sharon A. Crawford reads from her Beyond series

Sharon A. Crawford reads from her Beyond series

The phone call with the same number came in three times. I didn’t recognize the phone number and the caller’s name didn’t show. Being the recipient of too many telephone scam calls the past month, if I don’t recognize the name or number, I’m reluctant to answer the phone. I figure if it’s important they can leave a message. Of course, the scammers also leave messages, often recorded message. No message was left so on impulse on the third try to reach me, I picked up.

Not a scammer but Gannon Hamilton who organizes and hosts the monthly Urban Folk Art Salon at Toronto’s Mount Pleasant Library branch. He’s a poet and violinist and I met him at the first salon in February. I went because a poet/memoir writer/sculptor I know was one of the six performers. While there I talked to Gannon about participating – but in my acting capacity with another author. He was interested and took my business card.

But he wasn’t calling about my acting. He was calling because he wanted me to be an author reading from my published works (the Beyond mystery books) for July 28. That was a surprise. Usually I have to do a lot of PR and the like to get reading gigs. I said “yes” and we talked a bit more about the Salon. He gave me the name and email of the librarian he works with to schedule these salons and told me to email her with a head shot of me and my name for the flyer she was putting together. I thanked him and contacted the librarian.

The flyer attachment arrived in my Inbox on Tuesday. When I saw the names and photos of the other five, I was honoured to be in such creative company. There are musicians, poets, and one fellow is a poet, actor and artist. It will be interesting to see which of his creative talents he will use next Thursday.

Here is the list of we six, starting with Philip Cairns, the poet,actor and painter just mentioned. Where possible I am putting a link to their websites.

Philip Cairns

Bridget Melody  visual artist, former ballet dancer, and as her name suggests, now a singer/songwriter

Lucky Mike (Cavanaugh) singer, songwriter, roots music, alt.country

Pete Janes

Gannon Hamilton

Sharon A. Crawford – author, editor, writing instructor and sometime actor

All this talent I will be mixing with. And I will try not to disappoint with my reading. Although my character Dana Bowman is staying between the book covers, this time, I have a few “something differents” to use in my readings.

Here are the details about this upcoming Urban Folk Art Salon

An evening of music, poetry. prose, and art.Hosted by Gannon Hamilton, featuring: Bridget Melody, Philip Cairns, Sharon A Crawford, Pete Janes, Lucky Mike and Gannon Hamilton.

Time and Date: 6 p.m. to 8 p.m., Thursday, July 28, 2016

Location: Mount Pleasant Toronto Public Library Branch, 599 Mount Pleasant Rd., Toronto, Ontario, Canada

If you are in the GTA (Greater Toronto Area), please come to this unique salon.

Cheers.

Sharon A. Crawford

 
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Posted by on July 21, 2016 in Author Reading, Beyond the Tripping Point, Book Promotion, Public Libraries, Writing Critique

 

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Recharging you novel’s rewrite

14 Jul
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

This week I finally got back to rewriting the next novel in my Beyond mystery series. The plan had been to spend a good part of June, July and August doing this. But for a change I had a lot of client work. That I’m not complaining about. Neither am I complaining about spending time gardening. As well as writing, gardening is a passion of mine.

However, I am complaining about all the health issues I’ve had to deal with lately, some caused by others’ negligence. (See my post this week on my personal blog Only Child Writes.).

Still doing one client’s work – but no complaints. Client confidentially doesn’t allow me to discuss the client’s work, but sufficient to say it is interesting and challenging and when it arrives I switch over from the novel rewrite to the client work.

Getting back to the big novel rewrite is also a challenge. Having ideas percolating inside my head while I was doing other things and also some suggestions from the editor at Blue Denim Press (my publisher) have been big helps. So has one of my writer friends and colleagues – Rosemary McCracken – just publishing the third in her Pat Tierney mystery series.And having a wacky main character like PI Dana Bowman is good. At least I think so, although she does get inside my head a lot and likes to have her way in her stories. All inspiration to do more than put the seat of my pants to the chair.

How did I actually get back into the rewriting?

First, I reread the novel and comments I had made for changes and also noted what I had changed. Then I got in and made some changes in the beginning and continued on until I got stuck. But I had ideas for other parts, including the ending which needed a big change, so those are the places I focused on next. I feel better that I made changes in the ending even though I know that some of it will be changed as more changes in parts coming before will be made. That’s okay. Often just doing something that is a change is a good start.

Writing the ending before some of the rest, you may ask? I am following the advice given by another author Ken McGoogan who said when he gets tired of writing in chapter order, he will go the end. Mind you he writes narrative non-fiction. But I think it can be done with fiction as long as you realize it is not written in granite. Well, some writers think their prose, and even their punctuation, should be left exactly as they write it.

That is arrogance and maybe a little worry that the editor will mess up your prose so it isn’t really yours when it’s done. And yes, being an editor myself, and a former journalist who worked with several editors, it does happen. However, there is one thing we writers need to remember.

Writers work in isolation. Writers see their creations with tunnel vision. Another pair of eyes will find flaws and better ways to express something than the author.

So keep up the rewriting. Although you can get carried away with that. Another author colleague is still making changes in his novels after they are published. And yes he does have a trade publisher, so not being self-published he can’t exactly make changes in the print book for sale. But he can do so for his author readings.

Cheers.

Sharon A. Crawford

If you click on the Beyond Blood book icon a the top it will take you to my amazon author profile and books.

 

 
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Posted by on July 14, 2016 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Characters and plot in fiction, Editing, Rewriting Fiction, Rosemary McCracken and Pat Tierney mystery series, Writing Time

 

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Insights on Author presentations and readings

30 Jun
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Last evening’s East End Writers’ Group presentation on Making Your Short Stories Sparkle and Sell drew a full house of authors and readers (some are both) at the S.Walter Stewart Library Branch in Toronto, Canada. Rosemary McCracken, Madeline Harris-Callway and I got everyone involved in why and how we write and that included lots of questions from the audience. We had a real dialogue of sharing information and stories on writing fiction and getting it published.

And then Rosemary reminded us all that we should each read from one of our books. I had forgotten all about reading as I was so engrossed in the conversations we were all having.

Just as well Rosemary got the reading ball rolling. Because afterwards, a fellow in the audience who is also a writer came up to me and said that he likes to hear authors read. He compared it to musicians performing and said that what else can authors do to preform except read.

I was surprised. Because it has been my experience that too much author reading can make the audience yawn with boredom.

His words made me rethink the whole presentation situation. Perhaps we should have more reading time. Perhaps we should do more author readings. There are a lot of those in pubs, cafes, and yes library branches in Toronto. I’ve done some of those readings myself and also with other authors.

I think the boredom factor might have something to do with how the author reads. If they read in a quiet inside voice, if they read with no expression, if they are not animated as they read, if they don’t have inserts about their stories and writing them between reading excerpts, maybe they lose some connection with the audience.

The purpose of authors reading (besides hopefully selling some book copies) is to engage the audience, to bring the audience into their stories, to live with their characters for a time, to take the audience out of their own lives and into someone else’s, and to just listen and love the words, their flow, and the story being told.

Wise words from someone in the audience.

Cheers.

Sharon A. Crawford

And as usual, if you click on the book cover at the top it takes you to my amazon profile and my two Beyond books.

Sharon A. Crawford reads from her Beyond series

Sharon A. Crawford reads from her Beyond series

 

 

 

 

 

 

 

 

 

 

 

 
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Posted by on June 30, 2016 in Author Reading, Beyond Blood, Beyond the Tripping Point, Book Promotion, East End Writers' Group, Short Story Collection, Social Media Book Promo, Writing

 

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Making Your Short Stories Sparkle and Sell

23 Jun

Cover of Sharon A. Crawford's mystery short story collection. Click on it for publisher's website

If you want to lift your short stories above the mediocre there are many things you can do. One of these is to be original in your story and in your characters. Readers like something different in their plot and eccentric characters can be a big draw whether you are writing commercial or literary fiction.

Three of us commercial fiction authors – Rosemary McCracken, Madeleine Harris-Callway and Sharon A. Crawford – who write both crime novels and short stories will be discussing why and how we do it. We will cover how we get story ideas and how much is from real life and how much from imagination. A couple of us have series characters in some of our short stories and in our novels, so we will discuss how we deal with time lines. Is it difficult going back and forth from writing novels and short stories and what the heck is the difference in how you write each?

Then there is marketing your short stories. Each of us has unusual ways we market our books (both the short stories and the novels).

And this panel will not be just the three of us talking. We are open to lots of  q and a.We want to get a real conversation going on short story writing. Here are the details about this upcoming panel being held by the East End Writers’ Group Wednesday, June 29, 2016.

Making Your Short Stories Sparkle and Sell

Do short stories come from real life, imagination, or both? How do you market short stories? For June’s East End Writers’ Group meeting join fiction authors Rosemary McCracken (shortlisted for the 2014 Derringer Award), Madeleine Harris-Callway (finalist for 2015 Arthur Ellis Award for Best First Novel), and Sharon A. Crawford (author of the “Beyond” mystery series) for a discussion on writing and marketing short stories.  Copies of authors’ books available and there will be  networking and food at 9 p.m.

Time and Date: 7 p.m. to 9.30 p.m., Wednesday, June 29, 2016

Location: S. Walter Stewart library branch, 170 Memorial Park Avenue, Toronto, Ontario, Canada

I am doing a guest blog post on Rosemary McCracken’s blog Moving Target about libraries and how they were and are important to me in my writing career, then seguing into this upcoming panel which is held at a library. There is a serendipity for me about this library branch. You’ll find this and more when my post is up on Monday, June 27 at Moving Target.

Meantime you can check out the panelists:

Rosemary McCracken http://www.rosemarymccracken.com/

Madeleine Harris-Callway http://mhcallway.com/

Sharon A. Crawford http://www.samcraw.com

Cheers.

Sharon A. Crawford

That’s my short story collection – Beyond the Tripping Point – book cover at the top of this post. If you click on the book cover, it will take you to my author profile on amazon.com

 
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Posted by on June 23, 2016 in Author Reading, Beyond the Tripping Point, Book Promotion, Characters and plot in fiction, East End Writers' Group, Fiction Characters, Moving Target, Public Libraries, Series Characters novels and short stories, Short Story Collection

 

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Writing through complicated novel plots

16 Jun
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Sometimes novel plots can get away from you, especially if like me, you write mysteries or thrillers. Even doing an outline before starting to write won’t stop potential confusion for several reasons.

Characters, especially the main ones, have a habit of taking over the novel and that means directing the plot. Which can be a good thing, because it shows that your novel has life. But when, like me in my Beyond mystery series, you have more than one point of view  character, you not only have to deal with one rogue character, but sometimes two. Dana Bowman the main character in Beyond Blood is an outspoken willful PI with a mind of her own. Her fraternal twin brother, Bast Overture her partner in solving crime is a bit tamer. But he is a former crime reporter and the words “reporter” and “journalist’ send out flares of “digging up the dirt.”

So with two nosy-parkers on the loose (often working somewhat separately) and adding in some other characters such as police Detective-Sergeant Donald Fielding and Dana’s six or seven-year old son (age depending on which book), this author is often juggling a lot of plot development.

A disclaimer: I don’t do much of an outline beforehand. Sure, I have some idea of where I want the story to go, but I find if I do too much outline or summary I seem to automatically switch to write-the-novel mode and I’m off in that direction for then.

So, what do I do to try to keep the plot consistent and making some sense?

I do some flipping back and forth to check – maybe after the day’s writing session or perhaps just before I start writing the next time. Or as often happens a couple of niggling plot developments are in my mind and I need to sort them out. So I use the Word “Find” tool to go to these plot developments and from there do one or two things:

Make a note either in brackets in red in the paragraph or whole scene or with the Comment tool about what needs to be changed. I also keep separate files on some areas of plot development that come up and/or I want to put in. Not exactly an outline, but more of a description of what I’m trying to do…at that point. Until Dana and/or Bast step in.

When all else fails I just go in there and make the changes/corrections.

With two PIs I have to make sure they don’t overlap in what they do – unless they are actually doing some of their investigation together. When working alone, they have to keep each other informed of what they find or the reader could wonder “How did he know that?” And do it without long conversations between the two. Sometimes they leave each other phone messages or sometimes I use a couple of short narrative sentences, such as “Bast brought Dana up to speed.”

It gets even trickier in the current Beyond novel I’m rewriting when one of the twins suffers a concussion.

But, hey I like a challenge. It is one of the things that makes writing fiction interesting.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood book at the top to go to my amazon author profile and books.

To see what I’m up to with the Beyond books and characters check out the Gigs and Blog Tours page of this blog here

 
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Posted by on June 16, 2016 in Beyond Blood, Characters and plot in fiction, Credible Fiction Characters, Crime Writing, Fiction Characters, Plot and Characters

 

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Social Media book promo snafus

09 Jun
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

In the past few days promoting my Beyond Books and even connecting with other authors via social media has been (to put it politely) a challenge. Not all of it is my aptitude (or lack of) for maneuvering around and through computer technology.

A lot of it is some of these social media sites are constantly updating how they work. You can sign in one day and all is fine and the usual. Next day – oops.

So far (and I hope this is it), I’ve tried to visit an author friend’s Facebook launch. Well, I signed in on Facebook, went from my author page to her author page (I had previously “liked” her author page just after it went up). I arrived there but my photo at the top of my Facebook page, didn’t. So I had to introduce myself (that was what the author asked us all to do) by including my name with this blank box up in the left-hand corner. So, I decided instead of sticking my name in all posts and explaining the no picture problem continually I chose to just follow everyone else’s conversation at the book launch. I had congratulated the author on her new book in the first post. Later she emailed me that she did see I had attended.

Weird part is when I went to her regular Facebook account page, my picture came with me. Go figure.

Then, by accident while using a library branch’s computer I discovered that something was wrong with one part of connecting to my new  website. If I typed in the actual URL I got there but only the page links side was “on” The content for Home had an “oops  this site doesn’t seem to be here” sign. Being an avid clicker, I clicked on the links list section and voila – my Home page (and the other pages when I checked) appeared. But links to all the other social media and other Internet connections with my name in it showed up in my Google search – as did some of my photos on Google’s images.

I emailed my son the computer tech. He checked and the Search Engine connection was turned off. He not only turned it on, but after I gave him a list (at his request) of all the wrong links on Google, Bing and Yahoo, he managed to delete them or whatever he had to do. Next day when I typed in my name, my new website linked appeared at the top of the Google list.

There are more, but I think you get the picture. No wonder some authors complain about the time social media takes. It’s all the time wasted mucking around with the computer technology.

Also I have updated my gigs in some places. In the next one Dana Bowman my main Beyond Blood character  will be staying between the book covers as it is a panel of mystery fiction authors – Rosemary McCracken, Madeleine Harris-Callway and me (I’m also moderating) being held by my East End Writers’ Group June 29 at S. Walter Stewart library branch in Toronto, Canada. More details in the Gigs and blog tours page here and on my regular website here.

To link to my amazon author page click on the book at the top of this post.

Cheers.

Sharon

 

 

 
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Posted by on June 9, 2016 in Beyond Blood, Book Promotion, Sharon A. Crawford, Social Media snafus

 

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Writing from Real Life

02 Jun
Rosemary McCracken author of the Pat Tierney mystery novels

Rosemary McCracken author of the Pat Tierney mystery novels

Today, I have a guest blogger – Rosemary McCracken, a friend and writing colleague who has often been part of the same panel on crime writing as me. Rosemary’s third novel, Raven Lake, in her Pat Tierney mystery series is out now in June and… well I’ll let Rosemary tell you all about it and her writing. The e-book launch is on Facebook this Sunday from 4 p.m. to 7 p.m. Click here to reach the party site.and the in-person book launch is June 25, 2 p.m. to 4 p.m. at Sleuth of Baker Street bookstore in Toronto. Over to you,  now Rosemary…

Thank you, Sharon, for inviting me here today!

I thought I’d talk about a subject that’s dear to my heart—writing from real life. All writers “borrow” from the people they know and situations they’ve been in when they create their fiction. Some to a greater extent than others. Two students in my How to Develop Your Novel course at Toronto’s George Brown College are working on novels based on their own lives. It’s not as easy a job as it might seem.

Writers who turn real-life events into fiction face the same challenges that writers have with any novel. They need to create believable characters and riveting plots. But knowing the real-life counterparts and the outcome of their adventures can often curb a writer’s ability to let the characters get on with their fictional lives.

My advice to writers who base their stories on real people and events is not to incorporate every detail of the real story into the work of fiction. “Use your imagination,” I tell them, “and don’t feel you have to stick to the facts. You’re writing fiction.”

They will need to expand the scope of the real-life story. In fiction, plot is the order of events in a story that gradually builds tension. The plot needs to develop with all its requisite plot points—which may take characters far afield from the people they are based on. Writers shouldn’t be afraid to impose the cause-and-effect order of plot on the story they are telling. It will build conflict and tension, and make the story more unified and enjoyable for readers.

Of course, names will have to be changed to protect the privacy of people the writer knows. The writer should go a step further and change characters’ initials as well, so that Mark Manners doesn’t become Mike Madison. The character’s physical appearance, the details of his childhood and his job will also need to be altered.

With my background as a newspaper journalist, I enjoy developing fiction from real-life stories that have been in the news—situations or events that happened to other people. And, yes, a story that was in the news a few summers ago is part of my new Pat Tierney mystery novel, Raven Lake.

The news coverage described the plight of vacationers who had turned to rental websites to find vacation homes to rent for their holidays. They arrived at their vacation destinations in Ontario lake country only to find that they’d been duped by con artists. The cottages were actually full-time residences and not for rent at all. They lost their deposits, some lost their full payments, and they had nowhere to spend their holidays. My heart went out to these people who had driven for hours thinking that they were about to spend a relaxing week or two at a sylvan lake. I also felt sorry for the residents of the targeted homes who had would-be renters turning up on their doorsteps. Some of them were afraid that these strangers might take their frustrations out on them.

A perfect crime for a mystery set in cottage country. It helped that I didn’t know any of the real people involved so I was free to create my own characters and outcomes.

Rosemary McCracken

Pageflex Persona [document: PRS0000040_00070]

Bio:

Rosemary McCracken has worked on newspapers across Canada as a reporter, arts reviewer, editorial writer and editor. She is now a Toronto-based fiction writer and freelance journalist. Her first Pat Tierney mystery, Safe Harbor, was shortlisted for Britain’s Crime Writers’ Association’s Debut Dagger in 2010 and published by Imajin Books in 2012. It was followed by Black Water in 2013. “The Sweetheart Scamster,” a Pat Tierney mystery in the anthology Thirteen, was a finalist for a Derringer Award in 2014. Rosemary’s third Pat Tierney mystery, Raven Lake, has just been released. It is available at myBook.to/RavenLakeTierney.

Follow Rosemary on her blog, Moving Target at http://rosemarymccracken.wordpress.com, on Facebook at www.facebook.com/rosemarymccracken and on Twitter @RCMcCracken. Visit Rosemary’s website at http://www.rosemarymccracken.com/.

Links to Rosemary’s books and short stories

Safe Harbor: myBook.to/SafeHarborTierney

Black Water: myBook.to/BlackWaterTierney

Raven Lake: myBook.to/RavenLakeTierney

Thirteen: http://amzn.to/18oY8mF

 
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Posted by on June 2, 2016 in Blog Tours and Guest Blogging, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Moving Target, Rosemary McCracken and Pat Tierney mystery series, Writing

 

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Dana Bowman from Beyond Blood appears again May 28

26 May
Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Dana Bowman, the main character, the irreverent  PI from my novel Beyond Blood will be doing another of her comedy skits this Saturday afternoon. The occasion is Toronto’s annual Doors Open and Dana (and me too) will be at the Toronto Heliconian Club volunteering from 1.30 p.m. and then performing at 4 p.m.

There’s a lot of work in these comedy skits and this one is 85 per cent new stuff. The premise is Dana is supposed to talk about Beyond Blood and she does – sort of – in her own way, dissing me and generally not following instructions. So trying to get this skit together with help from Dana hasn’t been easy. Dana keeps sticking her face in maybe too much and therein lies the dilemma.

Just who is writing this skit? Who wrote Beyond Blood. Both Dana and I each answer “I did.” The book has “Sharon A. Crawford” for the byline but the skit?

Personally, I would prefer Dana that writes it. She is performing it so it’s her call. So, she’s been digging inside my brain for info or I have been channeling her.

There are many things to consider – content – is it funny or funny enough? Sometimes what’s on paper doesn’t come across as funny enough when you perform it. Then you go back to the skit content and realize that a lot of it is in the performance. The practice session yesterday wasn’t up to par. But I wasn’t feeling well then so does that mean that Dana was also feeling sick?

I did get ideas for some skit changes and made them.

And it might help if I was fully in costume when practicing. Especially the hair.

That’s Dana at the top. And here is the blurb from my website about Dana at the Heliconian Club May 28.

Sharon A. Channels Dana Bowman at Toronto’s Doors Open

Saturday, May 28, 2016

Sharon A. Crawford will be channeling Dana Bowman, the main character in  Beyond Blood at the Toronto Heliconian Club during the first day of Toronto’s Doors Open. Sharon/Dana will be there from 1.30 p.m. to 5.30 p.m. to talk about the Heliconian Club along with other club members and she will take to the stage at 4 p.m. for a short comedy skit. Meantime, Sharon is coaching Dana on the Toronto Heliconian Club’s history and club activities, etc.

See you there.

Cheers.

Sharon A. Crawford

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

 
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Posted by on May 26, 2016 in Beyond Blood, Book Promotion, Channelling Fiction Characters, Comedy Skit, Doors Open Toronto, Fiction Characters, Sharon A. Crawford, Writing

 

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How self-publishing has changed – this editor’s personal take

19 May
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The self-publishing business has evolved a lot in the last few years. It is no longer on the fringe but has moved more main-stream. Here is my take on some of what is happening. This will sum up my postings on the editor-self-publishing author relationship based on my talk on the Editors Canada panel April 26.

  1. Self-published books are now considered respectable and not vanity press. Authors of sp books can be members of The Writers Union, have their books in libraries, do library readings and presentations, and register the book(s) with the Public Lending Rights program
  2. Author has much more say in what is done, can be more satisfying but also lots more work and responsibility and cost. And no middle person for taking cut in book sales.
  3. Choice in how to publish (e-publish only or print only or both – Kobo, amazon, etc.).
  4. A lot more social media and the like (including doing book review trades with other authors) involved –author blog, Facebook, Linked In, Goodreads, etc.; author must organize and pay for any in-person book launch, but virtual book launches are becoming popular. As the title suggests, the author is glued to the seat of her chair at the computer for hours, but she has control over the time and length of her book launch – also much cheaper than in-person launches.
  5. Other online media authors can schedule – videos, including guesting on online TV shows such as The Liquid Lunch on thatchannel.com and join meet-up groups such as the Toronto Indie Publishing group.

But author having more control can be good and prosperous. My writing colleague, Rena Natan who self-publishes some of her books is proof of that.Here is what she emailed me (in part) to use in my presentation:

“The process of promoting the book is time-consuming. I try to have it reviewed by friend authors (like yourself), by Midwest Book review (authoritative, free, but it takes about a year) and Goodreaders members.

Then I submit the book to all competitions that are not too expensive; I check them first on the website  www.pred-ed.com (preditors and editors).

When you win a competition you get, in general, perks, like free listing on a number of Websites, Bookdaily,  and the like. These help a little to sell.”

Rene’s books have won awards as you can see from the first page of her website. She also has more info on her books and what is happening with them here.

And for those who have trade publishers, some of these promotional activities can apply as today published authors have to take their publicity by the horns and do a lot of it themselves.

Which is good in that authors can connect more with their readers.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 
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Posted by on May 19, 2016 in Author editor relationship, Beyond Blood, Blue Denim Press, Book Promotion, Editors Canada, Sharon A. Crawford, Social Media Book Promo

 

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Tips for authors self-publishing

05 May
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The self-publishing panel I was on with Ali Cunliffe and Susan Viets presented by Editors Canada last week went very well. We all had interesting and informative points to make. A link to the You Tube video of it is here. Warning: the visual is lousy – we appear in shadows a lot, and it is long – it was an hour and a half panel including Q and A. But the sound is good, so you might want to get it going and listen to it while you eat lunch.

Over the next two or three weeks I will post some tips for authors and editors as that’s what our panel discussion was about. Today I’ll talk about the editor’s side.

Drama queen that I am (or ham actor) I started withe a mini-skit, standing up with a book (not mine and not the client’s). I recreated the scene when  a potential client walked into my home office for a meeting. He came in carrying a book, his book, already printed and said,

“I need this book edited.”

What’s wrong with this picture?

Editors don’t edit books AFTER they are printed. Fortunately, he had only the one book printed. So, here are a few tips and caveats, for editors working with authors who are self-publishing.
At the top of the list is MUTUAL RESPECT

  1. Many authors self-publishing don’t know anything about editing, so you have to educate them.
  2. Some authors think a book can be edited almost overnight (well in a week or two). Editors need to diplomatically tell them that it’s not so – even if they don’t have other projects on the go (avoid using the word “client” here as some authors often like to think you are focusing on their work only
  3. Diplomacy
  4. Ability to connect with the author about what they are looking for in their manuscript, for example a manuscript evaluation, a copy edit, etc.
  5. Flexibility in fees and time.
  6. Use a contract
  7. Knowledge beyond the usual editing such as illustrators, self-publishing methods, e-copies, promotion.
  8. Know your skills and what you are prepared to do.
  9. Keep authors apprised of any problems arising such as time lines and missing content.
  10. Patience.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood icon at the top to find out more about my Beyond books.

 
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Posted by on May 5, 2016 in Beyond Blood, Editing, Editing Authors self-publishing, Writing

 

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