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Writers’ group looks at Writer’s Block

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?

– Kurt Vonnegut

You might not want to be arrested and charged by police but there are many options if you have a dose of writer’s block. Last evening, in a round circle discussion, members of my East End Writers’ Group came up with some novel ideas for well writer’s block when writing a novel – or writing anything.

Here are our words of wisdom, in no particular order:

Take a writing course, especially one taught by Brian Henry – you will get inspired and Brian gets you to actually write in his workshops, even during lunch.

Put the blocked novel, short story aside and write something different. Maybe your brain is bored with the same old story and needs something new, at least temporarily. But do come back to the original.

Have a roster of several writing projects on the go – to some extent; don’t over tax yourself – so you can move from one to the other when stuck.

Start reading. You would be surprised how reading another novel, short story, newspaper article written by someone else can inspire you to write. Don’t analyze the story’s style, just go with the flow of writing and let your subconscious absorb the writer’s style. You don’t want to copy it, but it will jar your inner creativity.

Freefall write – write anything that comes to mind and keep writing for at least 20 minutes. You can also use a word, a sentence from a book, a sound, something visual to get you going. Or if you are angry, worried, or fearful about something, write about that. Go where the fear takes you.

Do something completely different – preferably something physical – walk the dog or just go for a walk on your own, do some gardening (season permitting). Getting your body moving can help wake up your brain – often with a possible solution to your block.

One group member writes in different languages, so when blocked he switched languages. He also juggles several writing projects at a time.

And don’t forget to join a writing critique group. Even if you don’t always bring something to read for feedback, just listening to someone read their writing excerpt and listening to and taking part in the discussion, can be inspiring.

Let’s banish writer’s block where it belongs – buried in the snow.

Here are a couple of books to help you do just that with writer’s block.

The Artist’s Way – Julia Cameron

Unlock Writer’s Block – Paul Lima

Cheers.

Sharon

If you click on the book at the top, it will take you to my books,bio, etc on my publisher’s page. To check out the East End Writers’ Group go here.

 

 

 

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Turning winter weather into fiction

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

If you’re like me and hate winter with a passion, don’t just moan and groan about it. Write about it.

Not necessarily your hatred for the season itself. But set your story in winter. Take some of the weather highlights as white fodder for your stories. Follow news stories on the weather on TV or online from various media outlets. One of the best sources is The Weather Network. Both on TV and online, they feature stories in video and text (online) formats about some of the extremes in winter, as well as amusing incidents.

For example, this week, a motorist parked his car beside Lake Erie in south western Ontario. Then we got a flash freeze and snow. If you can’t imagine what happened (no the car didn’t fall into the lake, check out the story here). From that you can let your imagination run wild with story ideas. Maybe there is a dead body in the car – froze to death or murdered before and left there to die? Somebody in an emotional turmoil – failed relationship, terminal illness, etc. – decides to end it all. Somebody wants to save their body for posterity to come back in a later century and finds a unique way to “preserve” his or her body.  Or? Well, you get the picture.

The main idea is to take the actual story, not copy it, but use it for inspiration for your story. And be original.

You can also do the opposite of what is written. In my story “The Couch” from my short story collection Beyond the Tripping Point (Blue Denim Press, 2012), I took a theme from many private eye stories – the PI who is having trouble making ends meet. (If you want a recent TV series on that one, watch the British series Case Histories). My story had a young, mid-20s PI who had just the opposite happening – too many clients. So my story took this dilemma and spun out a tale of how this PI tried to reduce the number of clients. It wasn’t that straightforward as the story has many twists and turns and a surprise ending.

And that’s all I will tell about “The Couch.” If you want to read it (warning, short plug coming here), you’ll have to read “Beyond the Tripping Point.” Click on the book cover below for one place it is available besides the usual Amazon (yes, it’s available there, too)

And use that blizzard keeping you indoors for time given to write your story.

Cheers.

Sharon A. Crawford

Beyond the Tripping Point Cover 72dpi

 

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Beyond Blood characters wish you Happy New Year

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford has asked us to step in and wish you a happy new year. But before we do that, we – Dana Bowman and Bast Overture from Beyond Blood would like to sum up this year from our perspective between the book covers.

Dana: It’s been a good year for both of us, me especially as Sharon is channelling me, or so she says. But really it is me jumping out of the book, going in front of an audience and telling what I think of Sharon, her writing and some of her quirks. She really seems to have a thing about short people and making me three inches shorter than her? But she really gets me – my impulsiveness, sticking my nose in everybody else’s business…

Bast: She is a former journalist and that’s what journalists do.

Dana: You should know. You are a former crime reporter.

Bast: True. But Sis, you really need to get over this short height thing. Not even an issue.

Dana: You should talk. You’re 6’3″ I don’t think Sharon will ever channel you on stage.

Bast: Maybe not, but I’ve heard a writer friend of hers is interested in doing this.

Dana: Really. Actually that should be interesting. We can then both dis Sharon.

Bast: Why not just talk about how she writes with us?

Dana: Yes, she does do that, but it’s more fun to talk about her quirks.

Bast: Now, Sis, I don’t think that is a good idea.

Dana: Why not?

Bast: We shouldn’t bite the hand that feeds us.

Dana: Shouldn’t that be the other way around?

Sharon: Dana, Bast, stop! I asked you to extend a Happy New Year to all, not get into a sibling squabble. But I get it. You both were born December 31, so maybe that is behind all this. You know getting a year older.

Dana: Which year?

Sharon: Let’s just focus on this year going into next year. Now, all together…

Dana, Bast, Sharon: Happy New Year to everyone. May you write and read a lot and most of all be healthy and prosperous.

 

Cheers.

Sharon, Dana, Bast

 

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Beyond Blood another book review on Goodreads

Hi all:

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Another review of Beyond Blood, this time by literary novelist Christopher Caniff, has been posted to my Goodreads account. Here’s the review and some links afterwards.

 

Sharon Crawford’s latest novel Beyond Blood is a story of murder, kidnapping, fraud, and abortion with a varied cast of characters led by an undercover security guard at Toronto’s Thurston Mini-Mall, Dana Bowman. To call this book a simple murder mystery would not initiate an expectation of this plot’s complexity. When Dana plans to start the Attic Investigative Agency in August of 1998 with her fraternal twin, Bast Overture (a former crime reporter), a series of events unfold which begin with a mall kidnapping, two others having occurred recently at other malls in Toronto, and the abduction of Dana’s son David at the agency’s opening ceremony. David’s babysitter Debbie Sangwell is found lifeless with a knife in her back. Dana leaves her job at the mall to work with police detectives Harker and Fielding and investigate the murder, as well as a seemingly unrelated string of burglaries, and in the process to find her son.

Frustrating and complicating her search are the Mini-Mall merchants Lois and Ray Chalmers, Dana’s ex-husband Ronald, her ex-lover Gordon Lambton, and her Great Aunt Doris. The loss of two of her friends and her aunt also cause difficulties as Dana continues to seek to elucidate the reason for all of the apparently unconnected events occurring around her. A television reporter, Charles Haas, is ever-present and confronts Dana and Bast about the burglaries and kidnappings. There are ransom demands made by the kidnappers as enquiries into a past hit-and-run become important.

As she progresses in her increasingly emotional exploration for answers to her son’s whereabouts, her past job becomes significant and illuminates information she would not have otherwise obtained. As Bast knew, “Dana was the one who wore her emotions on her sleeve. He was the twin who held it in.” This is shown throughout the novel and becomes central during confrontations both on land and, toward the end of the novel, on the water at Snow Lake Harbour.

The novel is told with the alternating first person viewpoint of Dana, and the third person stories of Bast, David, and the mysterious “him” produce a complex weaving of interrelationships that enriches the world these characters populate. While I do not normally read this genre, I would recommend this novel to both seasoned mystery readers and novices alike.

 

Thanks you Christopher. Here is the link to our Goodreads pages

Sharon A. Crawford

Christopher Caniff

Wishing all of you a Merry Christmas or whatever you celebrate and a good 2016 with lots of writing.

Cheers.

Sharon A. Crawford

The book cover at the top links to Beyond Blood and Beyond the Tripping and my author profile on amazon.com

 

 

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Act like a journalist to do research for your novel

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Three and a half years ago I finally stopped being a journalist. Or so I thought.

The journalistic writing may have stopped, but something stayed, something carried over to my fiction writing. My research skills, including my interviewing skills and more important the realization that even with fiction you need to seek out the experts for some aspects of your novel besides the craft of writing fiction. Most novels contain something else – perhaps medical conditions, perhaps police procedure, perhaps court procedure, perhaps historical information, perhaps socio-economic conditions, perhaps geographic information. The list goes on and on.

So as I write my novels, this research necessity is always in the back of my mind. Coupled with readers’ intelligence and knack to find anything off in my novel, I make notes in brackets in the manuscript about getting more info. I even do separate files with lists of what I need to find and where I could get it.

Some, of course can be found on the Internet. Mr. Google is very helpful. So are books on the subject. But some more specifics may need that personal expert.  In the last few years when I did a story for a magazine – print and/or online, and I needed information, I did the list of online links for information as well as indicating where a person was necessary. Sometimes there would be someone mentioned in these links; other times not. Then I used my other writing connections – sometimes posting on a listserve I belonged to – sometimes directly to a contact who might have this info.

I have received some good sources that way including a source who decided he could play guinea pig to be interviewed because he had been involved as victim in the crime. (Yes, this was a story about crime).

Other times I’ve found sources at writing or other conferences – either others attending or a speaker. So I talked to them, let them know what I was doing, and asked if I could interview them.

Usually they could help including letting me interview them.

Sometimes just random conversations with friends lead to sources and sometimes they were the source. Other times it worked for story ideas. That can work for fiction story ideas but that’s for another post.

Another good source is your public library and sometimes it is better to go right to the library, especially if there is a reference library branch. Stacks of books that you can’t find elsewhere and you can’t borrow can be found there – for in-library checking. And don’t forget the knowledgeable librarians. University libraries can also be of great help.

Just remember that because you write fiction, you have to include some facts. You wouldn’t want to have your main character holidaying today in a country using the country’s former name? If you set your story during a war, you definitely want to get your facts right about places and dates.  Leave no (research) stone unturned.

Which reminds me – I need to talk to a medical doctor who specializes in concussions for the novel I’m currently writing. I have taken the first few steps, the Internet, books, and getting some contacts from a former medical doctor turned journalist.

Your publisher may catch some or raise questions about others, but what if you are self-publishing your novel? Either way, you the author are responsible. Get your facts right. Act like a journalist but write like a novelist.

Cheers.

Sharon A. Crawford

The book cover at the top links to Beyond Blood on Amazon.com

 

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Finding time to write in the Christmas season

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

No doubt you are all rushing around getting Christmas presents, wrapping them, going to Christmas parties or even holding a Christmas party, planning Christmas dinner including shopping for the Christmas bird. Then there will be all the Christmas Day family get togethers and afterwards the Boxing Day Sale. And don’t forget all those Christmas movies on TV.

Not that we all do all of these things. But Christmas can get us into quite a frenzy.

So, where and how with all of that going on, do you find time to write (or rewrite) that novel or short story (or short stories)?

It can be done, although with all that’s been happening at my end, it might be better to follow what I write here, rather  than what I do – at least until after this Friday.

Besides some of the above nonsense, I’ve had two dentist visits brought on by an emergency. Scratch two weekday afternoons to write my novel. Tomorrow afternoon I have to go the Christmas Market at Toronto’s Distillery. I used to go on weekends when that was the only time it was open. Now they are charging to get in on weekends. The $5 admission doesn’t bother me – it’s the long line-ups to get in weekends with tickets – you can buy them online.

A writer friend who lives in the area has let some of us writers know about those long lineups and the noise (well, she is living in the area – for those of us just visiting, we hopefully can tolerate the noise factor for a bit of time). Last year there were long line-ups to get in, but I snuck in another way around the corner and found it wasn’t as crowded as it seemed from outside the main entrance.

I doubt if I can do that this year – so I have to go on a weekday afternoon. Have to get my hand-crafted Christmas fudge (some of it becomes Christmas presents), and a few other things. It is also interesting to just look and absorb the old-fashioned Christmas market.

And hey, maybe it can be incorporated into a short story. Probably not the current novel I’m writing as my Beyond mystery series occur the end of the 1990s and into the millennium and the Distillery Christmas Market only started five years or so ago. But one can always fictionalize. And I do have this third Beyond book taking place in November and December.

So, besides using the incentive of your Christmas events to write, how can you make time to write?

Don’t set up times when you usually would write. Be creative. For example, I have made it a practice to take weekends off from writing (unless part of a workshop I’m attending). This Sunday afternoon I plan to write for a few hours. it’s going to rain anyway. That will take care of time taken off tomorrow afternoon for the Christmas market. Still haven’t worked in the time off for dental visits.

Also, you can just look at the time you actually have to spend with Christmas and Christmas-related stuff. Can you shorten, combine or delete some? And I don’t mean deleting the family Christmas dinner. But how many trips do you have to make to Christmas shop? Consider combining places to shop that are close together – if you just have to go in person. Or shop online. Or combine. Many places you can view the item online and pre-order it to have it ready for pick-up when you arrive at the store. I don’t recommend this latter one as it means you have to use a credit card and that means paying the piper in January or February depending on your credit card statement date.

There is another way – some stores (Canadian Tire is one) where you can search at their site for particular items. check them out and then go to the store’s branch online and see if the item is there (and how many) as well as what aisle they are in. Note: make sure you do this just before you leave or the item might be gone.

There are other shopping alternatives such as getting a lot of gift cards from one or two stores, using the old-fashioned catalogue shopping by phoning in your order from the print catalogue.

And record those Christmas movies on TV.

Just some suggestions for making time to write. Again, remember you don’t have to write in your usual time or day. We are creative writers and shouldn’t have problems creating time to write.

Just keep toes crossed there are no family and/or health emergencies. For the latter I have a writer friend, who was slightly injured in a car accident. Fortunately his laptop was not damaged, so he sat up in the gurney (even at the hospital) and wrote more of his latest short story.

That’s being creative.

What are your ideas for saving time at Christmas so you can write?

Cheers.

Sharon

The book cover at the top links to Beyond Blood on Amazon.com

 

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Book promo through acting?

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channellng Dana Bowman from Beyond Blood

If you are a published author, you might want to try something else besides reading from your book to entertain and possibly sell book copies.

When I present with three or four other Crime Writers of Canada authors, we don’t just stand there and read. We have found that reading only bores the audience and we don’t really connect with them. So, we get a lively panel discussion going with one of us moderating. Sometimes we have prepared questions which we all answer – or some variation of the questions when we have true crime and fiction writers. Sometimes we each take turns talking about something connected to our writing – maybe writing series novels, research for true crime books. In both setups we welcome lots of questions from the audience.

And that gets the lively discussions going and what you have is writers and readers connecting.

Some of us venture out into more creative outlets. I know one crime writer who has actors play out scenes from her books. Another one has conducted mystery tours in Toronto. And I have started acting (in my old age, no less, portraying someone 25 years younger than me).

As mentioned in last week’s post, I now do brief skits, dressed up as my main Beyond Blood character Dana Bowman. In most of the scenarios – and I do vary them each time – Dana disses me, her author. That can include some quirky personal habits and writing habits. Dana, of course, claims to write her novels. But she does give me credit for getting her character down pat. I take a humorous tone and keep it to 10 minutes.

So far, i.e., two times it has gone over very well. One person in the audience (also a writer) said that my character just jumped out of the book. And the editor at my publisher’s was so enthused, he and I are planning on doing skits together starting in spring 2016.

And yes, it helps sell books.

Maybe I’m a ham at heart. Seriously, it might be a good idea for you to do something else besides read to promote your books. Do something unexpected; catch your audience off guard and at the same time connect with them.

I do one more Dana skit this year, tomorrow, Dec. 4, 2015 for a fundraiser for Syrian Refugees. Here is the blurb for that one.

This is a reminder of our upcoming Lifeline Syria Fundraiser.
Writers, musicians, and actors across Toronto are joining forces to raise money for Lifeline Syria (the Toronto-based grassroots organization helping to sponsor l,000 Syrian refugees).
There will be a silent auction including tickets to Soulpepper, spa passes, books, and lunch with Camilla Gibb.
Middle Eastern appetizers and desserts will be available on a pay what you can basis.
Details: Date: Dec 4Time: 6:30pm-l0:00pmLocation: Friends House, 60 Lowther Ave (Avenue Rd/Bloor) Cost: $l0.00

Cheers.

Sharon

 

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Tales – good and bad – from the book promo trenches

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channelling Dana Bowman from Beyond Blood. Shane Joseph photo

Still promoting my Beyond books. But when you do this you also need to help other writers promote their books. It is only fair as we are all in this together.

And sometimes that can be fun as the photo at the left shows. Cut line explains it briefly but more on that shortly. First I need to mention the downside as other published authors may run into this, if not with this bookseller, but another one, or two.

Up to last week, my encounters with booksellers have been amicable and polite. All had said they would at least see about carrying my Beyond Blood in their store. One even opted to carry a copy of each Beyond book. A couple of others I have to follow up on but they are part of a big chain, which has been helpful at other branches, so we will see here.

Now the bad and the ugly. I have also been approaching independent bookstores, but the latest venture there has left a sour taste in my mouth. Last week I entered Ben McNally Books in downtown Toronto. I always like to check to see if they already have a copy of my book. Ben McCally Books has a weird book placement system. No books by category – no signs either at the top of the bookshelves. Mystery,science fiction are all placed in with all fiction – alphabetically by author. So be it if that is the way they want to do it – their prerogative.

I approached the owner, Ben McNally about carrying a copy of Beyond Blood. As always, I stated it is not self-published but is published by a small Canadian trade publisher and handed him my business card and now that I have more – a couple of bookmarks. He barely glanced at them and said, ” Sorry, no.” He looked about as sorry as a person arrested who shows no remorse for his crime.

Being a former journalist and naturally curious, I asked “Why?”

He said he didn’t want books by small trade publishers.

So, I three him my kicker:

“Indigo (big Canadian book chain) has them in their stores.”

Then, I turned and left the store.

And you know, there weren’t many other customers in the store. Which says something.

I went directly to the big downtown Indigo store and what a difference. Manager very interested in carrying my Beyond Blood in that Indigo store. Indigo Chapters online has carried both Beyond books from day 1 for each, including print copy and e-copy (Kobo). Also this downtown Indigo bookstore is very busy – lots of customers. Because of the positive response, I bought a book there to give as a gift to a friend.

What goes around comes around.

And that brings me to what goes with the photo at the top.

I have started doing brief skits featuring Dana Bowman, the main character in the Beyond stories. I give Dana instructions to talk about herself and to read a bit from Beyond Blood.

Dana being Dana doesn’t listen. She does talk about herself some – but connects it to talking about me, her author. Dana claims she is instrumental in writing the Beyond stories. Oh, to a certain extent. I’ve been told I’m channelling Dana. I don’t mind her talking about writing and some of my quirks – if related to writing, but she can leave my plants out of it.

And when I say to read, she needs to read from Beyond Blood. And that hair in the photo above, taken by the editor at my publishers at their fall book launch, November 21? Dana has short “boy style hair.” Now she has decided to grow it somewhat. Really?

But the skit went over well at Blue Denim Press’s book launch. I was happy to bring along a few friends and to pre-promote the book launch and the authors launching their books, Shane Joseph and Chris Canniff, including reviewing their books in the two previous posts on this blog. The launch also had a Flamenco dancer and her husband providing the music on his guitar.

The funny thing here is Michael, the husband, used to come to my East End Writers’ Group when he and Lesley lived in my area. So did Shane when he lived in Toronto. And I knew Chrit from Canadian Authors Association Toronto Branch.

See, we writers are all connected, so we need to help each other.

Certain booksellers need to learn that too. Then they might get more business.

Dana Bowman will be making one more appearance before Christmas on Dec.4 and Sharon A. Crawford will have her Beyond books for sale at the Toronto Heliconian Club Art and Gift sale, Saturday, November 28. See my Gigs and Blogs page for more info.

Cheers.

Sharon A. Crawford

 

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Dana Bowman entertains at East End Writers’ Group

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Dana Bowman, the main character in my Beyond Blood novel took over my presentation spot at the East End Writers’ Group 15th anniversary last week.This is actually my writing critique group and it’s been happening in Toronto’s east end for 15th years – for 13 years at my house, then at a couple of local businesses nearby and finally from May 2014 at the S. Walter Stewart Public Library.

It was a lot of work with a lot of snafus popping up at the last minute – presenters having to cancel – all for good reasons, but I almost went batalistic when one of the two panelists on self-publishing cancelled a week before the event. Fortunately I was able to get another EEWG member with self-publishing experience to fill in and he (Steven Biggs) was awesome. So, was the other panelist (Ellen Michelson).

The presentations were divided into non-fiction, poetry and fiction. Each presenter could do whatever they wanted in their short time-slot. So we had an author interview set up as a letter and reply to and from a Toronto newspaper advice columnist. Another author, who writes opera, did a Power Point presentation (complete with music) on an opera he wrote for a company that involves the homeless in producing and presenting operas. Lots of readings.

And then there was Dana Bowman, my character. I didn’t introduce any of the fiction presenters as I was one of them. For my presentation, instead of only reading from Beyond Blood I decided to dress up like Dana (complete with short hair black wig and cap). So, when I was introduced, “Dana” ran into the room and onto the stage and made some comment that “Sharon can’t make it because an impatient client insisted on speaking to her now.”

Yes, I was channeling Dana – or that was supposed to be it, but it got to the point where well, who was channeling who. Dana completely took over.

But it got everyone’s attention, interest and some laughs.

Maybe I’m a closet actor. At any rate, I plan to take Dana on a sort of tour – well somewhat limited as I have just two  acting engagements lined up: one for Dec. 4 at a fundraiser in Toronto for Syrian refugees. I’ll be posting that shortly on my Gigs and Blogs page connected with this blog and also on my website http://www.samcraw.com.

Meantime, the next couple of postings here will feature my book reviews of a couple of other Blue Denim Press authors – Shane Joseph and Christopher Canniff – who are launching new books at 3 p.m.,  November 21 at Paintbox Bistro  in Toronto. Dana will be doing her skit here too. See below for the launch info.

If you are in the Toronto area then, you are invited to come to this launch.

Cheers.

Sharon

 

Click on Beyond Blood book cover at the top for where it is available.

 

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Transitioning the real into the reel (fiction)

 

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Sometimes we go through tremendous ordeals in our lives. Often it is because of a big change – a death in the family, relationship breakup, personal illness, or being the victim of a crime.

Writing about it is often a way to heal and tell our story to others. A journal, personal essay or even a non-fiction article encompassing the ordeal is more fact, more actual with a story (and viewpoint included).

But what if you want to fictionalize it? Do you present details and people as they happened? Do you change people’s names and some details? How can you go about it?

Authors do it several ways. You do have to be concerned with libel – especially if the fiction is more fact than fiction. An author colleague is very particular here because she ran into libel issues a couple of times in the past – no libel involved, but it can scare you and serve as a warning.

Other authors use the “based on…” line.

Some write what they want and use the “Any resemblance to living persons, etc.” disclaimer.

I am a bit liberal about my approach. For the most part I sometimes take something from my life as a basis for a story – but the characters aren’t me or whomever else appeared and the story definitely is different. For example, in my short story collection Beyond the Tripping Point, one story deals with two female friends who have problems with a car brake that won’t work as they drive up to the cottage. This happened to a friend and I about 30 years ago. All my friend had to contend with was the brakes failing. She used the parking brake and we were in and out of gas stations looking for a bay to get the problem fixed. That’s where truth ends. What happens in “No Breaks” is well, crime fiction.

But I do up the ante sometimes if someone has really messed up with my life. When I told this story at a recent Crime Writers of Canada reading, I could just feel the other author mentioned above cringe. (I was looking at the audience, not her, so didn’t actually see her face).

There is a way to do this. One of the characters in one of my short stories in Beyond the Tripping Point is loosely based on this real-life person – only the age is in the same decade and I saw her features, her way of dressing in my mind. But from the minimal description I gave of her, she could be any person in that age bracket fitting that description. I kept her in the same work industry but a different job. Yes, she was one of the suspects, but I won’t tell you if she was the guilty one.

A bit of background here – the person (yes a family member) objected to me writing and getting published family stories as memoir but she said I could fictionalize any of it. So, I did a variation of that.

In Beyond Blood, a couple of characters, Detective Sergean tDonald  Fielding and Great Aunt Doris Bowman are loosely on people I have known – but none of them messed up my life. The first one I liked and the second one was an interesting person. Dana Bowman, my main character, is she based on me? Not exactly. For one thing she is 25 years younger than me. True, we are both short in stature, but I made her shorter, something she is a bit peeved about. Let’s just say Dana tends to boldly go where I just might not do so.

So, it is not all cut and dry about going from real to reel. Just consider that even when your fiction has nothing to do with real life, at least any you have experienced, read about or seen, there is always somebody who will insist that a character in your story is based on them.

Usually they are wrong. Perhaps they have a latent wish to be immortalized in some way.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 

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