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Act like a journalist to do research for your novel

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Three and a half years ago I finally stopped being a journalist. Or so I thought.

The journalistic writing may have stopped, but something stayed, something carried over to my fiction writing. My research skills, including my interviewing skills and more important the realization that even with fiction you need to seek out the experts for some aspects of your novel besides the craft of writing fiction. Most novels contain something else – perhaps medical conditions, perhaps police procedure, perhaps court procedure, perhaps historical information, perhaps socio-economic conditions, perhaps geographic information. The list goes on and on.

So as I write my novels, this research necessity is always in the back of my mind. Coupled with readers’ intelligence and knack to find anything off in my novel, I make notes in brackets in the manuscript about getting more info. I even do separate files with lists of what I need to find and where I could get it.

Some, of course can be found on the Internet. Mr. Google is very helpful. So are books on the subject. But some more specifics may need that personal expert.  In the last few years when I did a story for a magazine – print and/or online, and I needed information, I did the list of online links for information as well as indicating where a person was necessary. Sometimes there would be someone mentioned in these links; other times not. Then I used my other writing connections – sometimes posting on a listserve I belonged to – sometimes directly to a contact who might have this info.

I have received some good sources that way including a source who decided he could play guinea pig to be interviewed because he had been involved as victim in the crime. (Yes, this was a story about crime).

Other times I’ve found sources at writing or other conferences – either others attending or a speaker. So I talked to them, let them know what I was doing, and asked if I could interview them.

Usually they could help including letting me interview them.

Sometimes just random conversations with friends lead to sources and sometimes they were the source. Other times it worked for story ideas. That can work for fiction story ideas but that’s for another post.

Another good source is your public library and sometimes it is better to go right to the library, especially if there is a reference library branch. Stacks of books that you can’t find elsewhere and you can’t borrow can be found there – for in-library checking. And don’t forget the knowledgeable librarians. University libraries can also be of great help.

Just remember that because you write fiction, you have to include some facts. You wouldn’t want to have your main character holidaying today in a country using the country’s former name? If you set your story during a war, you definitely want to get your facts right about places and dates.  Leave no (research) stone unturned.

Which reminds me – I need to talk to a medical doctor who specializes in concussions for the novel I’m currently writing. I have taken the first few steps, the Internet, books, and getting some contacts from a former medical doctor turned journalist.

Your publisher may catch some or raise questions about others, but what if you are self-publishing your novel? Either way, you the author are responsible. Get your facts right. Act like a journalist but write like a novelist.

Cheers.

Sharon A. Crawford

The book cover at the top links to Beyond Blood on Amazon.com

 

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Book promo through acting?

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channellng Dana Bowman from Beyond Blood

If you are a published author, you might want to try something else besides reading from your book to entertain and possibly sell book copies.

When I present with three or four other Crime Writers of Canada authors, we don’t just stand there and read. We have found that reading only bores the audience and we don’t really connect with them. So, we get a lively panel discussion going with one of us moderating. Sometimes we have prepared questions which we all answer – or some variation of the questions when we have true crime and fiction writers. Sometimes we each take turns talking about something connected to our writing – maybe writing series novels, research for true crime books. In both setups we welcome lots of questions from the audience.

And that gets the lively discussions going and what you have is writers and readers connecting.

Some of us venture out into more creative outlets. I know one crime writer who has actors play out scenes from her books. Another one has conducted mystery tours in Toronto. And I have started acting (in my old age, no less, portraying someone 25 years younger than me).

As mentioned in last week’s post, I now do brief skits, dressed up as my main Beyond Blood character Dana Bowman. In most of the scenarios – and I do vary them each time – Dana disses me, her author. That can include some quirky personal habits and writing habits. Dana, of course, claims to write her novels. But she does give me credit for getting her character down pat. I take a humorous tone and keep it to 10 minutes.

So far, i.e., two times it has gone over very well. One person in the audience (also a writer) said that my character just jumped out of the book. And the editor at my publisher’s was so enthused, he and I are planning on doing skits together starting in spring 2016.

And yes, it helps sell books.

Maybe I’m a ham at heart. Seriously, it might be a good idea for you to do something else besides read to promote your books. Do something unexpected; catch your audience off guard and at the same time connect with them.

I do one more Dana skit this year, tomorrow, Dec. 4, 2015 for a fundraiser for Syrian Refugees. Here is the blurb for that one.

This is a reminder of our upcoming Lifeline Syria Fundraiser.
Writers, musicians, and actors across Toronto are joining forces to raise money for Lifeline Syria (the Toronto-based grassroots organization helping to sponsor l,000 Syrian refugees).
There will be a silent auction including tickets to Soulpepper, spa passes, books, and lunch with Camilla Gibb.
Middle Eastern appetizers and desserts will be available on a pay what you can basis.
Details: Date: Dec 4Time: 6:30pm-l0:00pmLocation: Friends House, 60 Lowther Ave (Avenue Rd/Bloor) Cost: $l0.00

Cheers.

Sharon

 

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Tales – good and bad – from the book promo trenches

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channelling Dana Bowman from Beyond Blood. Shane Joseph photo

Still promoting my Beyond books. But when you do this you also need to help other writers promote their books. It is only fair as we are all in this together.

And sometimes that can be fun as the photo at the left shows. Cut line explains it briefly but more on that shortly. First I need to mention the downside as other published authors may run into this, if not with this bookseller, but another one, or two.

Up to last week, my encounters with booksellers have been amicable and polite. All had said they would at least see about carrying my Beyond Blood in their store. One even opted to carry a copy of each Beyond book. A couple of others I have to follow up on but they are part of a big chain, which has been helpful at other branches, so we will see here.

Now the bad and the ugly. I have also been approaching independent bookstores, but the latest venture there has left a sour taste in my mouth. Last week I entered Ben McNally Books in downtown Toronto. I always like to check to see if they already have a copy of my book. Ben McCally Books has a weird book placement system. No books by category – no signs either at the top of the bookshelves. Mystery,science fiction are all placed in with all fiction – alphabetically by author. So be it if that is the way they want to do it – their prerogative.

I approached the owner, Ben McNally about carrying a copy of Beyond Blood. As always, I stated it is not self-published but is published by a small Canadian trade publisher and handed him my business card and now that I have more – a couple of bookmarks. He barely glanced at them and said, ” Sorry, no.” He looked about as sorry as a person arrested who shows no remorse for his crime.

Being a former journalist and naturally curious, I asked “Why?”

He said he didn’t want books by small trade publishers.

So, I three him my kicker:

“Indigo (big Canadian book chain) has them in their stores.”

Then, I turned and left the store.

And you know, there weren’t many other customers in the store. Which says something.

I went directly to the big downtown Indigo store and what a difference. Manager very interested in carrying my Beyond Blood in that Indigo store. Indigo Chapters online has carried both Beyond books from day 1 for each, including print copy and e-copy (Kobo). Also this downtown Indigo bookstore is very busy – lots of customers. Because of the positive response, I bought a book there to give as a gift to a friend.

What goes around comes around.

And that brings me to what goes with the photo at the top.

I have started doing brief skits featuring Dana Bowman, the main character in the Beyond stories. I give Dana instructions to talk about herself and to read a bit from Beyond Blood.

Dana being Dana doesn’t listen. She does talk about herself some – but connects it to talking about me, her author. Dana claims she is instrumental in writing the Beyond stories. Oh, to a certain extent. I’ve been told I’m channelling Dana. I don’t mind her talking about writing and some of my quirks – if related to writing, but she can leave my plants out of it.

And when I say to read, she needs to read from Beyond Blood. And that hair in the photo above, taken by the editor at my publishers at their fall book launch, November 21? Dana has short “boy style hair.” Now she has decided to grow it somewhat. Really?

But the skit went over well at Blue Denim Press’s book launch. I was happy to bring along a few friends and to pre-promote the book launch and the authors launching their books, Shane Joseph and Chris Canniff, including reviewing their books in the two previous posts on this blog. The launch also had a Flamenco dancer and her husband providing the music on his guitar.

The funny thing here is Michael, the husband, used to come to my East End Writers’ Group when he and Lesley lived in my area. So did Shane when he lived in Toronto. And I knew Chrit from Canadian Authors Association Toronto Branch.

See, we writers are all connected, so we need to help each other.

Certain booksellers need to learn that too. Then they might get more business.

Dana Bowman will be making one more appearance before Christmas on Dec.4 and Sharon A. Crawford will have her Beyond books for sale at the Toronto Heliconian Club Art and Gift sale, Saturday, November 28. See my Gigs and Blogs page for more info.

Cheers.

Sharon A. Crawford

 

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Transitioning the real into the reel (fiction)

 

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Sometimes we go through tremendous ordeals in our lives. Often it is because of a big change – a death in the family, relationship breakup, personal illness, or being the victim of a crime.

Writing about it is often a way to heal and tell our story to others. A journal, personal essay or even a non-fiction article encompassing the ordeal is more fact, more actual with a story (and viewpoint included).

But what if you want to fictionalize it? Do you present details and people as they happened? Do you change people’s names and some details? How can you go about it?

Authors do it several ways. You do have to be concerned with libel – especially if the fiction is more fact than fiction. An author colleague is very particular here because she ran into libel issues a couple of times in the past – no libel involved, but it can scare you and serve as a warning.

Other authors use the “based on…” line.

Some write what they want and use the “Any resemblance to living persons, etc.” disclaimer.

I am a bit liberal about my approach. For the most part I sometimes take something from my life as a basis for a story – but the characters aren’t me or whomever else appeared and the story definitely is different. For example, in my short story collection Beyond the Tripping Point, one story deals with two female friends who have problems with a car brake that won’t work as they drive up to the cottage. This happened to a friend and I about 30 years ago. All my friend had to contend with was the brakes failing. She used the parking brake and we were in and out of gas stations looking for a bay to get the problem fixed. That’s where truth ends. What happens in “No Breaks” is well, crime fiction.

But I do up the ante sometimes if someone has really messed up with my life. When I told this story at a recent Crime Writers of Canada reading, I could just feel the other author mentioned above cringe. (I was looking at the audience, not her, so didn’t actually see her face).

There is a way to do this. One of the characters in one of my short stories in Beyond the Tripping Point is loosely based on this real-life person – only the age is in the same decade and I saw her features, her way of dressing in my mind. But from the minimal description I gave of her, she could be any person in that age bracket fitting that description. I kept her in the same work industry but a different job. Yes, she was one of the suspects, but I won’t tell you if she was the guilty one.

A bit of background here – the person (yes a family member) objected to me writing and getting published family stories as memoir but she said I could fictionalize any of it. So, I did a variation of that.

In Beyond Blood, a couple of characters, Detective Sergean tDonald  Fielding and Great Aunt Doris Bowman are loosely on people I have known – but none of them messed up my life. The first one I liked and the second one was an interesting person. Dana Bowman, my main character, is she based on me? Not exactly. For one thing she is 25 years younger than me. True, we are both short in stature, but I made her shorter, something she is a bit peeved about. Let’s just say Dana tends to boldly go where I just might not do so.

So, it is not all cut and dry about going from real to reel. Just consider that even when your fiction has nothing to do with real life, at least any you have experienced, read about or seen, there is always somebody who will insist that a character in your story is based on them.

Usually they are wrong. Perhaps they have a latent wish to be immortalized in some way.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 

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When readers relate to authors’ characters

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Dana Bowman, the main character in my Beyond mystery series is making herself known.

Another author who read Beyond Blood compared Dana’s situation as the mother of a lost son to a non-fiction book dealing with a mother losing her son. Mind you, David, Dana’s son is lost in the sense that he is kidnapped. But both mothers suffer anguish and go through much emotional turmoil.

Others have picked out Dana’s offbeat sense of humour and being a likeable character.

All indications that readers are identifying with Dana.

Getting readers to identify with your novel’s characters – main character in particular, but also the other characters is one of the challenges for writers. But no matter what the fiction genre readers want more than just a good plot – they want to connect with your characters. Perhaps the daytime soap operas or the old night time TV soaps started this. However, even other TV series, police, etc. have a running thread for each character.

If readers can’t identify with your characters, you will lose them. They won’t enjoy your book as much or at all and may give up on it.

So what makes fiction characters compelling?

Liking the character isn’t absolutely necessary, but remember that most people are not all good or all bad. And even so-called good characters can come across as somewhat off. Maybe they are too good-two shoes. Maybe they are too superficial. The dreaded wooden characters.

So, in a nutshell, you have to make your characters compelling – by making them three dimensional – with dialogue, their inner thoughts, and their actions. You need to compel the reader to get under the character’s skin and if not emphasize with them, at least be with them.

Besides your novel’s characters getting a mention from readers, another good sign of compelling characters ix when readers read they want to find out what happens to the main character because they care. When they sense something terrible is going to happen to a character they keep reading, hoping both that it won’t happen and that it will. And when it does, they feel right with the character and read on to see if the character can come through the situation.

Of course, some of this is plot. But these days you really can’t have one without the other.

Besides my Beyond books, read fiction by Peter Robinson, Rosemary McCracken, Rosemary Aubert and Maureen Jennings to name a few.

And happy reading.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available;

And check my updated Gigs and Blog Tours for a presentation with other Crime Writers of Canada authors on October 22, 2015

 

 

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Don’t rush your writing

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

We writers all seem to have deadlines with writing our novels or short stories. Sometimes it is the publisher’s deadline, sometimes our own. So we fret and hurry through writes and rewrites and maybe don’t write our best.

Last Saturday I had a heart-to-heart talk with the acquisitions editor at Blue Denim Press (publisher of my Beyond mystery books). Shane had a big piece of advice – Don’t rush the writing.

If you rush it, you’ll miss things, make errors and your writing will come across as hurried. This is mostly me speaking, but including some of what Shane and I discussed. Note: Shane is also a published fiction author. Both of us have missed things because of writing in too much of a hurry. His error is his business, but it was caught in time before all print copies of his new novel In the Shadow of the Conquistador were done for the book launch, etc.

I’ll tell you my stupid error – it is in the current Beyond book (third in the series), I am writing – apparently too fast because of time constraints (too much else going on in my life – the writing, editing and instructing business, health, house, social, etc.) Anyway for  those familiar with my Beyond books, they are set in the late 1990s, although this third one gets my fraternal twin PIs, Dana Bowman and Bast Overture into the beginning or 2000.

Which is neither here nor there with my writing error. In one scene Bast goes to the Toronto Reference Library to look up old addresses in the Toronto Might Street Directory. So, I had him go to the library’s former address – now the University of Toronto Bookstore. Why? I had done research there and for some reason the decade  that I did so got lost in my brain, so hence my date mixup.

I had gone there in the early 1970s. Bast went to the Toronto Reference Library in late 1999. This newer (and current) TRL location opened in 1977. My error arrived in my brain weeks after writing it, as often happens when not actually writing. You can bet I made the change next time I turned on the computer.

That is only one of the many things that can suffer if you write too fast. Try to pace yourself and make more time for your writing – either in the time spent each day/week or the whole time (months/years) spent.

If you do that, when your publisher accepts your manuscript and you sign that contract, you won’t have to worry so much when the publisher suggests some changes.

And often publishers have tight deadlines.

I am constantly trying to prioritize my life – including dumping things, saying “no” more often and putting some people and things on hold.  Still an uphill battle, but I try. And I need to try to relax more.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 

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Book Promo trick learned at festival and library

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

It has been a hectic few days with my Beyond Books at two booths (not during the same hour) at Word on the Street last Sunday and Tuesday evening at the Runnymede Toronto Public Library Branch.

Very interesting – great to meet readers and other writers and chat. And I also learned and applied a new sales technique (new to me) that worked, so much so that I have to order more copies of my first published Beyond book – Beyond the Tripping Point from my publisher and he in turn has to order more from the distributor. This book was published three years ago. And we’re talking print copies, not e-copies. So there is still steam in the “old” book and the “old” book copy option.

So what happened?

I’ve been attending the Word on the Street Festival, Toronto version almost every year since it began, often selling books or passing out info about writers’ organizations or both. This year it changed venue for the third time.This year it was at Toronto’s Harbourfront Centre beside Lake Ontario. It was a hot summer day (yes, I know it is fall), sunny and very pleasant. So were most of the people there and the venue setup – closer together and also specific areas to sit and rest your feet and your a.. well you know what.

At WOTS I had an hour each at two booths selling Beyond Blood and Beyond the Tripping Point as well as handing out business cards and flyers for two more of the venues I would be at this fall, and chatting about my books with people who pass by. Very important. You don’t just sit there and smile because not everyone is going to stop unless you approach them. “Do you read mystery novels?” became my ice-breaker and if the answer was “yes” (about two-thirds to three-quarters of the time), I was off talking about my Beyond books and holding up copies as I talked. I was at the Crime Writers of Canada booth first and then Toronto Sisters in Crime. Despite the crowded quarters of the latter (in a booth at extended tables with other writing organizations). Space was so limited the poets reading had to stand on a table at their end. That was also where anyone going to sit behind any of the tables had to enter the area. Sisters in Crime had their booth at the other end. So if I didn’t want to hop the table to get out and chat, I had to maneuver over to the other end, avoid the poet on the table, slither out and walk to the end where I stood and chatted.

I was selling both books as two for one price (and made sure I had the individual prices listed on my price sheet to show the difference). That worked for sales, including to a lady who said she had to run into the building behind to the ATM and would I be there? Of course, I would.

During all this I was trying to find and keep track of two old friends (who didn’t know each other at that point). One found me over at the Crime Writers booth but the other didn’t find me until the end of my stint at Sisters in Crime. But both kept busy going to booths, chatting and collecting info. The latter friend got steered to me by another mystery writer the friend had seen and heard at a previous Crime Writers of Canada library reading.

Which brings me to Runnymede library branch and Tuesday night. Despite rain, we got a good number of readers who filled the library program room. And it was one of the better author presentations by some of us from Crime Writers of Canada – Rob Brunet, Karen Blake-Hall, Madeleine Harris Callway and me. We talked about our books, often putting in humour, telling stories of how we got our stories settings, how we got our stories, did a little reading from our books and then opened it to questions.

It was really like chatting with old and new friends.

And yes, I sold more books – the package deal again and was really rewarded more by one author purchasing when she said “I really like your writing.” Mind you she has attended some of my writing workshops at library branches and I probably read something I had written there.

So, what’s the morale here to promote books? Get involved with your audience, entertain, and offer good deals with your books.

Cheers.

Sharon A. Crawford

Cover of Sharon A. Crawford's mystery short story collection. Click on it for publisher's website

 

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On the book promo road again

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The presentation at Woodbridge library last Thursday evening was another one of those magical evenings where readers and authors connect. So much so we could have gone long beyond the end time.

Rosemary McCracken, Nate Hendley and I did our separate mini-presentations, each ending with a short reading from one of our books. Nate sat between us “the thorn between the roses” is the way he put it. Maybe, but not the author, more for what he writes – true crime. Nate talked about how he started writing books and sort of “fell” into writing about criminals and now also those wrongly convicted like Steven Truscott. Nate also read an excerpt from Steven Truscott: Decades of Injustice (Five River Publishing, 2012)

Rosemary talked about her mystery series featuring financial advisor Pat Tierney and the issues writers of book series have to face. She also discussed how writing contests have helped her get her stories (yes, she also writes short stories) published – something writers shouldn’t ignore. Rosemary read the beginning of her first Pat Tierney novel Safe Harbor (Imajin Books, 2012)

I talked about my series characters – but not from the writing a series viewpoint, but where some of them came from and the location and time period for the Beyond stories featuring the fraternal twin PIs Dana Bowman and Bast Overture and how both affect my research. I also covered a bit of the research I do and read the beginning Prologues from Beyond Blood.(Blue Denim Press, 2014)

And then we turned it over to the audience. Lots of questions – from research to journalism – I got the question on the latter to my surprise because I’m the former journalist and Nate and Rosemary continue working as freelance journalists. The questions turned into a real dialogue among authors and readers. Like we were chatting in a living room – well a somewhat large living room. Afterwards, some of the readers came up to the table to chat more with us and to buy a few books.

And some of us Crime Writers of Canada authors are going to do it again next Tuesday, Sept. 29, 6.30 p.m. to 8 p.m., this time at a library in Toronto’s west end – Runnymede branch. This time the authors are Rob Brunet, Karen Blake-Hall, Madeleine Callway and myself. No true crime, but three of us (Rob, Madeleine and I) all had our first novel published in the second half of last year. Karen writes sizzling suspense-romance. The presentation is free so if you are in the Toronto area, please come – exact address is 2178 Bloor Street West, Toronto, ON. I’m not going to put the library link because as I found out in my other blog http://www.onlychildwrites.wordpress.com) posting on Tuesday, the link for that memoir writing workshop I was teaching Tuesday evening has now disappeared. Fair enough. The workshop is done and over with. So, for now you can check out my Gigs and Blog Tours page on this site (click on it at the top). Just remember the link to the Runnymede library blurb will probably disappear after Sept. 29.

And that reminds me – I better add October’s events to this  Gigs and Blog Tours page.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 

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Crime Writing Trio off to York Region again

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The crime-writing trio of Rosemary McCracken, Nate Hendley and myself Sharon A. Crawford are off to yet another library in York Region. In this irregularly scheduled book tour of various York Region libraries, this evening we will hit the Woodbridge Library at 150 Woodbridge Ave. in where else – Woodbridge, Ontario. That’s just north of Toronto. Here’s the blurb about our presentation.

Crime Writers of Canada authors – Nate Hendley, Rosemary McCracken and Sharon A. Crawford have another run-in with crime (between the book covers) coming in September. It is all part of an irregularly scheduled tour of York Region library branches. The “crime” trio will be talking about their books and writing, answering questions from the audience and reading. Nate Hendley writes true crime, Rosemary McCracken writes the Pat Tierney mystery series, and Sharon A. Crawford writes the Beyond mystery series.

I find it interesting doing any crime writing presentation and reading – whatever format we use. This evening one of the librarians will introduce us and we will talk individually about some aspect of our writing. As Rosemary and I both write series mystery fiction, we try to talk about something different in crime writing (besides our book series and character and plots being different). Rosemary will talk about how writers handle writing a series and how writing contests helped market her short stories. I’m focusing on where my characters and plots come from and what, how and why I do the necessary research. Nate writes true crime so that is a whole different perspective,

Rosemary is driving us there and we plan to arrive a bit before the whole presentation starts at 6.30 p.m., going to around 8 p.m. We will have copies of our books, so if you are in the area (I know not all reading this post are), please drop in. It is free and promises to be entertaining.

Our photos and links to our websites/blogs appear below.

Cheers.

Sharon A. Crawford

Rosemary McCracken author of Safe Harbor and Black Water mystery novels

Rosemary McCracken author of Safe Harbor and Black Water mystery novels

https://rosemarymccracken.wordpress.com/

 

Nate Hendley true crime writer

Nate Hendley true crime writer

http://www.natehendley.com/

Sharon A. Crawford reads from her Beyond series

Sharon A. Crawford reads from her Beyond series http://www.samcraw.com

 

 

 

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Creating Eccentric Fiction Characters

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Can eccentric characters come across as too eccentric? How does this affect your story?

Eccentric means “tending to act in strange or unusual ways,” according to the Merriam-Webster online dictionary.

How strange is strange? How unusual is unusual?

Let’s take a step back. We writers don’t want wooden characters – characters who act normal and live boring lives. Often these characters are stereotypes – the police officer who drinks a lot of coffee and eats donuts, the prostitute with the heart of gold. You get the picture. Readers don’t like the stereotype, the norm. It bores them and they may stop reading the story.

So we create eccentric characters. Sometimes these eccentric characters can go off the walls and distract readers from the story. Readers may also dislike the characters. Think about some of the sit-coms currently on TV. The old Jerry Steinfield TV show had eccentric characters, but it worked. Some of today’s just don’t. Just check out the ones that don’t last more than a season or perhaps not even a season. Viewers can’t connect to the sit-com’s characters,

Think Agatha Christie for eccentric characters such as Hercule Poirot and Miss Marple. When you strip away their eccentricities you find each has a core ordinary connection to living. Hercule Poirot is a private detective and Miss Marple is a meddling old lady. These are common characters in everyday life.

In my novel Beyond Blood and in my short stories in Beyond the Tripping Point I have eccentric characters. I try to keep their eccentricity not too far out there, although I do wonder about the mother in “For the Love of Wills.” However, the characters in the four linked stories who also appear in Beyond Blood are what I call distinctive eccentric characters. Each is, to borrow the hackneyed phrase, “their own person,” from the stuttering police DetectiveSergeant Donald Fielding who occasionally suffers from migraines to my meddling old lady – Great Aunt Doris. She is old-school and anything that is modern she tends to turn her nose down at – the gay twin PI Bast and his fraternal twin sister Dana’s status as working mother of a small boy.

Yes, you could say that these characteristics are often part of old ladies. So, I take these and work them in with how Doris relates with the other main characters, Dialogue plays a big part here. So does action. Doris really loves Dana’s son David and he seems to get along with her. Doris, also is the one who takes care of Madge, after her daughter Debbie is murdered. But I have added another eccentricity to Doris. She always lands on Dana, David and Bast at the most unexpected and inconvenient times. In Beyond Blood, she knocks on their door at 3 a.m. while police are there investigating a break and enter.

Bottom line with me? Create all characters as individuals – no two are alike (even the twins are different, but they are also fraternal twins, so don’t even look alike). Stay away from the stereotype; just don’t go to the opposite of extremely eccentric. You may just come up with interesting eccentric characters who work with and in your plot.

And please your readers to the point where they look forward to reading more about them and their adventures in your next book.

Cheers,

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 

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