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Crime Writers talk crime at Yorkville library tonight

22 Oct
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Crime can pay – at least between the book covers. Maybe not in big sales to make authors rich. But in authors connecting with each other and with readers.

That is set to happen this evening as four of us crime writers from Crime Writers of Canada – Rosemary Aubert, Robert J. Hoshowsky, Nate Hendley and me Sharon A Crawford will be talking about how we either create crime or tell it like it is. For the first time with me involved, there are two true crime reporters – Robert and Nate. Both write different aspects of true crime and both got into doing so in different ways.

On the fiction side, both Rosemary and I write series novels – hers is the award-winning Ellis Portal series. What’s interesting about Rosemary’s books is the first five were published by a large trade publisher, and at the beginning of this year she went with a small independent publisher.

I write the Beyond mystery series and am published by a small trade publisher – no awards yet, but I’m working on it.

Here are the details about the four of us and our presentation this evening.
Nate Hendley

Nate Hendley is a Toronto-based freelance writer and author of several books, primarily in the true-crime genre. Decades of Injustice, a hard-hitting look at the wrongful conviction case of Steven Truscott, is his latest book from a Canadian publisher. His website can be found at www.natehendley.com

 

Robert J. Hoshowsky

Robert J. Hoshowsky is the author of two True Crime books, including the Arthur Ellis-shortlisted The Last to Die: Ronald Turpin, Arthur Lucas, and the End of Capital Punishment in Canada and Unsolved: True Canadian Cold Cases, which inspired Maclean’s magazine to publish an entire special issue on famous murder cases. His extensive research on the last men executed in Canada has sparked an interest in the Lucas case, which is currently being investigated to determine if Lucas’ death sentence can be posthumously overturned, for the first time in Canadian history.

 

A former Researcher-Reporter at Maclean’s magazine, he has also contributed to top-rated television programs, including the Canadian version of Who Wants to be a Millionaire. His investigative work has been published in over 100 magazines and newspapers worldwide.

 

Much of Robert’s recent work can be found in Serial Killer Quarterly, where he has profiled such infamous murderers as Jeffrey Dahmer, Britain’s John Christie, Leonard Lake and Charles Ng, and Sheila Labarre.

 

Rosemary Aubert

Rosemary Aubert is the author of eighteen published books, the most recent being Don’t Forget You Love Me, the sixth in the acclaimed Ellis Portal mystery series, set in Toronto and featuring a formerly homeless judge and reluctant solver of murders. Rosemary is a popular teacher, presenter and mentor.

 

Sharon A. Crawford

 

Sharon A. Crawford, a former journalist, is a freelance memoir and fiction writer, writing consultant and instructor, and editor. Sharon is the author of the Beyond mystery series, the short story collection Beyond the Tripping Point (Blue Denim Press, 2012), and her latest novel Beyond Blood (Blue Denim Press, Fall 2014). She teaches writing workshops for Toronto Library branches. She belongs to Crime Writers of Canada, Sisters in Crime, The Toronto Heliconian Club and runs the East End Writers’ Group. Her hobbies: reading, walking and gardening act as catalysts for her next novel.

An Evening of Crime at the Yorkville Library

Thursday, Oct 22, 2015

6:30 p.m. – 8:00 p.m.

Four Canadian crime writers read from their latest works: Rosemary Aubert, Sharon Crawford, Nate Hendley,and Robert J. Hoshowsky. Sharon Crawford will interview the panel and a question and answer period will follow.

No registration required.

Yorkville Library Branch (Program Room)
22 Yorkville Ave., Toronto, Ontario.

If you are in the area this evening, please drop in.

Meantime, I have to go over the questions I’m asking the panel and make sure I’m on the ball with my answers too.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 
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Posted by on October 22, 2015 in Author Reading, Beyond Blood, Book Promotion, Crime Writing, Public Libraries, Sharon A. Crawford, Toronto Public Library, Uncategorized, Writing

 

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When readers relate to authors’ characters

15 Oct
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Dana Bowman, the main character in my Beyond mystery series is making herself known.

Another author who read Beyond Blood compared Dana’s situation as the mother of a lost son to a non-fiction book dealing with a mother losing her son. Mind you, David, Dana’s son is lost in the sense that he is kidnapped. But both mothers suffer anguish and go through much emotional turmoil.

Others have picked out Dana’s offbeat sense of humour and being a likeable character.

All indications that readers are identifying with Dana.

Getting readers to identify with your novel’s characters – main character in particular, but also the other characters is one of the challenges for writers. But no matter what the fiction genre readers want more than just a good plot – they want to connect with your characters. Perhaps the daytime soap operas or the old night time TV soaps started this. However, even other TV series, police, etc. have a running thread for each character.

If readers can’t identify with your characters, you will lose them. They won’t enjoy your book as much or at all and may give up on it.

So what makes fiction characters compelling?

Liking the character isn’t absolutely necessary, but remember that most people are not all good or all bad. And even so-called good characters can come across as somewhat off. Maybe they are too good-two shoes. Maybe they are too superficial. The dreaded wooden characters.

So, in a nutshell, you have to make your characters compelling – by making them three dimensional – with dialogue, their inner thoughts, and their actions. You need to compel the reader to get under the character’s skin and if not emphasize with them, at least be with them.

Besides your novel’s characters getting a mention from readers, another good sign of compelling characters ix when readers read they want to find out what happens to the main character because they care. When they sense something terrible is going to happen to a character they keep reading, hoping both that it won’t happen and that it will. And when it does, they feel right with the character and read on to see if the character can come through the situation.

Of course, some of this is plot. But these days you really can’t have one without the other.

Besides my Beyond books, read fiction by Peter Robinson, Rosemary McCracken, Rosemary Aubert and Maureen Jennings to name a few.

And happy reading.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available;

And check my updated Gigs and Blog Tours for a presentation with other Crime Writers of Canada authors on October 22, 2015

 

 
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Posted by on October 15, 2015 in Beyond Blood, Blue Denim Press, Characters and plot in fiction, Credible Fiction Characters, Fiction Characters, Plot and Characters, Sharon A. Crawford, Uncategorized, Writing

 

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Don’t rush your writing

08 Oct
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

We writers all seem to have deadlines with writing our novels or short stories. Sometimes it is the publisher’s deadline, sometimes our own. So we fret and hurry through writes and rewrites and maybe don’t write our best.

Last Saturday I had a heart-to-heart talk with the acquisitions editor at Blue Denim Press (publisher of my Beyond mystery books). Shane had a big piece of advice – Don’t rush the writing.

If you rush it, you’ll miss things, make errors and your writing will come across as hurried. This is mostly me speaking, but including some of what Shane and I discussed. Note: Shane is also a published fiction author. Both of us have missed things because of writing in too much of a hurry. His error is his business, but it was caught in time before all print copies of his new novel In the Shadow of the Conquistador were done for the book launch, etc.

I’ll tell you my stupid error – it is in the current Beyond book (third in the series), I am writing – apparently too fast because of time constraints (too much else going on in my life – the writing, editing and instructing business, health, house, social, etc.) Anyway for  those familiar with my Beyond books, they are set in the late 1990s, although this third one gets my fraternal twin PIs, Dana Bowman and Bast Overture into the beginning or 2000.

Which is neither here nor there with my writing error. In one scene Bast goes to the Toronto Reference Library to look up old addresses in the Toronto Might Street Directory. So, I had him go to the library’s former address – now the University of Toronto Bookstore. Why? I had done research there and for some reason the decade  that I did so got lost in my brain, so hence my date mixup.

I had gone there in the early 1970s. Bast went to the Toronto Reference Library in late 1999. This newer (and current) TRL location opened in 1977. My error arrived in my brain weeks after writing it, as often happens when not actually writing. You can bet I made the change next time I turned on the computer.

That is only one of the many things that can suffer if you write too fast. Try to pace yourself and make more time for your writing – either in the time spent each day/week or the whole time (months/years) spent.

If you do that, when your publisher accepts your manuscript and you sign that contract, you won’t have to worry so much when the publisher suggests some changes.

And often publishers have tight deadlines.

I am constantly trying to prioritize my life – including dumping things, saying “no” more often and putting some people and things on hold.  Still an uphill battle, but I try. And I need to try to relax more.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 
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Posted by on October 8, 2015 in Beyond Blood, Beyond the Tripping Point, Blue Denim Press, Rewriting Fiction, Sharon A. Crawford, Time Management for Writers, Toronto Public Library, Writing, Writing Time

 

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Book Promo trick learned at festival and library

01 Oct
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

It has been a hectic few days with my Beyond Books at two booths (not during the same hour) at Word on the Street last Sunday and Tuesday evening at the Runnymede Toronto Public Library Branch.

Very interesting – great to meet readers and other writers and chat. And I also learned and applied a new sales technique (new to me) that worked, so much so that I have to order more copies of my first published Beyond book – Beyond the Tripping Point from my publisher and he in turn has to order more from the distributor. This book was published three years ago. And we’re talking print copies, not e-copies. So there is still steam in the “old” book and the “old” book copy option.

So what happened?

I’ve been attending the Word on the Street Festival, Toronto version almost every year since it began, often selling books or passing out info about writers’ organizations or both. This year it changed venue for the third time.This year it was at Toronto’s Harbourfront Centre beside Lake Ontario. It was a hot summer day (yes, I know it is fall), sunny and very pleasant. So were most of the people there and the venue setup – closer together and also specific areas to sit and rest your feet and your a.. well you know what.

At WOTS I had an hour each at two booths selling Beyond Blood and Beyond the Tripping Point as well as handing out business cards and flyers for two more of the venues I would be at this fall, and chatting about my books with people who pass by. Very important. You don’t just sit there and smile because not everyone is going to stop unless you approach them. “Do you read mystery novels?” became my ice-breaker and if the answer was “yes” (about two-thirds to three-quarters of the time), I was off talking about my Beyond books and holding up copies as I talked. I was at the Crime Writers of Canada booth first and then Toronto Sisters in Crime. Despite the crowded quarters of the latter (in a booth at extended tables with other writing organizations). Space was so limited the poets reading had to stand on a table at their end. That was also where anyone going to sit behind any of the tables had to enter the area. Sisters in Crime had their booth at the other end. So if I didn’t want to hop the table to get out and chat, I had to maneuver over to the other end, avoid the poet on the table, slither out and walk to the end where I stood and chatted.

I was selling both books as two for one price (and made sure I had the individual prices listed on my price sheet to show the difference). That worked for sales, including to a lady who said she had to run into the building behind to the ATM and would I be there? Of course, I would.

During all this I was trying to find and keep track of two old friends (who didn’t know each other at that point). One found me over at the Crime Writers booth but the other didn’t find me until the end of my stint at Sisters in Crime. But both kept busy going to booths, chatting and collecting info. The latter friend got steered to me by another mystery writer the friend had seen and heard at a previous Crime Writers of Canada library reading.

Which brings me to Runnymede library branch and Tuesday night. Despite rain, we got a good number of readers who filled the library program room. And it was one of the better author presentations by some of us from Crime Writers of Canada – Rob Brunet, Karen Blake-Hall, Madeleine Harris Callway and me. We talked about our books, often putting in humour, telling stories of how we got our stories settings, how we got our stories, did a little reading from our books and then opened it to questions.

It was really like chatting with old and new friends.

And yes, I sold more books – the package deal again and was really rewarded more by one author purchasing when she said “I really like your writing.” Mind you she has attended some of my writing workshops at library branches and I probably read something I had written there.

So, what’s the morale here to promote books? Get involved with your audience, entertain, and offer good deals with your books.

Cheers.

Sharon A. Crawford

Cover of Sharon A. Crawford's mystery short story collection. Click on it for publisher's website

 
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Posted by on October 1, 2015 in Author Reading, Beyond Blood, Beyond the Tripping Point, Book Promotion, Characters and plot in fiction, Plot and Characters, Sharon A. Crawford, Toronto Public Library, Writing

 

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Creating Eccentric Fiction Characters

10 Sep
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Can eccentric characters come across as too eccentric? How does this affect your story?

Eccentric means “tending to act in strange or unusual ways,” according to the Merriam-Webster online dictionary.

How strange is strange? How unusual is unusual?

Let’s take a step back. We writers don’t want wooden characters – characters who act normal and live boring lives. Often these characters are stereotypes – the police officer who drinks a lot of coffee and eats donuts, the prostitute with the heart of gold. You get the picture. Readers don’t like the stereotype, the norm. It bores them and they may stop reading the story.

So we create eccentric characters. Sometimes these eccentric characters can go off the walls and distract readers from the story. Readers may also dislike the characters. Think about some of the sit-coms currently on TV. The old Jerry Steinfield TV show had eccentric characters, but it worked. Some of today’s just don’t. Just check out the ones that don’t last more than a season or perhaps not even a season. Viewers can’t connect to the sit-com’s characters,

Think Agatha Christie for eccentric characters such as Hercule Poirot and Miss Marple. When you strip away their eccentricities you find each has a core ordinary connection to living. Hercule Poirot is a private detective and Miss Marple is a meddling old lady. These are common characters in everyday life.

In my novel Beyond Blood and in my short stories in Beyond the Tripping Point I have eccentric characters. I try to keep their eccentricity not too far out there, although I do wonder about the mother in “For the Love of Wills.” However, the characters in the four linked stories who also appear in Beyond Blood are what I call distinctive eccentric characters. Each is, to borrow the hackneyed phrase, “their own person,” from the stuttering police DetectiveSergeant Donald Fielding who occasionally suffers from migraines to my meddling old lady – Great Aunt Doris. She is old-school and anything that is modern she tends to turn her nose down at – the gay twin PI Bast and his fraternal twin sister Dana’s status as working mother of a small boy.

Yes, you could say that these characteristics are often part of old ladies. So, I take these and work them in with how Doris relates with the other main characters, Dialogue plays a big part here. So does action. Doris really loves Dana’s son David and he seems to get along with her. Doris, also is the one who takes care of Madge, after her daughter Debbie is murdered. But I have added another eccentricity to Doris. She always lands on Dana, David and Bast at the most unexpected and inconvenient times. In Beyond Blood, she knocks on their door at 3 a.m. while police are there investigating a break and enter.

Bottom line with me? Create all characters as individuals – no two are alike (even the twins are different, but they are also fraternal twins, so don’t even look alike). Stay away from the stereotype; just don’t go to the opposite of extremely eccentric. You may just come up with interesting eccentric characters who work with and in your plot.

And please your readers to the point where they look forward to reading more about them and their adventures in your next book.

Cheers,

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 
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Posted by on September 10, 2015 in Beyond Blood, Beyond the Tripping Point, Credible Fiction Characters, Plot and Characters, Short Story Collection, Uncategorized, Writing

 

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When to rewrite your novel

03 Sep
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

When do you rewrite your novel? As you go along? After each chapter? After a few chapters? Or when you complete the first draft?

If you rewrite after you go along, it can slow down finishing the novel’s first draft. You are constantly changing words, thinking of better words or phrases, deleting scenes, and on and on. You may easily lose your train of thought. The best way here is to keep on writing and if you just can’t come up with a better word or phrase, do as I do put “word” in brackets. Bold or red it if you like.

After each chapter or a few chapters? Yes, and no to rewriting. Most, if not all of us will not finish a novel in one sitting, so you are going to have to go back to it constantly. This will involve reading at least the previous chapter. or at most, the chapters written in your last writing session. During this time, I do make a few word changes or even scene changes. The latter often comes from getting a better idea – either between the last writing session and this one or as I read. Or sometimes the main characters from the Beyond series take over with what they think is best. Dana Bowman,one of the fraternal twin PIs is definitely good at this. But other characters, such as her brother Bast Overture, also speak to me. This can be a good thing because maybe you stopped writing when you reached an impasse or you knew something you had just written didn’t make sense to your plot and/or what your characters would do.

To continue last week’s post on outlining or not. I mentioned that I constantly go up and down the screen to fix inconsistencies. So that means I do some rewriting as I go along there. I find if I don’t fix the inconsistency when I and/or my characters figure out how to do so,  it will affect the rest of the plot. SometimesI have to add something – such as bringing in some of the characters’ suspicious’ actions so when I out them as guilty of something later on it doesn’t hit the reader in the face, leaving them wondering “Where did that come from?” “Or “there was no indication of this earlier on.”

So to answer the question, yes, I do some rewriting as I go along – but after I’ve written a few chapters – but I will also do several rewrites after I finish the first draft.

The process is all subjective – whatever works for the individual writer.

How and when do you rewrite your novel?

Comments?

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 
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Posted by on September 3, 2015 in Beyond Blood, Blue Denim Press, Characters and plot in fiction, Plot and Characters, Rewriting Fiction, Sharon A. Crawford, Writing

 

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Writing an outline or not for your novel?

27 Aug
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Do you painstakingly outline your characters every move and every plot development in your novel before you write it? Or do you jump right in and write from your idea of plot and characters? With a series (like my Beyond Blood series) the second option is modified as you already have your main characters – they just need further development.

I do a little of both and by that I don’t mean outlining to the last detail what is going to happen. I start with an idea and some new characters and start to type in an outline. But something happens as I do this. The darn story wants to be told so I involuntarily switch to writing mode.

Not that I’m through doing outlines. Far from it. I have had to stop and think between writings what could happen next. I say “could” because characters and situations change (like people in real life situations). And being anal and sticking to the original plan is often not in the best interest of the novel. This is creative writing – fiction.

Because a few things happen when you are in creative writing land. You get better ideas and characters like to take over. Listen to them. Some original plot ideas may not work out. Some characters need fleshing out and/or need to be connected to the story more, particularly what I call the “guest characters” as opposed to the series regulars.

I tend to write complicated plots and am constantly going up and down the screen to fix inconsistencies. I do have a list of inconsistencies and also a list of what I call “Balls being juggled in the plot.” The latter refers to what evolves as I write, but they must be worked out in the story telling. Let no story thread be left well, unthreaded.

One thing readers hate is if some plot development is left hanging at the end of the novel. I’m not referring to continuation of series characters’ private lives – for example relationships that have formed in the novel and may continue in your next novel. If Alice and Joseph start dating in your novel, you don’t have to marry them off at the end of the novel. Leave that open-ended one way or the other as anything can happen in the next novel. But if you have a subplot that is a red herring (part of the criteria for mystery novels), you better resolve that one.

So I ask you again – how do you write – from an outline or by the seat of your pants?

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 
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Posted by on August 27, 2015 in Beyond Blood, Blue Denim Press, Characters and plot in fiction, Credible Fiction Characters, Crime Writing, Plot and Characters, Sharon A. Crawford, Writing

 

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Promote your book alone or with other authors?

20 Aug
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Do you join with other authors to promote your books? Or are you the lone wolf? I do both and there are pros and cons for each.

With other authors – to use a variation on an old phrase – there are benefits in numbers. If three or even five authors band together to do a reading or some sort of presentation, it can draw in some readers that might not otherwise attend your presentation alone. Not to belittle your book, but we all have preferences for books we read. In the crime genre there is fiction and non-fiction. So by mixing it up with a variety of sub-genres, you can draw in more people. They may not know you or your books but they will find out. The trick is to be friendly, knowledgeable and interesting. Panels with q and a and a bit of author reading work best I have found. And when readers congregate at the author table at the end, there is a good chance they will be purchasing books. Yours might be one of them. Just don’t push it. And you get to meet a bunch of authors writing in the same genre and learn from each other.

Going it alone is a good idea if you want to focus on a particular subject that your book deals with – that could be writing series characters, especially if some appear in short stories as well as novels. Or if you want to talk about particular issues that are in your book and use your book and its story as an example. Beyond Blood covers child kidnapping, serial killers, fraud and abortion pill issues. Although Beyond Blood is set in August 1998, the abortion pill in the novel is still illegal in Canada.

Lots of fodder for thought there. You may also have a specific type of crime writing workshop and use your book for examples.

Then there is the honey of all solo presentations. When the person in charge of the venue – whether library, cafe, pub or festival – asks you to come and do a presentation. The latter has happened to me a few times with Beyond Blood and yes, I have sold book copies. I will be doing it again Sept. 3 (see the Gigs and Blog Tours page).

Just remember not to come on as a salesperson. You are there to primarily entertain and of course underneath all that, hopefully sell some books. But if you stand up (or sit at a table) like some of these motivational speakers continually pitching their courses, you won’t sell a book.

My thoughts anyway.

What do you think?

Cheers.

 

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 
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Posted by on August 20, 2015 in Author Reading, Beyond Blood, Blue Denim Press, Crime Writing, Series Characters novels and short stories, Sharon A. Crawford, Short Story Collection, Writing

 

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More tales from the book marketing trenches

13 Aug
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

I continue with marketing my mystery novel Beyond Blood into bricks and mortar bookstores. And I keep in mind the possibility of book returns and loss in royalties. So I’m not exactly bombarding bookstores. However, I am plugging along to visit the bookstores on my list. At least I’m organized – after a fashion.

Yesterday I popped into another Indigo Bookstore, this one mid-town going north in Toronto. As usual I prepared in my head what I planned to say.

It didn’t go exactly that way. But it doesn’t help if you (read me) have some health issues acting up when you are talking to the bookstore manager. Mine is an on-again off-again (mostly on it seems) sinusitis infection that sometimes goes down lower to glands. It makes me tired sometimes – I also don’t get enough sleep some evenings because late at night I suddenly decide I have a lot of house-related stuff I just have to do and get to bed late. Obviously it is important to be organized in your personal life as well.

So what did happen? First the manager thought I was trying to get the book in on consignment and said no openings for that until next April. I had managed to remember to introduce myself, my publisher and that the book is not self-published. I also mentioned what other branches in the chain it was in and BB wasn’t on consignments there and they just ordered from the distributer. Still not exactly clear because yours truly forgot one important point. Beyond Blood is for sale on line at this bookstore chain. Magic words. He was interested. I also said I do book signings, but he said that branch doesn’t do that anymore because they don’t get the people like they used to. Different demographic now. We talked about a couple of other branches, but I did agree with him. So he took my business card (with the info – including photos of the book covers and one of me – thanks to my son’s design, and web links to more). I got his contact info.

So, we shall see.

Meantime I keep watch on the other bookstores handling Beyond Blood and also book more library gigs where I can read and present and sell books directly. It is also a good way to connect with readers. I have a new one September 3 on my own at Brentwood Library branch in Toronto. Will get that one in the Gigs and Blog Tours page on this blog shortly and also my website www.samcraw.com. Also organizing one with other Crime Writers of Canada in another library branch for late next March. And there will be another bookstore CWC one outside Toronto in late November.

You have to keep plugging and don’t give up.

But get lots of sleep and scrap those late-night house chores.

 

Meantime, if you are in the Toronto area, check out the big Indigo Bookstore in the Manu-life Centre. As of yesterday there was still a copy there. Or go to their online ordering. Print copies and e-copies – Kobo – available (among other places) at https://www.chapters.indigo.ca/en-ca/home/search/?keywords=Beyond%20blood%20and%20Sharon%20A.%20Crawford And if you want e-copies in either Kindle or Kobo go to my publisher, Blue Denim Press, at http://bluedenim.skemantix.com/books/beyond-blood/

 

Happy reading.

 

Cheers.

Sharon A. Crawford

 
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Posted by on August 13, 2015 in Author Reading, Beyond Blood, Blue Denim Press, Books into Bookstores, Sharon A. Crawford, Writing

 

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Criminals and historical figures on CWC panel

30 Jul
Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The bad guys and history guys weren’t there in person. But five of us from Crime Writers of Canada – Rosemary McCracken, Steve Burrows, Sylvia Warsh, Nate Hendley and I told tales of crossing paths with the above and more in our research to write that perfect mystery novel or true crime story.

Rosemary moderated the panel which gave me a breather from that function so I would just have to show up and answer questions. But apparently I had trouble finding the Fairview library branch, or rather the exit from Fairview Mall, where I had to run a few errands first (like glasses cleaner, very important to be able to see through your glasses to read from your books). And I’ve been at this library before and had no trouble then going from the mall across the parking lot to the library. This time I couldn’t find the right exit or even the right level of the mall. Finally I asked at the Guest Service booth.

We had a good audience turnout. Rosemary got us panelists talking and the stories that came out. Sylvia’s Dr. Rebecca Temple mysteries are set in 1979 Toronto, but Find Me Again also goes back in time to Catherine the Great. She did most of her research on the Internet. You can’t exactly interview Catherine the Great. Nate, who writes about true crime (Crystal Death), has met the criminal element – bikers and the like. Rosemary, whose protagonist Pat Tierney is a financial advisor (Safe Harbor), writes about finances as a journalist, so has information and connections there. Steve writes the Birder mysteries (A Siege of Bitterns), so birding features in his novels (Steve is a birder), but he had to do some police research. My Beyond books (Beyond Blood) are set in the late 1990s (so far, the third one I’m working on goes into the twenty-first century). As mentioned in last week’s blog post (https://sharonacrawfordauthor.com/2015/07/23/researching-mid-stream-for-your-novel/), I have a police consultant and have to keep any police procedure in that time period. I also have to be careful with technical devices. No social media. Internet connection was via dial-up until late fall 1999, cellphones were just that and they folded closed and had antennae. But there was email and that figures in my Beyond books. In this third one I write, I may have to talk to a psychic, so that should be interesting.

We also read excerpts from our books and answered questions on marketing your book.

Authors and audience connected so well, we had to be reminder by the librarian that it was time to leave.

In August I take a break from actual gigs. So will be spending more time researching and writing that third Beyond book. With a bit of final arrangements for fall presentations and readings. It promises to be a busy fall. Check out the Gigs and Blog Tours page on this blog and also my website http://www.samcraw.com/ for updates as I get them in there.

Meantime, the photo at the top of this post still connects to where you can get e-copies of Beyond Blood and Beyond the Tripping Point. Print copies available (among other places) at https://www.chapters.indigo.ca/en-ca/home/search/?keywords=Beyond%20blood%20and%20Sharon%20A.%20Crawford

Cheers.

Sharon A. Crawford

 
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Posted by on July 30, 2015 in Author Interviews, Author Reading, Beyond Blood, Book Promotion, Plot and Characters, Public Libraries, Research for fiction, Sharon A. Crawford, Toronto Public Library

 

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