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Beyond Blood another book review on Goodreads

Hi all:

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Another review of Beyond Blood, this time by literary novelist Christopher Caniff, has been posted to my Goodreads account. Here’s the review and some links afterwards.

 

Sharon Crawford’s latest novel Beyond Blood is a story of murder, kidnapping, fraud, and abortion with a varied cast of characters led by an undercover security guard at Toronto’s Thurston Mini-Mall, Dana Bowman. To call this book a simple murder mystery would not initiate an expectation of this plot’s complexity. When Dana plans to start the Attic Investigative Agency in August of 1998 with her fraternal twin, Bast Overture (a former crime reporter), a series of events unfold which begin with a mall kidnapping, two others having occurred recently at other malls in Toronto, and the abduction of Dana’s son David at the agency’s opening ceremony. David’s babysitter Debbie Sangwell is found lifeless with a knife in her back. Dana leaves her job at the mall to work with police detectives Harker and Fielding and investigate the murder, as well as a seemingly unrelated string of burglaries, and in the process to find her son.

Frustrating and complicating her search are the Mini-Mall merchants Lois and Ray Chalmers, Dana’s ex-husband Ronald, her ex-lover Gordon Lambton, and her Great Aunt Doris. The loss of two of her friends and her aunt also cause difficulties as Dana continues to seek to elucidate the reason for all of the apparently unconnected events occurring around her. A television reporter, Charles Haas, is ever-present and confronts Dana and Bast about the burglaries and kidnappings. There are ransom demands made by the kidnappers as enquiries into a past hit-and-run become important.

As she progresses in her increasingly emotional exploration for answers to her son’s whereabouts, her past job becomes significant and illuminates information she would not have otherwise obtained. As Bast knew, “Dana was the one who wore her emotions on her sleeve. He was the twin who held it in.” This is shown throughout the novel and becomes central during confrontations both on land and, toward the end of the novel, on the water at Snow Lake Harbour.

The novel is told with the alternating first person viewpoint of Dana, and the third person stories of Bast, David, and the mysterious “him” produce a complex weaving of interrelationships that enriches the world these characters populate. While I do not normally read this genre, I would recommend this novel to both seasoned mystery readers and novices alike.

 

Thanks you Christopher. Here is the link to our Goodreads pages

Sharon A. Crawford

Christopher Caniff

Wishing all of you a Merry Christmas or whatever you celebrate and a good 2016 with lots of writing.

Cheers.

Sharon A. Crawford

The book cover at the top links to Beyond Blood and Beyond the Tripping and my author profile on amazon.com

 

 

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Book promo through acting?

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channellng Dana Bowman from Beyond Blood

If you are a published author, you might want to try something else besides reading from your book to entertain and possibly sell book copies.

When I present with three or four other Crime Writers of Canada authors, we don’t just stand there and read. We have found that reading only bores the audience and we don’t really connect with them. So, we get a lively panel discussion going with one of us moderating. Sometimes we have prepared questions which we all answer – or some variation of the questions when we have true crime and fiction writers. Sometimes we each take turns talking about something connected to our writing – maybe writing series novels, research for true crime books. In both setups we welcome lots of questions from the audience.

And that gets the lively discussions going and what you have is writers and readers connecting.

Some of us venture out into more creative outlets. I know one crime writer who has actors play out scenes from her books. Another one has conducted mystery tours in Toronto. And I have started acting (in my old age, no less, portraying someone 25 years younger than me).

As mentioned in last week’s post, I now do brief skits, dressed up as my main Beyond Blood character Dana Bowman. In most of the scenarios – and I do vary them each time – Dana disses me, her author. That can include some quirky personal habits and writing habits. Dana, of course, claims to write her novels. But she does give me credit for getting her character down pat. I take a humorous tone and keep it to 10 minutes.

So far, i.e., two times it has gone over very well. One person in the audience (also a writer) said that my character just jumped out of the book. And the editor at my publisher’s was so enthused, he and I are planning on doing skits together starting in spring 2016.

And yes, it helps sell books.

Maybe I’m a ham at heart. Seriously, it might be a good idea for you to do something else besides read to promote your books. Do something unexpected; catch your audience off guard and at the same time connect with them.

I do one more Dana skit this year, tomorrow, Dec. 4, 2015 for a fundraiser for Syrian Refugees. Here is the blurb for that one.

This is a reminder of our upcoming Lifeline Syria Fundraiser.
Writers, musicians, and actors across Toronto are joining forces to raise money for Lifeline Syria (the Toronto-based grassroots organization helping to sponsor l,000 Syrian refugees).
There will be a silent auction including tickets to Soulpepper, spa passes, books, and lunch with Camilla Gibb.
Middle Eastern appetizers and desserts will be available on a pay what you can basis.
Details: Date: Dec 4Time: 6:30pm-l0:00pmLocation: Friends House, 60 Lowther Ave (Avenue Rd/Bloor) Cost: $l0.00

Cheers.

Sharon

 

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Tales – good and bad – from the book promo trenches

Sharon A. Crawford channelling Dana Bowman from Beyond Blood

Sharon A. Crawford channelling Dana Bowman from Beyond Blood. Shane Joseph photo

Still promoting my Beyond books. But when you do this you also need to help other writers promote their books. It is only fair as we are all in this together.

And sometimes that can be fun as the photo at the left shows. Cut line explains it briefly but more on that shortly. First I need to mention the downside as other published authors may run into this, if not with this bookseller, but another one, or two.

Up to last week, my encounters with booksellers have been amicable and polite. All had said they would at least see about carrying my Beyond Blood in their store. One even opted to carry a copy of each Beyond book. A couple of others I have to follow up on but they are part of a big chain, which has been helpful at other branches, so we will see here.

Now the bad and the ugly. I have also been approaching independent bookstores, but the latest venture there has left a sour taste in my mouth. Last week I entered Ben McNally Books in downtown Toronto. I always like to check to see if they already have a copy of my book. Ben McCally Books has a weird book placement system. No books by category – no signs either at the top of the bookshelves. Mystery,science fiction are all placed in with all fiction – alphabetically by author. So be it if that is the way they want to do it – their prerogative.

I approached the owner, Ben McNally about carrying a copy of Beyond Blood. As always, I stated it is not self-published but is published by a small Canadian trade publisher and handed him my business card and now that I have more – a couple of bookmarks. He barely glanced at them and said, ” Sorry, no.” He looked about as sorry as a person arrested who shows no remorse for his crime.

Being a former journalist and naturally curious, I asked “Why?”

He said he didn’t want books by small trade publishers.

So, I three him my kicker:

“Indigo (big Canadian book chain) has them in their stores.”

Then, I turned and left the store.

And you know, there weren’t many other customers in the store. Which says something.

I went directly to the big downtown Indigo store and what a difference. Manager very interested in carrying my Beyond Blood in that Indigo store. Indigo Chapters online has carried both Beyond books from day 1 for each, including print copy and e-copy (Kobo). Also this downtown Indigo bookstore is very busy – lots of customers. Because of the positive response, I bought a book there to give as a gift to a friend.

What goes around comes around.

And that brings me to what goes with the photo at the top.

I have started doing brief skits featuring Dana Bowman, the main character in the Beyond stories. I give Dana instructions to talk about herself and to read a bit from Beyond Blood.

Dana being Dana doesn’t listen. She does talk about herself some – but connects it to talking about me, her author. Dana claims she is instrumental in writing the Beyond stories. Oh, to a certain extent. I’ve been told I’m channelling Dana. I don’t mind her talking about writing and some of my quirks – if related to writing, but she can leave my plants out of it.

And when I say to read, she needs to read from Beyond Blood. And that hair in the photo above, taken by the editor at my publishers at their fall book launch, November 21? Dana has short “boy style hair.” Now she has decided to grow it somewhat. Really?

But the skit went over well at Blue Denim Press’s book launch. I was happy to bring along a few friends and to pre-promote the book launch and the authors launching their books, Shane Joseph and Chris Canniff, including reviewing their books in the two previous posts on this blog. The launch also had a Flamenco dancer and her husband providing the music on his guitar.

The funny thing here is Michael, the husband, used to come to my East End Writers’ Group when he and Lesley lived in my area. So did Shane when he lived in Toronto. And I knew Chrit from Canadian Authors Association Toronto Branch.

See, we writers are all connected, so we need to help each other.

Certain booksellers need to learn that too. Then they might get more business.

Dana Bowman will be making one more appearance before Christmas on Dec.4 and Sharon A. Crawford will have her Beyond books for sale at the Toronto Heliconian Club Art and Gift sale, Saturday, November 28. See my Gigs and Blogs page for more info.

Cheers.

Sharon A. Crawford

 

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Sharon A. Crawford reviews Christopher Canniff’s Poor Man’s Galapagos

Canniff-back-cover-pic-e1442498323960-225x300Here is my review of novelist Christopher Canniff’s book Poor Man’s Galapagos, also being launched by Blue Denim Press November 21, 2015. But first a bit about Chris.

Christopher Canniff is the author of Abundance of the Infinite (Quattro Books, 2012) and the forthcoming Poor Man’s Galapagos
(Blue Denim Press, 2015).
Christopher has been mentored by two of Canada’s top writers, MG Vassanji and David Adams Richards, at the Humber School for Writers.  He is the current President of the Canadian Authors Association Toronto Branch (www.canauthorstoronto.org).
He shortlisted for the 2010 Matrix Litpop Awards for fiction, and he won a short novel contest with LWOT Magazine in Montreal. He has published in Descant Magazine Issue 152 (Spring 2011), and he also shortlisted in the 2012 Ken Klonsky Novella Contest with Quattro Books. He has sold two radio scripts to Falcon Picture Group in Chicago, Illinois, USA for a nationally-syndicated radio program, and he has published with Tightrope Books in Toronto.
Christopher moved to Ecuador to begin writing.  There, he read over fifty books of world literature, learned a new language and culture, and taught English at an Ecuadorian university for WorldTeach, a non-profit and non-governmental organization based at the Harvard Institute for International Development. While in Ecuador, Christopher began work on two novels, one of which became Poor Man’s Galapagos.  He lived briefly in Quito (the country’s capital) and, for six months, lived with an Ecuadorian family in Portoviejo (literally translated, “old port,” a dusty town 30 kilometres from the coast, said to have been relocated from beach dwellings as pirates chased the residents further inland.) Christopher took culture, language and history classes about Ecuador, and worked with Plan International, an organization with the aim of improving Ecuador’s faltering rural education system.  Christopher obtained a Mechanical Engineering degree in 1995 from the University of Toronto, and he is a registered Professional Engineer in the province of Ontario.
He is married to Roxanne, and lives with his son Colin and daughter Abigail in Windsor, Ontario.

Book Review

Christopher Canniff’s latest novel Poor Man’s Galapagos is the coming-of-age story of an 18-year old university student, Tómas Montgomery Harvey. But that’s where similarity to the usual coming-of age novel ends because of the complicated plot Canniff has woven. First there is the setting – a small Ecuador island, Isla de la Plata. The novel is set from August 1987 into 1988. A war between Ecuador and Peru has been ongoing for many decades. Military conscription is mandatory and the bottom line for Tómas is he is afraid to go to war, afraid of being killed. This is first hinted at in the novel’s beginning when Tómas, working with student revolutionaries, does not have the nerve to light and throw a Molotov cocktail at a passing government vehicle.

Friends and so-called friends of Tómas and his father have differing approaches to keep Tómas out of the military. His friend, Juan Carlos, the newspaper editor of the island newspaper and a former lawyer, tries to go the court route with conscientious objection. Edwardo Delgado, a long-time friend of his father, at his father’s wishes, hires Tómas to work as the engineer in charge of the large hotel resort Edwardo is building, which provides a means for Tomas to get a military card and an exemption from military service.

Tómas goes along with both, with disastrous results. As Juan Carlos tells Tómas “What people perhaps should do, and what they actually do, is often very different.” That includes Tómas’ father, the legendary freelance photojournalist, Montgomery Harvey. All his life Tómas has lived in the shadow of his father, always feeling no love from his father, who spent more time travelling for his stories, than with his son and wife, Veronica. As the novel opens, Montgomery has been linked in the press with embezzling funds and after a meeting with Tómas on the beach, he says he is leaving for good. After his father departs, Tómas decides he has to reconnect with him and find his birth mother. Only by choosing his own options, and following through, despite many hurdles, is Tómas able to transition through the murky road of becoming an adult.

The novel is told with the alternating viewpoints of Tómas and Montgomery Harvey, which works well to provide details to the reader, but never revealing too much at a time. To avoid any spoilers, let’s just say that Canniff builds up the plot, piece by piece, keeping the reader’s interest. Although the novel, starts a bit slow (despite that Molotov cocktail), hang in there, it picks up very soon. Your best bet is to keep on reading to the end in one sitting, if possible, like I did while a wind storm occurred outside.

Reviewed by Sharon A. Crawford, author of Beyond Blood and Beyond the Tripping Point

Christopher’s books are available at the usual places such as Amazon and Indigo. He is also on Goodreads.

Christopher’s Website

Christopher’s Blog

For more information about Shane’s books and where they are available go to his publisher’s website.

Christopher Canniff’s book is one of two being launched by Blue Denim Press Saturday, November 21, 2015. For more details, check the flyer below

See you there on Saturday. I’m the guest author.

Cheers.

Sharon A. Crawford

 

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Dana Bowman entertains at East End Writers’ Group

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Dana Bowman, the main character in my Beyond Blood novel took over my presentation spot at the East End Writers’ Group 15th anniversary last week.This is actually my writing critique group and it’s been happening in Toronto’s east end for 15th years – for 13 years at my house, then at a couple of local businesses nearby and finally from May 2014 at the S. Walter Stewart Public Library.

It was a lot of work with a lot of snafus popping up at the last minute – presenters having to cancel – all for good reasons, but I almost went batalistic when one of the two panelists on self-publishing cancelled a week before the event. Fortunately I was able to get another EEWG member with self-publishing experience to fill in and he (Steven Biggs) was awesome. So, was the other panelist (Ellen Michelson).

The presentations were divided into non-fiction, poetry and fiction. Each presenter could do whatever they wanted in their short time-slot. So we had an author interview set up as a letter and reply to and from a Toronto newspaper advice columnist. Another author, who writes opera, did a Power Point presentation (complete with music) on an opera he wrote for a company that involves the homeless in producing and presenting operas. Lots of readings.

And then there was Dana Bowman, my character. I didn’t introduce any of the fiction presenters as I was one of them. For my presentation, instead of only reading from Beyond Blood I decided to dress up like Dana (complete with short hair black wig and cap). So, when I was introduced, “Dana” ran into the room and onto the stage and made some comment that “Sharon can’t make it because an impatient client insisted on speaking to her now.”

Yes, I was channeling Dana – or that was supposed to be it, but it got to the point where well, who was channeling who. Dana completely took over.

But it got everyone’s attention, interest and some laughs.

Maybe I’m a closet actor. At any rate, I plan to take Dana on a sort of tour – well somewhat limited as I have just two  acting engagements lined up: one for Dec. 4 at a fundraiser in Toronto for Syrian refugees. I’ll be posting that shortly on my Gigs and Blogs page connected with this blog and also on my website http://www.samcraw.com.

Meantime, the next couple of postings here will feature my book reviews of a couple of other Blue Denim Press authors – Shane Joseph and Christopher Canniff – who are launching new books at 3 p.m.,  November 21 at Paintbox Bistro  in Toronto. Dana will be doing her skit here too. See below for the launch info.

If you are in the Toronto area then, you are invited to come to this launch.

Cheers.

Sharon

 

Click on Beyond Blood book cover at the top for where it is available.

 

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When readers relate to authors’ characters

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Dana Bowman, the main character in my Beyond mystery series is making herself known.

Another author who read Beyond Blood compared Dana’s situation as the mother of a lost son to a non-fiction book dealing with a mother losing her son. Mind you, David, Dana’s son is lost in the sense that he is kidnapped. But both mothers suffer anguish and go through much emotional turmoil.

Others have picked out Dana’s offbeat sense of humour and being a likeable character.

All indications that readers are identifying with Dana.

Getting readers to identify with your novel’s characters – main character in particular, but also the other characters is one of the challenges for writers. But no matter what the fiction genre readers want more than just a good plot – they want to connect with your characters. Perhaps the daytime soap operas or the old night time TV soaps started this. However, even other TV series, police, etc. have a running thread for each character.

If readers can’t identify with your characters, you will lose them. They won’t enjoy your book as much or at all and may give up on it.

So what makes fiction characters compelling?

Liking the character isn’t absolutely necessary, but remember that most people are not all good or all bad. And even so-called good characters can come across as somewhat off. Maybe they are too good-two shoes. Maybe they are too superficial. The dreaded wooden characters.

So, in a nutshell, you have to make your characters compelling – by making them three dimensional – with dialogue, their inner thoughts, and their actions. You need to compel the reader to get under the character’s skin and if not emphasize with them, at least be with them.

Besides your novel’s characters getting a mention from readers, another good sign of compelling characters ix when readers read they want to find out what happens to the main character because they care. When they sense something terrible is going to happen to a character they keep reading, hoping both that it won’t happen and that it will. And when it does, they feel right with the character and read on to see if the character can come through the situation.

Of course, some of this is plot. But these days you really can’t have one without the other.

Besides my Beyond books, read fiction by Peter Robinson, Rosemary McCracken, Rosemary Aubert and Maureen Jennings to name a few.

And happy reading.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available;

And check my updated Gigs and Blog Tours for a presentation with other Crime Writers of Canada authors on October 22, 2015

 

 

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On the book promo road again

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

The presentation at Woodbridge library last Thursday evening was another one of those magical evenings where readers and authors connect. So much so we could have gone long beyond the end time.

Rosemary McCracken, Nate Hendley and I did our separate mini-presentations, each ending with a short reading from one of our books. Nate sat between us “the thorn between the roses” is the way he put it. Maybe, but not the author, more for what he writes – true crime. Nate talked about how he started writing books and sort of “fell” into writing about criminals and now also those wrongly convicted like Steven Truscott. Nate also read an excerpt from Steven Truscott: Decades of Injustice (Five River Publishing, 2012)

Rosemary talked about her mystery series featuring financial advisor Pat Tierney and the issues writers of book series have to face. She also discussed how writing contests have helped her get her stories (yes, she also writes short stories) published – something writers shouldn’t ignore. Rosemary read the beginning of her first Pat Tierney novel Safe Harbor (Imajin Books, 2012)

I talked about my series characters – but not from the writing a series viewpoint, but where some of them came from and the location and time period for the Beyond stories featuring the fraternal twin PIs Dana Bowman and Bast Overture and how both affect my research. I also covered a bit of the research I do and read the beginning Prologues from Beyond Blood.(Blue Denim Press, 2014)

And then we turned it over to the audience. Lots of questions – from research to journalism – I got the question on the latter to my surprise because I’m the former journalist and Nate and Rosemary continue working as freelance journalists. The questions turned into a real dialogue among authors and readers. Like we were chatting in a living room – well a somewhat large living room. Afterwards, some of the readers came up to the table to chat more with us and to buy a few books.

And some of us Crime Writers of Canada authors are going to do it again next Tuesday, Sept. 29, 6.30 p.m. to 8 p.m., this time at a library in Toronto’s west end – Runnymede branch. This time the authors are Rob Brunet, Karen Blake-Hall, Madeleine Callway and myself. No true crime, but three of us (Rob, Madeleine and I) all had our first novel published in the second half of last year. Karen writes sizzling suspense-romance. The presentation is free so if you are in the Toronto area, please come – exact address is 2178 Bloor Street West, Toronto, ON. I’m not going to put the library link because as I found out in my other blog http://www.onlychildwrites.wordpress.com) posting on Tuesday, the link for that memoir writing workshop I was teaching Tuesday evening has now disappeared. Fair enough. The workshop is done and over with. So, for now you can check out my Gigs and Blog Tours page on this site (click on it at the top). Just remember the link to the Runnymede library blurb will probably disappear after Sept. 29.

And that reminds me – I better add October’s events to this  Gigs and Blog Tours page.

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available

 

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Creating Eccentric Fiction Characters

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Can eccentric characters come across as too eccentric? How does this affect your story?

Eccentric means “tending to act in strange or unusual ways,” according to the Merriam-Webster online dictionary.

How strange is strange? How unusual is unusual?

Let’s take a step back. We writers don’t want wooden characters – characters who act normal and live boring lives. Often these characters are stereotypes – the police officer who drinks a lot of coffee and eats donuts, the prostitute with the heart of gold. You get the picture. Readers don’t like the stereotype, the norm. It bores them and they may stop reading the story.

So we create eccentric characters. Sometimes these eccentric characters can go off the walls and distract readers from the story. Readers may also dislike the characters. Think about some of the sit-coms currently on TV. The old Jerry Steinfield TV show had eccentric characters, but it worked. Some of today’s just don’t. Just check out the ones that don’t last more than a season or perhaps not even a season. Viewers can’t connect to the sit-com’s characters,

Think Agatha Christie for eccentric characters such as Hercule Poirot and Miss Marple. When you strip away their eccentricities you find each has a core ordinary connection to living. Hercule Poirot is a private detective and Miss Marple is a meddling old lady. These are common characters in everyday life.

In my novel Beyond Blood and in my short stories in Beyond the Tripping Point I have eccentric characters. I try to keep their eccentricity not too far out there, although I do wonder about the mother in “For the Love of Wills.” However, the characters in the four linked stories who also appear in Beyond Blood are what I call distinctive eccentric characters. Each is, to borrow the hackneyed phrase, “their own person,” from the stuttering police DetectiveSergeant Donald Fielding who occasionally suffers from migraines to my meddling old lady – Great Aunt Doris. She is old-school and anything that is modern she tends to turn her nose down at – the gay twin PI Bast and his fraternal twin sister Dana’s status as working mother of a small boy.

Yes, you could say that these characteristics are often part of old ladies. So, I take these and work them in with how Doris relates with the other main characters, Dialogue plays a big part here. So does action. Doris really loves Dana’s son David and he seems to get along with her. Doris, also is the one who takes care of Madge, after her daughter Debbie is murdered. But I have added another eccentricity to Doris. She always lands on Dana, David and Bast at the most unexpected and inconvenient times. In Beyond Blood, she knocks on their door at 3 a.m. while police are there investigating a break and enter.

Bottom line with me? Create all characters as individuals – no two are alike (even the twins are different, but they are also fraternal twins, so don’t even look alike). Stay away from the stereotype; just don’t go to the opposite of extremely eccentric. You may just come up with interesting eccentric characters who work with and in your plot.

And please your readers to the point where they look forward to reading more about them and their adventures in your next book.

Cheers,

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 

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When to rewrite your novel

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

When do you rewrite your novel? As you go along? After each chapter? After a few chapters? Or when you complete the first draft?

If you rewrite after you go along, it can slow down finishing the novel’s first draft. You are constantly changing words, thinking of better words or phrases, deleting scenes, and on and on. You may easily lose your train of thought. The best way here is to keep on writing and if you just can’t come up with a better word or phrase, do as I do put “word” in brackets. Bold or red it if you like.

After each chapter or a few chapters? Yes, and no to rewriting. Most, if not all of us will not finish a novel in one sitting, so you are going to have to go back to it constantly. This will involve reading at least the previous chapter. or at most, the chapters written in your last writing session. During this time, I do make a few word changes or even scene changes. The latter often comes from getting a better idea – either between the last writing session and this one or as I read. Or sometimes the main characters from the Beyond series take over with what they think is best. Dana Bowman,one of the fraternal twin PIs is definitely good at this. But other characters, such as her brother Bast Overture, also speak to me. This can be a good thing because maybe you stopped writing when you reached an impasse or you knew something you had just written didn’t make sense to your plot and/or what your characters would do.

To continue last week’s post on outlining or not. I mentioned that I constantly go up and down the screen to fix inconsistencies. So that means I do some rewriting as I go along there. I find if I don’t fix the inconsistency when I and/or my characters figure out how to do so,  it will affect the rest of the plot. SometimesI have to add something – such as bringing in some of the characters’ suspicious’ actions so when I out them as guilty of something later on it doesn’t hit the reader in the face, leaving them wondering “Where did that come from?” “Or “there was no indication of this earlier on.”

So to answer the question, yes, I do some rewriting as I go along – but after I’ve written a few chapters – but I will also do several rewrites after I finish the first draft.

The process is all subjective – whatever works for the individual writer.

How and when do you rewrite your novel?

Comments?

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 

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Writing an outline or not for your novel?

Sharon A. Crawford's latest in the Beyond series

Sharon A. Crawford’s latest in the Beyond series

Do you painstakingly outline your characters every move and every plot development in your novel before you write it? Or do you jump right in and write from your idea of plot and characters? With a series (like my Beyond Blood series) the second option is modified as you already have your main characters – they just need further development.

I do a little of both and by that I don’t mean outlining to the last detail what is going to happen. I start with an idea and some new characters and start to type in an outline. But something happens as I do this. The darn story wants to be told so I involuntarily switch to writing mode.

Not that I’m through doing outlines. Far from it. I have had to stop and think between writings what could happen next. I say “could” because characters and situations change (like people in real life situations). And being anal and sticking to the original plan is often not in the best interest of the novel. This is creative writing – fiction.

Because a few things happen when you are in creative writing land. You get better ideas and characters like to take over. Listen to them. Some original plot ideas may not work out. Some characters need fleshing out and/or need to be connected to the story more, particularly what I call the “guest characters” as opposed to the series regulars.

I tend to write complicated plots and am constantly going up and down the screen to fix inconsistencies. I do have a list of inconsistencies and also a list of what I call “Balls being juggled in the plot.” The latter refers to what evolves as I write, but they must be worked out in the story telling. Let no story thread be left well, unthreaded.

One thing readers hate is if some plot development is left hanging at the end of the novel. I’m not referring to continuation of series characters’ private lives – for example relationships that have formed in the novel and may continue in your next novel. If Alice and Joseph start dating in your novel, you don’t have to marry them off at the end of the novel. Leave that open-ended one way or the other as anything can happen in the next novel. But if you have a subplot that is a red herring (part of the criteria for mystery novels), you better resolve that one.

So I ask you again – how do you write – from an outline or by the seat of your pants?

Cheers.

Sharon A. Crawford

Click on the Beyond Blood cover at the top to find out where copies are available.

 

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